Apple iTunes Introduces “Complete My Album” Feature

From Engadget, Apple announced today the ability to purchase at a discounted price the balance of an album from iTunes when customers have purchased individual tracks. Effectively the customers will be getting a $0.99 credit per song purchased previously against the full album cost. This has been a long-standing peeve with the iTunes Store– so this is good news. The downside of it is that you only have 180 days from the single purchase to get the credits.

Apple iTunes

B-Sides in the Bins #9 – Cedar Rapids, IA & eBay 3/24/07

I really wasn’t expecting to do any shopping today. Due to my daughter’s car needing to be dropped off at Tires Plus for a strange banging noise and my wife wanting to do some clothes shopping at Lindale I found myself with some time so I hit CDWarehouse.

I walked in and immediately spotted the spine of the new Low CD Drums and Guns in a stack of used CD’s on the counter. While I hadn’t planned to pick this album up, I couldn’t pass on a new release! I verified that it was for sale and asked to have it put aside and started over to the $1 CD’s and made my way through the LP crates and then through the CD’s.

Before I checked out I spent some time talking to John Fisher who owns the store. A great guy to talk to and is pretty passionate about music and music retail. We talked a lot about sales on the Internet versus the brick-and-mortar retail. He is well aware of what his competition is. He is located next to a Best Buy and his prices will typically compete with Best Buy on new releases. He can also place special orders, which Best Buy has no interest in doing. His perspective on his very low vinyl prices is that he needs to compete with eBay on the “non-collector” vinyl. He is also competing with HalfPrice Books who gets their inventory fortified by their other locations. I have to say that I was surprised about the turnover he had in his vinyl so it will continue to be a stop for me. John is also brokering his inventory through Djangos Music which is pretty smart. He said that he has moved a lot of inventory that he wouldn’t normally move just due to the limited audience in Cedar Rapids for the more obscure items. Times are really tough for the independent music seller so it is good to see someone still willing to figure out how to stay viable! Stop by there if you get a chance.

Drums and Guns – Low (CD Sub Pop SPCD 736, 2007) ($7.99) This CD came out this Tuesday. Evidently the previous owner didn’t appreciate the new direction Low is taking on their eighth album and second for Sub Pop. Low has been around for quite a long time in Indie terms with their first release in 1994. Low is known for their slow tempo style sometimes called “Slowcore” and this album is continuing this style albeit with more distortion on the guitars and more sound effects. This album leaked on the Internet early in January and I had those mp3’s. At the time I thought that what was leaked must have been a demo due to the really strange mixing of the vocals mostly in the right channel but this CD has that, too. I need to spend more time with it, but I think it is a grower. I should get the rest of the Low catalog.

Rumours – Fleetwood Mac (2 CD Warner Bros, R2 73882, 2004) ($9.99) Another great find today! This one has been on my Amazon and lala.com want lists for a while. This is a BMG pressing of the CD, which I would normally pass over but it is in Mint condition. This is probably the sixth copy of Rumours I have owned on CD in my life. When I got my first CD player back in the late 80’s Rumours was one of the first CD’s I purchased. (other titles bought that first day were Brothers In Arms by Dire Straits, Hot Rocks 1964-1971 by The Rolling Stones, and Graceland by Paul Simon). I’ve lost three copies to other people– ex-girlfriends mostly. When I was around nine or ten I got a stereo from my parents with an 9-track and had a mix of Rumours and the self-titled prior release that Dad made for the car that I listened to constantly. Dad had an 8-track recorder and used to dub copies of the 8-tracks he bought. This album has been with me my whole life it seems and around for important events. When my wife and I got married in 2000 our invitations had lyrics from the beautiful Christine McVie-penned “Songbird” and Sherry and I had our first dance as a couple at our reception to it. This release has the appended “Silver Springs” that was originally the b-side to “Go Your Own Way.” The controversy surrounding this song has been documented in other places, but this song was another song about the breakup of Buckingham and Nicks. It was pulled from the Rumours tracklist because it was too long and the band preferred “I Don’t Want To Know.” This song resurfaced for the out-of-print The Chain boxset. If I remember right, Mick Fleetwood really pushed for this song to be included in the boxset at Stevie’s initial hesitance. The song was brought back as a single for the reunion album The Dance. The popularity of this song influenced its inclusion in the DVD-A release of Rumours in 2002, and then for this 2004 release. Sonically, I don’t think that this release is much of an improvement over the other pressings of this album on CD. The second disc of bonus tracks and demos serves mostly as an interesting view into the creation of this album and not really something you’d spend a lot of time listening to.

In The Sun – Archer Prewitt (CD Carrot Top SAKI 015, 1997) ($7.99) Another surprise find for me. I’ve had this one on my want list for a long time. This was the missing CD in my Prewitt collection. Archer Prewitt, for those of you who aren’t familiar is a core member of The Sea and Cake. Prewitt’s music is similar to The Sea and Cake, but differs from Sam Prekop’s solo works. Sam has a whispery vocal approach and tends towards a jazzy feel. Prewitt sounds like early breezy Seventies pop. I hadn’t heard any of the tracks off this album before today, but fits right in with his other albums. The Sea and Cake feels more like a Prekop vehicle and Prewitt takes a backseat in that band in my opinion, but he seems very comfortable in his role in the center stage on his own songs.

Afoot – Let’s Active (Vinyl EP I.R.S. SP70505, 1983) ($1.99) Let’s Active was the band fronted by 80’s college rock uber-producer Mitch Easter who I’ve mentioned on here before. According to Mitch, Afoot was an experiment of sorts. I.R.S. let Mitch record and release a record of his own after the success of the first two R.E.M. albums he produced with Don Dixon. This EP had a hit in “Every Word Means No” and even had a video on MTV. This will sit comfortably with my Game Theory vinyl. Mixed by Scott Litt who would later produce six of the best R.E.M. albums from Document through New Adventures in Hi-Fi.

90125 – Yes (LP ATCO 90125-1, 1983) ($1.99) It’s interesting to note that this album was released the same year as Afoot. They seem years apart. Sadly this album hasn’t aged as well as Afoot, however. All of those really nasty “orchestra hit” synthesizer patches and compressed and gated drums peg this album squarely as an early 80’s pop album. Still, this is one of my favorites. Probably the only album in history that is named after its catalog number. I had purchased this album on cassette in 1983 or 1984 largely due to the singles that this record spawned and the videos that were shown on USA’s “Night Flight” and WTBS’s “Night Tracks” shows (no MTV in Bellevue, IA back then!). This album follows the critically-panned Drama album that had the Buggles members Trevor Horn and Geoffrey Downes on vocals and keyboards. Drama was the only Yes album without the distinctive vocals of Anderson. Horn and Downes left after the Drama tour. Chris Squire and Alan white formed another band with guitarist Travor Rabin called Cinema which eventually Jon Anderson joined which allowed them to honestly call the band Yes. Most of the pop-geared single tracks were penned by Rabin and most of the vision of the record comes from him. Production was handled by Trevor Horn, who by this time had produced some significant albums on the ZTT label including Frankie Goes to Hollywood and The Art of Noise and lent a similar big sound to 90125.

Freedom – Neil Young (LP Reprise 25899-1, 1989) ($1.99) This LP has a cover that has a large patch where the printing has torn off, but the front looks good and the vinyl is good. Freedom marks the triumphant return-to-form for Neil on Reprise after his “lost” period on Geffen. Freedom started life as another album titled Times Square which was to be a louder album in a more Crazy Horse vein. Apparently the label didn’t hear a single so Neil went back to the drawing board and selected the best tracks from the Times Square sessions and added three new songs including the smash “Rockin’ In The Free World” in electric and acoustic versions the way Rust Never Sleeps had “Hey Hey, My My” and “My My, Hey Hey.” Many consider Freedom to be a complimentary release to Rust. A number of the tracks pulled from Times Square ended up on a Japanese/Australian EP called Eldorado. I got a copy of Eldorado from a Japanese student who brought one back with him after a break. I consider Freedom to be one of Neil’s finest moments on record.

Aerocalexico – Calexico (CD Our Soil Our Strength, 2001) ($9.99 + $2.50 Shipping) I got this as a Buy-It-Now this week. I’m very happy about this one as it is the last of the Calexico tour-only CD’s I needed. This one is probably one of the best of the series. I think it is great that Calexico pulls these collections together and makes them available to the fans. Some standout/notable tracks are “Pretty White Horses,” the Christmas track “Gift X-Change” and the instrumental track to “Humana” which was the “collaboration” with Goldfrapp on the “Human” remix from Felt Mountain Revamped album. This is still available from the Calexico site for $16

Things I didn’t buy: Franz Ferdinand’s debut CD in special packaging and included a bonus disc, Frankie Goes To Hollywood’s Welcome to the Pleasuredome on LP. They were playing a CD by Dressy Bessy that was pretty interesting– it was their 2002 release Sound Go Round. I’d heard mention of them but wasn’t familiar with them. Worth checking out I think. You can hear tracks at their Myspace page.

On R.E.M. in the Hall of Fame

R.E.M.
R.E.M. is inducted into the Rock and Roll Hall of Fame this week. In some respects this is the band that was once my favorite band sealing their fate as a classic rock band. Yesterday on the Onion A/V site Steve Hyden wrote an article about the “Incredible Shrinking Legacy” of R.E.M.— how over time R.E.M. became less of a band able to make music anyone cares about. If you have a couple of minutes you should read the article and the following comments from folks arguing like theologians over the Apocrypha.

As I look up at my framed handbill of the October 31, 1987 show from Palmer Auditorium in Davenport, I realize that Steve is saying something that I’ve slowly come to terms with over the years– that R.E.M. isn’t making music that interests me any longer, and apparently a lot of people feel the same way. Unlike Steve, I haven’t gone to the extreme of selling off my R.E.M. collection, nor have I completely dismissed their importance as a band that nearly single-handedly brought college rock to the colleges (debt to U2 here, too)– making the campuses safe for every band from Soul Asylum to Camper Van Beethoven and– (gads!) Hootie and the Blowfish and Counting Crows.

So, I think their induction marks a significant passing of the torch. As I listen to the music from bands that are the age that R.E.M. was at their peak (the peak defined by college rock historians as 1981-1995) the “alternative” landscape is much different and the influences that feed today’s music is different that it was then. R.E.M. came from Velvet Underground, Talking Heads, Television, Byrds, and Big Star. Today’s bands are influenced by R.E.M., U2, as well as other contemporaries. It’s the passing of the torch and, while it makes me sad that the music that defined my teens and early twenties is history at best– it is what needs to happen for music to move on. Should R.E.M. have quit after Bill Berry quit the band? I agree that the band hasn’t made records that so define an age as Reckoning and Fables have, they are still cranking out albums and seem to really be trying and following their particular creative paths. In the meantime, I’ll keep watching and listening to see if they do something groundbreaking again.

B-Sides in the Bins #8 – Cedar Rapids, IA 3/11/07

Happy Daylight Savings! Today I needed to get my oil changed which usually entails leaving my car at the oil change place and figuring out what to do for a couple of hours. I decided to go visit the used CD stores in the area. I ended up at Half Price Books and got some good deals. Really, Half Price Books has some of the best vinyl selection in Cedar Rapids. Ratz Records downtown has the most vinyl, but Half Price has the best quality selection in town.

Tusk – Fleetwood Mac (2 LP Warner Brothers 2HS 3350, 1979) ($5.98) Tusk in so many ways is one of my desert island discs. My dad bought this when it came out on cassette. Since this is a double album it came on what would be a 90-minute cassette. This ultimately means that the tape is thinner and more susceptible to failure. We bought two copies of this tape as we wore them out. The second copy wore out and I used a cassette repair kit from Radio Shack to fix it. Looking back I’m amazed that they had cassette repair kits! The plastic liner would wear out from the hubs so I cracked the tape open and moved the tape and spools over to a new case and liner. I bought this on CD when it came out and was punished with a shortened version. Back in the day they could only make 78 minute CD’s and so Warners made Tusk with an edit of “Sara” which is crazy since that was one of the singles. Or, maybe they got the edit from that… Brilliant record which was considered to be extravagant noodling from a band losing its direction or allowing Lindsey too much creative control. In hindsight, this is the White Album of my generation. According to the sleeve, this was $15.98 MSRP!! My copy is super clean. I need to get that remastered 2-disc version one of these days. I’m still looking for clean versions of the other Buckingham-era LP’s. My childhood pressed into shiny black plastic. I also own the Camper Van Beethoven “tribute” to Tusk which is recommended as well.

“Heaven or Las Vegas (edit)” b/w “Dials” and “Heaven Or Las Vegas (album version)” – Cocteau Twins (12″ Capitol/4AD SPRO-79427, 1990) ($1.98) This one was mistakenly stuck in the Rap section with all of the other lonely Rap white label promos. I really didn’t need this as I have the “Dials” track as a CD promo and as part of the extra disc in the maroon Cocteau Twins box set released by Capitol in the early 90’s. For $1.98 I couldn’t pass it up. Maybe this needs to be eBay fodder for someone who is a completist. The cover has major spine injury and someone wrote on it– this is a promo so some radio station had it in its library. The vinyl is very clean. The Heaven or Las Vegas album is pretty much the pinnacle of the Cocteau Twins catalog in my opinion. I saw them that tour in Chicago at the Metro with my friend Urban who turned me on to them that previous year. That album was one of my “makeout” favorites from that year.

Idle Moments – Grant Green (CD Blue Note 7243 4 99003 2 5, 1999) ($3.00) This one was in the “Clearance” section of the CD’s. Part of the “Rudy Van Gelder Edition” remasters of the formidable Blue Note back catalog. Originally released in 1963 as Blue Note BLP 4154. I have decided that I’m going to purchase whatever Blue Note CD’s I stumble across. Grant Green is an amazing jazz guitarist and probably considered the earliest of the groove jazz players. I first became aware of Grant Green due to his inclusion in the Blue Note Grooves compilation from the 90’s. Lots of Blue Note titles were pillaged for the Acid Jazz movement and Blue Note countered with releases of the more popular tracks. Blue Note also sponsored an Acid Jazz sampling effort in US3 which also used Grant Green’s “Sookie Sookie” in its first album. This is a nice, mellow album with two superb renditions of the Modern Jazz Quartet’s “Django.” This release includes two outtakes that are extended versions of “Jean De Fleur” and “Django.” Very cool find. One funny note about this release is that it still has the price sticker from the Record Collector who includes the date it was bought as used. Some time after 5/2004 it was sold for $12.00.

The Stratocaster Chronicles – Celebrating 50 Years of the Fender Strat” – Tom Wheeler (book Hal Leonard Corporation ISBN 0-634-05678-6, 2004) ($19.98) The original MSRP on this one was $50. Hardcover coffeetable book on the history of the Fender Stratocaster with a forward by Eric Clapton. Includes a CD with samples of the Strat in action as well as interviews with Leo Fender and others. A Fender fan myself, I couldn’t pass up this title. Thank God for Half-Price Books. Nice pretty pictures of the guitar that changed the face of music.

Tortoise 2007 US Summer Tour Dates

A couple of weeks on the heels of the Bonnaroo announcement Tortoise has planned another nineteen dates starting the day before in Columbus, OH at OSU and wrapping up on July 8th at Webster Hall in NYC. This was previously reported in Pitchfork but there have been more dates added since and more could be added. Notably missing are non-North American dates, so I would expect more to come. These dates have been adding to the Thrill Jockey Tour page little by little over the last couple of weeks. The rumor is that Tortoise has been recording a new album so maybe we’ll hear new songs. Thrill Jockey hasn’t mentioned a new Tortoise album for this year.

Of note for me anyway is the show at the Cedar Cultural Center on June 30th in Minneapolis as this is likely the show I will hit. Tickets go on sale at Noon on Friday, March 23rd for $18. I haven’t been to this venue yet, but it is a theater venue which will be nice.

The other notable date on here is the WXPN World Cafe Live show on July 6th at 7:30PM. The tickets for this are $16 and standing room only. I think that XPN broadcasts these shows.

Thu Jun 14
Columbus, OH
Wexner Center (Ohio State University)

Fri Jun 15
Manchester, TN
Bonnaroo Music Festival

Sat Jun 16
Lawrence, KS
The Granada Theatre
w/ Hot Chip

Mon Jun 18
Denver, CO
Bluebird Theatre

Tue Jun 19
Salt Lake City, UT
Urban Lounge

Wed Jun 20
Phoenix, AZ
Rhythm Room

Thu Jun 21
Los Angeles, CA
El Rey Theatre

Fri Jun 22
San Francisco, CA
The Independent

Sat Jun 23
San Francisco, CA
The Independent

Mon Jun 25
Portland, OR
Aladdin Theater

Tue Jun 26
Seattle, WA
Neumos

Sat Jun 30
Minneapolis, MN
Cedar Cultural Center

Sun Jul 1
Chicago, IL
The Metro

Mon Jul 2
Ann Arbor, MI
The Blind Pig

Tue Jul 3
Toronto, ON
Lee’s Palace

Thu Jul 5
Boston, MA
Museum of Fine Art (Early Show)

Thu Jul 5
Boston, MA
Museum of Fine Art (Late Show)

Fri Jul 6
Philadelphia, PA
World Cafe

Sat Jul 7
Washington, DC
Black Cat

Sun Jul 8
New York, NY
Webster Hall
w/ Kieran Hebden (Four Tet) with Steve Reid