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(Upcoming Show) John Reilly and Friends at Codfish Hollow Barn on June 21st

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John Reilly and Friends at Codfish Hollow Barn Poster

Continuing the trend of jaw-droppingly awesome shows at Codfish Hollow Barn in Maquoketa, this Friday, June 21st,  it will play host to actor John C. Reilly’s non-film music endeavor John Reilly and Friends.

For the past few years Reilly has been working with some musician friends of his to bring a revue of old country and folk music  of the likes of the Stanley Brothers, Porter Wagoner and Dolly Parton, The Everly Brothers, Claude Ely and the Delmore Brothers to name a few. With regular “Friends” sidekicks Becky Stark of Lavender Diamond and Tom Brosseau (solo and of Les Shelleys) Reilly cut two 7-inch singles on Jack White’s Third Man Records.

The band is doing a run of dates through the Midwest from June 13th to June 22nd, with a stop at the wonderful Codfish Hollow Barn in Maquoketa, IA– home of many Daytrotter.com Barnstormer shows as well as a few shows put on by the Biehls themselves. Joining Reilly, Stark and Brosseau will be Mt. Vernon, IA native Dan Bern (who headlined his own show in May), Willie Watson— formerly of Old Crow Medicine Show (OCMS’s “Wagon Wheel” has been covered by Darius Rucker and climbing the charts currently), and Sebastian Steinburg– formerly of Soul Coughing and these days a go-to bass sideman (Marc Ribot, Dixie Chicks, k. d. lang). That’ s one hell of a lineup with lots of varing backgrounds, so you can count on some pretty inspired performances!

According to Brosseau’s website, there will be copies of the Third Man Records 7-inches as well as “the official John Reilly and Friends teeshirt” at the merchandise table. Tiffany Biehl also told me about exclusive stickers with art done by Dan Bern and limited-edition posters done by the Biehl’s and sent me images of those:

john reilly sticker

John Reilly and Friends Codfish Hollow Barn Sticker

john reilly pitchfork poster

John Reilly and Friends Limited Edition Codfish Hollow Poster available at the show.

Opening the show will be Andru Bemis from New Mexico.

As usual, there will be camping available (with no service hookups), food vendors with soft beverages and just good old fashioned great times with other people who are there for the music. Coolers are welcome. Here is a list of what food will be available onsite:

Grilled chicken sandwiches
BBQ pulled pork sandwiches
All beef hotdogs
Brats and sauerkraut
Veggie dogs/brats
Nachos and cheese
Beef taco nachos
Chicken/pork nachos
Vegetarian bean nachos
Chips
Candy bars
POP- Mt.Dew Pepsi, Diet Pepsi,Sprite
Water

YUM!

At the time of this writing there are still tickets left, but you should expect that this show will sell out this week. Doors are at 6:30PM with the bands hitting the stage at 8PM. The tickets are $25 in advance (plus some minimal service charges).

Click Here for the Facebook Event and RSVP!

Click http://johnreillyandfriends.eventbrite.com/ to order your tickets!

I was interviewed in The Cedar Rapids Gazette Arts and Entertainment magazine Hoopla– click here!

Click Here to visit the Third Man Records page on John C. Reilly and purchase his two singles.

Tour Dates:

15 June 13: The Assembly at the Women’s Club of Minneapolis: Minneapolis
16 June 13: Miller Caves: Milwaukee
17 June 13: Muskegon Unity Church: Muskegon MI
18 June 13: Ramsdell Theater: Manistee MI
19 June 13: The Magic Bag: Ferndale MI
20 June 13: Radio Radio: Indianapolis
21 June 13: Codfish Hollow Barnstormers: Maquoketa
22 June 13: Old Town School of Folk: Chicago

 

(Upcoming Show) Grant Lee Phillips Brings His Lone Star Songs to CSPS in Cedar Rapids on 5/15

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grantlee.KenScott_04

I think it must have been a compilation CD that came with CMJ Magazine that included a song from the 90’s band Grant Lee Buffalo that lured me to purchase Mighty Joe Moon in 1994 or so. The album kicks off with the searing guitars of “Lone Star Song” and proceeds to swing bipolar between sweet folky acoustic and burning electrics all housed in HUGE unabashed reverb like only the 90’s could deliver. Needless to say this was exactly what my then 26-year-old self thought was the best thing ever! Playing though that CD this evening and writing this article, it is still surprisingly an exciting and emotional album for me.

I bought Fuzzy and Jubilee and listened to them quite a bit, but by the end of the last century I was listening to much different music and didn’t continue to follow what frontman Grant Lee Phillips was up to. As it turned out, he kind of abandoned the band in pursuit of a solo career, and has eclipsed the band in releases.

His most recent release came out in October, 2012 and is called Walking in the Green Corn. The album, which concerns itself with the extensive research that Phillips did regarding his Native American roots was recorded very quickly over the winter months leading into 2012. “I do my best work when nobody’s paying attention – including myself,” he recalls. “That’s what happened: it really snuck up on me. By the end of the year, I had most of the album written and recorded.” The resulting album leans more towards the thoughful folk acoustic sound than the often blistering electrics of his previous band, but doesn’t abandon the emotion and sentiment distilled from his mixed heritage. “Connecting to my ancestry is like having this deep trunk that’s embedded in the earth, with deep roots. It was always something that was important to my grandmother, who was Creek, and to my mother.”

Phillips is on tour right now and is bringing his show to the crown of the NewBo district, CSPS on Wednesday night at 7PM. Tickets are $17 in advance and $20 at the door. This is a rare chance to catch him– I don’t remember the last time he was in the area!

Click Here for information about the show at the Legion Arts website and how to get tickets.

The player on Phillip’s website has most of the new album in it if you want to check it out.

Last year Grant Lee Phillips was on tour with another CSPS alum Glen Phillips of Toad the Wet Sprocket and WPA. Here are the two of the performing the title track:

Codfish Hollow Kicks off the 2013 Season with Bern in the Barn on May 4th

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Bern in the Barn

The winter had overstayed its welcome in Eastern Iowa this year and with the frost finally succeeding and the bulbs pushing their greens up in anticipation of flowering, we can finally (hopefully) start looking forward to Spring and Summer and to the recent announcement by Codfish Hollow of the first show in the barn this year!

Last year we saw two really amazing events in the Codfish Hollow Barn stage even without an official Daytrotter Barnstormer show. July 4th brought  a mind-melting and body-dehydrating appearance by Counting Crows and their touring Outlaw Roadshow lineup for what would certainly be for the 650 people who saw it the best show they’ve ever seen. The laid-back and mellow atmosphere seemed to coax a normally grouchy Duritz to hang out with people outside the venue and pose for pictures and pause for autographs. The show inside the barn was electric and even with the failure of the stage electric fans the bands sweated their way through their sets and Counting Crows put forth an unprecedented 3 hours on stage! Codfish Hollow then put all their political chips on support of the Democratic Party with a chilly October show featuring a lineup headlined by Pieta Brown and Dave Zollo and the Body Electric.

On May 4th (May the Fourth Be With You!) Codfish Hollow returns with a show featuring Dan Bern! Called amusingly enough, “Bern in the Barn” the lineup also features Outlaw Roadshow veteran Field Report as a solo performance by Christopher Porterfield, 2013 Outlaw Roadshow act Daniel and the Lion, Cincinnati band Pomegranates, Athens, GA band Twin Tigers who have a sound somewhere between Lou Reed and Sonic Youth and maybe Barnstormer alums Suckers, and Iowa City guitar popsters Chasing Shade. You should check out Chasing Shade’s song “Sunburned Bones,” BTW.

So, click on all those links above to find out what these bands are about– but it’s looking like a wonderful evening of music for a very resonable $18 in advance. There will be the regular lineup of food vendors onsite, and the scattering of fire rings to keep warm– this barn is down in a hollow for gosh’s sakes, and the sun quickly ascends the road out of there in the evening, and 10 degree temp drops are not uncommon– so pack a sweater, kids!

These shows at Codfish Hollow are always wonderful and are special shows for bands and fans alike and are really a must-see for anyone who can make it. Much  love, respect and gratitude is due Tiff and Shawn Biehl for continually bringing the magic to their barn.

The food vendors will be providing Grilled chicken sandwiches, BBQ pulled pork sandwiches, Hot dogs, Veggie dogs, Nachos and cheese, Chicken/pork nachos, Vegetarian Bean Nachos, Chips, Giant Dill pickles, Candy bars, POP- Mt.Dew Pepsi, Diet Pepsi,Sprite, Bottled water, Coolers are welcome. That means bring your own booze if you want it!

For more information, you can follow the Codfish Hollow Facebook page, and the Facebook event invitation.

To order tickets for Bern in the Barn, you can go to the Eventbrite ticket ordering page— tickets are $18 in advance and $22 at the day of the show.

(Upcoming Release) Calexico – Spiritoso LP – Record Store Day Release

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spiritoso

In the list for the Record Store Day 2013 (April 20, 2013) releases I noticed under LP’s that there will be a LP + CD release of Spiritoso by Calexico. The notes say that this was originally available only as a vinyl release on tour. While I’m not sure about that, it was part of the special box set release of Algiers— Calexico’s most recent album release. Here is what City Slang (Calexico’s European label who put out the box set) said about it:

Spiritoso [is] a full album of superb live recordings from two shows in Vienna and Potsdam [last] summer, with full symphonic orchestras. Here’s the tracklisting:

1. Frontera /Trigger *
2. Epic **
3. The News About William **
4. Black Heart **
5. Minas de Cobre **
6. Inspiracion **
7. Two Silver Trees **
8. Para *
9. Quattro (World Drifts In) **
10. Crystal Frontier **
11. The Vanishing Mind *
12. Fortune Teller **

* Live with the Radio Symphonic Orchestra Vienna
** Live with the Deutsches Filmorchester Babelsberg

Here is a video of “Para” with the Radio Symphonic Orchestra Vienna.

Calexico is normally a band with a very complex sound, but having them backed by a symphony is a whole new experience as you can tell from the video above. If you didn’t order or missed out on the box set that included this– here is your 2nd chance!

(Upcoming Release) Miles Davis – “The Kinda Blue Sessions ’59” 180g LP + CD- Record Store Day 2013

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Kind of Blue Sessions '59

At this point the importance of Miles Davis groundbreaking work on his 1959 release Kind of Blue is well-established. Recorded over two dates in 1959 (March 2nd and April 22nd at Columbia’s 30th Street Studio) and featuring the legendary “First Sextet” lineup of  Davis, Julian Adderley, John Coltrane, Wynton Kelly/Bill Evans (Kelly was on “Freddie Freeloader”), Paul Chambers and James Cobb. This is the band that Davis started his experimentation with modal jazz and the move away from his hard bop style. Though Kind of Blue is heralded as the pinnacle of modal style, Davis had already been working with it on his 1958 release Milestones, suggesting that Coltrane was the catalyst of this move.

Kind of Blue stands head and shoulders above many other jazz releases in popularity– depending on who you believe, it may be the greatest selling jazz release of all time. It certainly represents an important release in my jazz collection. When people who are unfamiliar with jazz ask me where to start listening, it is a safe bet to suggest Kind of Blue. So much about the album lends itself to being a springboard of sorts to more jazz– Miles Davis, John Coltrane, and Bill Evans’s participation alone will send the newly motivated jazz investigator down some very important and landmark releases in the jazz canon.

Of course, these facts are not lost on the label custodian of Miles Davis’s catalog– Sony/BMG. I don’t think I can even count the reissues of just Kind of Blue that have happened over the years. For the 50th Anniversary of Kind of Blue in 2008, Sony Legacy released a beautifully-packaged release that included a clear-blue vinyl stereo LP (which fixed the long-standing mastering error that had side 2 at the wrong speed), 1 CD of Kind of Blue with an alternate take of  “Flamenco Sketches” and session chatter, 1 CD with five tracks from a May 26, 1958 session and a live version of “So What” from April 9, 1960 in Holland. There was also a DVD documentary of the album, and a beautiful book, posters and photos. This is the version I have in my collection.

So, I was surprised to see in the Record Store Day list diligently maintained at Wax Poetic the mention of an LP called The Kinda Blue Sessions ’59. Some quick googling turned up some information about it, but not a lot of details. It is on Birdland Records and distributed by RedEye. (Birdland also has an interesting Art Blakey and the Jazz Messengers Munich ’59 live release). At SpinCD’s website, they provide the tracklist and credits:

Side One
1.Freddie Freeloader session
2.So What session

Side Two
1.Blue in Green session
2.All Blues session.

Musicians: Miles Davis – Trumpet, John Coltrane – Tenor sax, Bill Evans – Piano (S1 T2. S2 T1&2) Wyn Kelly – Piano (S1 T1), Julian Adderly- Alto Sax (All except S2 T1), Paul Chambers – Bass James Cobb- Drums

Based on the research I’ve done, I suspect that this is possibly a partial release of the bootleg commonly known as Kind of Blue Studio Sessions and Outtakes.

Initially I was a little concerned that this would be a release of only the additional tracks on the first CD of the 2008 Sony Legacy release of false starts and studio sequences. In fact, these are in exactly the same order, but it’s missing the tracks from “Flamenco Sketches” making this a release that– including the “Flamenco Sketches” chatter and false starts would have only been 10 minutes long!

7. Freddie Freeloader studio sequence 1 from the 3/2/59 sessions (0:51)
8. Freddie Freeloader false start from the 3/2/59 sessions (1:25)
9. Freddie Freeloader studio sequence 2 from the 3/2/59 sessions (1:26)
10. So What studio sequence 1 from the 3/2/59 sessions (1:53)
11. So What studio sequence 2 from the 3/2/59 sessions (0:59)
12. Blue in Green studio sequence from the 3/2/59 sessions (1:59)
13. Flamenco Sketches – studio sequence 1 from the 4/22/59 sessions (0:42)
14. Flamenco Sketches – studio sequence 2 from the 4/22/59 sessions (1:09)
15. All Blues – studio sequence from the 4/22/59 sessions (0:18)

But, the notable absence of the “Flamenco Sketches” sequences and the one outtake that they released on the Legacy release of  “Flamenco Sketches” would make this, although interesting from a collector’s standpoint, a pretty lame release out of the context of full songs. Especially at $29 MSRP.

The Kind of Blue Studio Sessions and Outtakes notes lists this track listing:

Tracks 1,2,3 > March 2, 1959 (2:30pm to 5:30pm and 7:00pm to 10:00pm)
Tracks 5,6 > April 22, 1959 (2:30pm to 5:30pm)
Columbia 30th Street Studio, New-York, USA

Tracks:

1. FREDDIE FREELOADER SESSION (13’38)
2. SO WHAT SESSION (12’53)
3. BLUE IN GREEN SESSION (11’13)
4. FLAMENCO SKETCHES SESSION (24’10)
5. ALL BLUES SESSION (11’53)

Since we know that an LP can be at the most 24 minutes per side, if  you take out the 24 minutes of “Flamenco Sketches,” it would fit on one LP. Though, they could include “Flamenco Sketches” as a bonus track on the CD they are including.

The only caveat I’d mention here is that these recordings are direct dumps of the safety masters of each of the sessions (Columbia 62290, 62291, 62292, 62293, 62294) and include the tape starts and stops and have some cut outs– possibly from the tape edits? I suspect that due to the very few extra full takes available, this may include takes that were used on the official release of Kind of Blue, which begs the question about the legitimacy of the release.

Based on the wonderful Miles Ahead Sessions Information database which articulates all of the details of the sessions down to the studio chatter, here is what I know about the possible tracks:

1. Freddie Freeloader Session – This is Take 2, Take 3, Take 4 – An Edit of Take 4 was used on the official release.

2. So What Session – This is the full Take 3- An Edit of Take 3 was used on the official release. The bootleg includes Cannonball Adderley singing “with a song in my heart…” at the end.

3. Blue in Green Session – Take 2, Take 3, Take 4, Take 5 – An Edit of Take 5 was used on the official release.

4. All Blues Session – Take 1 – An Edit (faded) version was used on the official release. The bootleg includes the unfaded end with Paul Chambers panting at the end and saying “Damn…” part of  “Damn that’s a hard mother!”

If this release is the Kind of Blue Sessions and Outtakes version, I’ll be happy to have this in my collection! The sound is incredible– which isn’t surprising considering the source, but certainly one I’d play. It’s great to hear the musicians working through what would become one of the most important jazz albums in history.

Read this interesting piece on NPR called “Between the Takes” by Ashley Kahn which was also used in the hardbound book included in the 50th Anniversary box of Kind of Blue.

(Upcoming Release) New Calexico Tour-Only Release : Anceinne Belgique Vol 2

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John Convertino of Calexico holding the vinyl LP of the new Ancienne Belgique Volume 2

John Convertino of Calexico holding the vinyl LP of the new Ancienne Belgique Vol 2

This morning via their Facebook Page, Calexico announced that they will be selling CD’s and vinyl of a new tour-only live release titled Anceinne Belgique Vol 2. 

Hey Everyone we have a new tour only album for sale. It’s a live recording from the Ancienne Belgique in Brussels this past September 2012 featuring new songs off of the album “Algiers” as well as some old songs too. Mixed by Craig Schumacher and mastered by Jim Blackwood, it is available on CD and as a double LP on vinyl. Here’s John with a copy hot off the press. We have copies on tour.

This is volume 2, because Calexico released the first album back in 2009 of their October 2008 show, which was also a tour-only release. I wrote about it here. The first volume also got a vinyl treatment in the amazing Road Atlas Box Set of their previously CD-only tour releases. That box is out-of-print and really scarce. I wrote about the Road Atlas Box here, and made a nifty 32-minute mix of tracks from it as a freely-downloadable mp3.

The band will have copies with them on tour— currently underway in Europe and running until March 3rd. In response to all of the people commenting on the post that they wanted to buy it and couldn’t see them on their current tour of Europe, they said that they will have copies in the band’s website store “hopefully soon.” The band helpfully provided me with the tracklisting:

01. Epic
02. Splitter
03. Para
04. Dead Moon
05. El Picador
06. Sinner in the Sea
07. No Te Vayas
08. Maybe on Monday
09. Corona
10. Hush
11. Close Behind
12. Puerto
13. The Vanishing Mind
14. Güero Canelo

 

Releases I’m Looking Forward to in 2013

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The month of January was named after the Roman goddess Janus who had two faces.  Like the goddess, January is the month of the year when we both look back on the previous year that is over as well as ahead to the year coming up. I just posted my favorite releases for 2012— here is a list of releases that I’m looking forward to in 2013.

Mountains – Centralia (January 22) The Brooklyn duo of Brendon Anderegg and Koen Holtkamp is back with another couple of slabs of acoustic/electronic experimental ambient music (a couple of slabs in the vinyl version anyway). I’ve been a big fan since Choral and can’t wait to get this on the turntable.

Camper Van Beethoven – La Costa Perdida (January 22) David Lowery’s non-Cracker concern is back with its first release since New Roman Times in 2004.

Arbouretum – Coming Out of the Fog (January 22) David Heumann is back with another slab of his folk-inspired distortion. If you are one of the early orders at Thrill Jockey, the vinyl comes in “Fog White” – I have one and it is beautiful.

Brokeback – Brokeback and the Black Rock (January 22) – Doug McCombs of Tortoise and Eleventh Dream Day returns with his solo project, Brokeback. Started in 1997, Brokeback had two 7″es and three albums, with the last one out in 2003. Ten years later, Brokeback is resurrected in a new lineup which includes Pete Croke and Chris Hansen of Head of Skulls! (emphasis theirs) and James Elkington of The Zincs, The Horses Ha and Freakwater. The album is typical atmospheric reverbby guitar instrumentals.

Local Natives – Hummingbird (January 29) – The Local Natives are back with their sophomore release. I loved their first album Gorilla Manor, and got to see them during the first Daytrotter Barnstormer tour. They managed to tour for two years on that album. If the first track “Breakers” is any indication, Hummingbird is a strong followup.

Jacob Jones – Good Timin’ In Waynetown (January 29) – Just in time for the hubbub over Nashville due to the ABC TV series of the same name, Jacob Jones is releasing his first album in two years. Instead of his typical roadworn acoustic folk country, he hit the studio with an album inspired by the classic R&B of Ray Charles and the “Keep On Movin'” parties on Monday nights at The 5 Spot.

Hiss Golden Messenger – Haw (April 2) – MC Taylor and Scott Hirsch are on a roll. After a very polished release of Poor Moon in 2011 which was followed by a collection of odds and sods in 2012 called Lord, I Love the Rain they are done with another release Haw, which is due to come out on April 2nd and has members of Megafaun on it. Look for a review by me soon.

Golden Gunn – TBD (April) – As if a Hiss Golden Messenger release isn’t enough, Scott and MC are collaborating with Steve Gunn on an album which, from the sounds of the little bit I heard, will be more jamming and more stripped down (if that is possible).

Dawes – Stories Don’t End (April 9)- The mighty Dawes return for a third album. This time they are releasing the album themselves through their management Q Prime— their first two albums were released by Dave Matthews’ label ATO. I’ve heard a couple songs from the new album live already, and it’s sounding like a great one. In an interview with Rolling Stone, Taylor Goldsmith said, “Obviously we have our influences, and I know that some of what we do as a band is of another time, even simple aspects like guitar solos. So I get it, I’m not mad at it, but at the same time, we just wanted to make sure people saw us as a modern band as well. With this album, thanks to what [producer] Jacquire [King] is really good at, we’re able to stay a rock & roll band and maintain classic qualities, but at the same time, it makes sense that this record is coming out in 2013.”

Jack Logan & Scott Baxendale – Bones in the Desert (TBD) – Jack Logan is back with his first release since 2006 or so. This time he’s partnered up with Athens, GA master guitar luthier Scott Baxendale. Joining them on the record are members of Drive By Truckers.

The Right Now – EP (First Half of 2013) In an interview with Chicagoverse, Brendan O’Connell says that the Chicago R&B band has demos collected that they can draw from to make an EP!

Dick Prall – Dick is releasing a song-per month, which he kicked off in October of 2012. The plan is to make the songs freely downloadable with a full-album of the tracks plus some bonuses available at the end of 2013.

Horses Ha – TBD – Carried over from last year’s list. The album is pretty much complete and a continuation of the first album Of The Cathmawr Yards. Here’s hoping that Janet and James, coming off the recent Freakwater tour will be energized and ready to release this.

History – (First half of 2013) The remains of the Iowa City band The Wandering Bears have formed a new band called History.

Har-di-Har – Third EP/LP – I loved the first two EP’s released by the Cedar Falls husband/wife duo Har-di-Har. The third EP in the series is supposed to come out pretty soon. Andrew Thoreen told me that the plan is to bundle the three EP’s together into a physical release (possibly vinyl!).

(Upcoming Show) Pieta Brown and the Sawdust Collective Live at CSPS Friday 1/18/13 – Boulevard & Wires Photograph Exhibition This Week

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IMG_8084
Pieta Brown is kicking of the 2013 year of shows with a return to CSPS on Friday, January 18th. She’s bringing with her The Sawdust Collective which is her regular collaborators Bo Ramsey on guitars and backing vocals and Jon Penner on bass. The last time I saw Pieta at CSPS was during the Acoustic Cafe show in January of last year along with Kelly Joe Phelps and Carrie Rodriguez (my pictures here).

Since then, both Pieta and Bo contributed songs to the Iowa City Song Project album– a local-artists tribute to the Englert in celebration of the venue’s 100th birthday. I wrote a review of that album for Little Village back in October. You can check out her contribution “Doesn’t Take Long” here:

Martina by Pieta Brown

Martina by Pieta Brown

Boulevard & Wires by Pieta Brown

Pieta also lent a hand with Greg Brown’s new album Hymns to What Is Left and Iris DeMent’s new album Sing the Delta. Pieta also contributed the photographs for the cover art of both albums. These photographs will be part of an exhibit of photographs that will be opened in conjunction with the show Friday night. Titled Boulevard & Wires, it’s a selection of shots she’s taken on the road that she shows on her Blue Streak section of her website. “The communion takes place in just a blink, no flash,” she says.  “The simple process lends itself to chasing the gritty and mysterious essence of any given moment.” The exhibition will be in the Commons Gallery and will continue through February 28th– admission to the exhibit is free.
The performance on Friday night will start at 8PM and will be $17 in advance and $21 at the door.

Information on the Legion Arts Website HERE for the performance, and HERE for the gallery exhibition.

It’s Time to Play B-Sides Top 20 Albums of 2012

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Here we are again at the end of another year. 2012 was the 6th year of existence for this little blog. Looking back, it’s been kind of a year of recovery for me. Lots of fallout from being unemployed in 2011 finally came to rest in 2012 and I’m finally getting into the swing of a new home, job and direction.

From a music perspective, for me anyway, 2012 was a year of next-releases from a lot of my favorite bands– possibly signaling some confidence and support for the hard-working and long-touring truly independent bands out there.

Here are my 20 favorite releases from 2012 in no particular order:

The Right Now – Gets Over You – On my “12 Releases I’m looking Forward to in 2012” post– Chicago R&B powerhouse The Right Now delivered their sophomore release this year. A bit of a disclaimer– these guys are my friends and I helped them put out the vinyl version of their debut album Carry Me Home. The band traveled to L.A. to work with Sergio Rios of Orgone in his studio. The resulting record has a great tape-compressed and raw feel. This band gets better every release.

The Pines – Dark So Gold – A release I was looking forward to. It’s hard to believe that this is the fourth release for The Pines. Again produced by Bo Ramsey, we see the band really falling into their stride. Same formula, but more refined. Brilliant record from beginning to end. Check out their two Daytrotter sessions here and here.

Samuel Locke Ward – Double Nightmare – Iowa City’s most prolific home taper Sam Locke Ward put out an album that was a few years in the making. I was assigned the duty of reviewing this epic release for Little Village Magazine and I loved it. Recommended if you dig Sebadoh, Guided By Voices, Dead Milkmen.

Red River Dialect – awellupontheway – I found out about this band/artist through MC Taylor of Hiss Golden Messenger, who played a show with him in the UK. He did an indiegogo to fund the release of this album. More British Folk, with a bit of Smiths thrown in for good measure.

Jack White – Blunderbuss – A release that is probably on a lot of lists for 2012. Jack White proves he doesn’t need Meg. This album is better than any single album The White Stripes ever put out, though not better than some of the high points in The White Stripes output. But really damn good.

The Surf Zombies – Lust for Rust – Local guitar hero Brook Hoover returns with the third surf instrumental album as The Surf Zombies. This time be brings in a couple of bratty punks resulting in the edgiest Zombies album to date. I reviewed the release for Little Village.

Har-di-Har – word(s) of whim/Feudal Kind EP’s – Husband and wife band from Cedar Falls, IA manages to create some really amazing Choral Vocals layered on spare instrumentals. I reviewed for the January 2013 issue of Little Village coming up. A surprise Dark Horse addition to this list. Recommended if you like Renaissance, Fleet Foxes, Grizzly Bear, and Trip Shakespeare.

Gold Motel – Gold Motel – Greta Morgan and band returned with a 2nd slice of sunny pop goodness. Saw them play in a barn in Maquoketa a couple of years ago and still carry a pretty big torch for this band. They did a really great Daytrotter session in 2011.

Gary Clark Jr – Blak and Blu – It seems like this debut release has been coming for a long time. We’ve been hearing live performances for a while anyway. Brilliant album, though some might argue that it doesn’t stay in one style for very long– is it a straight up blues album or is it an R&B album? He did an amazing Daytrotter session that I had the opportunity to hear streaming live while they taped it.

Dynoride – What You Wanted – Quad Cities band brings the sound of the 90’s best noisy energetic punk. I’m not the only blogger who included this on their top list for 2012. I reviewed this for Little Village. It’s free stupid. Listen to it.

Cheyenne Marie Mize – We Don’t Need EP – I had the chance to see Cheyenne at the Mill in Iowa City a few years ago when she was touring for Before Lately. She did a few songs at that show which showed up on this EP. This was a release I was looking forward to.  Check out her two Daytrotter sessions here and here.

Solid Gold – Eat Your Young – After I heard Solid Gold at the Gayngs Affiliyated showcase, I was really looking forward to hearing the next album from them. It took them a couple of years to get this release out the door, but what a release it is! Solid Gold still holds on to their 80’s New Wave roots (think later Talk Talk), but I think that the time spent in Gayngs may have helped refine their art, as Eat Your Young is the most consistent release to date. I look for them to get snagged by a larger label.

Polica – Give You The Ghost – This was on my releases I was looking forward to, but it was kind of a cheat since the band pre-released this album in December of last year. Another band related to Gayngs. Ryan Olson has the Midas touch, I think. Polica moved from his label to Mom+Pop this year and they opened for Bon Iver’s big show in NYC before I got to see them in Dubuque. They played new songs at that show, so I’m hopeful for another album! Check out Polica’s Daytrotter session here.

Calexico – Algiers – With the breakdown of Quarterstick records, I was afraid of the fate of Calexico. Fortunately, they have been picked up by Anti- Records and the band recorded in the flood zone of post Hurricane New Orleans (“Algiers” is a section of the city). Great record– lots of diehard fans are bitching because the album is closer to Garden Ruin than Hot Rail.

Jeff Parker Trio – Bright Light in Winter – On my releases I’m looking forward to. The main guitarist from Tortoise returns for his third-ish solo album on the mighty Jazz and Blues label Delmark Records from Chicago.  This one spent a lot of time in rotation. Jeff’s a busy guy between all of the projects he participates, in so it’s cool that he returned to his own. I could listen to album opener “Mainz” on repeat forever.

Hiss Golden Messenger – Lord I Love The Rain – I mentioned this in the releases I was looking forward to for 2012. Though I didn’t know it at the time, I already heard parts of this release. MC Taylor decided to rejigger the “bonus” LP of outtakes that came with the preorders of Poor Moon called Lord I Love The Rain. He removed a track and added some and resequenced to make Lord I Love The Rain an album that could stand on its own. Check out the Hiss Golden Messenger Daytrotter session here.

The Sea and Cake – Runner – With the four-year gap between One Bedroom and Everybody, I’m always a bit nervous that The Sea and Cake will disappear again. But, since 2007, The Sea and Cake have enjoyed a very fruitful and creative period releasing four albums and one split single in five years. A really great follow up to Moonlight Butterfly— in fact they kind of act as bookends to each other. Check out their Daytrotter session here.

Kopecky Family Band – Kids Raising Kids – The debut album for Nashville chamber-pop band Kopecky Family Band follows two really great EP’s. The band has enjoyed a lot of critical praise and some big festival appearances at SXSW and Bonnaroo. Though this album was released in 2012, It looks like 2013 is when it will get some real traction and buzz. Check the Kopecky Family Daytrotter session here.

Rob Mazurek Pulsar Quartet – Stellar Pulsations – Mazurek is back with a new release on Delmark with a kind of expanded version of his Starlicker lineup. Nice, kind of subdued album (for Mazurek anyway) really focuses on his playing more than any of his other releases. I love “Magic Saturn”– sounds like a modern Jazz classic to me.

Various Artists – Iowa City Song Project – Compilation of Iowa City artists commissioned by the Englert who was celebrating 100 years ( and, to an extent, The Mill which was celebrating its 50th). Bo Ramsey, Pieta Brown, Greg Brown, Sam Locke Ward, Brooks Strauss, Milk and Eggs, Dave Zollo, Emporer’s Club, and many, many more all lay down tracks inspired by Iowa City. I reviewed the album for Little Village.

Stay tuned for my list of releases I’m looking forward to in 2013!

It Feels Like the Third Time Again as Freakwater Reunites for a 20th Anniversary Tour

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Freakwater

2012 was a year marked with vinyl re-releases from the seminal Thrill Jockey catalog in celebration of 20 years– Tortoise, Sea and Cake, Fiery Furnaces, Califone. In among the releases was a a reissue of a record that many consider to be the beginnings of what we know to be the Americana movement today– Feels Like the Third Time by Freakwater. Thrill Jockey reissued Freakwater’s 1993 third album (and first for the label) on Record Store Day and in 2013 it celebrates its 20th anniversary.

In celebration of this landmark occasion, Janet Beveridge Bean, Catherine Irwin and Dave Gay will be doing a whirlwind tour of shows. Joining them will be James Elkington of The Zincs and Horses Ha (that he is in with Bean). Regarding this tour in support of a 20 year old album Bean said, “We have found a lot of our fans were having babies round the time the record came out and those babies were forced to listen to Freakwater more than any baby should. It turns out those babies, now the record buying public, have some sort of DNA thing going where they gotta hear the Freakwater. So really we’re doing this for the kids.”

It seems that everyone is talking about this upcoming “reunion” tour of Fleetwood Mac (why is it a reunion tour?? Didn’t they just tour?), but the real reunion tour to catch in 2013 is Freakwater. Oh, and bring your kids.

FREAKWATER TOUR DATES 2013
FEELS LIKE THE THIRD TIME 20th ANNIVERSARY TOUR
January 11 The Ninth Ward, Buffalo NY
January 12 The Haunt, Ithaca NY
January 13 Johnny D’s, Somerville MA
January 14 Narrows Center for the Arts, Falls River MA
January 15 The Bell House, Brooklyn NY
January 16 DC9 Washington DC
January 17 Club Cafe, Pittsburgh PA
January 18 Beachland Tavern, Cleveland OH
January 19 Stuart’s Opera House, Nelsonville OH
January 21 The Hideout, Chicago IL
January 23 Private House Party
January 24 Headliners, Louisville KY
Freakwater Fan Page
Freakwater Facebook Page (the real one– you should really click “Like”)
Freakwater Thrill Jockey Page