The Greyboy Allstars – What Happened to Television? (review)

What Happened to Television?Growing up one of my favorite instrumental songs was “Green Onions” by Booker T. and the MG’s. When I started listening to the mid-Nineties Acid Jazz movement, the instrumental and keyboard driven music reminded me of the grooves of the MG’s. Around this same time the formidable Blue Note Records released a compilation titled The Lost Grooves – Rare and Previously Unissued Slices of Funk from the Vaults of Blue Note 67-70. This compilation was solid great grooves from beginning to end and included Grant Green, Lonnie Smith and Lou Donaldson. According to the liner notes penned by Bob Belden, the period of 67-70 represented a transitory period for Blue Note — moving from the bop styles and leading to the 70’s fusion. Blue Note signed a number of artists who all represented the funk-fueled jazz. In the 90’s the massive Blue Note catalog was being sampled by DJ’s and they responded with this album as well as their own hip-hop act US3. Around this same time the Beastie Boys released Ill Communication that had Hammond B3-driven funk instrumentals (assisted by Money Mark) and the subsequent EP The In Sound from Way Out that collected the instrumentals plus a couple of other tracks.

I was listening to all of this in the 90’s and it shaped my tastes for instrumental funk.

DJ Greyboy formed the band the Greyboy Allstars with Karl Denson in 1993 during the height of Acid Jazz as an extension of his residency spinning discs at a bar in San Diego. The band’s style of music was influenced by the rare jazz groves that DJ Greyboy was using in his sets. Uninterested in extensive touring, DJ Greyboy’s involvement in the group is to act as a creative leader and filter to the band’s music. The Greyboy Allstars’ new album on SCI Fidelity What Happened to Television? is the band’s second album. The first album West Coast Boogaloo came out in 1995.

The Greyboy Allstars decided to re-form after a successful reunion show last year. The result is a purple wall-to-wall shag of funk and jazz grooves. On the informative episode of the SCI Fidelity podcast the band admits to having a fascination with a certain period and this record shows it. All of the instruments are old school funk jazz and even the recording was done live to tape with tape splicing for edits.

I hadn’t heard of DJ Greyboy or the Greyboy Allstars prior to getting this album so this review required some digging to get the details of this group. The band is made up of seasoned scenesters. Guitarist Elgin Park is better known as Michael Andrews and scored films like “Donnie Darko” as well as the TV series “Freaks and Geeks” and has also produced a number of albums for artists like Inara George who is on this album. Sax player Karl Denson was a former sideman for Lenny Kravitz. Robert Walter who plays the Hammond B3 is a well-regarded sideman who worked with the Headhunters and Bobby Previte. Bass player Chris Stillwell has worked on many sessions including the soundtracks for “40 Year Old Virgin” and “Starsky and Hutch” as well as working on Inara George’s first solo record All Rise. The Funky Drummer for this album is Zak Najor.

The album was recorded and largely written in a week. Only one song was written prior to the sessions. According to the band in their podcast, this prevented the “jury duty” that is usually associated with introducing songs to the band for approval. This also gave everyone a stake in the songs as they created the songs as a band. I think that the sense of urgency to get the record recorded resulted in a much-needed lack of polish. The band says that there are “tiny mistakes” all over the record that you wouldn’t notice but add to the edge of the record. They site the album track “Left Coast Boogaloo” for this in that the song nearly fits in the smooth jazz category except for the angular guitar playing.

Overall the record is fun and sunny which is exactly the mood the band set out to capture. Every track is the sound of a band stretching its legs in a style they love. Of note are the vocals– they include lots of James Brown or Bootsy Collins style shouts and phrasing. A couple of the songs feature the band members on vocals. Two of the songs have Inara George, daughter of Lowell George on them.

The record’s first single will be the band’s take on the standard “How Glad I Am.” This song is a funkified song with Andrews Sisters style harmonies provided by The Living Sisters which has Inara George as a member. The Living Sisters includes Becky Stark from Lavender Diamond (featured in this month’s Paste Magazine) and Eleni Mandell. Elgin Parks/Michael Andrews was producing the Living Sisters album, which is largely a folk record and they do a version of “How Glad I Am” on it. He got the idea to have them do their same vocals over the band’s groove. The result is very cool if a bit unexpected. It reminds me of the song “Dancing” from the movie “Xanadu” where Olivia Newton-John sings in a similar 40’s swing style that gets mashed with the Tubes. Inara Seems to be very busy! She is also in the critically-raved The Bird and the Bee whose new album is out on Blue Note of all places. I heard “Again and Again” on last week’s “Grey’s Anatomy.”

The band’s namesake DJ Greyboy shows up for two inspired tracks where he guests on the turntables– “Old School Cylons” and the cover of an obscure funk 7-inch called “Give the Drummer Some More.” This was a record that Greyboy used to spin in the early days at the Green Circle that the band liked. No one could come up with a copy of the record for the band to learn the song so they found a partial sample of the record and improvised the song from there. According to the band in the podcast, “Drummer” is in the style of songs like “Do the Tighten Up” and “Memphis Soul Stew” where each of the members of the band get a shout-out and a solo. A very good way to wrap up a great album.

If you’re a fan of Acid Jazz, old school R&B or Jazz Funk, this is the record for you. The band says that they are already working on the next albums– I think this is great news. They are kicking a tour off in May and will be touring through the summer. If you’re lucky enough to have them in your town you should go out and shake the boogaloo.

Click Here to download the SCIFidelity Podcast #7 on the Greyboy Allstars as an mp3.

The Mini-Site dedicated to What Happened to Television with two tracks (“V Neck Sweater” and “How Glad I Am”) in Real Audio.

Greyboy Allstars on MySpace with “V Neck” and “How Glad” as well as one track from their debut record and one from the Ben Stiller movie “Zero Effect.”

Download “Knowledge Room” from What Happened to Television?


The Greyboy Allstars - What Happened to Television?
Get What Happened to Television? from iTunes

Trip Hop Classic The Great Game by Brother Sun Sister Moon Reissued

Brother Sun Siste MoonBrother Sun Sister Moon was a collaboration between Paul Robb and Barbara Cohen. Paul was one of the founding members of Information Society- which apparently is reunited. Paul is a noted composer and has contributed instrumental works to commercials and movies. Barbara Cohen was part of her own band Little Lizard and today is a solo performer with her last full album California released in 2003. Paul and Barbara were living in Minneapolis pursuing their projects when Paul approached Barbara to sing in a Trip Hop project. The resulting album The Great Game was released in 1997 at the end of February to local fanfare on Robb’s label Hakatak, which was being carried by TwinTone/TRG. This was during the time when Trip Hop was in its heyday– Portishead, DJ Shadow, Morcheeba, and Sneaker Pimps were all topping alternative radio. At the time Minneapolis alternative station REV-105 was pushing tracks from the album which was getting very favorable reviews. My wife and I saw the record release party at the Fine Line on March 8th. It was a great show– Cohen front and center with a backup female vocalist, Robb on laptop, a guest bass player and another guy on turntables.

The local buzz about the group drew the attention of Virgin Records who quickly signed them resulting in Robb and Cohen to relocate to California to work on the follow up Luminous. While the release– under the group’s new name Luminous– was recorded and features a collaboration with Orbital, it was never released by Virgin and the group was dropped. The album finally was released in 2002 on Bleep Records and is now out-of-print.

On June 1, 2007 Robb is re-releasing the debut Brother Sun Sister Moon on his Hakatak imprint as a download-only release via iTunes and Rhapsody. Robb has been releasing his Industrial works as Think Tank as well. This is really good news as this album has been a favorite of my wife and mine and is in regular rotation on the house mp3 server. If you are a fan of 90’s Trip Hop acts like Portishead this album is for you. Cohen’s soulful vocals are complimented nicely by the samples and drum and bass of Paul Robb. I hope that Robb will release the Way Down Deep EP as well as it includes remixes of “Nicosia” and “Laudanum” which was not on the album, and the “hidden” instrumental track “Africa 2005” from the album.

The Great Game
Download “Cairo” (mp3)
from “The Great Game”
by Brother Sun Sister Moon
Hakatak International

More On This Album

Where’s my Fender Frontline Catalog???

I’ve been collecting the catalog for Fender’s line of guitars and amps for a couple of years now. They are a slick full-color affair and are to date the only way to keep up with the frequent changes to the Fender line and I find them essential when doing research on the products. Since January I’ve been visiting my local guitar stores that carry Fender and asking when the 2007 Frontline catalog is supposed to come out. No one knew! First it was supposed to come out after the February NAMM show, and then people weren’t sure.

I contacted Fender about this and found out that the catalog you could pick up in-store will now be replaced with a mailed catalog to be called “Frontline In Home” and the first one will be mailed in May. There will be an illustrated price list called “Frontline In Store” for the dealers. There will also be some “Frontline” branded online things to come at fender.com that sound really interesting if they accomplish.

To make sure that you get your catalog, click here and fill out your information.

Members of Tortoise announce ‘Bumps’ Side Project

From Pitchfork: In a bit of fresh news from the Tortoise camp, John McEntire, Dan Bitney and, Johnny Herndon are releasing a record of percussion and samples on the always-real Stones Throw Records under the moniker “Bumps.” The release which will come out on CD and (of course) LP is due June 19th.

This move comes as a welcome spin from Tortoise who have, in my opinion, been ignoring their electronic/remix side since the double remix 12″s that came out during TNT. It seemed that the guys in Tortoise were regularly dabbling in this arena– either having others remix Tortoise songs, or doing remixes themselves for Yo La Tengo and McEntire’s Tortoise remix of Coldcut’s More Beats and Pieces. and Herndon’s “A Grape Dope” side project.

B-Sides in the Bins #10 – Minneapolis/St. Paul 3/31/07

Last weekend Sherry, Rae and I went to Minneapolis so they could participate in an in absentia baby shower. Sherry’s aunt was throwing a baby shower for her daughter who lives in the Phoenix area and couldn’t be in Minnesota for it. So, all of the relatives in the Twin Cities got together with the requsite baby shower gifts, games, and food. Everyone shows the gifts and at the end they are boxed up and shipped. A neat idea that Sherry’s mom did for Sherry’s aunt a long time ago.

At any rate it meant that Sherry’s uncle and I were effectively kicked out of the house for four hours. The plan on this very rainy day was to hit Cheapo’s on Snelling in St. Paul and, if there was time left, hit the Cheapo’s on Lake in Uptown. Both of these locations have vinyl stores attached to them.

The trip to Snelling was a bust. I hit the vinyl location hoping to find some Tortoise. They had the In The Fishtank release from Tortoise and the Ex and The Brave and the Bold collaboration with Bonnie “Prince” Billy. I flipped through the New Arrivals and saw some interesting stuff like Journey Through the Past from Neil Young which is a soundtrack to an evidently strange movie Neil produced in 1974 under his nom de film Bernard Shakey. I contemplated picking this up, but it was kind of pricey for what I thought the quality was. In retrospect I should have picked it up since it hasn’t been released on CD. Looking at the tracklist, though, it might only be notable for the 16+ minute studio version of “Words.” The trip to the CD store was disappointing. It appears that the New Arrivals section has dwindled to two tables. I quickly flipped through the week of arrivals and found nothing of note except for Money Mark’s new one. Sherry’s uncle picked up a Temptations Greatest Hits comp.

The stop at Lake was much better. I visited the vinyl store which is called Vinyltopia. Boy, is it ever! This store is the basement of the CD store and is probably the same square feet. I knew right away that I better not spend too much time down there– I’m sure I could blow an entire day flipping through those bins. I hit the Tortoise section with no luck and flipped through the New Arrivals, but nothing jumped out at me, so I made my way upstairs.

Neon Bible – Arcade Fire (CD Merge MRG285, 2007) ($9.98) There just seems to be so much talk about this album I thought I’d give it a closer listen. I didn’t like Funeral that much, so I kind of wrote this band off. So… I think the album is pretty good. It improves with multiple listens, but does anyone else hear E-Street Era Bruce Springsteen in this?? I don’t think it is just the glockenspiel. I think it is the pumping percussion and the soaring choruses. Especially “Keep the Car Running.” “Every night my dream’s the same. Same old city with a different name. Men are coming to take me away. I don’t know why but, I know I can’t stay.” That could have been penned by Bruce. I guess in the pop canon there are worse artists to emulate. Well, except for that last Killer’s album.

Return to Cookie Mountain – TV on the Radio (CD Touch and Go/Interscope B0007466-02, 2006) ($8.95) Man, “Wolf Like Me” is just one of those great songs. Best song about lycanthropy— ever! My wife loves that song as well. I thought it was time to add this one to the collection. This version of Cookie Mountain has three bonus tracks: “Snakes and Martyrs,” a remix of “Hours” by El-P, and “Things You Can Do.” We’re howling forever…

In Search of the Lost Chord – The Moody Blues (CD Deram 42284 4768-2, 1968/1997) ($5.95) This CD completes my collection of the essential first seven Moody Blues albums from the second and more notable version of the band. From the period of 1967 to 1972 the Moody Blues released an astounding seven albums with two albums coming out in 1969. The Lost Chord is the second of these albums and includes the singles “Voices in the Sky” and the concert favorite “Ride My See-Saw.” The Moody Blues defines my childhood as my family and especially my dad were big fans and most family excusions included cassettes from the Moody Blues. This is the 1997 “Digitally Remastered” version of the album. I read online that Justin Hayward is finishing up re-releasing the first seven albums on SACD with bonus material. I’ll be looking into these to see if they are worth picking up.

The next four CD’s were a happy find for me. The “missing” pre-Geffen Reprise-era Neil Young albums. These have been out-of-print for many years mostly due to Neil’s tendency for perfection but likely also due to his crotchety nature. Since the first discussions of the Decades III/Archives releases in the mid- to late-Nineties the fans had been asking for these albums to be re-released. Neil said in an interview that he had been holding off on releasing these because to date he hated the mastering that had been done to his catalog for CD and that the vinyl versions of his albums sounded superior to them. Apparently with the advent of HDCD Neil is satisfied with the sound of CDs. Still to be released are the soundtrack to “Journey Through the Past,” and Time Fades Away. In the case of Time Fades Away, there was an HDCD release set up and sent out as promos, but the release never materialized.

On the Beach – Neil Young (CD Reprise 48497-2, 1974/2003) ($5.95) In my opinion, this is the best of the four re-releases. On The Beach is part of what is known in the fan circles as “The Ditch Trilogy” which includes Tonight’s The Night and Time Fades Away. Following the huge success of “Heart of Gold” from Harvest, Neil felt it was necessary to move from the middle of the road to the ditch– per the liner notes in Decade. The resulting block of three albums are all similar in their darkness in themes. A friend of mine from Dubuque who was a huge Neil fan made me a cassette of On The Beach and American Stars ‘n Bars that I took with me to Louisiana during a computer installation. The loaner car I drove had a cassette deck in it and I listened to that tape non-stop during my treks between New Orleans and Houma where the two locations of the installation were. “Walk On”, “See the Sky About to Rain,” and “On the Beach” are my standout favorites.

American Stars ‘n Bars – Neil Young (CD Reprise 48496-2, 1977/2003) ($5.95) Another good release from what tends to be considered very unbalanced releases. Neil in a more country mode. Stars n’ Bars and Hawks & Doves benefit from having tracks pulled from the aborted Homegrown and Chrome Dreams albums. Notable tracks include “Like A Hurricane,” “Will to Love,” and “Homegrown.” Beautiful backing vocals from Linda Ronstadt and Nicolette Larson. Emmylou Harris sings on “Star of Bethlehem.” Amazing pedal steel by Ben Keith. The cover art was done by buddy Dean Stockwell.

Hawks & Doves – Neil Young (CD Reprise 48499-2, 1980/2003) ($5.95) Another folkie-country release. This album is also a collection of tracks recorded at different times dating back to 1974. Standout tracks “Little Wing,” “The Old Homestead,” and “Captain Kennedy.”

Re-ac-tor – Neil Young (CD Reprise 48498-2, 1981/2003) ($5.95) The last of the Reprise releases before Neil jumps to buddy David Geffen’s label for eight years. That move to Geffen ended with a lawsuit accusing Neil of not sounding enough like himself. Admittedly, the Geffen catalog has Neil experimenting in different styles. Neil brings the Horse back for the first time since I guess Zuma. This is probably the weakest of the re-releases. Although it sounds like Crazy Horse, it doesn’t have any of the substance that previous efforts showed. Standout tracks are “Shots” and “Southern Pacific.”

Live at Amoeba Music – TV on the Radio (CD Touch & Go/Interscope B0008324-32, 2007) ($5.98 + shipping) I didn’t get this from Cheapo’s. I got this from Amoeba online. This is a limited-edition 4-track CD of TVotR’s in-store appearance from September last year. A good addition to my collection. As frantic as the band sounds on their album, they have even more energy live. Tracks: “Blues From Down Here,” “Wolf Like Me,” “Province,” “Wash The Day.”

Stuff I put back: Old Ways – Neil Young– I think I might be able to pick this up later, World Without Tears– Lucinda Williams, Por Vida – A tribute to Alejandro Escovedo.

Calexico Cover Arcade Fire – From the Calexico Archives

The Merge Records Blog had a post referring to another blog– likely it was More Cowbell— where they posted a live mp3 of Calexico covering “Ocean of Noise” from Neon Bible by Arcade Fire. Jim Blackwell, the Official Calexico Archivist, pulled a better version from the archives for Merge. “Ocean of Noise” on Neon Bible features Martin Wenk and Jacob Valenzuela from Calexico which makes it a good song for Calexico to cover.

Click Here to Download Calexico’s cover of “Ocean of Noise.”

The Sea and Cake Summer Tour Dates with The Zincs

It’s going to be a busy summer for the Thrill Jockey stable of artists. Most of the long-standing acts have or will be releasing new albums this year and are out on tour. Trans Am is back with Sex Change, Califone is out supporting their 2006 release Roots and Crowns, Tortoise is out on tour this summer, and the venerable Sea and Cake will be releasing Everybody on May 8 and out on tour with The Zincs starting in May and wrapping up June 9th in time to allow drummer-in-common John McEntire to pick up with Tortoise’s summer run which starts June 14th. According to their press release the Sea and Cake will be doing a more extensive tour this fall.

Pre-Order the new Sea and Cake Everybody from Thrill Jockey and it will come with a free poster! I recommend doing this as most of the cover art from Thrill Jockey is artwork in itself and a poster is usually $9 shipped. Well worth it. The vinyl edition of Everybody will include a deluxe gatefold with large 16-page booklet.

Mon. May 14
Vancouver, BC
Richard’s on Richards w/ The Zincs

Tue. May 15
Seattle, WA
Neumo’s w/ The Zincs

Wed. May 16
Portland OR
Crystal Ballroom w/ The Zincs

Fri. May 18
San Francisco, CA
Bimbo’s w/ The Zincs

Sat. May 19
Los Angeles, CA
Troubadour w/ The Zincs

Sun. May 20
Los Angeles, CA
Troubadour w/ The Zincs

Mon. May 21
Solana Beach, CA
Belly Up w/ The Zincs

Thu. May 31
Chicago, IL
Empty Bottle (2 shows) **

Mon. June 2
Toronto, ON
Mod Club w/ The Zincs

Sun. June 3
Montreal, QC
La Sala Rossa w/ The Zincs

Tue. June 5
Boston, MA
Paradise w/ Loney Dear, The Zincs

Thu. June 7
New York, NY
Webster Hall w/ Loney Dear, The Zincs

Fri. June 8
Philadelphia, PA
Theatre of Living Arts w/ Loney Dear, The Zincs

Sat. June 9
Washington, DC
Black Cat w/ Loney Dear, The Zincs
** Support acts to be determined