I Won Something!

Stage Hymns had a contest last week where he was asking for suggestions about what cover song Tapes ‘n Tapes should cover– if they took suggestions for covers. Yours truly won by suggesting that they should cover the seminal Television song “Marquee Moon.” Per Joe, the keeper of Stage Hymns, “‘Marquee Moon’… is an amazing song, and an obvious precursor to much of the music that influenced Tapes ‘N Tapes.” The prize is an autographed 7″ single of “Insistor”/”Crazy Eights” that Joe got at the show he just attended. Joe says that he’ll be posting some versions of “Marquee Moon” in the near future.
So, big up to Joe and his nifty music blog… I’ll be adding it to my blog roll.

Now, if only Tapes ‘n Tapes would take the suggestion of that cover song…

River Roots Live Festival Lineup Announced : Calexico, Escovedo, Ramsey and more

As reported in The Air Strange the River Roots Live Festival has announced their first round of acts to play in their yearly festival which takes place September 22-23, 2006 at LeClaire Park in Davenport, IA. River Roots Live is one of a number of events put on by the River Music Experience which is one of seven components of Davenport, Iowa’s, River Renaissance, which is in partnership with Iowa’s “Vision Iowa” program. Typically, Vision Iowa monies are used to rebuild areas of Iowa cities and build attractions like casinos and museums. I have to admit that this is a unique and cool use of those monies. The inital lineup for this year’s festival is very impressive and includes (so far):

The Black Crowes

Susan Tedeschi

Umphrey’s McGee

Martin Sexton

CalexicoCancelled
Scott Biram

GirlyMan

Alejandro Escovedo

Bo Ramsey

Hackensaw Boys

Junior Brown

The Gourds

All of this for only $35! Your Iowa Tax Dollars at work! This will be the second time I’ve seen Calexico this year (review to come). I love the Alejandro Escovedo album, and his live shows are typically great. Although, I’m just about as excited to see Bo Ramsey solo as anything else! He’s been playing a supporting role with Greg Brown and Pieta Brown for the last couple of years in addition to his production work. He’ll be playing songs from his upcoming “Stranger Blues” album, likely. More news as I get it on this show.

Gabe’s Is Dead… Long Live the Picador?

Amidst all of the rumors about the various venues in Iowa City that are rumored to close, I stumbled over this blog today. Evidently, last night was the last show under the Gabe’s Oasis banner. The venue will close for remodelling and re-open under new managment as The Picador. The hopes are that the new management will bring in bigger acts than Gabe’s used to. I saw some of the best shows at Gabe’s over the years– Trip Shakespeare, Game Theory, and Evan Dando with Epic Soundtracks to name a few! Watch the Myspace page for updates.

Train and Buffalo Tom Live at Fenway Park – June 15, 2006

I was in Boston the week of June 12th for Microsoft’s big conference known as TechEd. I was hoping to hit some record stores this trip because I was staying in the same area as LinuxWorld, which put me in walking distance of about five of them. Unfortunately, I wasn’t able to get that in as I had a pretty packed week at the conference, and things to do with the group I travelled with at night. Just when I thought I would be having a week with no music-related activities, Microsoft comes through with a concert at the amazing Fenway Park– home of the Red Sox.

TechEd usually has one night that is a sponsored event– last year in Orlando they booked Paramount Studios park for one night. They announced that Train was playing for us at the beginning of June in an e-mail confirming the event. I was only vaguely aware of Train. They played in Cedar Rapids a number of years ago for Freedom Festival. The only song I could name was “Meet Virginia.” I had considered skipping this event in favor of hitting a record store, but I decided that I shouldn’t miss out on free food, beer and music. On Tuesday, they handed out flyers explaining what to do, and how to get to the event. In the flyer, they said “bands”– so that meant that there was an opening act. We didn’t even know until we got to the venue that the opening act was Buffalo Tom! I was happy to hear that. I always liked “Taillights Fade.”

Buffalo Tom

We walked to Fenway from my hotel– it was only a couple of blocks. When we got there, there was lines for everything and we wanted food, so we stood in line for Pizza and Beer. By the time we got that, Buffalo Tom had started. The stage was set up in front of the Sox dugout. Buffalo Tom was burning through their set. I had forgotten what they sounded like. They still have that early-Nineties college rock guitar sound like other acts of their vintage like Soul Asylum and the Replacements. They were showing the concert up on the jumbotron for those souls who didn’t want to sit in front of the speakers. I finished my Pizza and beer and left my party to make my way over to the seats in front. They were going to go visit the Green Monster. The seat I took was 4th row stage right.

Buffalo Tom did a good job with their set. They had an “extra” guitarist who helped fill in the trio’s sound. I didn’t know that they were from Boston. I guess they were considered the “local boys who done good.” Hard working and pretty down-to-earth would be the way I would describe them. The bass player commented that for the first time in ten years his wife came to a show– and it was because they were opening for Train. I don’t know how many people knew who Buffalo Tom was. They understood that most were there for Train. Evidently they are working on a new album. I will have to check on that as well as dig out my copy of “A-Sides” a greatest hits compilation.

Train came on next. I really had not listened to Train other than anything I might have heard on the radio, movies or TV. As it turns out I was familiar with a number of their songs. They performed “Meet Virginia” third. I wasn’t expecting them to bring out the hits so early in the show. I guess they have four albums out, so they have quite a few songs to draw from, plus they did four cover songs. I’d say they have a very confident presence on the stage, likely due to a lot of touring.

Train

In the first set they did a song from the Drops of Jupiter album called “She’s on Fire.” Patrick Monahan–the lead singer– called for women to come up and join him on the stange to dance, which drew an excited crowd of women. The stage was set up against the Red Sox dugout, so the top of the dugout was an extension of the stage.

Women shaking it on the roof of the dugout

This went on until one of the very drunk women fell off the dugout– much to the surprise of the band who had to stop while the security and police had to shoo the dancers off the stage. The band took a break while the security guards ascertained the situation. The band came back on after a bit, and the Pat commented that they wouldn’t be having any more people dancing on the dugout. From that point on, there were four police officers standing on the dugout.

Police standing on stage -- not dancing...

Train came back with a couple of Led Zeppelin covers– an acoustic version of “Going to California” followed by “Ramble On.” They did very good versions of them and probably made up for the embarrassing situation. The rest of the show was good. The audience seemed to be filled with their fans– or people who knew their songs. In a lot of ways, I think that Train is this decade’s REO Speedwagon. The live set reminded me of the three or four times I’d seen Mr. Kronin and Co.– right down to the storytelling of the lead singer over the band playing. On the classic REO Speedwagon album Decade of Rock and Roll, there is a live version of “157 Riverside Avenue” where Kevin tells a story about how he and Gary (the guitarist) were talking to each other over the phone– but Gary uses his guitar to talk. I had seen this performed live one of the first times I saw them– I guess Gary was still in the band at the time. Train did the same thing Pat told a story about how he was dissed by Britney Spears backstage at “Regis and Kathy Lee Live” over a salsa-samba type groove. We also were graced with a Moog keyboard solo and drum solo.

The show played through their hits and a number of other songs, including one they contributed to Spiderman 2 that Pat commented that he was pissed that they placed it at the end of the credits. The wrapped the evening up with a version of “Dream On” and said that they were playing it as a tribute to Boston boys Aerosmith. I guess that both “Ramble On” and “Dream On” are part of a promotional EP that was out about the same time as Drops of Jupiter.

I was pretty impressed overall with the show. I doubt that I’m going to become a die-hard Train fan, but I’d see them again if the tickets weren’t very expensive.

Official Train Website

Official Buffalo Tom Website

Another Free EP from Adult Swim!

As reported in Pitchfork earlier this month, Adult Swim has partnered with the Chicago label Chocolate Industries to provide a 6-track EP via the Adult Swim Site. The EP, titled Chocolate Swim (gross!), as you might expect, includes tracks from Chocolate Industries roster including the buzzworthy teen Lady Sovereign, Ghislain Poirier and Diverse along with Adult Swim vet MF Doom, and Mos Def!

Go Get It! 

K-Tel Fan Site Shut Down

I found out by accident that the painstakingly maintained K-Tel fan website ktelclassics.com has been taken down by long time maintainer Lisa Wheeler. Lisa maintained the site for over four years with implicit support from K-Tel and was regarded as the foremost authority on things K-Tel. You may have caught my recent article about the K-Tel tapes I owned that linked to her site. I was talking to someone today at work who shares my love of The Rock Album, and I showed him my article on it and noticed that the links to her site didn’t work.

According to lone page on the site, K-Tel served her with a licensing contract for her to maintain a site that she had previously been doing out of passion. It looks like they would have let her run the site under their terms. The licensing agreement would have turned the domain over to them as well. I fully support the decision that she made. I understand from this blog that she will be selling off her massive K-Tel collection, too.

From one music site maintainer to another one– Lisa, I hope that you can direct your energies and love for music to another venture. It is the ephemeral topics like your site that keeps the Internet vital, in my opinion.

Travel By Sea – Shadows Rise (review)

Travel By Sea - Shadows Rise

I originally started my myspace page because my daughter and wife had them. Since last year, a lot of musicians and bands created pages as a way to get the word out about themselves. Many of my favorite bands created pages– Cracker or Camper Van Beethoven, Calexico, the list goes on. So, I would make friend requests so I could get the tour updates and other information from the bands. When I started Time to Play B-Sides, I realized that I could use myspace as a way to promote my blog which rides on my own server. Of course, many bloggers came up with this idea as well. As luck would have it, bands who were fans of the acts that I liked or wrote reviews for started contacting me.

One of the first friend requests I got was from a unique band called Travel By Sea. They are unique because during the recording of their debut CD Shadows Rise the two members of the band hadn’t met. I know that there is a lot of collaboration going on these days on the ‘Net for musicians. According to their bio, Kyle Kersten lives in Tustin, California and provides guitar and vocals and Brian Kraft lives in Denver, Colorado and provides just about everything else including production of Shadows Rise. Kyle and Brian were part of an online chat group and found that they had many similar interests which spawn the desire to work together on music. The first song they worked on turned out well, so they continued until they finished their album.

I’ve given this CD some regular rotation in my car on the way to work for the past couple of weeks and have to say it has been a welcome companion in these early days of Spring. The album is the melancholy soundtrack to a slow-motion movie of lost loves and regrets. The familiar chord changes and lonesome reaching voice of Kyle are washed in the atmospherics and instrumentation of Brian.

At times, songs sound completely familiar and I can play the game of spot the influence (Wilco/Son Volt, Jayhawks) but like old photos in time they wash out and become something different. I’m very impressed with how all of the songs flow together and sound as if they were recorded at the same time and in the same room. Kyle’s vocals are are at once intimate and close and surrounded with a big-room reverb, reminding me of the production of the Red House Painters, who they name as an influence. The whole album has an honesty that is endearing and timeless. I hope that in their eventual meeting, they can sort out the personal dynamics required to take this material to a live setting.

As with any self-respecting band on the ‘Net, Travel by Sea has some mp3’s so you can judge for yourself…

I Won’t Let You Down

Complete Shakeup I believe that this is the first song they worked on.

They also have the aforementioned myspace page that has two more songs.

Then you should purchase this album from their website Travel By Sea

Danger Doom EP Occult Hymn on Adult Swim

As stated earlier, Adult Swim has been posting tracks from the new Danger Doom EP. Originally, they were supposed to be posting tracks from May 15th until today, however, they only posted two tracks. Today, they have posted the entire collection titled Occult Hymn available as separate downloads or as a .zip file with the tracks and skits as well as a .zip file of the artwork. Get it while it’s hot!

Occult Hymn EP

On K-Tel

As reported on Largehearted Boy, My Old Kentucky Blog has a posting on a bunch of bands who have covered the classic BOC song “(Don’t Fear) The Reaper.” One of my wife’s favorite covers is the clubby version from Apollo 440.

A quick search on Google turns up all kinds of references to the song, including the classic SNL skit refered to as “More Cowbell.” It’s one of those songs that will likely be popular for a long time to come. It’s odd considering what the song is actually about. When I was a kid (pre-Junior High) “Reaper” was one of my favorite songs. I got a cassette of K-Tel’s The Rock Album in 1980 which I must have listened to non-stop. I was fascinated with the song. I remember pressing play and pause repeatedly so I could frantically scribble down the lyrics (in RED ink as I recall) to it. This was a method I used to capture the lyrics for all of my favorite songs. It was especially useful for capturing the lyrics to LOVE SONGS that I’d give to whoever I had a crush on at the time. I clearly had more free time back then. I was 11 or 12 at the time.

It seems that my music listening as a kid included many K-Tel collections, and most of them seemed to include some Blondie song or “My Sharona” Click on the album title to see the album art and track listing courtesy of K-Tel Classics:

The Rock Album (1980) This was the first K-Tel tape I ever owned. To this day, I feel it really captures that late-Seventies rock sound. Permanently engrained in my synapses, to this day when I hear any of the songs from this one I immediately anticipate what would be the next song on the tape– and really shouldn’t “Dream Police” follow “(Don’t Fear) The Reaper?” In my mind it always will!

This album seemed to always be in every tape case I owned and in every car, too. At one point I attempted to re-create this cassette from CD sources. I guess I was afraid that the K-Tel magic would eventually fade. This caused me to seek out the really crappy Jethro Tull concept album Stormwatch to get the driving “Something’s On The Move” which was by far the best song on that album, and one of my favorite Jethro Tull songs. Although, that is probably due to its inclusion on the K-Tel record, now that I think about it. I also picked up a Robin Trower collection to get the bluesy “Too Rolling Stoned.”

Surprisingly, in 1997 Sony Music Special Products put out a 2-CD version of The Rock Album (Volume 1 Volume 2) that went out of print almost as soon as it appeared. I managed to pick up Volume 1 from Amazon, but the only Volume 2 they carried at the time was a cassette version. What Sony did was take the original album and spread it over two discs– maintaining some of the original mix, but then adding some questionable tracks to flesh it out– “Keep on Loving You” by REO Speedwagon was the only additional track to Volume 1 from the original sequence, but then they took the balance of the tracks and added Steve Miller, Lynyrd Skynyrd, Bad Co., the schmaltzy “Heard It In A Love Song,” by the Marshall Tucker Band and two songs I consider to be more 80’s– “My Sharona,” and “Jeopardy” by the Greg Kihn Band. As luck would have it, while I was doing some digging for this post, a number of Volume 2’s showed up, so I ordered one! My first plan will be to lovingly restore the track sequence…

I guess this says quite a bit about the impact of this album that someone at Sony was able to convince the powers that be to allow a re-issue– albeit a botched one– of this album.

Rock 80 (1980) I’m pretty sure that I got this one after The Rock Album. This the other K-Tel tape that shaped the music that I listened to. Looking at this track list, you can see that this is on the cusp of what would eventually be called “New Wave.” Most of the artists on this album would forge strong careers during the 80’s– The Pretenders, Cheap Trick, Pat Benatar (two tracks!), Joe Jackson, Blondie (two tracks!), Nick Lowe, Gary Numan. It also includes a number of one-hit wonders that would prove to be important in their own way, “Pop Muzik” by M, “My Sharona” (Surprise!), and the song that I feel is overdue a comeback, “Driver’s Seat” by Sniff ‘n’ The Tears. This is another of my wife’s favorite songs lately.

Masters of Metal (1984) I purchased this tape during my “metal period.” This is a surprisingly good cross-section of artists, in my opinion. Some great songs, “Lick It Up,” “Breakin’ the Chains,” “Rainbow in the Dark,” “Street of Dreams,” and one-hit wonders Zebra with “Who’s Behind the Door.” I question the inclusion of “Tom Sawyer” and the bad choice of “Dancing In The Street” representing Van Halen, but overall the mix works pretty well, and spent a lot of time in my car.

Out of This World (1979) This is an import K-Tel release of Moody Blues songs. I remember purchasing this from the Musicland in Dubuque. I don’t know if this was purchased in ’79, though. The album cover is using the Moody Blues logo that they used on the Octave album– which was the last one for keyboardist Mike Pinder. My family listened to a lot of Moody Blues when I was a kid. We saw them in concert in ’81 in Ames, IA., for the Long Distance Voyager tour, which was pretty exciting for me. This is a very good collection of Moody Blues songs. At the time this was the only release that was even close to a “Greatest Hits” collection for them outside of the odd compilation This Is The Moody Blues.

Power Play (1980) Apparently, most of the K-Tel tapes were purchased in a one-year period. The link on the title is for the Canadian release, which is different than the US release. The US release has Blondie and “My Sharona” on it, but also has some of the same tracks: “Jane” by Jefferson Starship, Journey, and a song that I still really like, “Stomp” by the Brothers Johnson– who also perform the great “Strawberry Letter 23” that shows up in Quentin Tarantino movies.

Images (1980) This was a Christmas gift from an uninformed relative. I may have listened to this once or twice. I seem to remember the Bernadette Peters song. I remember being pretty disappointed because it was so “easy listening.” Still, from a K-Tel perspective, a pretty even collection considering what the songs were.

It seemed like K-Tel was everywhere back then– and a lot of people bought these compilations. K-Tel wasn’t doing anything new, really. There had been other companies before them to make compilations records, but K-Tel did it most notoriously with loud, bright TV commercials and new releases seemingly every week! K-Tel’s legacy is carried on by the “Now That’s What I Call Music” and just about anything released by Razor and Tie spinoff Musicspace. Someone on a board I was looking at this morning pointed out that even though these compilations are not considered for the “serious” collector– they do a very good job of showing what was popular when they came out.