(Upcoming Show) Pieta Brown with Carrie Rodriguez and Kelly Joe Phelps Bring An Acoustic Cafe Roadshow to CSPS Tuesday 1/31/12

Though we don’t get this fantastic show on Iowa Public Radio, Acoustic Cafe is an independently-produced 2-hour radio show hosted by Rob Reinhart focusing on a wide variety of music, but tending to center on the “unplugged” side of things.

Acoustic Cafe also sponsors a tour, and for some of the dates on their evening tour Pieta Brown is joining the 2nd half of the run replacing Erin McKeown in the lineup with also includes Carrie Rodriguez (who Pieta toured with in 2011) and Kelly Joe Phelps. This is the lineup that will be gracing the big stage at Legion Arts/CSPS on Tuesday, January 31st.

We always welcome a chance to see Pieta live, and it will be great to see her at the remodeled CSPS along with a couple of complimentary acts like Rodriguez and Phelps. Rodriguez’s latest album is We Still Love Our Country, which is an album of covers with collaborator Ben Kyle of Minneapolis band Romantica. Phelps has been recording since 1994, and his latest album Western Bell came out in 2009 and is a beautiful John Fahey-esque album of instrumentals. While I’m sure he will perform songs from all points of his career– I’m hoping he includes some of these instrumentals!

Click Here to read my review of Pieta Brown’s new album Mercury that I wrote for Little Village Magazine.

An Acoustic Cafe Evening with Pieta Brown, Carrie Rodriguez and Kelly Joe Phelps will happen at 7PM on Tuesday, January 31st. Tickets are $17, $21 at the door. Visit the Legion Arts website for more details.

12 Releases I’m Looking Forward to in 2012

The month of January was named after the Roman goddess Janus who had two faces.  Like the goddess, January is the month of the year when we both look back on the previous year that is over as well as ahead to the year coming up. I just posted my favorite releases for 2011— here is a list of releases that I’m looking forward to in 2012.

The Right Now – sophomore release (April 21st) – The Chicago R&B group The Right Now has had a pretty great run since their first album Carry Me Home came out in 2010 (which I was the Executive Producer on). They’ve played some pretty great headlining shows as well as opening for many of the bigger R&B acts touring. They flew out to L.A. in 2011 to work with Sergio Rios of Orgone at his studio for their 2nd album. Most of songs for this album have had their fair share of live workout and it shows– as someone who has seen the band a lot over the last year, the new songs have already become standards. The album will be released on Record Store Day.

Jeff Parker – Bright Light In Winter (February 2012) – The guitar-slinger for post rock fountainhead Tortoise is releasing his third solo album on Chicago Blues/Jazz label Delmark. Jeff Parker’s first solo record Like Coping was released on Delmark, with his second solo record The Relatives on Thrill Jockey. Credited as the Jeff Parker Trio, the album will feature Chris Lopes on bass and Chad Taylor on drums.

BTW: Don’t get me wrong– I’m a Thrill Jockey fanboy of the first order, but when was the last Jazz release from Thrill Jockey? (It was Chicago Underground Duo…) Thank goodness for Delmark, or we wouldn’t get these crucial releases from Chicago’s Jazz scene!

Garbage – title TBD (March or April 2012) – I reported on this previously. The new fifth album from Garbage is apparently in the can and mastered. There have been reports of an extensive tour in 2012 as well.

Snow Patrol – Fallen Empires (January 10) – After developing a big crush on the Tired Pony record, I was waiting expectantly for this album as it was produced by Jacknife Lee who also produced R.E.M.’s album Collapse Into Now, and with all of the ties to R.E.M.– Pete Buck was in Tired Pony, Michael Stipe helped Gary Lightbody get through some writer’s block– I was hoping for something great. The first song from Fallen Empires was “Called Out in the Dark” which has an unstoppable beat and build to it. I think that the promise of Tired Pony delivers on Fallen Empires.

Poliça – Give You The Ghost (February 14) – Technically, this album is already out as it is available as digital download from iTunes and Amazon. But, the debut album from GAYNGS lead vocalist Channy Leaneagh’s (formerly Channy Moon Casselle) new band Poliça will be officially released on CD and vinyl on producer Ryan Olson’s record label Totally Gross National Product on Valentine’s Day 2012, complete with sold-out shows at First Avenue. If you are a fan of the vocoder-laiden production of GAYNGS and Bon Iver (Mike Noyce from Bon Iver helps out on vocals on a couple of tracks, too), then you’ll love this album as much as I do! The lineup of two drummers, bass, vocals and keyboards gives the band a very unique sound, but also pretty reminiscent of 90’s trip hop from bands like Morcheeba, Sneaker Pimps and Portishead.

The Pines – Dark So Gold – (January 31) – The third album from The Pines on Red House Records find principal members Benson Ramsey and David Huckfelt living in two different cities. This doesn’t prevent them from turning out their best collaboration, yet. I caught three of their shows back in May and their stop at CSPS in September and got to hear songs destined for Dark So Gold, so I was already looking forward to hearing the studio versions of “Cry Cry Crow” and “If By Morning.” Produced again by Benson’s dad, Bo Ramsey. The Pines are kicking off a tour at the beginning of February in support of the new album and will be making stops at CSPS again as well as The Cedar Cultural Center in Minneapolis.

Cheyenne Marie Mize – We Don’t Need EP – (January 24) – What started out as a release on My Old Kentucky Blog’s label Roaring Colonel has been picked up by Cheyenne Marie Mize’s new label home YepRoc. I loved her last album Before Lately and managed to catch her at The Mill where she performed the percussion-plus-vocals “Wishing Well” which Consequence of Sound is debuting. You can also check out her Daytrotter session to listen to “Keep It” which is also on the 6-track EP available on 10″ vinyl and digital download.

Jacob Jones – Good Timin’ in Waynestown – (August?) – Jacob Jones is someone my wife and I met in Nashville during an overnight stop on a Monday night with Brendan of The Right Now. We were on a marathon road trip getting the mastering done and dropped off for the vinyl version of Carry Me Home. Brendan insisted we needed to hit this local-yokel  bar called the 5 Spot where they have this over-the-top dance party on Monday nights. This dance party called “Keep on Movin'” is hosted by Jacob Jones and his label partner Reno Bo and consists of mostly 50’s and 60’s country, R&B, garage rock and blues– typically spun on a turntable (though sometimes from a MacBook). The drinks are cheap, the folks are friendly and the floor is packed. Suffice it to say, it was one of the most memorable events we’ve been to, and certainly one of the high-points of the trip.

In addition to purveying this party, Jacob is also a singer/songwriter with a couple of pretty great Americana records under his belt. I introduced blogger Amber Valentine to his music and she wrote this really great review of his last release, which is a free download. When I was pinging folks for releases I reached out to Jacob and he told me about his 2012 release, Good Timin’ in Waynestown which is inspired by the 5 Spot Monday nights! “Good Timin’ In Waynetown” is about the good times. plain and simple,” Jacob told me in a recent conversation, “The songs are for dancing. drop the needle and get to work. The songs are filled with huge sounds of New Orleans and Nashville, Memphis and Mussel Sholes. They are about the finer things in this world like love and having good friends, that’s it, plain and simple.” Indeed, based on the couple of rough mixes he sent, this album has a big sound somewhere between Ray Charles, Chris Isaak, and Lyle Lovett. This release is going to come out on vinyl, too, so that is really exciting! A sure bet for my best of 2012.

The Diplomats of Solid Sound – TBD – I don’t have any details about the third release of Iowa City-Chicago-Austin band The Diplomats of Solid Sound with the Diplomettes other than it was recorded in Iowa City in 2011 and that they played some of the new songs at their gigs leading up to and on New Year’s Eve. I loved their last two albums, so there should be no reason to believe I won’t love this one, too!

Camper Van Beethoven – TBD – News of this release– their follow-up to 2004’s New Roman Times— was delivered with a run of tour dates starting this week. No other details other than this run of winter dates will include some of the songs from the forthcoming record.

Hiss Golden Messenger – TBD – As if  releasing the amazing 1-2 punch of Bad Debt and Poor Moon over the last two years wasn’t enough, M.C. Taylor is planning to come back in 2012 with another album! As part of one of the Poor Moon pre-order bundle he included a bonus digital EP called Lord I Love The Rain that included outtakes and demos, but also had early versions of tracks that will be on the next album. Though we’ll see if this is the next album or maybe another project he hinted at in a recent conversation!

The Horses Ha -TBD – In a recent conversation with Janet Beveridge Bean she told me that James Elkington and she were done recording the follow-up to the debut Horses Ha release The Cathmawr Yards which came out in 2009. I absolutely loved the jazzy folk harmonies from The Horses Ha. You can read my review of The Cathmawr Yards here. Watch my site for updates as I get them!

 

B-Sides in the Bins #55 – Around Memorial Day Weekend 2011

Over the long weekend, I was hoping to get in on some of the sales that were going on– specifically Guitar Center in Cedar Rapids, and the full-weekend 20% sale at Half-Price Books. While I didn’t actually get over to Guitar Center, I did hit HPB, but also managed to see David Lowery and Johnny Hickman tape a Java Blend session in Iowa City with my friend Erik, which also resulted in a great trip to The Record Collector. I also visited Moondog Music in Dubuque on Thursday and picked up some “missing titles” and hit a Half Price Books in Chicago on Saturday (whew!)

Record Collector, Iowa City:

Bob Mould – Workbook (LP, Virgin Records 91240-1, 1989)($8.00) HUGE SCORE! Found in the “Recent Arrivals” bin (much to Erik’s dismay). Promo-stamped and notched cut-out with a “When You PLAY IT, SAY IT!” sticker prominently on the front cover. The record is in overall good condition, but there was a very visible scuff on tracks 3 and 4 on side 2. It doesn’t affect the play a lot except for a slight tick. I heard this album being played at a party in college and went out and bought it the next day. The first time I ever heard Mould, incidentally. Though I was a fan of Minneapolis bands like Soul Asylum and The Replacement, I hadn’t dove into the Husker Du catalog. I started getting into their catalog posthumously after this album. This is still my favorite Mould record, though Black Sheets of Rain is a close second.  (Note to self: add Black Sheets of Rain to my vinyl wishlist).

Van Morrison – Moondance (LP, Warner Brothers 1835, 1970)($12.00) Also in the “Recent Arrivals” bin. Amazingly clean copy and early pressing! Well worth the slightly more expensive price. Not much to say about this release other than it is probably the most consistent record in Van the Man’s catalog. Nice mellow jams for early evening consumption of red wine.

I had also grabbed a collection of Talking Heads records which were on my wish list, however, when I got to the counter to check out I spotted a copy of Neil Young’s Zuma in the glass case for $20. Realizing that this is a tough one to find, I put the Talking Heads back…

Neil Young with Crazy Horse – Zuma (LP, Reprise Records MS 2242, 1975)($20) Brilliant record all the way through. Of the “bigger songs” in Neil’s career, this has “Cortez the Killer” on it. First album following the “Ditch Trilogy” of Time Fades Away, Tonight’s the Night and On The Beach. I guess it is a little crazy for me to pay $20 for a record that will allegedly come out on the next Neil Young Archives LP box (cue laughter from die hard Neil Young fans). Cover in good shape with some slight staining which is typical of the matte covers of this vintage. Includes lyric sheet.

Big Star – Radio City (LP, Stax/Concord Music Group ADS-1801, 2009)($13.00) New. Wasn’t planning to pick this up, but I entered into a conversation with Kirk about the $50 original pressing of Big Star’s #1 Record that has been on display for a while. I mentioned the reissues that had come out and he went back to the bins and came back with this. I’m a big fan of Big Star and had been planning to pick these up at some point. This is a reissue done by Concord Music Group which owns the licensing of the Stax and Ardent catalogs. Interestingly, aside from the very small “Licensed By Concord Music Group” at the bottom of the back of the jacket, you couldn’t tell easily that this was a reissue. Recorded and mastered at Ardent Studios in Memphis and mastered by Larry Nix whom I worked with on the vinyl pressing of The Right Now’s 2010 album Carry Me Home. Nix told us stories about working with Big Star and how Chris Bell nearly destroyed the plates for the vinyl version of #1 Record! I’m thinking I need to get that #1 Record

Moondog Music, Dubuque, IA:

Pink Floyd – Wish You Were Here (LP, Columbia PC 33453, 1975)($12.98) Hot stamped with “For Demonstration – Not For Sale” on the back cover. Sleeve in VG condition with some slight ringwear and the LP is VG condition– no scuffs or scratches, but seems to need a thorough cleaning as it has a some crackles. The recording sounds great other than that. BL 33453-3F 1T matrix information on both sides. Also came with original “Monosee Lake” postcard!

R.E.M. – Murmur (LP, IRS Records, SP 70014-1, 1983)($5.98) According to the internet, this is a later repress as the catalog number changed and it has a barcode on it. Vinyl just needed a quick brush with the anti-static brush and a wipe with 91% isopropyl alcohol. Cleaned up with no surface noise! Sounds great and reminds me why I loved them so much back then. R.E.M. has always been a band that changes its sound every few albums, and the Chronic Town, Murmur, Reckoning set of albums defined that Southern jangly sound that so many bands that followed emulated.

Greg Brown – Freak Flag (LP, Yep Roc YEP 2244, 2011) ($19.98) 180g vinyl! Cool that the man who lives analog would get his new album on new label Yep Roc pressed into virgin vinyl. Produced by Bo Ramsey and recorded at Ardent Studios in Memphis after a lightning storm destroyed the original recordings done in Minneapolis! Read my review of Freak Flag in Little Village Magazine.

New Order – Movement (LP, Factory FACD 05, 1981)($12.98) Still sealed! Was in the bins there since 2004. Has the light blue cover indicative of the non-US Factory Records versions. Looks like a Canadian pressing I guess, but the matrix information looks like it is based on the original UK pressing. I need to look into this a bit more. Not my favorite New Order album, but still worth having in the collection.

Simple Minds – Sparkle in the Rain (LP, A&M Records SP-6-4981, 1984)($4.99) This is one of my favorite Simple Minds albums, second probably only to New Gold Dream. Sparkle in the Rain is considered Simple Minds’ breakthrough release in the US. Side A has a fantastic procession of songs– “Up on the Catwalk,” “Book of Brilliant Things,” “Speed Your Love to Me,” “Waterfront” and “East At Easter” most of which are on the excellent live album Live in the City of Light.

Steely Dan – The Royal Scam (LP, ABC Records ABCD-931, 1976)($5.98) This is an “upgrade” from a later MCA Pressing I had of this. Great record, though it doesn’t have the big hits on it. It also seems to embody the snideness of Steely Dan. Sometimes Steely Dan hates the subjects and characters in their songs, and never more than they seem to on The Royal Scam. Classic Dan songs on here, though. “Kid Charlemange,” “Don’t Take Me Alive,” “The Fez” and “Haitian Divorce.”

Half Price Books, Village Crossing, Niles, IL

Derek & The Dominos – Layla and Other Assorted Love Songs (LP, Atco SD 2-704, 1970)($14.99) While Sherry was doing makeup for a wedding in Chicago, I busied myself with a trip to the closest Half Price Books. They had a lot of “essential” titles in the bins of varying quality and I nearly picked up a couple of Who titles, but ended up finding this really clean original pressing of the classic Derek & The Dominos album.

(Show Preview) SCOPE Presents The Roots at IMU Main Lounge – 3/9

2010 was–by anyone’s estimation–a triumphant year for Philadelphia-native soul/hip-hop band The Roots.

It was their second year as the house band for Late Night With Jimmy Fallon, each night providing interstitial music as well as stepping in as the band for guests as varied as Bruce Springsteen, Paul Simon, Todd Rundgren, Mos Def and Justin Timberlake (with Fallon doing an amazing “History of Hip Hop”).

In June, The Roots released their ninth album How I Got Over. It earned an 8.1 on Pitchfork, “…one of their most lyrically straightforward, and a work of strong stylistic cohesion.” As a casual follower of The Roots dating back to Illadelph Halflife (1996), I agree with Pitchfork on this point. Every Roots album to date has had standout tracks, but How I Got Over is for me their most satisfying effort beginning-to-end. Possibly this has to do with the fact that the album draws its inspiration as a collective sigh of relief with the election of President Obama. How I Got Over is itself a “reaching across the aisle,” if you will, featuring collaborations with indie darlings Monsters of Folk on “Dear God 2.0″ (a re-engineering of the MoF single), harp-wrangler and Van Dyke Parks BFF Joanna Newsom on “Right On,” and members of The Dirty Projectors on the opening acapella track “A Piece of Light.”

Read the rest of the article at The Little Village Website

(Show Preview) Chicago Sextet Canasta at The Mill 2/4/11

Most of the press that surrounds the Chicago sextet Canasta is wrong.

Maybe I should be more clear. Upon my first listens of Canasta’s fantastic 2010 release The Fakeout, the Tease and the Breather I was immediately whisked back to my halcyon days of college in the early Nineties, when I had more hair on my head, less hair on my face and the dew of optimism had yet to be wiped from my eyes.

This hot tub time machine was made possible by very strong–and I use this non-ironically–Beatlesque Britpop influence. The soft tenor style of vocalist Matt Priest to me recalls singers like Ian McColloch from Echo & the Bunnymen, Nick Heyward from Haircut One-Hundred, and Kurt Ralske (aka Ultra Vivid Scene). The fact that Canasta is a six-piece helps them deliver beautiful, complicated, nearly-orchestral pop. Clean ringing guitars and gorgeous vocal harmonies floating over strings and keys draws easy comparisons to The Smiths.

Read the rest of the article at The Little Village website.