B-Sides in the Bins #20 – Cedar Rapids 12/07

During the month of December I made a number of stops at HalfPriceBooks in Cedar Rapids– while I was out Christmas shopping, waiting for an oil change. So, rather than break these up into separate posts, I’ll put them all together.

Prince – Controversy (LP, Warner Bros., BSK 3601, 1981) ($2.98) This was a real find. I haven’t seen much Prince vinyl in my digging so I was pretty happy to pick this one up. The cover is in good shape with little ringwear. The vinyl is in great shape. The poster of Prince in the shower in a bikini was still intact (and returned permanently to the sleeve– yikes!). When I was in high school I was a big fan of Prince, and really that was the best period of his music. My first exposure was 1999 and Purple Rain like most people I suppose. A friend of mine was also a big fan and we sort of collected all of Prince’s albums between us. I really haven’t listened to this album since then. Interestingly, this is credited only as a Prince album, but the backing musicians would eventually become The Revolution– Bobby Z (drums), Lisa and Fink (keyboards). There is a small tribute to Joni Mitchell in the cover art. The back cover has a bunch of fake headlines like “President Declares Uptown New U.S. Capitol,” “Do You Believe in God,” and “The Second Coming.” One of the headlines says “Joni.” He also contributed a cover of “A Case of You” to the Nonesuch Records tribute album to Joni.

Liz Phair – “Carnivore” b/w “Carnivore (Raw)” (7″ single, Minty Fresh mf-4, 1993) ($.98) Groovy pink and blue vinyl. I was never really a big fan of Liz– I liked Exile in Guyville, but didn’t continue to follow her career. She’s now flirting with the Avril Lavigne fans by creating guitar pop. This release was while she was still edgy, I guess. This will probably end up on eBay.

Pearl Jam – Christmas 2005 “Little Sister (with Robert Plant)” b/w “Gone” (7″ single, fanclub release, 2005) ($1.00) In the tradition of The Beatles and REM, Pearl Jam has been releasing Christmas singles since 1991. The only way you can get these (other than eBay) is being a member of the “Ten” fan club. This one is in really great shape other than an edge dent in the sleeve. There is a live version of “Little Sister” with Robert Plant from 10/5/05 at the Chicago H.O.B. Hurricane Katrina Benefit show. The flipside is a demo of “Gone” performed by Ed in a room at the Borgata in Atlantic City. Since I don’t have any of the other singles and can’t afford to pick them up on eBay, I’m going to eBay this as well. One went for $15 recently, so we’ll see.

Gov’t Mule – High & Mighty (CD, ATO Records, ATO0028, 2006) ($7.98) Well, I guess I was curious having seen them in Des Moines with Grace Potter. Warren Haynes is undeniably one of the great guitarists on the Jam scene today although he tends to stick to the tried-and-true blues progressions that give Mule releases that vintage 70’s classic rawk feel– I think some experimentation could breathe some life to the studio recordings. Recommended if you like Molly Hatchet, Lynyrd Skynyrd, The Allman Brothers, Blackfoot, big sweaty dudes playing Gibson guitars. BTW: Warren has some of the most impressive Gibsons I’ve ever seen and he plays quite a few during a live show. Visit this YouTube clip to see a cool interview with Warren’s guitar tech talking about the guitars used in High & Mighty.

Madlib – Shades of Blue : Madlib Invades Blue Note (CD, Blue Note Records, 7243 5 36447 2 7, 2003) ($5.98) This is a BMG Music Club release. I love all of the back catalog digging that Blue Note has embraced over the years. I have a lot of the releases like the US3 album, the Rare Grooves series, and a couple of others. While a lot of publishers would resist this sort of thing, I think the brand identity of Blue Note was rescued by it. The fantastic Madlib has his way with the Blue Note catalog creating some remixes. A really mellow acid-jazzy record.

B-Sides in the Bins #19 – Chicago 12/15/07

While I was in Chicago for the Thrill Jockey Anniversary shows, I managed to hit a record store. This time I made it to the notorious Reckless Records at 1532 N Milwaukee Avenue. This is one of three locations in Chicago. Overall, a pretty impressive store with a wide variety of new and used CD and vinyl as well as a pretty decent selection of vinyl singles. They also have a video section. The opinion of some that I have talked to is that the staff at Reckless are pretty snobby and generally aren’t very helpful. Thankfully, I didn’t experience anything like that. I didn’t have a lot of time to really dig, but I was looking for some specific things related to Thrill Jockey as well as Daptone Records. I didn’t see any Thrill Jockey that I needed in new or used. I found a Daptone 7-inch, though.

Booker T. & The M.G.’s – “Soul Limbo” b/w “Heads or Tails” (7″ Single, Stax STA-0001, 1968) ($2.99) I was pretty happy to stumble on this very mint copy of this. I think I’d like to collect all of the Booker T and the M.G.’s singles. According to this page, this single is the first release on Stax after their distribution deal with Atlantic ended– hence the “STA-0001” catalog number. Isaac Hayes on piano and cowbell, and Terry Manning on marimba.

The Budos Band – “The Proposition” b/w “Ghost Walk” (7″ single, Daptone DAP-1027, 2006) ($5.99) I think I’m going to start collecting these singles, too. Daptone is a quality label that puts out releases that cater to the collector. The Budos Band have two albums out. “The Proposition” is on The Budos Band II, that was released in August and “Ghost Walk” is off of their previous album titled simply The Budos Band.

Simple Minds – New Gold Dream (81-82-83-84) (LP. Virgin/A&M SP 4928 , 1982) ($1.99) I think this was kind of the score-of-the-day aside from the vinyl Califone I picked up at the Thrill Jockey show that night. One of my favorite Simple Minds albums. This copy was in the cut-out bin at Reckless. The copy is pristine. There were actually two copies in the bin and the other was priced $2.99 and didn’t look any better than this copy. Some of the best Simple Minds songs are on this one: “Someone Somewhere (In Summertime)”, “Promised You A Miracle,” “Big Sleep,” and “New Gold Dream (81-82-83-84).” All of these tracks were on the Live in the City of Light album that I listened to quite a bit when it came out. I have a poster hanging in the back garage at my mom’s of that live album. I have acquired a bunch of Simple Minds vinyl over the years– as I see some I pick it up.

I plan to try to hit that store again in the future. I was hoping to pick up some more vintage R&B– I flipped through their small section of it and didn’t see anything that caught my eye.

B-Sides in the Bins #18 – Cedar Rapids 11/07

I made a couple of trips to HalfPriceBooks this month. One trip was because I had a 50% off One Item coupon and the second trip was because I had a bunch of books to sell. Nothing crazy rare, but some collection builders.

What I bought:

Hard Promises – Tom Petty and the Heartbreakers (LP, Backstreet BSR-5160, 1981) ($2.99) This was with the 50% coupon. I got the incredible “Running Down A Dream” documentary DVD/CD set for my birthday in October and it got me thinking I should try to get more Tom Petty vinyl. My daughter bought me Southern Accents last year for one of the gift-giving holidays so I already had a start. There were copies of Damn the Torpedos in the bin, too, but this was in better condition than those. This is the second of the three albums produced by Jimmy Iovine starting with Torpedos and ending with Long After Dark. A pretty good album that shows Petty at the peak of his 80’s game. Of course, “The Waiting” is still a classic, but other standout tracks are “A Woman In Love (It’s Not Me)” and “Insider.” “Insider” is a duet with Stevie Nicks and one of my favorite songs from Petty’s catalog. I especially like the live version on Pack Up the Plantation.

Go Insane – Lindsey Buckingham (LP, Elektra E1-60363, 1984) ($1.00) Unfortunately, this is a Columbia House repressing, but it is really clean and for a buck I can’t complain. It is missing the record sleeve (I think). It has a plain white sleeve. I would have expected other artwork or something. Go Insane was Lindsey’s second solo release. This record was met with mixed reviews due to it’s odd use of sampled sounds like splashes and metal clangs. When Fleetwood Mac reconvened for 1987’s Tango In The Night, Buckingham produced the record and gave it the same sampled textures. When this record came out I listened to it a lot on my Walkman I remember. My family was and are still big fans of Fleetwood Mac and Lindsey Buckingham so when this record came out we bought it right away and it became part of family trips in the car stereo. The finale track– a celtic “D.W. Suite” is a tribute to the late Beach Boys drummer and vocalist Dennis Wilson. There is a sample of Ed Sullivan saying “Ladies and Gentlemen– The Beach Boys!” in it.

Gold – Ryan Adams (CD, Lost Highway P2 70256, 2001) ($5.98) Another one for the Ryan Adams collection. There isn’t much more I can add to what’s been said about Gold. It is probably the most consistent record in Adams’s catalog and likely most accessible. Brilliant and classic tracks like “New York, New York,” “Answering Bell,” “La Cienega Just Smiled,” “Rescue Blues,” and “When the Stars Go Blue” anchor the album and show Adams at the top of his songwriting.

B-Sides in the Bins #17 – Chicago 10/29/07

After the Minneapolis trip where Sherry and I saw Lyrics Born, we drove to Chicago so she could attend a class related to her aesthetician profession. While she was in class on Monday I decided to visit some record stores in the area around Lincoln Avenue.

Laurie's Planet of Sound

The first record store I hit was Laurie’s Planet of Sound (4639 N. Lincoln Ave., Chicago). Laurie’s is located in the area known as “Lincoln Square” which is a neat little shop area. They opened at 10AM so they were the first place I hit.

In this area parking on the main streets are $.25 per hour with a 1-hour minimum. Either bring your quarters or park on a side street where the parking– albeit rare– is free. According to the guys in the store you could park for free under the El Train tracks, too. I managed to find a meter with an hour and a half still in it.

The store is pretty typical record store in appearance– bins, posters, table-style CD racks. The store sells both new and used records and CD’s as well as DVDs and video cassettes. The CD racks are at the front of the store and are organized by artist name as expected. The used CD’s are interspersed with the new CD’s. The used CD’s are in thin cards that hold the cover art of the CD. The jewel cases are behind the counter. Most of the used CD’s are bunched together in their general areas. The recent arrivals are in the first row and are easy to find. This is pretty convenient and similar to the racks organized by day that Cheapo’s in the Twin Cities does. So, if you are a regular, you might only need to visit that section. The last set of CD racks are the $2.99-and-up clearance CD’s. These are CD’s that they want to get rid of for various reasons and are clearance priced. This might be because the CD’s are slightly blemished or maybe it is a promo title. I picked up my Michael Brook CD from this section. Below some of the CD racks are the dollar bins. This is kind of a grab-bag of titles that the store is looking to dump. I picked up a couple of CD’s out of these bins. I saw some gems in there that I already had, too. Most of it is questionable, but there are a lot of promotional items in there, too.

The vinyl section is at the back of the store and there are two tables of new vinyl– priced fairly. Behind that is the used section with a “recent arrivals” section like the CD section does.

I found the store staff to be friendly, conversational and generally very helpful. I plan to come back.

What I bought:

Heard It On The X – Los Super 7 (CD, Telarc CD-83623, 2005)($6.99) This is the third of this series. The first self-titled Los Super Seven album on RCA was “hosted” by Los Lobos as the band as a tribute to Border Radio songs of the Tex-Mex variety. Heard It On The X has Calexico playing a similar role with some of the same performers including Freddy Fender, Rick Tervino, and Ruben Ramos from the first session. This CD adds Delbert McClinton, John Hiatt, Raul Mao, Rodney Crowell, Joe Ely and Clarence “Gatemouth” Brown. This CD features the Doug Sahm classic “The Song of Everything” which I heard Calexico do with members of Oakley Hall in Iowa City. One to add to my expanding Calexico collection.

What’s Wrong With This Picture? – Van Morrison (CD, Blue Note 90167, 2003) ($6.99) On the drive into Chicago XRT played one of Van Morrison’s new albums and Sherry commented that she liked this mellow jazzy version of Van the Man. So, when I ran across this used, I thought I’d pick it up. Very decent CD. I’ll be ripping this one for the in-home mp3 server. I think that Van Morrison on Blue Note is a pretty classy combination. I hope he’s able to continue down this path.

RockPaperScissors – Michael Brook (CD, Canadian Rational CRBHE002, 2006)($2.99) This one was a SCORE! I found this in the $2.99 and up bins in the back. It was still sealed. I didn’t even know that Michael Brook had a new CD. I used to listen to his 1992 release Cobalt Blue all the time. I originally found out about Brook because I was heavily into artists on 4AD (Cocteau Twins, Pixies, Xymox, Throwing Muses, Lush). Brook is mostly an ambient instrumental artist and really a guitarist. He toured with David Sylvian and Robert Fripp as a supporting musician. As I was looking into his career while writing this up, I found out that he was the composer and performer for the film “An Inconvenient Truth!” He has a companion album to this one called BellCurve that is only available through Barnes & Noble. Includes 4AD labelmate Lisa Germano as well as the late Nusrat Fateh Ali Khan on vocals. Recommended if you like Brian Eno’s ambient work, Robert Fripp’s ambient work, Daniel Lanois’ ambient work, and hate global warming.

The Greatest Hits: Why Try Harder? – Fatboy Slim (CD-R, Astralwerks Promo, 2006)($2.99) This was a CD-R promo for this album which is probably the only thing anyone needs to own from the frequently spotty album releases from Norman Cook aka Fatboy Slim. I bought his first album Better Living Through Chemistry because of the breakout track “Rockafeller Skank” in 1997. I also bought the follow on You’ve Come A Long Way, Baby in 1998. Thanks to “Praise You” everyone heard waaay too much of Mr. Slim. I pretty much avoided the next couple of albums as he was sounding a lot like he was imitating Moby and the Chemical Brothers. This collection has all of the tracks anyone cares about or likely will care about. This CD adds two more collaborations with Lateef the Truth Speaker bringing the total to three– “Wonderful Night” (used in a Target commercial last Christmas), “Champion Sound” and the funky “That Old Pair of Jeans.” I wish Lateef would book some solo studio time. I love his collaborations, but he’s due for a solo rekkid. Lyrics Born is doing it and so is the Gift of Gab!

Happy Holidays from EMI Music Marketing – Various Artists (CD, EMI Promo, unknown year) ($1.99) Another score. This time from the bins on the floor. This is a 13-track Christmas compilation from EMI-related labels including Capitol and Blue Note. It came in a nifty metal tin box with gift wrapping graphics on stickers. Includes a lot of tracks I already have in other places, but I couldn’t pass this one up! Nat King Cole on “Christmas Song,” Deano Martin slurring “Silver Bells,” Frank on “Have Yourself a Merry Little Christmas,” Peggy Lee on “Winter Wonderland,” “Little Saint Nick” by the Beach Boys, Bing Crosby sans David Bowie on “The Little Drummer Boy,” a sultry “I’ll Be Home for Christmas” by the Rev. Al Green. Includes an unnecessarily stiff reading of “Merry Xmas (War is Over) by the Vienna Boys Choir.

Oceans Apart – The Go-Betweens (CD, YepRock Promo for YEP-2105, 2005) ($1.99) Another one from the floor. A promo for the Oceans Apart album and conveniently includes the 6-tracks from the bonus CD appended to the back of the release. The Go-Betweens were one of those rare bands that transcended genre placement. They sprung onto the scene in the New Wave early 80’s and continued to record albums up until Grant McLennan’s unexpected passing in 2006. Oceans Apart was the critically acclaimed last formal release from the Go-Betweens. I managed to not follow their career, so when I saw this for 2 bones, I figured I’d pick it up. Upon first listen, it seems pretty decent. The bonus tracks are from a concert recorded in 2004 at the Barbican Concert Hall in London.

Radium – Railroad Earth (CD, RRE001 (self-released), 1995)($1.99) One from the floor bins… NOT the jamband Railroad Earth from New Jersey who is on SCIFidelity Records! I picked this up because I thought it might be related. It is not. This is a grunge-y band from the Wilmington, NC area. For some reason there are resellers on GEMM who have this listed for a lot of money ($35?!?!). I suppose being a self-released CD from a fledgling band from NC it is pretty rare. I will probably stick this out on eBay to see what happens. Overall not a bad CD, really. Just kind of dated.

Everybody – Sea and Cake (LP, Thrill Jockey thrill 186, 2007) ($11.99) I finally broke down and bought this on vinyl. I had been debating this, but since TJ vinyl goes up in price as titles go out of print I figured I’d snag one. Very heavy vinyl– possibly 180g? Includes a 16-page booklet of what appears to be lyrics and charts and other scribblings and notes done on graph paper. This is one of my favorite releases from 2007, and I never get tired of listening to it. Their best release so far.

Between the Incident and the Event – Adam Fitz (CD, Is What You Make iwym 001, 2007)($0) Adam Fitz is one of the employees at Laurie’s. He was working while I was there. We talked about a lot of stuff music-related while I was shopping and I mentioned my blog. He asked me if I’d review his CD. I’ve given it a quick listen– not enough for a full-review– a couple of standout tracks. Decent production. He said it was singer/songwriter, which I guess it technically is, but it seems a bit more eclectic (for lack of a better word) than I would define singer/songwriter. Soulful like Adam Durvitz on a good day. Is not like Jackson Browne or James Taylor. Stay tuned for a real review.

What I didn’t Buy:

A whole bunch of Neil Young vinyl.

I asked the guys from Laurie’s what record store I should hit next and they suggested I try Deadwax which is also on Lincoln (3819 N Lincoln Ave). Unfortunately when I got there it was closed. They are closed on Mondays. Instead, I hit Hard Boiled Records in Roscoe Village.

Hard Boiled Records

Hard Boiled Records (2010 W. Roscoe, Chicago) is not on the corner of Lincoln and Roscoe as Google Maps would have you believe– it’s in the middle of the block. With the trees in full foliage you might miss it. It is next to a bicycle store. I figured out the secret to free parking– park on a side street (duh). After a dozen laps around Roscoe Village, I found a spot. A nice little store, limited inventory, but very selectively chosen it appears. Much more esoteric than Laurie’s is. In fact, much more esoteric than any record store I’ve seen that didn’t specialize in a genre. Mark Ferguson, the owner, seems to have quite a few musical tastes in common with me, which makes this kind of a dangerous store. I’m looking for Thrill Jockey stuff and he had some. He also had a great selection of Post-Rock related titles. Mark was celebrating 11 years in business with an 11% off sale, which was cool. One thing I thought was interesting was his approach with me as soon as I came in. He asked me directly what I was looking for– a bold move if the customer wants to browse without being hassled. I told him I was looking for Thrill Jockey on vinyl. So, he came out and pulled everything he had– which he was admittedly low on at the moment, but we started talking about the bands on Thrill Jockey and he made some other recommendations and also started playing some CD’s that were from local acts that he knew where similar to the Thrill Jockey sound. Very cool. If I had hit this store before Laurie’s I might have had to stop shopping for the day! Mark has a really good selection of underground Hip-Hop and Electronica as well. According to online reviews, he has one of the best import film selections around as well.

What I bought:

Hoshi No Koe – Nobukazu Takemura (LP, Thrill Jockey thrill 094, 2001)($9.99) Nobukazu Takemura is an renowned electronic musician and a mainstay on the Thrill Jockey. I’ve never really dug into his catalog, so I thought I’d start with this. Amazingly, still in print.

2 – KTL (2 LP, Thrill Jockey thrill 188, 2007)($19.99) Very out-of-print– limited to 1500 copies with intricate sleeve art. 180g vinyl. Thrill Jockey only released the vinyl and mp3 versions of this album. The compact disc release is under the Editions Mego label. KTL is a collaboration between Death Metal SUNN O))) member Stephen O’Malley and Peter Rehberg. Very very dark ambient electronic music.

Stopsmiling Issue 31 : Ode To The South ($5.95) Stopsmiling is a magazine I hadn’t heard of before this trip. Very lushly printed vivid color and nice paper. Pretty much a literary arts magazine. This issue had a tribute to the Stax Records 50th Anniversary. So there were articles on the history of the label and some of the artists on the label including a lengthy one which had excerpts of a larger interview used in the “Respect Yourself” documentary. I’m bummed to find out that this issue should have had a 10-track sampler of Stax artists with it. It looks like for $8 I can get a back issue that includes that disc.

Stopsmiling Issue 26 : The U.K. Issue ($5.95) This one I bought because it came with an exclusive Thrill Jockey sampler of eight Thrill Jockey artists covering or reinterpreting a British standard “Underneath the Arches.” Pretty cool. I think the standout versions are from Sam Prekop and Howe Gelb.

It seems like almost every issue of Stopsmiling comes with a bonus something-or-other. There are usually multiple covers available as well.

What I Didn’t Buy:

Shaolin Series “C.R.E.A.M” b/w “Glaciers of Ice” – El Michels Affair (7″ TS008, 2007) Okay, I’m *really* stupid for not buying this!!!! Sigh. This is tasty funk ala the Meters or Booker T and the MG’s covering Wu Tang Clan tracks. This is the first release of two releases. These guys toured behind Raekwon, adding old school live instrumentals to his show. Mark? Do you still have this one?? Hello?
So, at the end of the day, it was a successful run even though I only hit two stores. I came back with some interesting stuff including things to read, which always makes me happy.

I was talking with Mark from Hard Boiled about how surprising it is that there are so many record stores in a small geography. He said that is by design, really. The best way to do business is to compete, and to compete you need to be where the business is– namely around other stores. He said that if you can’t compete you shouldn’t be in business. He said that his old location in Hyde Park didn’t do very well and that forced him to move. I guess I’d never though about how the economics of record retail work. It always just seemed to me that a record store needed to bring value beyond what a Big Box retailer did or provide more service than the Internet can in having a personal expert on hand.

When I look at the varied shopping experience I got just from two stores not even five miles from each other. It really seems that neither of these store are redundant– they both serve different purposes and sometimes different shoppers.

Make sure to visit these store and others in this area if you happen to be in this area. These stores are what independent retail is about.

B-Sides in the Bins #16 – Dallas 10/14/07

I was in Dallas the week of 10/14 for an I/T conference. While I was there I wanted to visit what is considered the best record store in the area– Bill’s. Bill’s Records has been around for over 20 years and is known for the extensive vinyl collection as well as its in-store performances.

Unfortunately, I visited the store while it was in the middle of moving locations so there was apparently quite a bit of inventory still at the old location. Apparently this new location is a bit smaller, too. I visited on a Sunday night– they are open until 10PM every night of the week. The store was dead the night I was there and the store was staffed by Bill himself and another guy who was busying himself with getting their eBay auctions ready.

Bill’s Records new location is downtown in what seems to be called “Southside” on South Lamar. It does not have a parking lot, so you have to either park in the paid lot next to it or on the street at meters. On Sunday afternoon, however, the parking on the street is free. The store is good sized with rows of library-style stacks of records on the right side of the store and along the right wall. Down the middle of the store are CD racks. At the back of the store is a cozy area with sofas and a small stage where the live performances happen.

As far as inventory is concerned, the focus of the store is really vinyl. There is a selection of used CD’s, but it pales in comparison of the mountain of vinyl. There are some new titles in the CD area as well. The CD section has a dedicated area for country and Americana, which is where I found my copy of Cold Roses. The vinyl is loosely organized by first letter of the artist. I say “loosely” because things are generally organized by the first letter, but you could find a particular artist spread throughout that area. This aspect of the organization makes one need to comb the entire section to make sure you found everything. I understand the challenge of organizing a collection of records, and with the sheer volume of records in stock they would spend every day sorting things. The majority of the vinyl is vintage used titles. I don’t think I saw any new vinyl. Quite a bit of “still sealed” though! Bill is a fan of Depeche Mode, The Cure, and The Smiths– so there is a lot of rare and import vinyl there for those artists– in most cases multiple copies of titles. He also has 10″ records separated onto a couple of shelves and there was quite a selection of those. While I was flipping through those looking for the OOP Stereolab EP that was rumored to be in there I found a very rare import Cure 10″. When I talked to the assistant guy about it he immediately showed it to Bill at which point it went on eBay!! Good thing I didn’t want it!

Another disappointing factor to shopping at Bill’s is that nothing is priced. So, Bill needs to be there to tell you how much something is. In fact, Bill does a quick lookup on the Internet to see what the going rate is for something which pretty much guarantees that you won’t get a “deal” without haggling. While I was there I saw a big collection of Full Fathom Five on Link Records from the 90’s STILL SEALED and MULTIPLE COPIES! Full Fathom Five was an Iowa band from the late 80’s and early 90’s who played a lot in the Eastern Iowa area. With two of the records in hand I asked Bill how he came to have these. He didn’t remember. I was hoping he maybe had some Head Candy vinyl as well– another Eastern Iowa band who was also on Link at the same time. He looked them up on the Internet and said I could have the two records I had in my hands for $25, which he thought was fair– in fact that was probably what they were worth since they were still sealed and out-of-print. Well, that was more than I was willing to spend at that time– I was looking for bargains. Later, when I checked out– purchasing only the Ryan Adams CD– he said I could buy the records for $9 apiece. I was just finishing signing my Visa receipt at that time, so the offer was too late. I might have purchased those instead of the Ryan Adams CD if that offer had been earlier!

So– I think that Bill’s has great potential for finding rare gems, but it takes some work to get there. If I end up in Dallas again with a lot of time on my hands I’ll try my luck again.

What I bought:

Cold Roses – Ryan Adams and the Cardinals (2 CD, Lost Highway 0602498820209, 2005) ($17.99) An import version of the album with the bonus track “Tonight.” Came in jewel case instead of domestic paper cover. At this price it wasn’t a “deal” per se, but convenient and I wanted a copy.

What I Didn’t Buy:

Paingiver – Full Fathom Five (12″ Single, Link, 1988)
The Cry of a Falling Nation – Full Fathom Five (LP, Link, 1987)
Smoke Screen – Full Fathom Five (12″ Single, Link, 1989)
Multinational Pop Conglomerate – Full Fathom Five (LP, Link, 1989)

B-Sides in the Bins #15 – Cedar Rapids and Internet 9/11/07

I made a trip to CDWarehouse in Cedar Rapids on 9/11 specifically to pick up the new Joe Henry. I’ve also picked up some other titles from ‘Net…

Civilians – Joe Henry (CD Anti- 86890-2, 2007) ($13.99) Joe’s second release on Anti- is pretty much a continuation of the sound and style he established with 2003’s Tiny Voices.

“Oh Yeah” – Yello (12″ Mercury 884-930-1, 1985) ($0.50) This is why I love hitting CDWarehouse. John deliberately drops cool stuff in his cheap vinyl bin. Ever since I took a huge haul of early Eighties 12-inches from Goodwill a couple of years ago, I’ve been keeping an eye out for deals like this. MINT condition. It has the single version of the song plus a 5 minute “Indian Summer Music” remix and a 6:25 “Dance Mix.”

In the used vinyl bin there was a copy of Welcome to the Pleasuredome by Frankie Goes to Hollywood and another Yello title. If the FGTH title is still there next time I’m in, I’ll probably pick that one up. I still remember playing the “Relax” 12″ at home after I purchased it at Musicland in Dubuque and having Dad asking me why I was listening to that “shit.” A brother of a friend of mine bought the cassette of Pleasuredome and I copied it. I hadn’t heard anything like it at the time. That was the summer of Zang Tum Tum Records it seemed. Zang Tum Tum was the odd little label from the UK that had The Art of Noise, Frankie Goes to Hollywood, 808 State and Seal among other acts on it. There was kind of a mystery surrounding the label and its acts. I remember there were three or four versions of the “Relax” video– some of them not appropriate for Prime Time and I could catch them on Night Flight on USA on the weekends. Night Flight was how I heard about The Art of Noise whose “Close (to the Edit)” and “Beat Box (Diversion 1)” were also in constant rotation along with Yes’s “Owner of the Lonely Heart.” Apparently Madonna and Sean Penn used the AoN song “Moments in Love” as their wedding march. All of these songs and their albums were produced by former Buggle (“Video Killed the Radio Star”) Trevor Horn. AoN was effectively the house band for ZTT and backed FGTH and would later be the band for Seal’s first album.

Double Roses – The Court and Spark (CD Absolutely Kosher no catalog number, 2003) ($10) With the annouced split of the Court and Spark I figured I’d better pick up the titles I didn’t have. Double Roses is really more of an EP at nine tracks than a full album. It is a collection of some unreleased studio tracks as well as a couple of live ones. The packaging is hand-made and numbered. Mine is numbered 126 of 400. Along with the CD there is a URL which provides the actual liner notes. I should probably snag those pages and cache them in case the website goes down. Order this directly from Absolutely Kosher as it is the cheapest you will find this title. $10 included shipping!

Ventura Whites – The Court and Spark (CD Glitterhouse Records GRCD 504, 2000) ($13.80) This is the import release of the CD. Ventura Whites was distributed by Tumult in the US. Very OOP, unfortunately. Not really my favorite release from them. I think their sound matured quite a bit between this release and Bless You. Bought on Amazon.com from a seller.

Solitude – Volebeats (CD Safe House SH-2128-2) ($1.13) Exchanging e-mails with Dave from the 100’s got me looking at the Volebeats again. The 100’s cover “Annabel” by the Volebeats. The Volebeats are/were a band from Michigan who record a roots rock/country style. I had been doing some research on the Volebeats back when the movie The Shopgirl included one of their songs but never followed through to purchase anything. I seem to remember the Calexico/Friends of Dean Martinez-ish instrumental “Desert Song” being in some movie, too.

Westside Cabin EP #1 – Reminder (download Ropeadope Digital Release R509) ($7.99) Reminder is the solo project of Josh Abrams who lends his bass skills to Thrill Jockey alums like Town & Country, Prefuse 73 and was also on Sam Prekop’s solo record. I found out about this from Tortoise guitarist Jeff Parker’s MySpace page. Jeff lends his riffs to “Halfsies.” Jazzy, mellow, sample-based electronica. Good stuff and good price. You can either download this from Ropeadope or buy it from Reminder - West Side Cabin #1 - EP . The Ropeadope version is cheaper than iTunes and is DRM-free.

B-Sides in the Bins #14 – Chicago Suburbs 8/6/07

Sherry and I were in Chicago last weekend for an esthetician’s conference. When I say “Chicago” I should say the suburbs– we stayed at the Oak Brook Hills Marriott Resort where the conference was held. I did some Googling to find what record stores were in the area and I found two that were worth visiting.

The first one we hit was Remember When Records (309 W Ogden Ave, Westmont, IL 60559 (630) 963-1957). This place is one that I would have liked to spend more time. Unfortunately they are not open on Sunday when Sherry was at her conference and I had more time alone. She hung out like a trooper for a while while I dug through the vinyl. They had a combination of used and new. I saw the new Ryan Adams and the Cardinals Easy Tiger colored vinyl that I was tempted to pick up. They also had Tonight’s the Night sealed and really pricey 200g Living With War. I was hoping to spot some Thrill Jockey vinyl since this was Chicagoland and all. They had Town and Country’s 5, but that was it. Apparently there is a whole basement full of vinyl to look at as well as the six or so bins upstairs. They had a bunch of 45’s, too. I’d recommend hitting this place if you visit. I didn’t end up purchasing anything.

The next day I was on my own so I hit Frugal Muse (7511 Lemont Rd., Darien IL (630) 427-1140) In Chestnut Court Shopping Center, Frugal Muse is really more of a book store than a music store– it reminded me of Half Price Books. They had seven tables and a rack of CD’s split into Rock and R&B, Jazz/Blues, Classical, Country, World Beat, Hip Hop/Electronica, New Age and Children’s. A pretty decent selection of used CD’s. They also have a table of overstock items for really cheap. There are a number of crates on the floor under the CD tables of vinyl. Most of it was priced pretty reasonably. I recommend hitting this place, too. Here’s what I picked up:

Bombs Away Dream Babies – John Stewart (LP, RSO Records RS-1-3051, 1979) ($0.93) Former Kingston Trio signs with Robert Stigwood to make rock album with friends Lindsey Buckingham and Stevie Nicks. Dream Babies yields three Top 40 singles with “Gold” marching to #5. This album has Buckingham’s unmistakable fingerprints all over it. Actress Mary Kay Place (“Big Love,” “Mary Hartman, Mary Hartman”) lends her vocals to “Over The Hill.” I didn’t know that she sang! Razor and Tie released a CD version of this in 1994 which is now out of print and going for well over $50 and upwards of $100! I’d like to have this on CD, but not for that price!

In The Weeds – Bo Ramsey (CD Trailer Records trailer 10, 1997) ($0.93) I already own this CD, but I felt compelled to “rescue” it from the cheap bins! Features guest vocals on “Desert Flower” by Lucinda Williams. This is a different version of the CD than the one I bought from Bo when he played the park in Marion in 1997. This one has a different running order and cover. “Desert Flower” and “Ain’t It Hard” are flipped and the cover art has brown type instead of the purple on my original one. Different mastering credits, too. On Bo’s site they say that the U.S. release of In The Weeds has an improved running order, so maybe the one I originally bought is the European version?

Tiny Voices – Joe Henry (CD Anti- 86683-2, 2003) ($6.98) I’ve been a casual fan of Joe Henry’s since his Short Man’s Room album from 1992 backed by the Jayhawks. Over the years Joe has transformed himself from an Americana to a sort of R&B/Jazz artist. Tiny Voices is his most recent solo record. It seems he has concentrated his efforts on producing lately including working on the critically acclaimed Bettye LaVette album I’ve Got My Own Hell To Raise, Aimee Mann’s boxing concept album The Forgotten Arm, and the Alan Toussaint and Elvis Costello album The River in Reverse. I always keep my eye out for his work in the bins.

Demolition – Ryan Adams (CD Lost Highway 088 170 333-2, 2002) ($5.98) A collection of outtakes and demos from Alt-Chameleon Adams. A mixed bag of country crooners, rockers and sleepers. I’m planning to complete my collection of Adam’s catalog out of the used bins. I have a few left to go…

Black Hole – Love Tractor (CD Fundamental Records 8 AD, 2005) ($5.98) Love Tractor was a band that I was introduced to (as many were) in the movie “Athens, GA Inside/Out.” I was struck by the brave naive sound of a band that created instrumental works while clearly not having mastered their instruments. The results were at once simple and unique. At that time I was in a band struggling to carve a sound in a similar fashion and felt a kind of kinship to them. Love Tractor has gone through as many lineups as record labels and these days the only remaining member from those early days is Mike Richmond. These days Love Tractor sounds more like a jamband than anything else. Black Hole is the first part of a trilogy that includes last year’s Green Winter.

B-Sides in the Bins #13 – Cedar Rapids 7/11/07

Tuesday was new release day, and we had a couple of examples of the recent practice by record labels of including Bonuses to incent Joe Recordbuyer into purchasing. Two of the more interesting releases were Interpol‘s Our Love To Admire and Spoon‘s Ga Ga Ga Ga Ga and both had bonus material available. Interpol had a 7″ single of “The Heinrich Maneuver” with an instrumental version of “Mammoth.” These were available via independent record resellers. Spoon had a version available of their new CD that had a bonus disc of what appears to be demos and outtakes titled Get Nice. It isn’t clear to me which stores/outlets had this version. Target was the only Sunday supplement that mentioned the bonus CD. The other advantage of purchasing this from Target is that this week it is $7.98!

Unfortunately, the bonus CD didn’t include a tracklisting! I could only identify one song, which was a demo-sounding, stomping (literally) version of “You Got Yr. Cherry Bomb.” When I ripped the disc with iTunes, it actually came up with a track list for this release. Either the label did this, or a very informed fan. For the folks who are concerned, here is the tracklisting for Get Nice:

1. I Got Mine
2. Be Still My Servant
3. Leave Your Effects Where They’re Easily Seen
4. I Summon You (Cool)
5. Mean Mad Margaret
6. Love Makes You Feel
7. You Got Yr. Cherry Bomb
8. Tasty Fish
9. Dracula’s Cigarette
10. 1975
11. I Can Feel It Fade Like An AM Single
12. Curfew Tolls

While I was looking for some information on these releases, I stumbled into a really cool blog dedicated to vinyl and bonus releases called SixtyWatt. One to add to the RSS reader.

B-Sides in the Bins #12 – Cedar Rapids 5/24/07

I had a couple of trips to Half Price Books in Cedar Rapids that yielded a couple of interesting things.

Laughing Stock – Talk Talk (CD Polydor 847 717-2, 1991)($3.00) This is a CD that has been on my “if I ever see one” list. Laughing Stock was the last formal release from Talk Talk and commercially their biggest flop. Talk Talk started their career in the synth-pop arena with bands like Duran Duran, Depeche Mode, Communards, and Japan. The soulful vocals of Mark Hollis catapulted singles like “It’s My Life” (later covered by No Doubt) and “Talk Talk” into the top of the world’s singles charts. Following the success of their 1986 album Colour of Spring Hollis changed the direction and sound of the band into a more Jazzy, improvized sound that sparked the end of the band. Laughing Stock and its predecessor Spirit of Eden are in retrospect considered “Post Rock” and the earliest examples of this sound. After the split-up of Talk Talk Hollis would record a solo album that is a continuation of the sound established by the last two records. I really enjoy this album and am happy to have it in my collection. I’m not sure that I think this album fits in the “post rock” genre, but it has the same melancholy acoustic feel as David Sylvian‘s Secrets of the Beehive which is my favorite of his catalog.

Can’t Stop Won’t Stop – A History of the Hip-Hop Generation – Jeff Chang (Hardback Book St. Martin’s Press ISBN 0-312-30143-X, 2005)($7.98)(MSRP $27.95) This is a heck of a deal! I love finding stuff like this at HalfPrice. This is probably the best book on the history of Hip-Hop. I’ve just started reading this, but already it has been an eye-opener. I can see that this will be a reference for me later. If you get a chance to pick one of these up at HalfPrice I recommend it.

B-Sides in the Bins #11 – Cedar Rapids 5/14/07

Prestige Jazz – Various (CD Starbucks Entertainment/Concord Records FSP-1504-2/CDS-055, 2007)($13.95) Okay, I’m a sucker. When I’m on the road for work I drink Starbucks Coffee. When I’m standing in line waiting for my ventelattefrappecappuchino I look at the CD’s conveniently placed next to where I have to wait for my order. Usually I don’t see anything that I haven’t heard before or I would be particularly interested in. When I was in Austin last month I stumbled across a title that I initially resisted temptation over. However, the urge became too strong and I found it in Cedar Rapids. The CD is called “Prestige Jazz” and is a compilation of 50’s and 60’s jazz artists from the venerable Prestige label which during its heyday was as big a deal as Blue Note.

“Prestige Jazz” is a compilation of songs from the likes of The Modern Jazz Quartet, John Coltrane, Red Garland, Miles Davis, Thelonious Monk, Eric Dolphy and Sonny Rollins and is one of the first releases on the controversial Starbucks Entertainment label. You may have heard about Starbucks Entertainment in the press recently as it will be releasing Paul McCartney’s next album.

The packaging is really smart– white with the familiar 1960’s Prestige logo on it– it drew my eye immediately from between the other CD’s. Nice pop-artish graphics and beautiful photographs of the artists from the Michael Ochs Archives. Each song has a little paragraph talking about the song and the artist. Certainly a great primer for Jazz neophytes.

The release is sort of a cross promotional deal as it is a compilation of the recent remastering that the Prestige titles are going through by Rudy Van Gelder who recorded some of the great Jazz albums from that period. Of the songs I’d only heard “Django” by The Modern Jazz Quartet and “Like Someone In Love” by John Coltrane before. A nice addition to my small-but-growing Prestige collection and gives me ideas for other titles to look for. A good Jazz compilation when you need a jazz mix as well.

Looking at the website, it looks like they have a Riverside comp as well… another ventiwhitechocolatemochawithwhip please…