Upcoming Show: Thrill Jockey 15-Year Anniversary Show in Chicago 12/14 and 12/15

Thrill Jockey 15 Poster Per the fine folks at Pitchfork, Thrill Jockey, The Empty Bottle, and Time Out Chicago have announced the details of the US version of the Thrill Jockey Birthday Bash in the UK on November 11th and 12th.

$50 will get partygoers two nights of Thrill Jockey Post-Fun at the Logan Square Auditorium on Friday, December 14th and Saturday, December 15th. The shows will include long-time label acts including Eleventh Dream Day, Brokeback, The Sea and Cake, Califone, Trans Am, Freakwater as well as newer acts School of Language, Thalia Zedek, Frequency, Archer Prewitt, Pit Er Pat and others.

Suspiciously missing from the roster is Tortoise, but maybe the promise of “guaranteed surprises” will get us some kind of appearance.

The sequence of the acts is unknown– so we don’t know which night a particular band might play, and as such the $50 gets you both nights. A deal anyway you look at it, really. Especially when you consider that you will be getting the very cool and very rare Super Epic Thrill Jockey Mega Massive Mix done by Girl Talk side project Trey Told ‘Em. 70-minutes of mashed Thrill Jockey.

According to the PF article, the mix will be available in very limited quantities through Thrill Jockey or Trey Told ‘Em’s online orders.

The PF article also gave us the official name for Thrill 200Plum. Available 12/4 in the US and 12/3 in the UK.

Click Here to download the Trans Am excerpt from the Super Epic, etc. (hosted by Timeout Chicago).

Visit the Trey Told ‘Em MySpace Page to hear the very cool over-seven-minute Tortoise Mix!

B-Sides in the Bins #17 – Chicago 10/29/07

After the Minneapolis trip where Sherry and I saw Lyrics Born, we drove to Chicago so she could attend a class related to her aesthetician profession. While she was in class on Monday I decided to visit some record stores in the area around Lincoln Avenue.

Laurie's Planet of Sound

The first record store I hit was Laurie’s Planet of Sound (4639 N. Lincoln Ave., Chicago). Laurie’s is located in the area known as “Lincoln Square” which is a neat little shop area. They opened at 10AM so they were the first place I hit.

In this area parking on the main streets are $.25 per hour with a 1-hour minimum. Either bring your quarters or park on a side street where the parking– albeit rare– is free. According to the guys in the store you could park for free under the El Train tracks, too. I managed to find a meter with an hour and a half still in it.

The store is pretty typical record store in appearance– bins, posters, table-style CD racks. The store sells both new and used records and CD’s as well as DVDs and video cassettes. The CD racks are at the front of the store and are organized by artist name as expected. The used CD’s are interspersed with the new CD’s. The used CD’s are in thin cards that hold the cover art of the CD. The jewel cases are behind the counter. Most of the used CD’s are bunched together in their general areas. The recent arrivals are in the first row and are easy to find. This is pretty convenient and similar to the racks organized by day that Cheapo’s in the Twin Cities does. So, if you are a regular, you might only need to visit that section. The last set of CD racks are the $2.99-and-up clearance CD’s. These are CD’s that they want to get rid of for various reasons and are clearance priced. This might be because the CD’s are slightly blemished or maybe it is a promo title. I picked up my Michael Brook CD from this section. Below some of the CD racks are the dollar bins. This is kind of a grab-bag of titles that the store is looking to dump. I picked up a couple of CD’s out of these bins. I saw some gems in there that I already had, too. Most of it is questionable, but there are a lot of promotional items in there, too.

The vinyl section is at the back of the store and there are two tables of new vinyl– priced fairly. Behind that is the used section with a “recent arrivals” section like the CD section does.

I found the store staff to be friendly, conversational and generally very helpful. I plan to come back.

What I bought:

Heard It On The X – Los Super 7 (CD, Telarc CD-83623, 2005)($6.99) This is the third of this series. The first self-titled Los Super Seven album on RCA was “hosted” by Los Lobos as the band as a tribute to Border Radio songs of the Tex-Mex variety. Heard It On The X has Calexico playing a similar role with some of the same performers including Freddy Fender, Rick Tervino, and Ruben Ramos from the first session. This CD adds Delbert McClinton, John Hiatt, Raul Mao, Rodney Crowell, Joe Ely and Clarence “Gatemouth” Brown. This CD features the Doug Sahm classic “The Song of Everything” which I heard Calexico do with members of Oakley Hall in Iowa City. One to add to my expanding Calexico collection.

What’s Wrong With This Picture? – Van Morrison (CD, Blue Note 90167, 2003) ($6.99) On the drive into Chicago XRT played one of Van Morrison’s new albums and Sherry commented that she liked this mellow jazzy version of Van the Man. So, when I ran across this used, I thought I’d pick it up. Very decent CD. I’ll be ripping this one for the in-home mp3 server. I think that Van Morrison on Blue Note is a pretty classy combination. I hope he’s able to continue down this path.

RockPaperScissors – Michael Brook (CD, Canadian Rational CRBHE002, 2006)($2.99) This one was a SCORE! I found this in the $2.99 and up bins in the back. It was still sealed. I didn’t even know that Michael Brook had a new CD. I used to listen to his 1992 release Cobalt Blue all the time. I originally found out about Brook because I was heavily into artists on 4AD (Cocteau Twins, Pixies, Xymox, Throwing Muses, Lush). Brook is mostly an ambient instrumental artist and really a guitarist. He toured with David Sylvian and Robert Fripp as a supporting musician. As I was looking into his career while writing this up, I found out that he was the composer and performer for the film “An Inconvenient Truth!” He has a companion album to this one called BellCurve that is only available through Barnes & Noble. Includes 4AD labelmate Lisa Germano as well as the late Nusrat Fateh Ali Khan on vocals. Recommended if you like Brian Eno’s ambient work, Robert Fripp’s ambient work, Daniel Lanois’ ambient work, and hate global warming.

The Greatest Hits: Why Try Harder? – Fatboy Slim (CD-R, Astralwerks Promo, 2006)($2.99) This was a CD-R promo for this album which is probably the only thing anyone needs to own from the frequently spotty album releases from Norman Cook aka Fatboy Slim. I bought his first album Better Living Through Chemistry because of the breakout track “Rockafeller Skank” in 1997. I also bought the follow on You’ve Come A Long Way, Baby in 1998. Thanks to “Praise You” everyone heard waaay too much of Mr. Slim. I pretty much avoided the next couple of albums as he was sounding a lot like he was imitating Moby and the Chemical Brothers. This collection has all of the tracks anyone cares about or likely will care about. This CD adds two more collaborations with Lateef the Truth Speaker bringing the total to three– “Wonderful Night” (used in a Target commercial last Christmas), “Champion Sound” and the funky “That Old Pair of Jeans.” I wish Lateef would book some solo studio time. I love his collaborations, but he’s due for a solo rekkid. Lyrics Born is doing it and so is the Gift of Gab!

Happy Holidays from EMI Music Marketing – Various Artists (CD, EMI Promo, unknown year) ($1.99) Another score. This time from the bins on the floor. This is a 13-track Christmas compilation from EMI-related labels including Capitol and Blue Note. It came in a nifty metal tin box with gift wrapping graphics on stickers. Includes a lot of tracks I already have in other places, but I couldn’t pass this one up! Nat King Cole on “Christmas Song,” Deano Martin slurring “Silver Bells,” Frank on “Have Yourself a Merry Little Christmas,” Peggy Lee on “Winter Wonderland,” “Little Saint Nick” by the Beach Boys, Bing Crosby sans David Bowie on “The Little Drummer Boy,” a sultry “I’ll Be Home for Christmas” by the Rev. Al Green. Includes an unnecessarily stiff reading of “Merry Xmas (War is Over) by the Vienna Boys Choir.

Oceans Apart – The Go-Betweens (CD, YepRock Promo for YEP-2105, 2005) ($1.99) Another one from the floor. A promo for the Oceans Apart album and conveniently includes the 6-tracks from the bonus CD appended to the back of the release. The Go-Betweens were one of those rare bands that transcended genre placement. They sprung onto the scene in the New Wave early 80’s and continued to record albums up until Grant McLennan’s unexpected passing in 2006. Oceans Apart was the critically acclaimed last formal release from the Go-Betweens. I managed to not follow their career, so when I saw this for 2 bones, I figured I’d pick it up. Upon first listen, it seems pretty decent. The bonus tracks are from a concert recorded in 2004 at the Barbican Concert Hall in London.

Radium – Railroad Earth (CD, RRE001 (self-released), 1995)($1.99) One from the floor bins… NOT the jamband Railroad Earth from New Jersey who is on SCIFidelity Records! I picked this up because I thought it might be related. It is not. This is a grunge-y band from the Wilmington, NC area. For some reason there are resellers on GEMM who have this listed for a lot of money ($35?!?!). I suppose being a self-released CD from a fledgling band from NC it is pretty rare. I will probably stick this out on eBay to see what happens. Overall not a bad CD, really. Just kind of dated.

Everybody – Sea and Cake (LP, Thrill Jockey thrill 186, 2007) ($11.99) I finally broke down and bought this on vinyl. I had been debating this, but since TJ vinyl goes up in price as titles go out of print I figured I’d snag one. Very heavy vinyl– possibly 180g? Includes a 16-page booklet of what appears to be lyrics and charts and other scribblings and notes done on graph paper. This is one of my favorite releases from 2007, and I never get tired of listening to it. Their best release so far.

Between the Incident and the Event – Adam Fitz (CD, Is What You Make iwym 001, 2007)($0) Adam Fitz is one of the employees at Laurie’s. He was working while I was there. We talked about a lot of stuff music-related while I was shopping and I mentioned my blog. He asked me if I’d review his CD. I’ve given it a quick listen– not enough for a full-review– a couple of standout tracks. Decent production. He said it was singer/songwriter, which I guess it technically is, but it seems a bit more eclectic (for lack of a better word) than I would define singer/songwriter. Soulful like Adam Durvitz on a good day. Is not like Jackson Browne or James Taylor. Stay tuned for a real review.

What I didn’t Buy:

A whole bunch of Neil Young vinyl.

I asked the guys from Laurie’s what record store I should hit next and they suggested I try Deadwax which is also on Lincoln (3819 N Lincoln Ave). Unfortunately when I got there it was closed. They are closed on Mondays. Instead, I hit Hard Boiled Records in Roscoe Village.

Hard Boiled Records

Hard Boiled Records (2010 W. Roscoe, Chicago) is not on the corner of Lincoln and Roscoe as Google Maps would have you believe– it’s in the middle of the block. With the trees in full foliage you might miss it. It is next to a bicycle store. I figured out the secret to free parking– park on a side street (duh). After a dozen laps around Roscoe Village, I found a spot. A nice little store, limited inventory, but very selectively chosen it appears. Much more esoteric than Laurie’s is. In fact, much more esoteric than any record store I’ve seen that didn’t specialize in a genre. Mark Ferguson, the owner, seems to have quite a few musical tastes in common with me, which makes this kind of a dangerous store. I’m looking for Thrill Jockey stuff and he had some. He also had a great selection of Post-Rock related titles. Mark was celebrating 11 years in business with an 11% off sale, which was cool. One thing I thought was interesting was his approach with me as soon as I came in. He asked me directly what I was looking for– a bold move if the customer wants to browse without being hassled. I told him I was looking for Thrill Jockey on vinyl. So, he came out and pulled everything he had– which he was admittedly low on at the moment, but we started talking about the bands on Thrill Jockey and he made some other recommendations and also started playing some CD’s that were from local acts that he knew where similar to the Thrill Jockey sound. Very cool. If I had hit this store before Laurie’s I might have had to stop shopping for the day! Mark has a really good selection of underground Hip-Hop and Electronica as well. According to online reviews, he has one of the best import film selections around as well.

What I bought:

Hoshi No Koe – Nobukazu Takemura (LP, Thrill Jockey thrill 094, 2001)($9.99) Nobukazu Takemura is an renowned electronic musician and a mainstay on the Thrill Jockey. I’ve never really dug into his catalog, so I thought I’d start with this. Amazingly, still in print.

2 – KTL (2 LP, Thrill Jockey thrill 188, 2007)($19.99) Very out-of-print– limited to 1500 copies with intricate sleeve art. 180g vinyl. Thrill Jockey only released the vinyl and mp3 versions of this album. The compact disc release is under the Editions Mego label. KTL is a collaboration between Death Metal SUNN O))) member Stephen O’Malley and Peter Rehberg. Very very dark ambient electronic music.

Stopsmiling Issue 31 : Ode To The South ($5.95) Stopsmiling is a magazine I hadn’t heard of before this trip. Very lushly printed vivid color and nice paper. Pretty much a literary arts magazine. This issue had a tribute to the Stax Records 50th Anniversary. So there were articles on the history of the label and some of the artists on the label including a lengthy one which had excerpts of a larger interview used in the “Respect Yourself” documentary. I’m bummed to find out that this issue should have had a 10-track sampler of Stax artists with it. It looks like for $8 I can get a back issue that includes that disc.

Stopsmiling Issue 26 : The U.K. Issue ($5.95) This one I bought because it came with an exclusive Thrill Jockey sampler of eight Thrill Jockey artists covering or reinterpreting a British standard “Underneath the Arches.” Pretty cool. I think the standout versions are from Sam Prekop and Howe Gelb.

It seems like almost every issue of Stopsmiling comes with a bonus something-or-other. There are usually multiple covers available as well.

What I Didn’t Buy:

Shaolin Series “C.R.E.A.M” b/w “Glaciers of Ice” – El Michels Affair (7″ TS008, 2007) Okay, I’m *really* stupid for not buying this!!!! Sigh. This is tasty funk ala the Meters or Booker T and the MG’s covering Wu Tang Clan tracks. This is the first release of two releases. These guys toured behind Raekwon, adding old school live instrumentals to his show. Mark? Do you still have this one?? Hello?
So, at the end of the day, it was a successful run even though I only hit two stores. I came back with some interesting stuff including things to read, which always makes me happy.

I was talking with Mark from Hard Boiled about how surprising it is that there are so many record stores in a small geography. He said that is by design, really. The best way to do business is to compete, and to compete you need to be where the business is– namely around other stores. He said that if you can’t compete you shouldn’t be in business. He said that his old location in Hyde Park didn’t do very well and that forced him to move. I guess I’d never though about how the economics of record retail work. It always just seemed to me that a record store needed to bring value beyond what a Big Box retailer did or provide more service than the Internet can in having a personal expert on hand.

When I look at the varied shopping experience I got just from two stores not even five miles from each other. It really seems that neither of these store are redundant– they both serve different purposes and sometimes different shoppers.

Make sure to visit these store and others in this area if you happen to be in this area. These stores are what independent retail is about.

B-Sides in the Bins #16 – Dallas 10/14/07

I was in Dallas the week of 10/14 for an I/T conference. While I was there I wanted to visit what is considered the best record store in the area– Bill’s. Bill’s Records has been around for over 20 years and is known for the extensive vinyl collection as well as its in-store performances.

Unfortunately, I visited the store while it was in the middle of moving locations so there was apparently quite a bit of inventory still at the old location. Apparently this new location is a bit smaller, too. I visited on a Sunday night– they are open until 10PM every night of the week. The store was dead the night I was there and the store was staffed by Bill himself and another guy who was busying himself with getting their eBay auctions ready.

Bill’s Records new location is downtown in what seems to be called “Southside” on South Lamar. It does not have a parking lot, so you have to either park in the paid lot next to it or on the street at meters. On Sunday afternoon, however, the parking on the street is free. The store is good sized with rows of library-style stacks of records on the right side of the store and along the right wall. Down the middle of the store are CD racks. At the back of the store is a cozy area with sofas and a small stage where the live performances happen.

As far as inventory is concerned, the focus of the store is really vinyl. There is a selection of used CD’s, but it pales in comparison of the mountain of vinyl. There are some new titles in the CD area as well. The CD section has a dedicated area for country and Americana, which is where I found my copy of Cold Roses. The vinyl is loosely organized by first letter of the artist. I say “loosely” because things are generally organized by the first letter, but you could find a particular artist spread throughout that area. This aspect of the organization makes one need to comb the entire section to make sure you found everything. I understand the challenge of organizing a collection of records, and with the sheer volume of records in stock they would spend every day sorting things. The majority of the vinyl is vintage used titles. I don’t think I saw any new vinyl. Quite a bit of “still sealed” though! Bill is a fan of Depeche Mode, The Cure, and The Smiths– so there is a lot of rare and import vinyl there for those artists– in most cases multiple copies of titles. He also has 10″ records separated onto a couple of shelves and there was quite a selection of those. While I was flipping through those looking for the OOP Stereolab EP that was rumored to be in there I found a very rare import Cure 10″. When I talked to the assistant guy about it he immediately showed it to Bill at which point it went on eBay!! Good thing I didn’t want it!

Another disappointing factor to shopping at Bill’s is that nothing is priced. So, Bill needs to be there to tell you how much something is. In fact, Bill does a quick lookup on the Internet to see what the going rate is for something which pretty much guarantees that you won’t get a “deal” without haggling. While I was there I saw a big collection of Full Fathom Five on Link Records from the 90’s STILL SEALED and MULTIPLE COPIES! Full Fathom Five was an Iowa band from the late 80’s and early 90’s who played a lot in the Eastern Iowa area. With two of the records in hand I asked Bill how he came to have these. He didn’t remember. I was hoping he maybe had some Head Candy vinyl as well– another Eastern Iowa band who was also on Link at the same time. He looked them up on the Internet and said I could have the two records I had in my hands for $25, which he thought was fair– in fact that was probably what they were worth since they were still sealed and out-of-print. Well, that was more than I was willing to spend at that time– I was looking for bargains. Later, when I checked out– purchasing only the Ryan Adams CD– he said I could buy the records for $9 apiece. I was just finishing signing my Visa receipt at that time, so the offer was too late. I might have purchased those instead of the Ryan Adams CD if that offer had been earlier!

So– I think that Bill’s has great potential for finding rare gems, but it takes some work to get there. If I end up in Dallas again with a lot of time on my hands I’ll try my luck again.

What I bought:

Cold Roses – Ryan Adams and the Cardinals (2 CD, Lost Highway 0602498820209, 2005) ($17.99) An import version of the album with the bonus track “Tonight.” Came in jewel case instead of domestic paper cover. At this price it wasn’t a “deal” per se, but convenient and I wanted a copy.

What I Didn’t Buy:

Paingiver – Full Fathom Five (12″ Single, Link, 1988)
The Cry of a Falling Nation – Full Fathom Five (LP, Link, 1987)
Smoke Screen – Full Fathom Five (12″ Single, Link, 1989)
Multinational Pop Conglomerate – Full Fathom Five (LP, Link, 1989)

Ryan Adams and the Cardinals Live in Iowa City 10/1/07

Ryan Adams

Following the controversial Minneapolis show on September 27th, I wasn’t sure what to expect with this show. In fact, there were rumors that this show was canceled even on the day of the show. I verified that he’d played the following two nights in Madison and Chicago and that he’d been playing encores for those shows. This was the first time I’ve seen Ryan Adams live and the first time at the IMU Main Room.

Ryan Adams and the Cardinals

The IMU Main Room venue is like a big ballroom from the 1920’s. According to the IMU site the “Main Lounge” was in use in 1927. Big arched ceilings with a sizable stage. A very nice place to see a show like this. The seating was general admission and the ushers made sure every seat was occupied. I don’t think the show sold out, but it was very full by the time the show started. Before the band took the stage a guy in a vintage Army-style helmet came out and read from a piece of paper that the band would start at quarter after the hour, and stated, “The first rule is there are no rules,” and then explained that the stage would be very dark and that the band plans a varied setlist from night to night and shouting song titles out would be a way to get that song removed from the set. I saw the results of this later when a lady shouted out “Stars Go Blue!” and Ryan asked if there were any other songs we didn’t want to hear! It sounded like he was joking, and probably the set didn’t include that song anyway.

I was pretty surprised at how vocal the audience was considering the announcement by the Army Helmet guy and the fact that people were pretty much sequestered to their general seats. At one point a guy ran up from the back of the auditorium to the front of the stage with his cellphone camera and took pictures at which point security came up and took him back– presumably to his seat.

Ryan Adams and the Cardinals

I wasn’t sure what to expect with the performance. The performance was partially astounding music and partially Ryan providing loose, disarming, and often funny non-sequiturs. He arrived on stage wearing an “I (heart) I.C.” where the heart was replaced with a pot leaf. He frequently mentioned that he wanted a cigarette– and that he had just quit smoking that day. He seemed concerned that he might not be able to play if he wasn’t smoking! At one point he confessed that he loved puppies and wanted to smother himself in them. He also told a funny story about visiting the namesake location in the Don Henley song “Sunset Grill” and how it was a fly-infested dump and how he was confused about how Henley could have drawn inspiration from it. He likened it to writing a song about Denny’s at which point he improvised a song about Denny’s. Pretty funny!

Ryan and Strat

The music performance was an intense passionate experience. I was floored by the Cardinals– I didn’t expect them to be the fit they were. They played with a polish that can only come from the extensive touring that they do. Their vocal harmonies blend perfectly with Ryan’s. I was particularly stunned by the harmonies in “Dear John.”

The setlist– as expected– had quite a few tracks from Easy Tiger, but also a big selection from Cold Roses. I really have started to love “Let It Ride.” The next night I heard it in the movie “Lucky You” with Drew Barrymore which was a cool coincidence.

The encore was my favorite part of the show. The band was in really good form and Ryan was in good spirits even without cigarettes and they delivered an extended jam on Rip Off, Easy Plateau and Bartering LInes.
Ryan Adams

Since the show I’ve spent more time with Ryan’s catalog. I probably should have done that before the show to prepare for it, but I feel that having heard the live show I have a better understanding of the songs. I think that the Cardinals as a backing band really come in to their own in the live setting– much more than I was giving them credit for listening to the studio releases with them. Ryan is a perfectionist and I think somewhat misunderstood by the press. Some of the comments that are quoted out of context make him sound more “unstable” than he really is. He wants to deliver the best show he can, and that requires sticking to setlists and having PA’s that function. I look forward to his next releases and the opportunity to see them live again.

Setlist (from Answeringbell.com)

Goodnight Rose
Cold Roses
Beautiful Sorta
Two
Dear John (Ryan on Hammond)
Games
Everybody Knows
The Rescue Blues
Peaceful Valley
I Taught Myself How To Grow Old
Wild Flowers
Shakedown On 9th Street
Please Do Not Let Me Go
Off Broadway
Nightbirds (Ryan on Hammond)
The Sun Also Sets
Let It Ride
Magnolia Mountain

Encore:
Rip Off
Easy Plateau >
Bartering Lines

Update (6/20/11) You can listen to a matrix recording of the show at archive.org! CLICK HERE.

R.I.P. Cedar Rapids CD Warehouse…

RIP CD WarehouseYesterday, I was out and about and thought I’d stop into CD Warehouse to see if they were going to get the new Ryan Adams EP Follow The Lights on Tuesday. Imagine my surprise to see a sign in the window stating they were closed!

I guess I hadn’t been in there for a while so I didn’t know about the closing. I had been following the posts from their MySpace page, but they had been quiet for a while.

I shot an e-mail off to John Fisher to see what happened and he said that he left on October 3rd, and that the owners let it close last week. The remaining inventory (of which there wasn’t much good left) went to a guy who runs some CD Warehouses in Des Moines for “peanuts” in John’s words.

John has landed on his feet with a tech company here in Cedar Rapids and promises to keep in touch. Best wishes to who was likely the last cool record store person in Cedar Rapids! Let’s all watch High Fidelity in his honor!

Upcoming Show: Grace Potter and the Nocturnals with Gov’t Mule at Hoyt Sherman in Des Moines 11/2/07

Grace Potter and the NocturnalsGrace Potter and the Nocturnals will be taking their act for a run this Fall supporting Gov’t Mule. On this tour they will be stopping at some key Midwestern cities including Madison, Minneapolis, Chicago and St. Louis. In addition to those stops they will pause briefly in Des Moines at the Hoyt Sherman Theatre on Friday, November 2nd.

Grace Potter has been gathering some PR steam lately. I was watching the ABC TV show “Men in Trees” with my wife this weekend and heard “Apologies” from her new album over the ending scenes of the show providing a seemingly poignent mood to it.

I’m planning to hit the show– it’s only a couple of hours from Cedar Rapids. I’m using this show as an excuse to brush up on Gov’t Mule. I’m pretty familiar with their relationships with the Allman Brothers Band, Derek Trucks, and that camp, but really nothing else. I’m pretty disappointed in the dearth of “free” content available on the web for me to sample. Their MySpace page only has tracks from their new album Mighty High– which is a dub/reggae album. Really interesting, but probably not representative of what I might hear live. I finally found a blog called “Here Comes the Flood” that posts mp3’s and included a show from Holland in July of this year. I downloaded the three sets and put them on the iPod. I like what i hear so far!

Here is Grace Potter and the Nocturnals new video “Ain’t No Time” taped at the 8X10 in Baltimore this Summer on YouTube. Here is a higher quality version on Vimeo.

Here are the dates Grace Potter and the Nocturnals will be playing this year:

October 17th
Millennium Center Winston-Salem, NC 6:00PM doors, all ages, supporting Gov’t Mule
October 18th
War Memorial Nashville, TN 7:00PM doors, all ages, supporting Gov’t Mule
October 19th
Tabernacle Atlanta, GA 7:00PM doors, all ages, supporting Gov’t Mule
October 21st
Alabama Theatre Birmingham, AL 6:00PM doors, all ages, supporting Gov’t Mule
October 22nd
Felix’s Fish Camp (92 FM WZEW show) Spanish Fort, AL 5:00PM doors, all ages, Matt Nathanson supporting
October 24th
Gibson Rooftop Memphis, TN 5:30PM doors, all ages, supporting Gov’t Mule
October 25th
Vogue Indianapolis, IN 7:00PM doors, 21+, supporting Gov’t Mule
October 26th
Riviera Theatre Chicago, IL 6:00PM doors, 18+, supporting Gov’t Mule
October 27th
Madison Theatre Covington, KY 7:00PM doors, all ages, supporting Gov’t Mule
October 28th
Royal Oak Theatre Royal Oak, MI 6:00PM doors, all ages, supporting Gov’t Mule
October 30th
Barrymore Theatre Madison, WI 6:30PM doors, all ages, supporting Gov’t Mule
October 31st
O’Shaugnessey Minneapolis, MN 6:00PM doors, all ages, supporting Gov’t Mule
November 1st
Voodoo Lounge Kansas City, MO 6:00PM doors, 21+, supporting Gov’t Mule
November 2nd
Hoyt Sherman Theatre Des Moines, IA 6:00PM doors, all ages, supporting Gov’t Mule
November 3rd
The Pageant St. Louis, MO 6:00PM doors, all ages, supporting Gov’t Mule
November 6th
Orpheum Theatre Flagstaff, AZ 7:00PM doors, 21+ unless accompanied by an adult, supporting Gov’t Mule
November 7th
4th & B Concert Theatre San Diego, CA 6:00PM doors, 21+, supporting Gov’t Mule
November 8th
Henry Fonda Theatre Los Angeles, CA 7:00PM doors, all ages, supporting Gov’t Mule
November 9th
The Fillmore San Francisco, CA supporting Gov’t Mule
November 10th
The Fillmore San Francisco, CA supporting Gov’t Mule
November 13th
Big Easy Concert House Boise, ID 7:00PM doors, all ages, supporting Gov’t Mule
November 14th
Roseland Theatre Portland, OR 7:00PM doors, all ages, supporting Gov’t Mule
November 15th
Commodore Ballroom Vancouver, BC 7:00PM doors, 19+, supporting Gov’t Mule
November 16th
Moore Theatre Seattle, WA 6:00PM doors, all ages, supporting Gov’t Mule
November 17th
Gallatin County Fairgrounds Bozeman, MT 5:00PM doors, all ages, supporting Gov’t Mule
November 30th
Highline Ballroom New York, NY 7:00PM doors, 16+, support TBA
December 1st
Theatre of the Living Arts Philadelphia, PA 8:00PM doors, all ages, support TBA
December 6th
Paradise Rock Club Boston, MA 8:00PM doors, 18+, support TBA
December 7th
Paradise Rock Club Boston, MA 8:00PM doors, 18+, support TBA
December 28th
Higher Ground Burlington, VT 8:00PM doors, all ages, support TBA
December 29th
Higher Ground Burlington, VT 8:00PM doors, all ages, support TBA
December 31st
Higher Ground Burlington, VT 8:00PM doors, all ages, support TBA
January 4th – 9th
Jam Cruise 6 Ft. Lauderdale, FL TBA, with Warren Haynes, Michael Franti, Galactic, Soulive, Toots & The Maytals & many more
January 11th
House of Blues Lake Buena Vista, FL 8:00PM doors, all ages, supporting Galactic
February 20th
Ridgefield Playhouse Ridgefield, CT TBA

B-Sides in the Bins #15 – Cedar Rapids and Internet 9/11/07

I made a trip to CDWarehouse in Cedar Rapids on 9/11 specifically to pick up the new Joe Henry. I’ve also picked up some other titles from ‘Net…

Civilians – Joe Henry (CD Anti- 86890-2, 2007) ($13.99) Joe’s second release on Anti- is pretty much a continuation of the sound and style he established with 2003’s Tiny Voices.

“Oh Yeah” – Yello (12″ Mercury 884-930-1, 1985) ($0.50) This is why I love hitting CDWarehouse. John deliberately drops cool stuff in his cheap vinyl bin. Ever since I took a huge haul of early Eighties 12-inches from Goodwill a couple of years ago, I’ve been keeping an eye out for deals like this. MINT condition. It has the single version of the song plus a 5 minute “Indian Summer Music” remix and a 6:25 “Dance Mix.”

In the used vinyl bin there was a copy of Welcome to the Pleasuredome by Frankie Goes to Hollywood and another Yello title. If the FGTH title is still there next time I’m in, I’ll probably pick that one up. I still remember playing the “Relax” 12″ at home after I purchased it at Musicland in Dubuque and having Dad asking me why I was listening to that “shit.” A brother of a friend of mine bought the cassette of Pleasuredome and I copied it. I hadn’t heard anything like it at the time. That was the summer of Zang Tum Tum Records it seemed. Zang Tum Tum was the odd little label from the UK that had The Art of Noise, Frankie Goes to Hollywood, 808 State and Seal among other acts on it. There was kind of a mystery surrounding the label and its acts. I remember there were three or four versions of the “Relax” video– some of them not appropriate for Prime Time and I could catch them on Night Flight on USA on the weekends. Night Flight was how I heard about The Art of Noise whose “Close (to the Edit)” and “Beat Box (Diversion 1)” were also in constant rotation along with Yes’s “Owner of the Lonely Heart.” Apparently Madonna and Sean Penn used the AoN song “Moments in Love” as their wedding march. All of these songs and their albums were produced by former Buggle (“Video Killed the Radio Star”) Trevor Horn. AoN was effectively the house band for ZTT and backed FGTH and would later be the band for Seal’s first album.

Double Roses – The Court and Spark (CD Absolutely Kosher no catalog number, 2003) ($10) With the annouced split of the Court and Spark I figured I’d better pick up the titles I didn’t have. Double Roses is really more of an EP at nine tracks than a full album. It is a collection of some unreleased studio tracks as well as a couple of live ones. The packaging is hand-made and numbered. Mine is numbered 126 of 400. Along with the CD there is a URL which provides the actual liner notes. I should probably snag those pages and cache them in case the website goes down. Order this directly from Absolutely Kosher as it is the cheapest you will find this title. $10 included shipping!

Ventura Whites – The Court and Spark (CD Glitterhouse Records GRCD 504, 2000) ($13.80) This is the import release of the CD. Ventura Whites was distributed by Tumult in the US. Very OOP, unfortunately. Not really my favorite release from them. I think their sound matured quite a bit between this release and Bless You. Bought on Amazon.com from a seller.

Solitude – Volebeats (CD Safe House SH-2128-2) ($1.13) Exchanging e-mails with Dave from the 100’s got me looking at the Volebeats again. The 100’s cover “Annabel” by the Volebeats. The Volebeats are/were a band from Michigan who record a roots rock/country style. I had been doing some research on the Volebeats back when the movie The Shopgirl included one of their songs but never followed through to purchase anything. I seem to remember the Calexico/Friends of Dean Martinez-ish instrumental “Desert Song” being in some movie, too.

Westside Cabin EP #1 – Reminder (download Ropeadope Digital Release R509) ($7.99) Reminder is the solo project of Josh Abrams who lends his bass skills to Thrill Jockey alums like Town & Country, Prefuse 73 and was also on Sam Prekop’s solo record. I found out about this from Tortoise guitarist Jeff Parker’s MySpace page. Jeff lends his riffs to “Halfsies.” Jazzy, mellow, sample-based electronica. Good stuff and good price. You can either download this from Ropeadope or buy it from Reminder - West Side Cabin #1 - EP . The Ropeadope version is cheaper than iTunes and is DRM-free.

Upcoming Show: Lyrics Born at Foundation in Minneapolis 10/25/07

Lyrics BornAlready the buzz is building in anticipation of Lyrics Born’s debut album on his new home Anti-/Epitaph. Titled Everywhere At Once, it is expected to be released February 2008. He has been posting “LBTV” snippets of the work he’s been doing in the studio from his website and MySpace page. His contribution to Galactic’s Anti- debut From the Corner to the Block should help, too. He appeared with them on Jimmy Kimmel earlier in the month and is scheduled to join them on stage at the New Orleans Voodoo Music Fest on October 26th.

Lyrics Born and his live band are currently in the middle of a run of Australian dates which wrap up on October 1st. On October 12th they will kick off the American leg of the tour which will run until November 17th. The Minneapolis date is nearly a year after my wife and I saw them at the Foundation. We are planning to see them again– it is the day after my birthday and I can’t think of a better way to celebrate than to see the hardest working MC from the Bay.

22 September 2007
12:00PM
Melbourne, AU
Birrarung Marr
Federation Square
Ages: all ages
Parkland Music Festival featuring Lyrics Born and many other artists.

23 September 2007
12:00PM
Ages: all ages
Venue TBA – Parklife Music Festival featuring Lyrics Born and many other artists.

29 September 2007
12:00PM
Ages: all ages
Venue TBA – Parklife Music Festival featuring Lyrics Born and many other artists.

30 September 2007
12:00PM
New South Wales, AU
Kippax Lake
Oxford St
Ages: all ages
Parklife Music Festival featuring Lyrics Born and many other artists.

1 October 2007
12:00PM
Perth, AU
Ambar Nightclub
104 Murray St.
Ages: all ages
Parklife Music Festival featuring Lyrics Born and many other artists.

12 October 2007
12:00PM
Fairburn, GA
Echo Project
$155.00
$175.00
http://www.echo-project.com
9445 Brown’s Lake Road
Ages: all ages
Festival show. Lyrics Born will be on a bill featuring acts such as The Roots, Cypress Hill, Les Claypool, Michael Franti and Spearhead, The Killers and many more. A 3-day event.

17 October 2007
7:00PM
Davis, CA
UC Davis
$12.00
$15.00
http://freebornhall.ucdavis.edu
925.998.2090
One Shields Ave
Ages: all ages
appearing with Saul Williams

18 October 2007
9:00PM
Eureka, CA
Indigo Nightclub
$20.00
$25.00
http://www.indigonightclub.net
707.268.8888
535 5th St
Ages: 21 and over

19 October 2007
9:00PM
Portland, OR
Wonder Ballroom
$18.00
$20.00
http://www.wonderballroom.com
503.223.5833
128 Northeast Russell
Ages: all ages

20 October 2007
9:00PM
Seattle, WA
The Showbox
$18.00
$20.00
http://www.showboxonline.com/
boxoffice@showboxonline.com
206.628.3151
1426 1st Avenue
Located at 1st and Pike in Seattle.
Ages: 18 and over

21 October 2007
9:00PM
Bellingham, WA
The Nightlight Lounge
$15.00
$17.00
http://www.nightlightlounge.com
360-920-6515
211 East Chestnut
Ages: 21 and over

22 October 2007
9:00PM
Boise, ID
Neurolux
$16.00
$18.00
http://www.neurolux.com
208.343.0886
111 North 11th
Ages: 21 and over

23 October 2007
8:00PM
Denver, CO
Cervantes Masterpiece Ballroom
$17.00
$20.00
http://www.cervantesmasterpiece.com/
303-297-1772
2637 Welton St.
Ages: 18 and over

25 October 2007
9:00PM
Minneapolis, MN
Foundation Nightclub
$10.00
$12.00
http://www.foundationmpls.com
mariesa@foundationmpls.com
612.532.0795
10 South 5th Street
Ages: all ages

26 October 2007
New Orleans, LA
City Park
$100.00
$100.00
http://www.voodoomusicfest.com
Ages: all ages
Music Festival featuring Lyrics Born (appearing with Galactic), Rage Against The Machine, Smashing Pumpkins and more!

27 October 2007
9:00PM
Chicago, IL
Metro
$16.00
$18.00
http://www.metrochicago.com
773.549.4140
3730 N Clark
Ages: 18 and over

28 October 2007
9:00PM
St Louis, MO
Lucas Schoolhouse
$25.00
$30.00
http://www.lucasevents.com
1220 Allen Ave
Ages: 21 and over

31 October 2007
8:00PM
Boston, MA
Paradise
$15.00
$15.00
http://www.thedise.com
617-562-8800
967 Commonwealth Avenue
Ages: 18 and over
Celebrate Halloween with LB!

1 November 2007
7:00PM
Burlington, VT
University of Vermont
$13.00
$13.00
http://www.uvm.edu
802.236.6527
Billings Student Center
Ages: all ages
Student price: 10.00
public price: 13.00

2 November 2007
9:00PM
New York, NY
Bowery Ballroom
$20.00
$20.00
http://www.boweryballroom.com
212.533.2111
6 Delancey St.
Ages: 18 and over

3 November 2007
7:00PM
Philadelphia, PA
World Cafe
$15.00
$17.00
http://www.worldcafelive.com
215.222.1400
3025 Walnut St
Ages: all ages

4 November 2007
8:00PM
Baltimore, MD
Ottobar
$12.00
$14.00
http://www.theottobar.com
410.662.0069
2549 N Howard St
Ages: all ages

6 November 2007
7:00PM
Birmingham, AL
Workplay
$12.00
$14.00
http://www.workplay.com
205.879.4773 ext 4002
500 23rd St South
Ages: 18 and over

7 November 2007
8:00PM
Lafayette, LA
Grant Street Dance Hall
$10.00
$13.00
http://www.grantstreetdancehall.com
337.237.8513
113 West Grant Street
Ages: 18 and over

7 November 2007
8:00PM
New Orleans, LA
House of Blues Parish
$16.00
$18.00
http://www.hob.com
504-596-2471
225 Decatur
Ages: 18+
Ages: 18 and over

9 November 2007
9:00PM
Austin, TX
Emo’s Main Room
$13.00
$15.00
http://2007.sxsw.com/music/showcases/band/49573.html
603 red river st.
Ages: all ages

10 November 2007
9:00PM
Dallas, TX
Palladium Loft
$14.00
$14.00
http://www.palladiumballroom.com
214.826.2888
1135 South Lamar
Ages: all ages

13 November 2007
8:00PM
Flagstaff, AZ
Orpheum Flagstaff
$13.00
$15.00
http://www.orpheumpresents.com
928.556.1580
15 West Aspen
Ages: 21 and over

15 November 2007
9:00PM
Solana Beach, CA
Belly Up Tavern
$16.00
$18.00
http://www.bellyup.com
858-481-8771
143 S. Cedros Avenue
Ages: 21 and over

16 November 2007
9:00PM
Los Angeles, CA
El Rey Theatre
$18.00
$18.00
http://www.theelrey.com
323-936-6400
5515 Wilshire Blvd.
Ages: all ages

17 November 2007
8:00PM
San Francisco, CA
The Independent
$22.00
$22.00
http://www.theindependentsf.com
415-771-1420
628 Divisadero St.
Ages: 21+
Ages: 21 and over

Click Here to See LB and Galactic on Jimmy Kimmel

Pieta Brown’s New Album Available Early on iTunes with Bonus Calexico Collaboration

Although Pieta Brown’s new album– and first on her new label One Little Indian RecordsRemember the Sun will be released on September 25th (October 8 according to Amazon.com), you can buy it early on iTunes and it will include a bonus track of a collaboration with Calexico, Bo Ramsey, Benson Ramsey and Iris DeMent.

The mention of a collaboration with Calexico was on Pieta’s website last year. I was hoping for more than a live take of “This Land is Your Land” but who knows what lies in the future?

Pieta Brown will be playing a CD release show at The Mill in Iowa City with Bo Ramsey in support on Saturday, October 6th. Doors are at 9PM with a $10 cover.
Pieta Brown - Remember the Sun Purchase Remember the Sun with Calexico bonus track from iTunes

Purchase Remember the Sun from Amazon.com

Listen to tracks from Remember the Sun on Pieta’s MySpace Page.

I really like “Are You Free” and “Sonic Boom”

Bo Ramsey with the 100s Live at Springville Fun Days 8/11/06

My friend Andrew and I made it out to the Springville Fun Days show with Bo Ramsey and the 100s opening for Dallas Moore. The deal we made with our wives was that we’d be home early and we figured we’d be able to get Bo and the 100s in before 8 or 8:30PM. We weren’t familiar with Dallas Moore– although we’d heard that he was pretty good. I listened to a couple of things on his site and decided I wasn’t really into it.

The day was sunny and pretty hot– in the 90s and we’d considered skipping if the heat was too much. The location of the show was a small tree-lined valley next to a stream and in the late afternoon the hill was protected from the heat. I felt pretty bad about the bands, however as they faced the hot setting sun while they played. There was beer to be bought with tickets so we split $20 of them.

The 100's

After a quick setup and soundcheck the 100s started around 4:30PM. I hadn’t seen them before, but had heard their 2005 CD Take the Gravel Home so I was familiar with a couple of their songs. The 100s put on an energetic set filled with folky-Americana tunes– most coming from their album but they peppered a handful of very well-selected covers. The first cover I remember is a John Hiatt song– one of my favorites and one that makes me chuckle as it is one of John’s funny tunes– “Ethylene” from the landmark Walk On album. They also did the rockin’ “Castanets” by Alejandro Escovedo (“I like her better when she walks away”). They also surprised me with an uncredited cover of “King’s Highway” from Joe Henry. I recognized it as soon as they played the intro, but I couldn’t believe that they would do that one. They also covered “My Sweet Annette” by the Drive By Truckers. In a lot of ways they played a set that was a pretty good primer for the current state of Americana. I like that they seem to play covers that they enjoy and fit their style of music. I’d like to see them again in the near future.

Dave Pedersen

The arrangement of the stage was a bit odd as the crowd was separated from the stage by the dirt strip used for the tractor pulls. It was very convenient– if a bit conspicuous– for picture taking. Periodically I’d dash out onto the track to snap some pictures. After the 100s sets I was approached by a woman who asked if I was with a paper– I explained that I wasn’t and told her about this site. She asked for a couple of cards and gave one to Dave Pedersen the lead singer. After I posted the pictures to flickr, he contacted me and we exchanged a couple of nice emails about their set and he hooked me up with a copy of their album.

Next up was Bo Ramsey along with his band, which included Jim Viner and Nate Basinger from the Diplomats of Solid Sound! Nate played with Bo when I saw him last year in Dubuque and I know that Jim has played with Bo in the past as well but it’s alway cool to see some Iowa City solidarity in action. The bass player was a guy from Madison named Jon Penner.
Bo

Bo brought a collection of guitars including a sunburst Telecaster modified with DiMarzio Virtual Series pickups, a sunburst Stratocaster, a vintage Silvertone, a Reverend Flatroc with a Bigsby vibrato, and a 12-string Jerry Jones Danelectro copy. Nate brought his B-3 organ and had assistance from a skidloader to lift it to the stage!

Nate Basinger

Unfortunately, there wasn’t a big crowd there on this warm late afternoon to see Bo and Band bring his unique style of country blues. We were treated to an uncharacteristically talkative Bo that afternoon. Before he played his cover of Jesse Mae Hemphill’s “Jump, Baby Jump” from last year’s Stranger Blues, he talked about how he was fortunate to have had a chance to work with her before she passed away which was filmed by Wim Winders and subsequently used in the Martin Scorsese Blues series. I remember watching that series and being surprised to see Bo with Lucinda on it. Bo also talked about the actual bar referenced in “Sidetrack Lounge.” Apparently there is an actual bar across the river from Burlington, IA in a little town called Gulf Port.

Bo and Jon

Quite a bit of the set was the same as when I saw him last year in Dubuque– mostly tracks from Stranger Blues and In The Weeds, as well as “classic” Bo songs like “Long Long Time” and “Get Away.” He also did the old Sliders tune “Rockinitis” which he credited to JJ Cale.

Bo and Band

Bo and his band played a fantastic set with Bo smiling a lot and really getting into the set. I liked the interplay between Bo and Nate trading off solos. We were treated to a couple of the excellent trippy extended guitar solos that reminded me of the days following him around Eastern Iowa in the early 90’s. I could see the guys from the Dallas Moore band off to the left of the stage watching intently.

Jim Viner

Andrew and I left before we could see any of the Dallas Moore show, but left happy to have seen these two acts put on a great show.

Bo Smiles
Bo is working on a new album that might be released this Fall. I hope this means that we’ll get to see more solo shows from him.

The 100’s Homepage

Bo Ramsey’s Homepage

Photoset of the 100’s at Fun Days

Photoset of Bo Ramsey at Fun Days