Recent Purchases in Boston

As stated earlier, I had been in Boston twice in three weeks. Unlike previous trips to Boston, I got some shopping in. I hit record stores and book stores.

Trip #1:

I managed to hit Newbury Comics while the group was waiting for our table at the fantastic Capital Grille, which was just down the street. Newbury is one of the great record stores and I would recommend hitting it if possible. Plus it is down the street from one of the best ice cream places I have been to. It seems this was my vinyl trip.

Cat Power : The Greatest on 180 Gram vinyl (!) Thank goodness for Matador Records and their devotion to the preservation of vinyl. This pressing allegedly has “an extra track not on the regular version of the CD.” That said, I can’t find a version of this on CD that has less tracks on it.

Cat Power : “The Greatest” b/w “Hate” 7″. Sticker says “Pay No More Than .99” and damned if I didn’t!

Stereolab : “Whisper Pitch” b/w “Widow Wierdo”

Stereolab : “Eye of the Volcano” b/w “Vodiak”

Stereolab : “Excursions into ‘oh, a-oh'” b/w “Get A Shot of The Refrigerator” These last three singles complete the set of singles released last year. All of these tracks are compiled on the economy-priced Fab Four Suture collection. I’ve been building a collection of Stereolab releases since last year. Stereolab are very prolific and have a tendency to release great songs on one-off tour releases or on limited-pressing singles. Attracts the collector in me, unfortunately.

A good run, but a pain in the arse to bring back on the airplane!

Trip #2

This is the LinuxWorld trip last week when I went to the Blackalicious show. Hit a number of stores this time.

Newbury Comics:

Athens, GA Inside-Out (DVD) Finally! One of my favorite music documentaries from the late 80’s. I owned this on VHS. The OOP soundtrack came out on IRS at the same time and is one I listened to a lot at the time. The rare R.E.M. acoustic tracks “Swan Swan H” and “Dream (All I Have to do is)” eventually came out as extra tracks on the UK import release of Life’s Rich Pageant. This movie made me a fan of Love Tractor and Pylon.

I didn’t find anything else I was really interested in.

Virgin Records on Newbury:

(If) I’m A Ham, You’re A Sausage: The Don Dixon Collection. Frankly, the big find as far as I’m concerned. This is a drilled cut-out that I found in their discount bin. The only copy! Very Out-of-Print. Unfortunately, Don is one of those lost great Pop Rock guys. He produced some of the greatest records from the 80’s including the first two R.E.M. albums and two Game Theory albums in addition to most of his wife Marti Jones’s albums. He had a notable solo career as well. Mostly known for his song “Praying Mantis” that got some airplay on 120 Minutes back in the day. His best works were on the Restless label– home to the Smithereens (who he worked with), Game Theory, and Poison. Capital ended up buying Restless– I suspect for Poison. Most of the catalog from Restless is OOP. After retiring from music for a big stretch, Don has a new album due out in June on 125 Records titled The Entire Combustible World In One Small Room. I plan to try and get all of his back catalog.

Looney Toons:

Looney Toons is a great old record store with vinyl stacked to the ceilings in moving boxes! Next time I’m in Boston I plan to dedicate some serious time in here digging. They had Dark Side of the Moon on the original Harvest pressing with stickers and poster for $24. I just about bought it, but I didn’t like the cover condition. I think I’ll hold out. I did get some CDs:

Calexico : Convict Pool EP Has their great version of Love’s “Alone Again Or” which is pretty much a live staple for them. Includes a Cartoon Shorty from the Cartoon Network titled “El Kabong Rides Again.”

Calexico : Even My Sure Things Fall Through EP This one has some videos on it as well. I haven’t listened to this one, yet.

Calexico : Feast of Wire. So this is the real beginning of my Calexico collection…

Fargo Rock City Chuck Klosterman (Book). I picked this up at a book store/cafe on Newbury in their cheap book section. This is Chuck’s thoughts about Heavy Metal and growing up in a small town in North Dakota. I like this book quite a bit. Before I discovered REM in 1985, I was a Heavy Metal fan, so this book rings true for me. It seems that Chuck held on to Metal a bit longer than I did, but I remember most of the stuff he’s talking about.

Radio Shack:

Sony MDR-NC11 Noise Cancelling Headphones. This was a bit of an impulse buy. We stopped in the Radio Shack and I saw these headphones on sale for $79, but the sale had passed. So, the manager of the store offered to sell these to me for the sale price, which was $20 off. I already have a pair of Philips noise cancelling ‘phones, but these work better as they seal in the ear canal, so that helps keep the noise out.

Blackalicious @ Paradise Rock Club

I was in Boston last week for LinuxWorld. This is the second time this year that I have been in Boston for work– and I will be in Boston again in June for Microsoft TechEd. Seems the tech conferences are all moving there this year. I really like Boston. From a music perspective there is quite a bit to do there.

While I was there I saw Blackalicious with Pigeon John and the Lifesavas at the Paradise Rock Club. They also had Pharcyde MC Fat Lip and Leftcoast up-and-comer Omni on the bill. I went to the show with a couple of guys that I work with.

We got to the venue for the door opening at 7PM. Unfortunately, it was raining on and off all day and in the 30’s for temps. We stood in the will-call line for a long time periodically hopping up and down to stir up some heat. Judging by the others in line, I was the oldest person there.

When we got inside I went over to the merch table to see what stuff they had for sale. Lots of nice Blackalicious stuff– tees, CD’s, and some vinyl. There was stuff from Pigeon John, too. Manning the table was a couple of guys one of which I would find out was Omni himself. I picked up a 12″ of breakbeats. Omni helpfully explained that what I had in my hands was used by DJ’s. I nodded, consumed by looking at the stuff. At that point he shoved a record in my face– his record and announced that it just dropped and indicated that I should buy it. When I showed no interest he said that “maybe it’s too hardcore for you.” I nodded ironically and said that maybe it was. I headed to the bar. We snagged a nice corner table that gave us a great vantage point the whole night.

Before the bands started we got to hear DJ See Brown. He ran through a set of funk and HipHop with a little disco mixed in. He seemed to be warming up. He would be the DJ for Pigeon John, Omni, and Fat Lip.

First up was Pigeon John. I knew that he was signed to Quannum and I knew there was a bit of chatter going on about him. I frankly didn’t know what to expect from him. What we got was a fun and energetic set from someone who genuinely wanted to be there. He interacted with the crowd a lot and ran through his catalog including a couple of tracks from his forthcoming Quannum release due in the fall. His lyrics were very tongue in cheek and self deprecating. His set hit a peak when he had the voice of “god” telling him that him that no one in the audience liked him. He fell to his knees to great crowd shouting. Funny! A very good set. I look forward to seeing him in the future. I guess he tours constantly.

Next up was Omni. He did a thankfully short set. That is about all I remember from him except that he was wearing a Lifesavas teeshirt that confused a number of people who wanted to know if he was in that group. Based on that set, I certainly wouldn’t be buying his record.

Next up was Fat Lip. I hadn’t heard him before. I was roughly familiar with the Pharcyde. Based on what I heard this was mostly a set of Pharcyde stuff plus a new track called “Writer’s Block.” He was pretty entertaining. He flows a bit off beat, reminding me of Biz Markie. The crowd was full of fans. By this time the floor was pretty much filled up.

Next up was the Lifesavas. I had heard them before on a couple of other Quannum records as a supporting artist. Their set was very energetic. It reminded me of the Latyrx show I saw a number of years ago in Minneapolis. They did tracks from their upcoming release Gutterfly which seems pretty promising.

After Lifesavas was done, there was a break. I went up to the merchandise table. Pigeon John was manning his area of the table. I congratulated him on a fun set. I told him I liked MC’s with a sense of humor. He agreed and said he did too. I signed up for his mailing list. I asked him which of his CD’s I should get. He handed me Pigeon John Is Dating Your Sister and said that this one was the one that Lyrics Born heard that made him sign John to Quannum. I also picked up a mixtape (are they mixtapes when they are on CD?) done by the Rev. Shines who is the turntablist for Lifesavas called Today’s Good News vol. 1. This was done as a tribute to the late JayDilla.

Finally, it was time for Blackalicious. I have seen DJ Shadow a couple of times, and Lyrics Born with Lateef as Latyrx, but I hadn’t seen the Gift of Gab with Chief Xcel. Now, I’ve seen the entire original Solesides/Quannum crew! Onstage with Gab and the Chief were two background singers– a guy and a girl. There was some concern voiced by some of the people I talked to in line as I guess that due to health issues, the Gift of Gab wasn’t able to make their last show in Boston, and evidently Lyrics Born filled in. No sign of that. While the Chief manned the turntables, the Gift of Gab prowled the stage like a bull in heat spitting out rhymes with precision and speed you just don’t hear from MC’s these days. They did all of the great tracks from Blazing Arrow and Nia, plus a handful of tracks from their new release The Craft. They also did “Puttin’ on the Ritz” off of the Gift of Gab’s solo record 4th Dimensional Rocket Ships Going Up. The crowd went nuts during the couple of freestyles that he delivered. I think that the Gift of Gab is still one of the best MC’s around. In fact, the MC’s on Quannum all set the bar for style and skill. High points of the night included “Chemical Calisthenics” and also “Deception.” On Deception Gab had the crowd singing along to the “La De Da Da Dee Dee Da” part. They wrapped up the night with an encore that included all the MC’s from the night.

It’s pretty clear to me watching all of the acts tonight that the years of working have added a certain polish to Blackalicious’s set. They approached the stage with the confidence that comes with the seasoning of years of work. They knew how to work the crowd and had the whole place rocking.

Coming Soon… plus Get your Swerve On!

Greetings! It’s been a bit since I’ve done a post. Since the last post I’ve been in Boston and Minneapolis for work and personal. I’ve got a couple of posts I’m working on for both trips, plus I have a couple of reviews I’m working on. I hope to have most of this up this weekend.

In the meantime media mogul Rob Galgano is posting the phenominal Raise album by shoegazer alums Swervedriver. Rob posts great out-of-print stuff one track at a time under his “Hard To Find CD’s” category of posts. I highly recommend at least checking out the “Son of Mustang Ford” track. While you’re there you might consider subscribing to his aptly-named podcast “All Over The Place.”

Tapes ‘n Tapes – The Loon (review)

The tendency for reviews is generally to compare whatever artist is being reviewed to other artists– especially established ones– to help describe to the reader what a particular band is like. This helps guide the reader to a particular sound or aspect of a sound. Unfortunately, it also has the effect of possibly pidgeonholing the band.

And, so it is with Minneapolis band Tapes ‘n Tapes. I started listening to this album last week. Frankly, I can’t stop listening to it for long. I’ve been swimming though a lot of albums from bands lately, and I’m always hoping for a complete work– strong songs from start to finish. In some cases, I get it, in some I don’t. I think this record is a winner on every track. Pitchfork reviewed this album and gave it a glowing review (in Pitchfork terms– an 8.3!). The reviewer pulls the reference right away– Pixies, Pavement, Wire and the Beach Boys. I’d agree with the first three anyway. The track “Insistor” is clearly a Pixies prototype down to the boom-chuck-boom-chuck Mexican style drums and surfy guitar tone. The lead singer spitting out reverbby vocals. Surfer Rosa, anyone? Come on Pilgrim!

My problem is I love the Pixies. So, I hear this as a derivative of that style and it feels really good. It isn’t fair to just peg them this way, but that is where it starts for me anyway. Every song on this album stands on its own as a gem. All songs seem to be executed with an urgency that I sincerely hope they will hold on to for their future works. It’s a bit astonishing to me how tight these tracks are– colored with precision and tone. In the track “In Houston” the song changes between verses in time and style. Alternating buzzy synth and guitars and post-rocky marimbas.

Tapes ‘n Tapes played SXSW this year and were invited to play a broadcast set for KXEP. The interviewer seemed to be in the same position I was in. She just got the CD one day and was amazed by it. This band seems to be just coming out of the blue with this record. And, their live shows seem to sound as good as this album! They said they’ve been together for three years. It looks like they had an EP or album out earlier before they released the Loon. She asks them if they had a big pile of songs to choose from, or if they just had this great set of songs to work with. Kind of a back-handed compliment, I guess. But, I know what she means. How is it possible this band has all of these songs so polished? In an interview with the band they state that they’ve been working on these songs for a while and “get what we had down on record.” She also points out hesitatingly that the band sounds a lot like the Pixies. Their response: “Yeah, we listen to a lot of Pixies records– what can you do?”

Take a listen to some tracks from The Loon

Insistor

Cowbell

Omaha

Here is the KXEP Show on the Austin City Limits stage served up by Fresh Bread complete with interview segments.

Tapes ‘n Tapes will be playing The Mill in Iowa City on 3/31 as part of the Mission Creek Midwest Festival along with local favorites Death Ships, Golden Birds from San Francisco, and The Attic Recordings from Chicago. I haven’t heard any of these groups before, but I know that Death Ships is a typical “bill filler” for the Mill.

City of Brotherly Love Celebrates their Love of R&B Brothers Hall and Oates

I was in Philadephia this week on business and heard on the news that Philly Mayor John Street declared March 18th “Daryl Hall and John Oates Day.” The duo will be celebrating the honor with a show at the Tower Theater tonight. They were quoted on WXPN as saying the only thing that would have topped this honor would be a lifetime supply of Philly Cheesesteaks. In this article in the Philly Inquirer, we find out that Hall and Oates liken themselves to an R&B Grateful Dead due to their diehard fans attendance to their shows and the fact that they change up their setlists every night. In the article we find a typically silent Oates outspoken in his resentment of accusations of his playing Andrew Ridgley to Hall’s George Michael. Evidently Oates has thrown down the gauntlet for Conan O’Brien and will kick his ass if he ever sees him. What kind of brotherly love is that, now?

On Pawn Shop Rock

I went to a hockey game on Tuesday night with some people from work. We saw the Cedar Rapids Roughriders vs. the Indiana Ice. We had center ice seats against the glass. This was my third time to a hockey game– the second time to a Roughriders game. This was much more fun having a close up view to the game. It adds a lot to the game fearing that you’ll spill your beer at any moment! It was cool, the Roughriders were victorious.

The music that was being played over the action was lots of classic rock and 80’s hairmetal. It was typical arena rock– I guess that makes sense. I’ve determined that hockey arenas are where rock songs go to die. My friend Andrew said that this is the kind of music you hear in pawn shops. Here are some of the songs we heard: (Make your own mixtape!)

“Rock and Roll pt 1” – Gary Glitter This was a funny one because it was played when the Roughriders would score. All of the fans would shout “HEY! YOU SUCK!” for the opposing team at the appropriate spot.

“Rock and Roll” – Led Zeppelin

“Immigrant Song” – Led Zeppelin This was only the intro part which is the interesting part, I guess.

“Round and Round” – Ratt This one brings back memories of concerts at Five Flags in Dubuque.

“Detroit Rock City” – Kiss

“Shook Me All Night Long” – AC/DC Of course

“I Love Rock and Roll” – Joan Jett and the Blackhearts One of my first concerts was Joan Jett.

“Welcome to the Jungle” – Guns ‘n’ Roses Only the beginning part

“Kickstart My Heart” – Motley Crue

“Dr. Feelgood” – Motley Crue

“We’re Not Gonna Take It” – Twisted Sister What’s that on your uniform? A PLEDGE PIN?!?!

“Crazy Train” – Ozzy Osbourne “Ay Ay Ay!”

“What I Like About You” – The Romantics

“Cotton Eyed Joe” – Rednex

“We Will Rock You” – Queen

“Come Out And Play (Keep ’em Separated) – The Offspring

“Daft Punk is Playing At My House” – LCD Soundsystem

The last song is a bit of a puzzler. This song came out in 2005, so it is newer than the rest of the songs by over five years. A lady in her late 40’s who was part of our group commented on how great the music that was being played was and that it seemed to be targeted at her age group. Tapping her foot, she said that this was a song she liked. I asked her if she knew it, and she said she did. Doubtful, I asked, “you’ve heard LCD Soundsystem?” She said, “I recognize the beat.” I guess LCD Soundsystem is moving into the hollowed halls of classic rock. At least we should expect that soon we will be seeing LCD Soundsystem in the used bin next to Out of the Cellar by Ratt.