Free Download : Umphrey’s McGee Live 3-13-09 at Murat in New mp3HD Format

Umphrey’s McGee is a band that embraces technology. This is one of the things that really impresses me about the band. You can download every show within days of the performance at umlive.com in mp3 and FLAC formats with cover art, you can purchase a CD of the show at the show if you prefer. They have done subscription simulcast video over the internet, they twitter, they Facebook, they MySpace, they blog. They support taping and they have a very extensive archive of live shows on archive.org. Not to mention the bonus material afforded to the purchasers of Mantis via Push!

As a result there is a lot of content readily available from the band. Even before a potential new fan would need to purchase anything they can get a pretty good sampling.

In April Umphrey’s McGee partnered with Thomson and Fraunhofer– the owners and developers (and licensors) of the CODEC used for creating mp3 files– to provide part of their 3/13/09 performance at the Murat Egyptian Theatre in Indianapolis in the new MP3HD format.

MP3HD is an attempt to provide a compressed, yet lossless file format (think a .WAV file) while maintaining the ubiquitous compatibility with mp3-capable software and mp3 players. This is achieved by providing mp3 compressed data along with the lossless data inside the file. This makes the mp3 player think it is playing a regular mp3 file, but devices and software that is mp3HD-compatible will be able to play the higher-fidelity lossless content. Even with the stacking of the file content they are able to achieve on average 4X compression over the uncompressed .WAV version. This is primarily because the mp3 portion tends to be very compressed. The Umphrey’s show has 128Kbps mp3’s, which by most people’s standards is pretty lossy bitrate. Amazon.com provides mostly 256Kbps or in some cases 192Kbps mp3 from their store for example.

Certainly one might question the need for MP3HD. Anyone who has been dealing with lossless music files over the years have been using FLAC (Free Lossless Audio Compression) to do their bidding, and FLAC is free– that is no one is paying to provide that support– all software and hardware that is able to play mp3’s today should be paying licenses to Thomson.  Both Microsoft and Apple provide their own version of lossless compressed files, too– Apple’s ALAC, and Microsoft’s WMA Lossless. But, as you might imagine, neither of those formats are supported directly on the other’s media players, and neither player supports FLAC.

As a result, if I want to have the lossless versions of Umphrey’s McGee shows, for example, I would download the FLAC files, and either burn them to a CD if that was my medium of choice (my CD burning software support FLAC) or I would have to convert them to mp3 using a utility or extract to WAV and convert with iTunes or Windows Media Player. (Note: There are other ways to achieve this but I’m not interested in providing a primer on making mp3 files here) I can then put these on my media player of choice. This is a lot of messing around to get to the final result and most people aren’t interested in doing all of that work so they will just stick to mp3’s. The other issue here is that I end up having to manage two or more copies of the music. The lossless version in addition to the one that is the copy of the mp3’s for my media player.

I don’t mind juggling the files around as I’m pretty used to it by now, but the ability to only have one file that has both compressed and lossless is very appealing to me. I don’t like 128Kbps mp3’s, however, and I don’t have any devices that can play mp3HD so I have to convert them anyway to get a higher bitrate. I looked at the tools provided by all4mp3 and it appears that one can choose a higher bitrate for the mp3 data– of course this would be at a sacrifice of the 4X compression.

So, we’ll see if this takes off I guess. I think ultimately this is the right idea, but there is a lot of consternation surrounding the licensing. I would rather that Apple just added FLAC support to the iPod/iPhone/iTunes, really. (Another solution would be the open source project Rockbox can be installed on an iPod providing FLAC support which isn’t a solution for most iPod owners).

Getting back to the Umphrey’s show, it is a pretty good performance. The Murat is a very friendly location for the band to play– and they say so during this show. It also explains why they chose The Murat for their live album. The songs shared make up most of the second set and the encore from the 3/13 show. Looking at the setlist database at umphreys.com it looks like they edited out the “Another Brick in the Wall”/”Thriller” mashup second set closer, which is probably due to licensing the song. The Jimmy Stewart from this set is a vocal Jimmy that is pretty good, too. (A “Jimmy Stewart” in the band parlance is an improvisational performance).

Click Here to download the Umphrey’s McGee 3/13/09 Murat Show in mp3HD at all4mp3.com

Click Here for Umphrey’s McGee’s website

Free Download: Euforquestra – “Soup” from New Album, Live Show & Full Album

Iowa City-expats and current Fort Collins, CO residents Euforquestra have a new album titled Soup coming out on October 6th. The band is offering up the title track for free download.

As if that wasn’t enough– as a motivator to get people to “fan” them on Facebook, the band planned to give a free download of Soup on October 6th if they achieved 3,000 fans by October 1st. Looking at their fan page they seemed to have accomplished that at 3,427 fans at 11:30 AM today!

The band also posted a download of their 7-18-09 Camp Euforia set which had their BFF’s Public Property on stage with them. The show was taped by Ryan Sibert and it sounds amazing! The first seven songs are Euforquestra and the rest of the set excluding the encore has the band joined by Public Property on stage calling the amalgam “Public Porquestra.”

If you pre-order Soup online, you can get two unreleased bonus tracks: “Ochun (Dub Remix)” – mixed by Sir Mel F. Lewis, and “The Events of December 11” – Live in Lone Tree, IA – April 25, 2009.

Additionally, the band will be playing four dates in Iowa as a record release before returning to Colorado. Here are the dates lifted from the band’s website:

Wed. Oct 7 The Hub Cedar Falls, IA
Thu. Oct 8 DG’s Taphouse Ames, IA
Fri. Oct 9 Iowa City Yacht Club Iowa City, IA
Sat. Oct 10 Magic Bus Iowa City, IA

Click Here to become a fan of Euforquestra on Facebook and get the details for the Soup download.

Click Here to visit Euforquestra’s website and download “Soup” from Soup.

Click Here to download a .zip file of “Public Porquestra” live at Camp Euforia ’09.

Here is the setlist of that show courtesy of the band:

1. Intro by Ty Byerly
2. Ogun>
3. Called You>
4. Change Me
5. Trinidad Blue Basin
6. Free
7. Girlfriend Is Better
8. Melody Truck
9. Dread None*
10. Obatala*
11. Smoothie*
12. Work To Do>*
13. Reggae Got Soul*
14. Mutha Funk Y’all*
15. E: Samba

*= w/ all of Public Property (aka “Public Porquestra”)

Free Download: Wendy & Lisa – “Sweet Suite (Remixed by King Britt)”

The fine folks in the Wendy & Lisa camp are giving away a remix of my favorite track on the new White Flags of Winter Chimneys album “Sweet Suite.” Done by the Philly DJ/Producer King Britt.

The 9:57 track reimagines the stripped-down, dreamy, slightly melancholy track that I think could have sat alongside tracks on Parade into a downtempo electro number. On the album, “Sweet Suite” has a bit of a reprise of “Balloon” as a way to tie off the album tidily. This remix spends no time in the reprise, but breaks down the main theme in a very different light.

The track was debuted on the 9/4 episode of Girl Bros. Radio at Luxuria Music at which point I found out that the track would be made available, and here it is! According to the e-mail that was sent out today this is part of a White Flags of Winter Chimneys Remix Album they are working on! Very, very cool! (vinyl, please!).

Ryan Adams – Pax-Am Digital Single No. 2 “Allumette” b/w “What Color Is Rain” (Review)

It’s week #2 of the Pax-Am reboot and we are treated with another digital single from Ryan Adams’s archives. This time we get a track that was dropped from early consideration for Cardinology and another track that surfaced a bit as a “foggy” video. The third track is another demo from Cardinology.

Side A is the track “Allumette” clocking in at 1:43 and according to the Ryan Adams scholars on the ryanadamsarchive.com site was listed on an early proposed tracklisting for Cardinology.

Apparently the song is in reference to the 1974 book by Tomi Ungerer titled Allumette; A Fable, with Due Respect to Hans Christian Andersen, the Grimm Brothers, and the Honorable Ambrose Bierce. The Ungerer book is a re-imagining of the Hans Christian Andersen story “The Little Match Girl” where the girl this time lives and carries out her wish.

Side B is the track “What Color Is Rain” which  showed up as a video on the old version of Ryan’s video blog, affectionately called “Foggy.”

Again we are treated to a home demo of Cardinology– this time “Go Easy.”

All three songs are 160Kbps mp3’s and there aren’t any FLAC’s or cover art.

As you might imagine this caused quite a stir on the boards since this release differred in content from the first single’s inclusion of FLAC’s. Another point that upset some was that these songs weren’t the same quality as the songs on the first single, which were ostensibly multitrack recordings that were mixed for release and these songs were sketches. But for $1.49 who should complain? All of these songs are unreleased and we’re lucky that these songs are seeing the light of day– AND Ryan is excited to release them!

Both “Allumette” and “What Color Is Rain” are relatvely short songs but sound like they might have been written about the same time– both using multitracked guitar picking and utilizing a similar drum track. According to Ryan’s retorts to the complaints he used GarageBand to record them.

Both songs are very pretty songs with Ryan singing in a soft but urgent voice. These are songs that would have fit comfortably on Easy Tiger.

Click Here to purchase Pax-Am Digital Single No. 2

Click Here to read my review of Pax-Am Digital Single No. 1

Free Download: “Shake It Out” – Karl Denson’s Tiny Universe

Karl Denson is the sax player and frontman of groove powerhouse group Karl Denson’s Tiny Universe whose new album Brother’s Keeper (Shanachie) comes out next Tuesday, September 22nd. Karl has a fairly impressive career working with Lenny Kravitz on Let Love Rule and Mama Said as well as co-founding the jazz funk outfit Greyboy Allstars. I reviewed Greyboy Allstars last album, 2007’s excellent What Happened to Television?

So it seems with all of the people he has worked with in the past that he can call in favors– and on this album the payback came in the form of help from Meshell Ndegeocello on bass (you might remember her duet with Mellencamp on a cover of “Wild Night” by Van Morrison), Marc Ford from the Black Crowes, Jon Foreman from Switchfoot, Zan Najor from the Greyboy Allstars and others.

Brother’s Keeper is Denson’s 12th release since 1992 (not including Greyboy Allstars releases) and it finds him in fine and funky form as evidenced by our free track “Shake It Out.” Said Denson about the new album, “I’m not one to live in the past. I am very much a forward thinker. [This record] is a continuation of my world view [and] a culmination of all my life’s work up until now.”

Karl Denson’s Tiny Universe is on tour and will be at RIBCO in Rock Island Saturday, September 19th, followed by a Des Moines show on Sunday night at People’s.

Click Here to listen to or download “Shake It Out” from Brother’s Keeper by Karl Denson’s Tiny Universe.

Click Here to visit Karl Denson’s website.

Free Download: “Pushed Aside, Pulled Apart” by Lyrics Born w/Lateef!

Lyrics Born released another new free download from the upcoming As U Were— a reunion of sorts with Lateef the Truth Speaker called “Pushed Aside, Pulled Apart.” The track is an interesting sort of 80’s-inspired head bobber featuring the distinctive rapping and vocals from LB and Lateef. I liked the first track “leaked” “Funky Hit Records,” but this track has summer jam written all over it.

The first track off of As U Were offered as a free download was “Funky Hit Records” back in March. That song got a video, and so does this one, and it’s directed by Raphael LaMotta from ApSci who incidentally have a new album out as well.

The video and MP3 were shared via Urb this morning. I’ve listened to the track about a dozen times already!

Lyrics Born – “Pushed Aside, Pulled Apart” feat. Lateef The Truthspeaker. from World’s Fair on Vimeo.

Click Here to download “Pushed Aside, Pulled Apart” featuring Lateef the Truthspeaker.

There is also another remix contest– this one for “Pushed Aside, Pulled Apart!”

Daytrotter Barnstormer Tour 2009 Rolls Through Iowa and Wisconsin


Daytrotter.com— the purveyor of freely-downloadable mp3’s of sessions recorded by a wide-range of artists and bands– have decided that they want to take a handful of their favorite acts on a mini-tour through some Iowa towns with a stop in Madison (just because they love that place!). These shows are FREE and ALL AGES. All the bands are hoping for are some new fans, and possibly sell some merch.

It is a move which gets its tradition from the “Caravan of Stars”-type tours that happened during the 50’s and 60’s where bands would roll through a bunch of cities stopping of at ballrooms across the midwest– back when places like Melody Mill in Sageville, IA outside Dubuque would get bands like Johnny Cash, The Ventures, and the Everly Brothers. If the bands didn’t tour like that, these little towns and cities wouldn’t have been able to get this kind of entertainment.

Daytrotter reached out a couple of months ago looking for barns they could play in– I made a couple of suggestions, and one of the stops will be just outside my hometown of Bellevue, IA at Mooney Hollow Barn!

While exchanging e-mails with Sean from Daytrotter, he said that some of the impetus of this tour is to let people in Iowa know about Daytrotter. Certainly when I’m talking to folks I know about this they have no idea what Daytrotter is– even though the work that they do is world-reknowned and has been accurately  suggested to be the successor to the BBC Peel Sessions!

I’ve said on more than one occasion that we Iowans should be proud of Daytrotter and its “little studio and website that could” success!

Hopefully, this will be successful enough that this becomes a yearly event!

The lineup of bands is pretty interesting and varies slightly for each of the five stops. However, San Diego band Local Natives will be performing at all of the shows. From this lineup, I was familiar only with Someone Still Loves You Boris Yeltsin and Paleo. Someone Still Loves You is a great indie pop band from Springfield, Mo that has done two Daytrotter sessions already (which is how I found out about them initially) and Paleo is known as the “song a day for a year” guy. So, it will be interesting to hear those acts in a live setting.  Snowblink is a pretty dreamy type of music driven by the breathy vocals of Daniela Gesundheit.Snowblink has been compared to Cat Power, and I hear that. Catfish Haven is a surprising R&B powerhouse from the Windy City that reminds me of Mad Dogs and Englishmen-period Joe Cocker, frankly. I can’t wait to see them in a live setting! DAYUM! They’re going to be at the Bellevue stop, which is super-duper! Mac Lethal is an MC from Kansas City, MO. He has a great flow that reminds me a lot of Chief Xcel or Chali 2na.

So, a pretty wide swath of indie goodness represented. I’m going to hit the Bellevue stop and shoot some pix and provide some coverage. If you have the ability and are in the region, stop out to one of these shows!

SCHEDULE:

July 25
11 am — Davenport, Iowa: Morning performance at the Bix 7 road race course at the turnaround: 110 McClellan Blvd. (Performing — Local Natives)
Local Natives Daytrotter Session

6 pm — Maquoketa, Iowa: BARN Show #1: Biehl Farm, 3437 288th Ave. (Performing — Local Natives, Catfish Haven, Caleb Engstrom)
Local Natives Daytrotter Session
Catfish Haven Daytrotter Session
Caleb Engstrom Daytrotter Session

July 26
6 pm — Bellevue, Iowa: BARN Show #2: Mooney Hollow Barn, 12471 Highway 52, Green Island, Iowa (Performing — Local Natives, Snowblink, Paleo, Catfish Haven, Stranger Waves)
Local Natives Daytrotter Session
Snowblink Daytrotter Session
Paleo Daytrotter Session
Catfish Haven Encore Session

July 27
6 pm — Madison, Wisc.: Attic show #1: 212 S. Henry St., Madison, Wisc. (Performing — Local Natives, Catfish Haven, Snowblink, Someone Still Loves You Boris Yeltsin)
Local Natives Daytrotter Session
Catfish Haven Encore Session
Snowblink Daytrotter Session
Someone Still Loves You Boris Yeltsin Daytrotter Session

July 28
6 pm — Iowa City/West Liberty, Iowa: BARN SHOW #3 at the Secrest 1883 Octogonal Barn, 5750 Osage St., West Liberty, Iowa; (Performing — Local Natives, Someone Still Loves You Boris Yeltsin, Snowblink, Mac Lethal)
Local Natives Daytrotter Session
Someone Still Loves You Boris Yeltsin Daytrotter Session
Snowblink Daytrotter Session
Mac Lethal Daytrotter Session

July 29
6:30 pm — Coon Rapids, Iowa: BARN SHOW #4, Whiterock Conservancy , Riverhouse Barn, 1313 Fig Ave., Coon Rapids, Iowa (Performing — Local Natives, Snowblink and Mac Lethal)
Local Natives Daytrotter Session
Snowblink Daytrotter Session
Mac Lethal Daytrotter Session

Majors Celebrate the 60th Anniversary of the 45 Single With “Digital 45” Campaign

In what seems to be a gobsmackingly obvious move, the major labels in conjunction with digital music retailers like Zune Store, Amazon, Rhapsody and iTunes have announced “Digital 45s” on the 60th anniversary of the 7″ 45 record.

The big announcements are really in conjunction with Apple’s iTunes Store that they are calling “D45” and use that nifty logo pictured on the left. Digging through the press-releases shows that Warner Music Group is represented by Rhino which should represent the full compliment of WMG labels which includes Atlantic/Atco, Elektra/Asylum, Warner Brothers, Reprise and Sire– so this should bring a very wide and deep catalog and the first releases are already showing some promise.

EMI stepped up with a press-release as well although they don’t have a site dedicated to their Digital 45 initiative. EMI stable of labels include EMI, Apple, Capitol, Virgin, Blue Note, Manhattan– and interestingly, Caroline, Mute, Definitive Jux, and Astralwerks making for some potentially interesting releases.

The Concord Music group has titles released as well, but no press release. According to the Wikipedia article on  Concord, UMG handles the physical distribution of Concord, but I don’t think that would apply here. Concord includes Fantasy’s labels– Fantasy, Stax/Volt and a number of jazz labels (Riverside, Prestige). There is a Sam & Dave Digital 45 of “Soul Man,” I hope this means we see some interesting Creedence Clearwater Revival releases– they were on Fantasy. There has been a long-standing Stax/Volt Singles box set with b-sides, but these Digital 45s would allow someone to pick and choose if they released the whole Stax catalog.

SonyBMG have brought some Digital 45’s as well, but I couldn’t find a press release on it. SonyBMG is a significant collection of labels as well with Sony, Epic, Columbia, RCA, Arista and all of their associated spinoff labels. One of the first Digital 45’s is a Michael Jackson single for “Billie Jean” b/w “Can’t Get Out of the Rain.”

A quick review of the online retailers shows a pretty impressive participation– iTunes, Amazon.com, Zune Music Marketplace, Rhapsody mp3 store, but eMusic seems to be the lone holdout– or shut out. Sony just signed an agreement with eMusic to be able to sell older titles, but apparently this doesn’t extend to Digital 45s, yet.

Comparing the offerings between the retailers shows that mostly everyone is adopting the $1.49 for 2 tracks, with the individual tracks at standard pricing of $0.99. Zune Marketplace has the 2 tracks at $1.69, with individual tracks at $0.99. The Sony titles seem to be priced differently– “Billie Jean” 2-track is $1.99 with “Billie Jean” at $1.29 and the b-side at $0.99. Right now it looks like iTunes is the only retailer who has the SonyBMG titles. I’m not sure what the future holds about this situation, since all of the retailers have other SonyBMG titles.

All of that detail aside, there are some pretty cool titles available already and based on an interview with Rhino Marketing Veep David Dorn by Billboard, they will be releasing “bundles” of Digital 45’s monthly, so there will be many more to come!

Some releases of interest to me:

Prince and the Revolution- “Kiss” b/w “Love or Money” (Warner Brothers) This is a single I own in 7″. Interestingly this was a B-Side left off of the 1993 3 CD compilation The Hits/The B-Sides, so its existence here is welcomed.

INXS – “What You Need” b/w “Sweet As Sin” (ATCO) During their heyday, INXS used their b-sides to provide songs that were a bit more experimental. “Sweet As Sin” is a two-steppish country tune. Not a bad track, but certainly didn’t fit on Listen Like Thieves. One of my favorite b-sides from INXS from this period is the jazzy instrumental “Begotten” and the really out-there “I’m Coming (Home)” from the “I Need You Tonight” single.

Erasure – “A Little Respect” b/w “Like Zsa Zsa Zsa Gabor” (Warner Brothers) Another great bubbly dance track from Erasure. Could have easily been on  The Innocents, really.

The Cure – “Just Like Heaven” b/w “Breathe” (Elektra) The Cure is a veritable treasure trove of b-sides. This is most evidenced by the amazing 2004 Rhino/Fiction box set Join the Dots : B-sides and Rarities, 1978-2001. I had this on cassette single. According to one of the reviewers on iTunes, the “Just Like Heaven” mix is the mix by Bob Clearmountain used in the video.

Steve Martin and the Toot Uncommons – “King Tut” b/w “Hoedown At Alice’s” (Warner Brothers) I have this 7″– in fact you can see it in the header picture on this blog. With Martin’s new 5-string banjo album The Crow out, it makes sense for this b-side to show up as it is a banjo workout by Martin.

The Cars – “Let’s Go” b/w “That’s It” (Elektra) The lead single from Candy-O in 1979 had the non-LP track “That’s It” with Benjamin Orr on lead. This track was included in the 1995 Just What I Needed : Cars Anthology.

What I would like to see for singles (which is really about the b-sides)

INXS – “Listen Like Thieves” b/w “Begotten” (Elektra) I mentioned this one above.

Terence Trent D’Arby – “Sign Your Name” b/w “Greasy Chicken (Sony) My brother Steve was a big fan of TTD when Introducing the Hardline came out. He had the cassette single to “Sign Your Name” with the really funky workout “Greasy Chicken” as the b-side.

Bruce Springsteen – “One Step Up” b/w “Roulette” (Columbia) The Boss is pretty famous for having some really great songs “in the can” that eventually showed up as b-sides to singles or elsewhere. “Roulette” is a great example of this. Recorded in the Spring of 1980, it is a galloping song about nuclear holocost that just never made it to an album. This song eventually showed up on the very cool Tracks boxset. In fact, you can download it now from Amazon.com and other places.

Men At Work – “Who Can It Be Now” b/w “Anyone For Tennis” (Columbia) Another favorite around the house. My brother had this 7″ and played the b-side all the time. For some reason Sony Legacy omitted this song from the bonus b-sides appended to their 2003 remaster. “Anyone For Tennis” is a quick-tempo slightly ska-ish track demonstrates how much Men at Work owed the Police.

The Rolling Stones – “It’s Only Rock ‘N Roll (But I Like It)” b/w “Through The Lonely Nights” (Rolling Stones Records) When you’re a kid and your mom picks up records for you– you play the crap out of them. In my mind the flip side of the rocker “It’s Only Rock N’ Roll” is as notable as the A side. “Through The Lonely Nights” is a slinky, almost funky country rocker. Mick does his best American drawl. An absolutely gorgeous classic and largely ignored. This song was resurrected in a 2005 remaster done for a Starbucks compilation that is now out-of-print called Rarities 1971-2003. Really, I think that a box set of singles similar to the Singles Collection : London Years should be done for the post 1971 period.

Prince – All of the Warner singles! While it’s true that the 3 CD version of The Hits/The B-Sides is relatively available, they don’t seem to be available for digital download! So, this would be an inventive way to remedy this! Plus, there are still songs that didn’t make that 3rd disc– “Alexa de Paris” for one. In fact, maybe it’s time to reissue the Prince protegee bands’ singles as well!

Click Here for Rhino Records’ Digital 45 Page

Click Here for the press release from EMI which lists the initial singles they will be releasing.

Rhino Releases Hommage A Nesuhi Tribute in Digital Download Formats

Back in November, I reported on a really great limited-edition boxset tribute to Nesuhi Ertegun-– the younger brother to Atlantic Records label founder Ahmet, and VP of the Jazz division of Atlantic from 1955-1967. Titled Hommage a Nesuhi, it is limited to 3,000 numbered copies. It is a collection of songs he produced, artists he signed and music inspired by his tenure at the label. It was a collection of some amazing artists including Ray Charles, Big Joe Turner, LaVern Baker and Hank Crawford.

While it appears that Rhino Handmade may still have some of the boxes available for sale from their website, on June 23rd, the label decided to make Hommage a Nesuhi available as a digital download from places like iTunes and Amazon.com.

To spread the word, Rhino has made available some online “listening parties” with a small sampling of tracks from the box set:

Listening Party Tracklist:

“Hard Times” by David “Fathead” Newman
“Doodlin'” by Ray Charles
“Empty Bed Blues” by LaVern Baker
“Day by Day” by Jimmy Scott
“Ain’t No Sunshine” by Rahsaan Roland Kirk

Click Here for the Listening Party where you can choose a format including QuickTime, Windows Media or Real Audio.

The album is available for download from Herbie Mann - Hommage à Nesuhi

 

HOMMAGE À NESUHI
Track Listing

Some Atlantic Jazz
1. “Hard Times” – David “Fathead” Newman
2. “Summertime” – The Modern Jazz Quartet
3. “Stay With Me” – Yusef Lateef
4. “Listen Here” – Eddie Harris
5. “With These Hands” – Les McCann
6. “Sweet Sixteen Bars” – Ray Charles
7. “Your Mind Is On Vacation” – Mose Allison
8. “Martians Go Home” – Shorty Rogers & His Giants
9. I Miss You So” – Chris Connor
10. “The Golden Striker” – The Modern Jazz Quartet
11. “A Ladiesman” – Oscar Brown, Jr.
12. CMemphis Underground” – Herbie Mann
13. “Come Rain Or Come Shine” – Ray Charles

Shades Of Blue
1. “Cherry Red” – Big Joe Turner
2. “Doodlin’” – Ray Charles
3. “Deuces Wild” – Sonny Stitt
4. “Am I Blue” – Ray Charles
5. “In The Evening” – Yusef Lateef
6. “Empty Bed Blues” – LaVern Baker
7. “The Entertainer (Done In The Style Of The Blues)” – Rahsaan Roland Kirk
8. “What Will I Tell My Heart” – Hank Crawford
9. “Stop This World” – Mose Allison
10. “Cousin Mary” – John Coltrane
11. “I Wish You Love” – David “Fathead” Newman
12. “Oh Lord Don’t Let Them Drop That Atomic Bomb On Me” – Charles Mingus
13. “Like It Is” – Yusef Lateef
14. “Blues #3/Willow Weep For Me” – Ray Bryant

Live
1. “I’ve Got A Woman” – Ray Charles
2. “Bluesology” – The Modern Jazz Quartet
3. “After Hours” 0 Ray Bryant
4. “Comin’ Home Baby” – Herbie Mann
5. “If I Loved You” – Rahsaan Roland Kirk
6. “The Catbird Seat” – The Mitchell-Ruff Trio
7. “Compared To What” – Les McCann & Eddie Harris
8. “I’m Having Fun” – King Curtis & Champion Jack Dupree
9. “One Ton” – Rahsaan Roland Kirk
10. “Drown In My Own Tears” – Ray Charles

On The Edge
1. “Giant Steps” – John Coltrane
2. “Silver Cycles” – Eddie Harris
3. “My Favorite Things” – John Coltrane
4. “Ramblin’” – Ornette Coleman
5. “Vibrafinger” – Gary Burton
6. “Una Muy Bonita” – Ornette Coleman
7. “Hog Callin’ Blues” – Charles Mingus
8. “The Inflated Tear” – Roland Kirk
9. “Passions Of A Man” – Charles Mingus
10. “Day By Day” – Jimmy Scott
11. “In A Little Spanish Town (T’was On A Night Like This)” – Yusef Lateef

Some More Atlantic Jazz
1. “The Spirit-Feel” – Milt Jackson
2. “Love Theme From “The Sandpiper” (The Shadow Of Your Smile)” – Eddie Harris
3. “One No te Samba” – The Modern Jazz Quartet with Laurindo Almeida
4. “Naima” – John Coltrane
5. “Nubian Lady” – Yusef Lateef
6. “The Soul Of A Village – Part II” – Joe Zawinul
7. “Ain’t No Sunshine” – Rahsaan Roland Kirk
8. “Let Her Go” – Hubert Laws
9. “Sombrero Sam” – The Charles Lloyd Quartet
10. “The Story” – Hank Crawford
11. “Barbados” – Phineas Newborn, Jr.
12. “Nommo” – Max Roach
13. “Equinox” – John Coltrane

The Long Journey of “Country Hai East Cotton” by Hiss Golden Messenger

Hiss Golden Messenger - Country Hai East Cotton
Once upon a time there was a little band from San Francisco called The Court & Spark. For seven years they crafted their own flavor of Americana and Rock in relative obscurity. For those people who did hear their music, most– like me– became fans.

I first heard about The Court & Spark on All Things Considered one cold night at the end of 2001 when Sarah Bardeen reviewed Bless You. I had never heard anything quite like it, and the loping clockwork percussion paired with singer M.C. Taylor’s melancholy vocals and slide guitar– particularly on “To See The Fires” had me tracking the album down immediately and I followed their career until they disbanded in 2007 following the release of Hearts– an album I thought was their best effort to that point.

As announced from their website, “seeing as how we’re all involved in different musical projects, it seems best to retire the C&S name for a while.” M.C. Taylor and Scott Hirsch moved to the East Coast and would continue to work together in a new project cryptically called Hiss Golden Messenger. At the same time they announced the new direction, they also announced from their MySpace page a live CD for sale of a show that Hiss Golden Messenger did called Live at the Fernwood Lodge, Big Sur 4/22/07. I ordered that right away since it was a limited hand-stamped run. When I received the CD, I also got another nondescrept CD-R with only a Sharpie-scrawled “HARPO” on it.

The songs contained on this CD were, according to M.C., “very rough mixes” of an album he was hoping to release after he sorted out getting a label and taking to a studio for mixing and mastering. He was very modest about the recording since I guess he felt it wasn’t done, going so far as to suggest I could share it on my site if I wanted.

The music contained on HARPO was mesmerizing. It was really a continuation of the experimentation I’d heard on the last Court & Spark album, Hearts. I was a bit giddy with this secret album and I did share it with a couple of people I knew who loved The Court & Spark as much as I did. I really felt that the modesty that M.C. had about HARPO’s fitness to be released was completely unfounded! If these were home demos on some hissy old 4-track, I would have still been excited to hear it, and would have shared it out– but I saw the potential of these songs to be much more than mere “rough mixes.” The damn thing sounded complete, to me! I know that others who had received HARPO felt the same way.

As it turned out the songs on HARPO would become Country Hai East Cotton remixed and in a different track sequence. I received a review copy of Country Hai East Cotton in early May and have been listening to it in my regular diet of music. The resequencing was a bit jarring at first, since I was so familiar with the sequence on HARPO. The mix was certainly an improvement on Country Hai East Cotton over HARPO, so the effort of taking it to a studio for some polish yielded exceptional results. The levels were pushed up a bit and the instrument head space has been expanded. HARPO was a good headphone album, but Country Hai East Cotton is really an experience on the cans. No more is the remix more evident than on the cover of the Tim Rose song “Boogie Boogie” where we gained prominent breaths and and a wah guitar line! What was a song I didn’t really care for in the original mix, but the Country mix has much more texture and kind of reminds me of “Digging in the Dirt” by Peter Gabriel.

Standout tracks for me have been “Watch Out For the Cannonball” with it’s compressed snare and keyboard patches, and “Oh Nathaniel.” “Oh Nathaniel” is the theme to a vampire story that sounds a lot like an outtake from late-period Buckingham-Nicks Fleetwood Mac. True Blood’s second season starts this month– they could use this song for the soundtrack– “drink their blood when they call on you…Rise up like the moon…” “Resurrection Blues” is a Nawlins funeral march of desperation where the narrator can’t seem to make it to heaven.

Country Hai East Cotton was released this week and is available in a couple formats from either the website of the record label the band formed called The Heaven and Earth Magic Recording Company, or from a number of brick-and-mortar stores– mostly on the coastal regions. The first format– and most desired frankly,  is the crazy-limited edition CD pressing seen in the picture above in all its glory. The limited-to-500 CD is encased in a color miniature gatefold cover which was illustrated by Nathaniel Russel and printed on 100% recycled cardstock. The CD is lovingly encased in a woven-fibre inner sleeve and the whole shebang is protected by a mylar sleeve. The picture above also shows the small gold-colored thankyou card that lists all of their intertube access and a haiku by Jaime De Angulo on the flipside.

Alternatively, you can download a 256Kbps version of the album in mp3’s for the price of a donation. Per the press-release from the band, “I realize that Country Hai East Cotton will be easily obtained for free on a host of torrent sites and blogs very soon, if it isn’t already. That’s OK. We appreciate that. But, at the risk of sounding totally romantic and/or naive, we’re hoping that those who have heard HGM and like what we do will choose to spend a little money on a disk or download directly from us.”

Indeed, this form of electronic sales where the consumer chooses what to pay has been attempted before successfully and not. Country Hai East Cotton is certainly one of my favorite releases this year and I can’t recommend enough that you, gentle reader, give this album a shot, and I think you’ll find that the band deserves your donation for this fantastic album.

Click Here to visit the Hiss Golden Messenger MySpace Page where you can hear tracks from Country Hai East Cotton.

Click Here to visit the Heaven & Earth Magic Recording Company to order your copy of Country Hai East Cotton.

Click Here to visit the blog page for Hiss Golden Messenger

Click Here to visit Hiss Golden Messenger Facebook Page