The Pines Release Sparrows in the Bell and Tour

Photo of the Pines by Jim Herrington

Last weekend my wife Sherry and I were in the Twin Cities for a wedding. On Sunday we visited the Sculpture Garden and hit The Wedge in Uptown, which is our favorite grocery store in the Cities and is only a couple of blocks from my wife’s sister. My wife and I have some food allergies and sensitivities so we buy foods that aren’t always readily available in regular stores.

So, we racked up a pretty sizable bill for what should have been a quick run. The checkout person suggested that we join the Co-Op by buying a share as we would get a discount on this purchase as well as future ones. We are going to be back up here at least two more times this summer and thought it might be nice to not need to pack a bag with just food. So, we joined. While we were talking to a guy in customer service it came up that we were from Cedar Rapids/Iowa City. He said that he was from Iowa City, too! It turned out that our customer service guy was Benson Ramsey from the Pines! He remembered me from the Bo Ramsey show in Dubuque where I gave him a copy of the KUNI radio show from last year. Benson said that Dave Huckfelt also works at the Wedge

We talked for a bit and he said that the new Pines release Sparrows in the Bell on Red House Records— home of other Iowa folksters Greg Brown and Dave Moore– would be June 12th. There are three record release performances: a “Live from Studio One” on KUNI on June 4th, Thursday, June 7th at the Cedar Cultural Center in Minneapolis (where I’m seeing Tortoise at the end of June), and Friday, June 8th at the Mill in Iowa City. They will be playing the Busted Lift in Dubuque on the 9th as well. We said that we’d try to make the Mill show, which is a great place to see a low-key performance like the Pines. Benson said that they’d have a full band for those shows.

Listen to “Don’t Let Me Go” from Sparrows in the Bell performed on KUNI last year.

Listen to “Bound to Fall” from the Pines debut CD.

The Pines Tour Dates

The Fucking Champs 2007 Spring Tour

I will admit that before Fables of the Reconstruction converted me I was into Heavy Metal. During the Early 80’s with a Sony boombox bungee-cord strapped to my Honda moped I was listening to bands like Rush, Blue Oyster Cult, AC/DC, Iron Maiden, Judas Priest, Motley Crue and Def Leppard. I still hold a place in my heart for those bands. Admittedly, most of these groups have aged better than others.

The Fucking Champs are an instrumental trio currently made up of long-standing Tim Green and Tim Soete and joining them is Phil Manley from Thrill Jockey staple Trans Am. I had heard of The Fucking Champs in relation to the collaborative projects with Trans Am as The Fucking Am and The Trans Champs, but I hadn’t gotten around to checking them out.

When I first heard The Fucking Champs’ new album VI, I was impressed in this band’s ability to play what seems like a complete lexography of heavy metal riffage. From song to song on this album I can pick out guitar tones and riffs that remind me of particular parts of my favorite metal bands. This album reminds me of what I really loved about Trans Am on their early albums like Surrender to the Night before they added vocoder-vocals and synths and became a dance band of sorts. I also hear influences from King Crimson– particularly my personal favorite album Red, which was also recorded as a trio of Fripp, Wetton and Bruford. At times I hear the chorus of Queen guitars, too.

The Fucking Champs are kicking off a Spring Tour on Thursday in Atlanda and continues through June 9th in Raleigh, NC. They are stopping in Iowa City at the Picador on Memorial Day so I’m going to try to get out to see that. Tickets are $8.00! You can’t beat that price. I’m sure it will work out to be thousands of riffs per dollar! Opening for them are Birds of Avalon and Red Fang.

Here are the tour dates:

Thursday, May 24
Atlanta, GA
The Earl

Friday, May 25
Birmingham, AL
The Bottletree

Saturday, May 26
Memphis, TN
The Hi Tone

Sunday, May 27
St. Louis, MO
The Duck Room

Monday, May 28
Iowa City, IA
The Picador

Tuesday, May 29
Chicago, IL
The Empty Bottle

Wednesday, May 30
Detroit, MI
Magic Stick

Thursday, May 31
Toronto, ON
Sneaky Dee’s

Friday, June 1
Montreal, Que
La Sala Rossa

Saturday June 2
Wallingford, CT
The American Legion Hall

Sunday, June 3
Allston, MA
Great Scotts

Monday June 4
New York, NY
The Mercury Lounge

Tuesday, June 5
Brooklyn, NY
Studio B

Wednesday, June 6
Baltimore, MD
Ottobar

Thursday, June 7
Philadelphia, PA
Johnny Brenda’s

Friday, June 8
Charlottesville, VA
The Satellite Ballroom

Saturday, June 9
Raleigh, NC
King’s Baracade

Listen to Spring Break from VI

The Fucking Champs - VI Purchase VI from iTunes

B-Sides in the Bins #11 – Cedar Rapids 5/14/07

Prestige Jazz – Various (CD Starbucks Entertainment/Concord Records FSP-1504-2/CDS-055, 2007)($13.95) Okay, I’m a sucker. When I’m on the road for work I drink Starbucks Coffee. When I’m standing in line waiting for my ventelattefrappecappuchino I look at the CD’s conveniently placed next to where I have to wait for my order. Usually I don’t see anything that I haven’t heard before or I would be particularly interested in. When I was in Austin last month I stumbled across a title that I initially resisted temptation over. However, the urge became too strong and I found it in Cedar Rapids. The CD is called “Prestige Jazz” and is a compilation of 50’s and 60’s jazz artists from the venerable Prestige label which during its heyday was as big a deal as Blue Note.

“Prestige Jazz” is a compilation of songs from the likes of The Modern Jazz Quartet, John Coltrane, Red Garland, Miles Davis, Thelonious Monk, Eric Dolphy and Sonny Rollins and is one of the first releases on the controversial Starbucks Entertainment label. You may have heard about Starbucks Entertainment in the press recently as it will be releasing Paul McCartney’s next album.

The packaging is really smart– white with the familiar 1960’s Prestige logo on it– it drew my eye immediately from between the other CD’s. Nice pop-artish graphics and beautiful photographs of the artists from the Michael Ochs Archives. Each song has a little paragraph talking about the song and the artist. Certainly a great primer for Jazz neophytes.

The release is sort of a cross promotional deal as it is a compilation of the recent remastering that the Prestige titles are going through by Rudy Van Gelder who recorded some of the great Jazz albums from that period. Of the songs I’d only heard “Django” by The Modern Jazz Quartet and “Like Someone In Love” by John Coltrane before. A nice addition to my small-but-growing Prestige collection and gives me ideas for other titles to look for. A good Jazz compilation when you need a jazz mix as well.

Looking at the website, it looks like they have a Riverside comp as well… another ventiwhitechocolatemochawithwhip please…

Richard Buckner and Six Parts Seven Live in Iowa City 2/26/07

Six Part Seven openingFollowing a weekend of really bad weather in Eastern Iowa, I wasn’t sure whether we were going to see this show. As I posted earler, Allen from Six Parts Seven had reached out to let me know that they were playing in the area as part of a tour they were doing opening and backing Merge artist Richard Buckner.

After a good dinner at the Atlas World Grille we made our way over to the Picador in time for the 9PM doors. This was the first time I’d been to the Picador since its transformation from the long-standing Gabe’s. Due to the previous “Early/All-Ages” show running long, the show we came to see would start late so we hung out downstairs in the bar waiting for the doors to open.

Once we got upstairs, we met Allen Karpinski who is the lead guitarist for the group and principle composer/arranger. I had been exchanging PM’s with him on myspace leading up to the show. He seemed genuinely happy to see us at the show and we talked about the tour progress so far and he said that his brother Jay who was the drummer had dropped out of the tour over a disagreement. So the band was continuing the tour without him and other members of the touring band were filling in on drums. The topic turned to gear with my friend Erik who builds guitar amps. Allen had an effects pedal that was made for him by a friend that stopped working. Erik offered to take it home and look it over to see if he could fix it.

I hadn’t been here since some time in the late 90’s– I think it was the Evan Dando solo show with Epic Soundtracks (R.I.P.). At that time the room had a bunch of tables and chairs. Apparently they only have two or three tables and chairs which was a bummer because as much as I like standing for shows, I like to sit– and certainly my wife would have prefered to have the option.

First up was Six Parts Seven doing a five-song 20-minute or so set. I was disappointed because I would have liked to hear more songs from them as they were the reason I was here. Apparently, though the small crowd was there to see Buckner.

As expected, they played a mellow impassioned set. The members focused on playing the songs. The crowd was small and it seemed like we were watching a band practice! From time-to-time someone would take on the drum role– sometimes mid-song. The songs took on a new feel and perspective compared to the album versions of the songs.

One thing I noticed was that Allen was playing a capoed bass guitar. You can see that in the picture above. This explains the “mid-range bass” credit in the liner notes of Casually Smashed to Pieces. Between the Six Parts Seven set and Richard Buckner’s I got a chance to catch up with Allen again and asked him about it. He said that he is actually playing lighter gauge strings in addition to the capo. I suggested that he could be playing a Bass VI. He said that the tone would be different.

Six Parts SevenAllen also gave me the setlist that was played that night: “Conversation Heart,” “Stolen Moments,” “Awaiting Elemental Meltdown,” “Night Behind the Stars,” and “Knock At My Door.”

Richard Buckner

After the break Buckner somewhat unexpectedly showed up on the stage and started playing some songs solo. The guys in Six Parts Seven hung out in the crowd watching the show like everyone else. After four or five songs they joined Buckner on stage.

The Buckner set was comprised of mostly recent songs from the fantastic Meadow release and the prior two albums. I wasn’t as familar with his songs, but I knew the Meadow songs pretty well as I had been listening to it very regularly leading up to the show. My favorites were the more uptempo songs like “Town” and “Lucky” and benefitted quite a bit from having a full band behind him. The drum beats were more straightforward 4/4-type so the stand-in drumming worked pretty well.

It was pretty obvious to me that Six Parts Seven was pretty nervous on a couple of songs– especially when it required a switch-up of the drummer. But, they held it together and there were definately moments of brilliance. My friend Erik and a buddy from his work Shawn were very impressed with the Buckner songs and planned to pick the new release up.

Buckner with Six Parts Seven

Buckner evidently plays a lot of shows solo. He was using sampling pedals to play over himself– sort of like Keller Williams. This was an interesting aspect to his sets. Sometimes it worked really well, other times I felt like it was a distraction. Buckner doesn’t say a lot in his set either and seemed to fill the between song gaps with his sampler pedal.

Looking back on the show, I really am pretty happy I made it out to see them. The show was very intimate and that allowed Six Parts Seven to showcase their strengths in dynamics. I would like to see Six Parts Seven headlining a show or at least get more than twenty minutes of them. I’d consider seeing Buckner again, too.

Buckner with Six Parts Seven

Six Parts Seven Daytrotter Session / Interview

The fine folks at Daytrotter have finally released the session that Six Parts Seven did for them. This session was done the same day as their show at the Picador in Iowa City that I saw– February 26, 2007. Since this is out I will finish my long-overdue review of that show and post it this weekend complete with pictures.

This set is pretty similar to Six Parts Seven’s opening set for Richard Buckner. Four songs, mostly from their fantastic Causally Smashed to Pieces. Mellow, beautiful, soaring music.

Six Parts Seven on Daytrotter – Free Music

Interview with Allen Karpinski by Sean Moeller from Daytrotter

Free MP3EP of Six Parts Seven

2005 Fender American Stratocaster Hard Tail (review)

2005 Strat HardTail A couple of weekends ago I was out to lunch with my friend Erik and decided to visit the Cedar Rapids Music-Go-Round to see if they had anything interesting in stock. Over lunch we were discussing the amazing finds that he and our friend Andrew had in that store.

Admittedly Music-Go-Round can be pretty hit-and-miss when it comes to really great finds at a good price. Quite a bit of their stock caters to the beginner or low-budget musicians– the guy who really wants a Gibson Les Paul, but only has the funds for the LTD version of it (a good version for the price, BTW). When we got there they had quite a few Fenders hanging on the wall– a couple of Mexicans– but they had two American Stratocasters as well. One was a 2001 Hot Rod Red with tremolo and rosewood fretboard and the other was the 2005 black and white Hard Tail with maple neck that I ended up purchasing.

The salesman plugged me into a used Fender Blues Junior Combo Amp to try the guitars out. A good choice as the Blues Jr is partially tube and would be fairly well-matched to the classic Strat sound. After playing both guitars and conferring with Erik and calling Andrew on his cell I settled on the Hard Tail for a couple of reasons– one is that I really didn’t want a tremolo even though I could choose to block it (like Eric Clapton!) and the other is that I really like the feel of a maple neck.

The guitar was in immaculate shape and came with all of its swing tags and paperwork as well as the standard-issue plastic case for $549. This guitar lists for $1327.99, but you can get a new one for around $950 at online retailers. So, I feel like I got a pretty good deal.

60th Anniversary Badge

Even though this guitar has a 2005 serial number (starting with “Z5”) it was sold as a 2006 model and has the Fender 60th Anniversary badge on the back of the headstock which is pretty cool. Another unique aspect of this guitar is that Fender discontinued the American Hard Tail in 2006. No new Hard Tails in ’07. I contacted Fender to confirm this as I see that most of the online retailers are still selling them even though the online catalog at fender.com doesn’t list it as current product. According to Fender the only way to get a Hard Tail guitar would be to order the Fender Robert Cray Standard Stratocaster Electric Guitar which is Mexican or to order the Eric Clapton Signature Strat, which has a blocked tremolo. Custom Shop Showmaster guitars come with Hard Tail as well.

This American Stratocaster is one of the post-2000 configurations. According to The Stratocaster Chronicles by Tom Wheeler, in the Summer of 2000 Fender discontinued the “American Standard” which had been in existence for 13 years and replaced it with the current “American Series.” The American Series was a new start to the Stratocaster line pulling together a set of features from the entire history of the Strat to that point making arguably the best Strat yet.

These features included the unanimously-agreed-superior pre-CBS 4-bolt neck, the Micro Tilt adjustment, the advanced shielding from the Standard, the 5-way pickup selector switch that dated back to 1977, “no-load” tone control which at “10” kills the tone pot on the middle pickup making for a vintage Strat tone, “Delta Tone” pickups where the middle pickup is wired in reverse of the other two providing a humbucking effect on certain switch settings, a single string tree on the head adding to tuning stability and improving tone, “rolled” neck edges which adds to the pleasant neck feel, non-veneered “original contour” body based on the 1950’s Strats, staggered pickup polepieces like the 1950’s Strats, and routing to provide the ability to add humbuckers in the neck and bridge positions. This final change eliminated the contraversial “swimming pool” routing where the area behind the pickguard was just a big hole to accomodate different pickup configurations.

Over the 53 years of the Stratocaster’s existence it has been subject to constant change– some of it good, some of it not good. In the American Series we see the benefits of a company looking back on the history of its products to pull a feature set together that I think ultimately makes an instrument that both honors its past, innovates and– most importantly– is great to play.

>pp 246-250, “Chapter 9: The New Millennium,”The Stratocaster Chronicles: Celebrating 50 Years of the Fender Strat, Tom Wheeler, 2004

Fender Musical Instruments Corporation

All Fender product names in this article are trademarks of Fender.

Check out the Fender Hard Tail Stratocasters at reverb.com!

B-Sides in the Bins #10 – Minneapolis/St. Paul 3/31/07

Last weekend Sherry, Rae and I went to Minneapolis so they could participate in an in absentia baby shower. Sherry’s aunt was throwing a baby shower for her daughter who lives in the Phoenix area and couldn’t be in Minnesota for it. So, all of the relatives in the Twin Cities got together with the requsite baby shower gifts, games, and food. Everyone shows the gifts and at the end they are boxed up and shipped. A neat idea that Sherry’s mom did for Sherry’s aunt a long time ago.

At any rate it meant that Sherry’s uncle and I were effectively kicked out of the house for four hours. The plan on this very rainy day was to hit Cheapo’s on Snelling in St. Paul and, if there was time left, hit the Cheapo’s on Lake in Uptown. Both of these locations have vinyl stores attached to them.

The trip to Snelling was a bust. I hit the vinyl location hoping to find some Tortoise. They had the In The Fishtank release from Tortoise and the Ex and The Brave and the Bold collaboration with Bonnie “Prince” Billy. I flipped through the New Arrivals and saw some interesting stuff like Journey Through the Past from Neil Young which is a soundtrack to an evidently strange movie Neil produced in 1974 under his nom de film Bernard Shakey. I contemplated picking this up, but it was kind of pricey for what I thought the quality was. In retrospect I should have picked it up since it hasn’t been released on CD. Looking at the tracklist, though, it might only be notable for the 16+ minute studio version of “Words.” The trip to the CD store was disappointing. It appears that the New Arrivals section has dwindled to two tables. I quickly flipped through the week of arrivals and found nothing of note except for Money Mark’s new one. Sherry’s uncle picked up a Temptations Greatest Hits comp.

The stop at Lake was much better. I visited the vinyl store which is called Vinyltopia. Boy, is it ever! This store is the basement of the CD store and is probably the same square feet. I knew right away that I better not spend too much time down there– I’m sure I could blow an entire day flipping through those bins. I hit the Tortoise section with no luck and flipped through the New Arrivals, but nothing jumped out at me, so I made my way upstairs.

Neon Bible – Arcade Fire (CD Merge MRG285, 2007) ($9.98) There just seems to be so much talk about this album I thought I’d give it a closer listen. I didn’t like Funeral that much, so I kind of wrote this band off. So… I think the album is pretty good. It improves with multiple listens, but does anyone else hear E-Street Era Bruce Springsteen in this?? I don’t think it is just the glockenspiel. I think it is the pumping percussion and the soaring choruses. Especially “Keep the Car Running.” “Every night my dream’s the same. Same old city with a different name. Men are coming to take me away. I don’t know why but, I know I can’t stay.” That could have been penned by Bruce. I guess in the pop canon there are worse artists to emulate. Well, except for that last Killer’s album.

Return to Cookie Mountain – TV on the Radio (CD Touch and Go/Interscope B0007466-02, 2006) ($8.95) Man, “Wolf Like Me” is just one of those great songs. Best song about lycanthropy— ever! My wife loves that song as well. I thought it was time to add this one to the collection. This version of Cookie Mountain has three bonus tracks: “Snakes and Martyrs,” a remix of “Hours” by El-P, and “Things You Can Do.” We’re howling forever…

In Search of the Lost Chord – The Moody Blues (CD Deram 42284 4768-2, 1968/1997) ($5.95) This CD completes my collection of the essential first seven Moody Blues albums from the second and more notable version of the band. From the period of 1967 to 1972 the Moody Blues released an astounding seven albums with two albums coming out in 1969. The Lost Chord is the second of these albums and includes the singles “Voices in the Sky” and the concert favorite “Ride My See-Saw.” The Moody Blues defines my childhood as my family and especially my dad were big fans and most family excusions included cassettes from the Moody Blues. This is the 1997 “Digitally Remastered” version of the album. I read online that Justin Hayward is finishing up re-releasing the first seven albums on SACD with bonus material. I’ll be looking into these to see if they are worth picking up.

The next four CD’s were a happy find for me. The “missing” pre-Geffen Reprise-era Neil Young albums. These have been out-of-print for many years mostly due to Neil’s tendency for perfection but likely also due to his crotchety nature. Since the first discussions of the Decades III/Archives releases in the mid- to late-Nineties the fans had been asking for these albums to be re-released. Neil said in an interview that he had been holding off on releasing these because to date he hated the mastering that had been done to his catalog for CD and that the vinyl versions of his albums sounded superior to them. Apparently with the advent of HDCD Neil is satisfied with the sound of CDs. Still to be released are the soundtrack to “Journey Through the Past,” and Time Fades Away. In the case of Time Fades Away, there was an HDCD release set up and sent out as promos, but the release never materialized.

On the Beach – Neil Young (CD Reprise 48497-2, 1974/2003) ($5.95) In my opinion, this is the best of the four re-releases. On The Beach is part of what is known in the fan circles as “The Ditch Trilogy” which includes Tonight’s The Night and Time Fades Away. Following the huge success of “Heart of Gold” from Harvest, Neil felt it was necessary to move from the middle of the road to the ditch– per the liner notes in Decade. The resulting block of three albums are all similar in their darkness in themes. A friend of mine from Dubuque who was a huge Neil fan made me a cassette of On The Beach and American Stars ‘n Bars that I took with me to Louisiana during a computer installation. The loaner car I drove had a cassette deck in it and I listened to that tape non-stop during my treks between New Orleans and Houma where the two locations of the installation were. “Walk On”, “See the Sky About to Rain,” and “On the Beach” are my standout favorites.

American Stars ‘n Bars – Neil Young (CD Reprise 48496-2, 1977/2003) ($5.95) Another good release from what tends to be considered very unbalanced releases. Neil in a more country mode. Stars n’ Bars and Hawks & Doves benefit from having tracks pulled from the aborted Homegrown and Chrome Dreams albums. Notable tracks include “Like A Hurricane,” “Will to Love,” and “Homegrown.” Beautiful backing vocals from Linda Ronstadt and Nicolette Larson. Emmylou Harris sings on “Star of Bethlehem.” Amazing pedal steel by Ben Keith. The cover art was done by buddy Dean Stockwell.

Hawks & Doves – Neil Young (CD Reprise 48499-2, 1980/2003) ($5.95) Another folkie-country release. This album is also a collection of tracks recorded at different times dating back to 1974. Standout tracks “Little Wing,” “The Old Homestead,” and “Captain Kennedy.”

Re-ac-tor – Neil Young (CD Reprise 48498-2, 1981/2003) ($5.95) The last of the Reprise releases before Neil jumps to buddy David Geffen’s label for eight years. That move to Geffen ended with a lawsuit accusing Neil of not sounding enough like himself. Admittedly, the Geffen catalog has Neil experimenting in different styles. Neil brings the Horse back for the first time since I guess Zuma. This is probably the weakest of the re-releases. Although it sounds like Crazy Horse, it doesn’t have any of the substance that previous efforts showed. Standout tracks are “Shots” and “Southern Pacific.”

Live at Amoeba Music – TV on the Radio (CD Touch & Go/Interscope B0008324-32, 2007) ($5.98 + shipping) I didn’t get this from Cheapo’s. I got this from Amoeba online. This is a limited-edition 4-track CD of TVotR’s in-store appearance from September last year. A good addition to my collection. As frantic as the band sounds on their album, they have even more energy live. Tracks: “Blues From Down Here,” “Wolf Like Me,” “Province,” “Wash The Day.”

Stuff I put back: Old Ways – Neil Young– I think I might be able to pick this up later, World Without Tears– Lucinda Williams, Por Vida – A tribute to Alejandro Escovedo.

B-Sides in the Bins #9 – Cedar Rapids, IA & eBay 3/24/07

I really wasn’t expecting to do any shopping today. Due to my daughter’s car needing to be dropped off at Tires Plus for a strange banging noise and my wife wanting to do some clothes shopping at Lindale I found myself with some time so I hit CDWarehouse.

I walked in and immediately spotted the spine of the new Low CD Drums and Guns in a stack of used CD’s on the counter. While I hadn’t planned to pick this album up, I couldn’t pass on a new release! I verified that it was for sale and asked to have it put aside and started over to the $1 CD’s and made my way through the LP crates and then through the CD’s.

Before I checked out I spent some time talking to John Fisher who owns the store. A great guy to talk to and is pretty passionate about music and music retail. We talked a lot about sales on the Internet versus the brick-and-mortar retail. He is well aware of what his competition is. He is located next to a Best Buy and his prices will typically compete with Best Buy on new releases. He can also place special orders, which Best Buy has no interest in doing. His perspective on his very low vinyl prices is that he needs to compete with eBay on the “non-collector” vinyl. He is also competing with HalfPrice Books who gets their inventory fortified by their other locations. I have to say that I was surprised about the turnover he had in his vinyl so it will continue to be a stop for me. John is also brokering his inventory through Djangos Music which is pretty smart. He said that he has moved a lot of inventory that he wouldn’t normally move just due to the limited audience in Cedar Rapids for the more obscure items. Times are really tough for the independent music seller so it is good to see someone still willing to figure out how to stay viable! Stop by there if you get a chance.

Drums and Guns – Low (CD Sub Pop SPCD 736, 2007) ($7.99) This CD came out this Tuesday. Evidently the previous owner didn’t appreciate the new direction Low is taking on their eighth album and second for Sub Pop. Low has been around for quite a long time in Indie terms with their first release in 1994. Low is known for their slow tempo style sometimes called “Slowcore” and this album is continuing this style albeit with more distortion on the guitars and more sound effects. This album leaked on the Internet early in January and I had those mp3’s. At the time I thought that what was leaked must have been a demo due to the really strange mixing of the vocals mostly in the right channel but this CD has that, too. I need to spend more time with it, but I think it is a grower. I should get the rest of the Low catalog.

Rumours – Fleetwood Mac (2 CD Warner Bros, R2 73882, 2004) ($9.99) Another great find today! This one has been on my Amazon and lala.com want lists for a while. This is a BMG pressing of the CD, which I would normally pass over but it is in Mint condition. This is probably the sixth copy of Rumours I have owned on CD in my life. When I got my first CD player back in the late 80’s Rumours was one of the first CD’s I purchased. (other titles bought that first day were Brothers In Arms by Dire Straits, Hot Rocks 1964-1971 by The Rolling Stones, and Graceland by Paul Simon). I’ve lost three copies to other people– ex-girlfriends mostly. When I was around nine or ten I got a stereo from my parents with an 9-track and had a mix of Rumours and the self-titled prior release that Dad made for the car that I listened to constantly. Dad had an 8-track recorder and used to dub copies of the 8-tracks he bought. This album has been with me my whole life it seems and around for important events. When my wife and I got married in 2000 our invitations had lyrics from the beautiful Christine McVie-penned “Songbird” and Sherry and I had our first dance as a couple at our reception to it. This release has the appended “Silver Springs” that was originally the b-side to “Go Your Own Way.” The controversy surrounding this song has been documented in other places, but this song was another song about the breakup of Buckingham and Nicks. It was pulled from the Rumours tracklist because it was too long and the band preferred “I Don’t Want To Know.” This song resurfaced for the out-of-print The Chain boxset. If I remember right, Mick Fleetwood really pushed for this song to be included in the boxset at Stevie’s initial hesitance. The song was brought back as a single for the reunion album The Dance. The popularity of this song influenced its inclusion in the DVD-A release of Rumours in 2002, and then for this 2004 release. Sonically, I don’t think that this release is much of an improvement over the other pressings of this album on CD. The second disc of bonus tracks and demos serves mostly as an interesting view into the creation of this album and not really something you’d spend a lot of time listening to.

In The Sun – Archer Prewitt (CD Carrot Top SAKI 015, 1997) ($7.99) Another surprise find for me. I’ve had this one on my want list for a long time. This was the missing CD in my Prewitt collection. Archer Prewitt, for those of you who aren’t familiar is a core member of The Sea and Cake. Prewitt’s music is similar to The Sea and Cake, but differs from Sam Prekop’s solo works. Sam has a whispery vocal approach and tends towards a jazzy feel. Prewitt sounds like early breezy Seventies pop. I hadn’t heard any of the tracks off this album before today, but fits right in with his other albums. The Sea and Cake feels more like a Prekop vehicle and Prewitt takes a backseat in that band in my opinion, but he seems very comfortable in his role in the center stage on his own songs.

Afoot – Let’s Active (Vinyl EP I.R.S. SP70505, 1983) ($1.99) Let’s Active was the band fronted by 80’s college rock uber-producer Mitch Easter who I’ve mentioned on here before. According to Mitch, Afoot was an experiment of sorts. I.R.S. let Mitch record and release a record of his own after the success of the first two R.E.M. albums he produced with Don Dixon. This EP had a hit in “Every Word Means No” and even had a video on MTV. This will sit comfortably with my Game Theory vinyl. Mixed by Scott Litt who would later produce six of the best R.E.M. albums from Document through New Adventures in Hi-Fi.

90125 – Yes (LP ATCO 90125-1, 1983) ($1.99) It’s interesting to note that this album was released the same year as Afoot. They seem years apart. Sadly this album hasn’t aged as well as Afoot, however. All of those really nasty “orchestra hit” synthesizer patches and compressed and gated drums peg this album squarely as an early 80’s pop album. Still, this is one of my favorites. Probably the only album in history that is named after its catalog number. I had purchased this album on cassette in 1983 or 1984 largely due to the singles that this record spawned and the videos that were shown on USA’s “Night Flight” and WTBS’s “Night Tracks” shows (no MTV in Bellevue, IA back then!). This album follows the critically-panned Drama album that had the Buggles members Trevor Horn and Geoffrey Downes on vocals and keyboards. Drama was the only Yes album without the distinctive vocals of Anderson. Horn and Downes left after the Drama tour. Chris Squire and Alan white formed another band with guitarist Travor Rabin called Cinema which eventually Jon Anderson joined which allowed them to honestly call the band Yes. Most of the pop-geared single tracks were penned by Rabin and most of the vision of the record comes from him. Production was handled by Trevor Horn, who by this time had produced some significant albums on the ZTT label including Frankie Goes to Hollywood and The Art of Noise and lent a similar big sound to 90125.

Freedom – Neil Young (LP Reprise 25899-1, 1989) ($1.99) This LP has a cover that has a large patch where the printing has torn off, but the front looks good and the vinyl is good. Freedom marks the triumphant return-to-form for Neil on Reprise after his “lost” period on Geffen. Freedom started life as another album titled Times Square which was to be a louder album in a more Crazy Horse vein. Apparently the label didn’t hear a single so Neil went back to the drawing board and selected the best tracks from the Times Square sessions and added three new songs including the smash “Rockin’ In The Free World” in electric and acoustic versions the way Rust Never Sleeps had “Hey Hey, My My” and “My My, Hey Hey.” Many consider Freedom to be a complimentary release to Rust. A number of the tracks pulled from Times Square ended up on a Japanese/Australian EP called Eldorado. I got a copy of Eldorado from a Japanese student who brought one back with him after a break. I consider Freedom to be one of Neil’s finest moments on record.

Aerocalexico – Calexico (CD Our Soil Our Strength, 2001) ($9.99 + $2.50 Shipping) I got this as a Buy-It-Now this week. I’m very happy about this one as it is the last of the Calexico tour-only CD’s I needed. This one is probably one of the best of the series. I think it is great that Calexico pulls these collections together and makes them available to the fans. Some standout/notable tracks are “Pretty White Horses,” the Christmas track “Gift X-Change” and the instrumental track to “Humana” which was the “collaboration” with Goldfrapp on the “Human” remix from Felt Mountain Revamped album. This is still available from the Calexico site for $16

Things I didn’t buy: Franz Ferdinand’s debut CD in special packaging and included a bonus disc, Frankie Goes To Hollywood’s Welcome to the Pleasuredome on LP. They were playing a CD by Dressy Bessy that was pretty interesting– it was their 2002 release Sound Go Round. I’d heard mention of them but wasn’t familiar with them. Worth checking out I think. You can hear tracks at their Myspace page.

B-Sides in the Bins #8 – Cedar Rapids, IA 3/11/07

Happy Daylight Savings! Today I needed to get my oil changed which usually entails leaving my car at the oil change place and figuring out what to do for a couple of hours. I decided to go visit the used CD stores in the area. I ended up at Half Price Books and got some good deals. Really, Half Price Books has some of the best vinyl selection in Cedar Rapids. Ratz Records downtown has the most vinyl, but Half Price has the best quality selection in town.

Tusk – Fleetwood Mac (2 LP Warner Brothers 2HS 3350, 1979) ($5.98) Tusk in so many ways is one of my desert island discs. My dad bought this when it came out on cassette. Since this is a double album it came on what would be a 90-minute cassette. This ultimately means that the tape is thinner and more susceptible to failure. We bought two copies of this tape as we wore them out. The second copy wore out and I used a cassette repair kit from Radio Shack to fix it. Looking back I’m amazed that they had cassette repair kits! The plastic liner would wear out from the hubs so I cracked the tape open and moved the tape and spools over to a new case and liner. I bought this on CD when it came out and was punished with a shortened version. Back in the day they could only make 78 minute CD’s and so Warners made Tusk with an edit of “Sara” which is crazy since that was one of the singles. Or, maybe they got the edit from that… Brilliant record which was considered to be extravagant noodling from a band losing its direction or allowing Lindsey too much creative control. In hindsight, this is the White Album of my generation. According to the sleeve, this was $15.98 MSRP!! My copy is super clean. I need to get that remastered 2-disc version one of these days. I’m still looking for clean versions of the other Buckingham-era LP’s. My childhood pressed into shiny black plastic. I also own the Camper Van Beethoven “tribute” to Tusk which is recommended as well.

“Heaven or Las Vegas (edit)” b/w “Dials” and “Heaven Or Las Vegas (album version)” – Cocteau Twins (12″ Capitol/4AD SPRO-79427, 1990) ($1.98) This one was mistakenly stuck in the Rap section with all of the other lonely Rap white label promos. I really didn’t need this as I have the “Dials” track as a CD promo and as part of the extra disc in the maroon Cocteau Twins box set released by Capitol in the early 90’s. For $1.98 I couldn’t pass it up. Maybe this needs to be eBay fodder for someone who is a completist. The cover has major spine injury and someone wrote on it– this is a promo so some radio station had it in its library. The vinyl is very clean. The Heaven or Las Vegas album is pretty much the pinnacle of the Cocteau Twins catalog in my opinion. I saw them that tour in Chicago at the Metro with my friend Urban who turned me on to them that previous year. That album was one of my “makeout” favorites from that year.

Idle Moments – Grant Green (CD Blue Note 7243 4 99003 2 5, 1999) ($3.00) This one was in the “Clearance” section of the CD’s. Part of the “Rudy Van Gelder Edition” remasters of the formidable Blue Note back catalog. Originally released in 1963 as Blue Note BLP 4154. I have decided that I’m going to purchase whatever Blue Note CD’s I stumble across. Grant Green is an amazing jazz guitarist and probably considered the earliest of the groove jazz players. I first became aware of Grant Green due to his inclusion in the Blue Note Grooves compilation from the 90’s. Lots of Blue Note titles were pillaged for the Acid Jazz movement and Blue Note countered with releases of the more popular tracks. Blue Note also sponsored an Acid Jazz sampling effort in US3 which also used Grant Green’s “Sookie Sookie” in its first album. This is a nice, mellow album with two superb renditions of the Modern Jazz Quartet’s “Django.” This release includes two outtakes that are extended versions of “Jean De Fleur” and “Django.” Very cool find. One funny note about this release is that it still has the price sticker from the Record Collector who includes the date it was bought as used. Some time after 5/2004 it was sold for $12.00.

The Stratocaster Chronicles – Celebrating 50 Years of the Fender Strat” – Tom Wheeler (book Hal Leonard Corporation ISBN 0-634-05678-6, 2004) ($19.98) The original MSRP on this one was $50. Hardcover coffeetable book on the history of the Fender Stratocaster with a forward by Eric Clapton. Includes a CD with samples of the Strat in action as well as interviews with Leo Fender and others. A Fender fan myself, I couldn’t pass up this title. Thank God for Half-Price Books. Nice pretty pictures of the guitar that changed the face of music.

Tortoise 2007 US Summer Tour Dates

A couple of weeks on the heels of the Bonnaroo announcement Tortoise has planned another nineteen dates starting the day before in Columbus, OH at OSU and wrapping up on July 8th at Webster Hall in NYC. This was previously reported in Pitchfork but there have been more dates added since and more could be added. Notably missing are non-North American dates, so I would expect more to come. These dates have been adding to the Thrill Jockey Tour page little by little over the last couple of weeks. The rumor is that Tortoise has been recording a new album so maybe we’ll hear new songs. Thrill Jockey hasn’t mentioned a new Tortoise album for this year.

Of note for me anyway is the show at the Cedar Cultural Center on June 30th in Minneapolis as this is likely the show I will hit. Tickets go on sale at Noon on Friday, March 23rd for $18. I haven’t been to this venue yet, but it is a theater venue which will be nice.

The other notable date on here is the WXPN World Cafe Live show on July 6th at 7:30PM. The tickets for this are $16 and standing room only. I think that XPN broadcasts these shows.

Thu Jun 14
Columbus, OH
Wexner Center (Ohio State University)

Fri Jun 15
Manchester, TN
Bonnaroo Music Festival

Sat Jun 16
Lawrence, KS
The Granada Theatre
w/ Hot Chip

Mon Jun 18
Denver, CO
Bluebird Theatre

Tue Jun 19
Salt Lake City, UT
Urban Lounge

Wed Jun 20
Phoenix, AZ
Rhythm Room

Thu Jun 21
Los Angeles, CA
El Rey Theatre

Fri Jun 22
San Francisco, CA
The Independent

Sat Jun 23
San Francisco, CA
The Independent

Mon Jun 25
Portland, OR
Aladdin Theater

Tue Jun 26
Seattle, WA
Neumos

Sat Jun 30
Minneapolis, MN
Cedar Cultural Center

Sun Jul 1
Chicago, IL
The Metro

Mon Jul 2
Ann Arbor, MI
The Blind Pig

Tue Jul 3
Toronto, ON
Lee’s Palace

Thu Jul 5
Boston, MA
Museum of Fine Art (Early Show)

Thu Jul 5
Boston, MA
Museum of Fine Art (Late Show)

Fri Jul 6
Philadelphia, PA
World Cafe

Sat Jul 7
Washington, DC
Black Cat

Sun Jul 8
New York, NY
Webster Hall
w/ Kieran Hebden (Four Tet) with Steve Reid