The It’s Time to Play B-Sides Top 20 Albums of 2015

Top 20

We’ve made it through another year of music. 2015 was another year of the music industry trying to figure out the future. Heavy hitters like Taylor Swift and Adele removed their music from online streaming services like Spotify– which might be interpreted as an ego move on both parts. Jay-Z’s Tidal enjoyed a bit of press due to Prince releasing two albums exclusively on it, though I still don’t know anyone who is using it.  Adele’s last-quarter release of her much-anticipated 25 album has just surpassed 5 million copies sold. There is a lot of debate about the significance of this as it applies to the general health of the industry. Ultimately, though, I don’t think you can use this as any kind of barometer– certainly not an indicator of “rebounding.”  One thing is for certain, though, her 50+ date tour in 2016 will be the top grossing.

In other re-warmed news, a reformed Grateful Dead with Trey Anastasio as “Jerry” played some high-grossing shows in LA and Chicago showing that baby boomers and Gen X’ers are willing to shell out lots of money to recapture even a brief glimpse of their youth. The shows seemed like a fitting celebration of 50 years and a kind of closure to the promise of the remainder of the band getting back together. The following “Dead and Friends” tour with John Mayer as “Jerry” has been benefiting from the exposure and in my opinion are an improved version of the Dead. His vocals and guitar work are top-notch and add a real polish to the proceedings.

Looking this list over, it shows that I spent most of 2015 listening to local artists. Iowa has really been stepping up its game for music and we’ve got some of the best music around. There were a lot of notable releases outside of Iowa, but I just didn’t find myself putting any of them on repeat. It says a lot– you don’t have to go far from your back yard to get world-class music.

Looking over other Best of Lists, I see some albums that I listened to and thought were good, but they just didn’t stick with me: The Decemberists – What A Wonderful World, What A Terrible World, Sufjan Stevens – Carrie & Lowell, Father John Misty – I Love You Honeybear, Kendrick Lamar – To Pimp A Butterfly, Alabama Shakes – Sound & Color.

Here is the list in no particular order–

Dickie – Self Titled : Dick Prall moved back to Iowa and started a new project with Kristina Priceman crafting a wonderful string-wrapped package of retro-inspired pop rock. Somewhere between the Beatles, Roy Orbison and Buddy Holly sits this collection of autobiographical songs with heart.

Younger – Self Titled : This one from the new Iowa City band Younger was a late discovery for me, but no less brillant. Former members of The Wandering Bears and Emperors Club have put out a Riot Grrl-ish album that people are drawing comparisons to The Breeders and Bikini Kill. To me it sounds more like Pylon and Throwing Muses. In any event, a fantastic record that I’ll be spinning a lot in 2016, I expect.

Courtney Barnett – Sometimes I Sit And Think, And Sometimes I Just Sit : Yep. More edgy Riot Grrlish rawk. On almost everyone’s list for 2015.

Nathaniel Rateliff and the Night Sweats – Self Titled : I’ve been a fan of Nathaniel Rateliff ever since I saw him on the Daytrotter Barnstormer shows back in 2010 along with Delta Spirit. I’m a sucker for his well-crafted folk albums to date, but his transformation into an R&B powerhouse and seeing the nearly-universal embrace of it is pretty unexpected. Fantastic record and the return of Stax Records!

Holy White Hounds – Sparkle Sparkle : Des Moines band Holy White Hounds are gaining momentum by word of mouth. These guys make some pretty fantastic rock coupled with a great live show. Kind of 90’s throwback metal/grunge reinvented for the new century.

Phil Cook – Southland Mission : Hiss Golden Messenger sideman, member of Megafaun, producer and all-around great guy Phil Cook releases his first solo album with him singing. Due to a stupid security issue at Eaux Claires Festival this year, I missed his set, though it’s on YouTube. Rootsy, bluesy gospel-influenced boogie rock. I could put this album on every day and it puts the same dumb grin on my face every time.

Tom Jessen – Hunting Season : Former Iowa musician Tom Jessen released his first album in years– and that pent-up potential created what has to be the best snapshot of current American dystopia ever. Pretty damn fantastic portrait of how fucked up things are. LISTEN TO THIS ALBUM.

Charlie Parr – Stumpjumper : Speaking of Phil Cook, he produced the latest album from Minnesota retro blues and folk historian Charlie Parr. He was picked up by Red House Records which is a good home for him. This is the first album he’s done with a full band and the fleshing out of his sound really benefits the proceedings. “Over The Red Cedar” gives me goosebumps every time I play it.

Calexico – Edge of the Sun : Calexico tends to swing back and forth between full-on Latin-influenced albums and albums that lean a little more towards Americana-rock. This one ends up being more the latter. For me, I welcome the changes the band goes through– continually pushing the identity of what Calexico is.

Ryan Adams – 1989 : I did listen to this one a lot as soon as it appeared. It’s a really great album, but it seems like it is just an extension of last years self titled release– which isn’t bad at all. I like it, but I just about didn’t include it on the list because, for me anyway, Ryan Adams is a complete musician and songwriter, so I prefer to have more complete work rather than covers. I suppose some of this feeling is due to my relative unawareness of Taylor Swift’s blockbuster album it’s based on.

Dagmar – Afterlight : I can’t say enough about this Iowa duo. Atmospheric and sublime harmonies with unique counterpoint and rhythm. Jawdroppingly gorgeous album– somewhere between Philip Glass and Sufjan Stevens sits this baroque choral folk.

Pieta Brown – Drifters EP : The “lost” tracks from 2014’s fantastic Paradise Outlaw album. Brown is using this to launch her own “underground” imprint Lustre Records. Includes a remix from Justin Vernon!

The Pines – Pasture: Folk Songs EP : A kind of surprise drop from The Pines this year in the form of an EP of covers from Joe Price, Mance Lipscomb, Iris Dement, Mason Jennings & Greg Brown. No new ground broken here, but is a tribute to the songs that The Pines have included in their sets over the years.

Jim Viner’s Incredible B3 Band – COMANGO! : Jim Viner– Iowa drummer extrordinaire– assembled a collection of musician friends to create a retro B3-driven album with influences from The Meters and Booker T and the MGs. A really fun album that recalls the pre-Diplomette-vocals days of The Diplomats of Solid Sound. Destined to be part of the soundtrack to a cable TV show near you!

Kamasi Washington – The Epic – If I have any complaint about this sprawling masterpiece of Jazz, it’s that it can’t reasonably be digested in one sitting. But, if you’re willing to dedicate the time, this album is impressive in its diversity. I consider myself a fan of Jazz, but I don’t listen to much contemporary Jazz as I haven’t found much that really keeps my attention. I hope this signals a new generation of jazz artists who are willing to explore and innovate.

Thundercat – The Beyond/Where the Giants Roam – Thundercat works with Flying Lotus and Kamasi Washington, and all three worked on the Kendrick Lamar album How To Pimp A Butterfly — noted for its adventuresome approach to the music. His short album (16 minutes, but Flying Lotus said it’s an album, not an EP) from this year featured him front-and-center singing and leading most of the music with his jazz and funk bass riffs.

Aero Flynn – Self Titled – Justin Vernon raves about Josh Scott as a songwriter. After a lot of years not performing music, he comes back with Aero Flynn. Atmospheric and swirling it sounds like a distant cousin of Radiohead when they made more straightforward songs (OK Computer, maybe).

Beth Bombara – Self Titled – Beth is back with her most polished and accomplished record to date. She continues her shuffling, pining folk and country. Dusty and awesome.

Jason Isbell – Something More Than Free : Brilliant record– literary and scenic songwriting. Isbell continues to impress with one of the great records from this year– almost unanimously agreed.

Lyrics Born – Real People – Lyric Born has never been shy to work with live band. He did one tour with a full band behind him (documented on the Overnite Encore Live album), he contributed vocals to the 2007 Galactic album From the Corner to the Block. His new album Real People includes members of Galactic as well as a who’s who of New Orleans musicians including Ivan Neville, Corey Henry, Trombone Shorty, the Revivalists’ David Shaw and the Preservation Hall Jazz Band. Typically upbeat and tongue in cheek the album is a funk overload. Great record– not sure why more people aren’t calling it out (see what I did there?).

(Upcoming Show) The Pines Return to CSPS Thanksgiving Weekend 11/28 – New Album Details

The Pines at csps

To add to the things we’re thankful for this year, The Pines are making a return to CSPS Thanksgiving Weekend! The combination of the soft atmospheric folk of this band and the passionate, attentive crowds and the huge ambience of the room (and frankly, well stocked selection of handcrafted beers and local wines) always makes for a memorable not-to-miss show.

This show is on the heels of the announcement of their new album Above the Prairie, due out February 5th on Red House Records. This is their first new album since the brilliant Dark So Gold in 2012. In the interim, the band released a digital single of “The Highwayman” in 2013,  and earlier this year they released an EP of covers titled Pasture: Folk Songs.

Above The Prairie includes help from the extended Ramsey and Brown families with contributions from Greg Brown, Iris DeMent, Pieta Brown and Bo Ramsey, who also co-produced the album with The Pines. The first listen we’re getting from the new album is “Aerial Ocean” with Benson Ramsey on lead vocals, it has all of the trademark nuances of The Pines– the chimey clean picking, the washes of synths, but owes a lot to classic Dire Straits. But, they always kind of had that same vibe as mellow Mark Knopfler as well as JJ Cale.

So, grab a quick sandwich of leftover turkey and dressing on your way out the door to CSPS Saturday night to see The Pines. I can’t think of a better way to cap off the weekend.

The Pines with opener Ryne Doughty

Details at LegionArts.org

Sat Nov 28 2015 – 8:00 pm • CSPS Hall
$16 advance | $19 door

Above The Prairie tracklist:
Aerial Ocean
There in Spirit
Lost Nation
Hanging From the Earth
Here
Where Something Wild Still Grows
Sleepy Hollow
Villisca
Come What Is
Time Dreams feat. John Trudell & Quiltman

(Upcoming Show) JC Brooks & The Uptown Sound Bring Their Powerhouse R&B Show to CSPS 11/13/15

JC-Brooks-&-The-Uptown-Sound

One of my favorite albums of 2013 was JC Brooks & The Uptown Sound‘s third album Howl. I was already a fan of the band and their cover of Wilco’s “I Am Trying to Break Your Heart” was a smart, if calculated play to get some attention from the Indie Rock crowd.

But for me, the more sparse, stripped down– both musically and emotionally– approach of Howl was eye-opening. The album is reminiscent of 80’s soul like Fine Young Cannibals or Terence Trent D’Arby and maybe a little like The Smiths at times (particularly the guitars). The video for “Rouse Yourself” is really great with Aubrey Plaza and Jake Johnson in it.

JC and band have been in the studio recently working on their fourth album. Brooks told me that they would be performing some of the new songs on their upcoming live dates, which includes a stop in Cedar Rapids at CSPS in New Bohemia on Friday night! This will be the first time I’m seeing the band live, and I can’t think of a better place to catch them. Beautiful, big, room with a cozy bar on the side with great beer on tap and wine. If you haven’t been to CSPS yet this would be a great first show!

Details at Legion Arts Website

Fri Nov 13 2015 – 8:00 pm • CSPS Hall
$16 advance | $19 door

(Upcoming Release) Pre-Order New Lissie Album “My Wild West” Out 2/12/2016 – New Video

LissieMyWildWestalbumcover

Lissie has been playing a few new songs on her fall tour dates which come from her upcoming album My Wild West, which she announced today will be out on 2/12/2016. She’s already put a number of pre-order packages up on her online store which include orange vinyl, CD, a signed poster or a teeshirt and combinations of these. My Wild West represents the first full-length release on Lissie’s own Lionboy imprint which was also the home for her last EP of covers Cryin’ To You. The last couple of shows that I caught she was reenforcing the point that she is completely independent now, and really if anyone can pull this off with her collected base of fans worldwide, she should.

As part of the announcement today, she debuted a video for a new song from My Wild West, “Hero.” I had already heard two songs during the fall tour– one called “Ojai” which is the farewell song to her former home. She’s moving to NE Iowa! The other song is “Sun Keeps Rising” which is a tribute to her late aunt and is a gorgeous song I can’t wait to hear fleshed out on the album.

The video for “Hero” is pretty fun– made from footage shot by the filmmaker back in 1983! If you pre-order the new album, you get this song as a digital download.

Two Faces of Iowa Electronic Music: Jack Lion With Maids At CSPS – Friday 10/23

Friday, October 23rd CSPS/Legion Arts will be presenting a show I’m really excited about– two Iowa bands with their roots in electronic music– but both taking it to different places.

MAIDS-15

The opening band, MAIDS, calls themselves “Midwest Disco” and although the music certainly leans to a clubby disco sound, I’m not sure that “Midwest” adds any discernible spin to their music. Danny Heggen and Mickey Davis make something between Postal Service and Four Tet with the occasional Scissor Sister in for dance floor leanings. Midwestern, certainly, since they’re both from Des Moines but for electronic pop it holds its own against anything spun in a dusky, crowded club outside the rows of corn here.

 

Jack+Lion+High+Res

The headliner Jack Lion is one of my favorite bands out of Iowa in the past few years and I’m VERY excited to be able to see them at CSPS as I think they’ll be able to really take advantage of the beautiful acoustics and general vibe of the attentive and warmly supportive crowds.  Jack Lion is a jazz trio of trumpet, bass and drums that fuses electronic and ambient creating some really engaging and immersive soundscapes. They’ve released two EP’s so far “JAC” and “K L” and are working on a third (“ION” presumably). I wrote a review of the JAC EP for Little Village last year comparing it favorably to Kieran Hebden of Four Tet’s side project with jazz drummer Steve Reid. When I listen to Jack Lion, I can’t help but think about the experimental directions Miles Davis took and I’d like to think that he might have taken his music in this same direction.

“Miles Ahead” indeed.

Here are the deets– Jack Lion with MAIDS:

  • Fri Oct 23 2015 – 8:00 pm • CSPS Hall
  • $10 advance | $13 door
  • Details and Ticket Information at Legion Arts Website

(Upcoming Show) Nellie McKay at CSPS in Cedar Rapids Tuesday 4/28/15


Nellie McKay is in a lot of ways an artist from a different time. Compared to what is generally regarded as “pop music” currently, popular music from the 50’s/60’s and even the 70’s seemed to cut a much wider swath through genres. Jazz, Rock, Country, Folk and American Songbook. In that same spirit Nellie McKay has not been content staying in one genre– even per album in most cases.

For McKay’s sixth album titled My Weekly Reader, she opted to dive into the rich catalog of 60’s pop and rock and create an album of covers that demonstrates her incredible musical chops and catalog knowledge as well as presents the songs with her unique and smart sense of subtle irony and humor. While I really appreciate her original music more, the opportunity to see her dive into covers (as she did on her album of Doris Day covers Normal as Blueberry Pie) also reveals her influences.

And I haven’t even mentioned her stints on Broadway and film!

McKay is bringing her solo show back to Cedar Rapids on Tuesday, April 28th. She was here in September of 2012 (which is where the picture above was taken). Her shows are a lot of fun– she’s a great artist, musician and wonderful singer. Her adopted stage personae at first seems a little scatterbrained, but she uses that disarming “aw-shucks” delivery to make some sharp and thoughtful commentary about everything from veganism to feminism to current politics. When she performed last time, she improvised a cute song about Iowa.

She was interviewed recently on NBC 4 in New York City about her new album:

She is a performer who continues to impress me and we are fortunate that she chooses the big stage at CSPS to bring her show. Don’t sleep on this!

Tickets are $21 in advance and $26 at the door. The show is at 7PM. More information at the Legion Arts website!

(Upcoming Release) Red House Records to Release Charlie Parr 7″ for Record Store Day

Charlie Parr - RSD 7B

Although not on the Official RSD list for this month, Red House Records has announced a special release to coincide with Record Store Day (which is Saturday, April 18th this year).

In celebration for their newest label signee, Duluth, MN resident Charlie Parr and the release of his lucky 13th albumStumpjumper, Red House Records is pressing a limited-to-3000 7″ of album track “Over the Red Cedar” b/w his take on the folk standard “Delia.” The B-Side is available on the CD and download, but didn’t fit on the vinyl LP, so if you want “Delia” on vinyl, you need to get yourself one of these!

According to Red House, they will be distributing the singles to record stores to use as a free giveaway (likely with store purchase as other RSD promos have been in the past). It’s a given that the great record stores in Minnesota will carry these, but if you want to get one, you may want to reach out to your favorite store and see if they will be getting these.

BTW: The Current in the Twin Cities featured the A-side of this single back in February. I absolutely LOVE this song– that great hook in the line “it’s outlasting you.” Here’s a solo performance from The White Wall Sessions:

Stumpjumper is coming out on April 28th and will be available via all your favorite ways to get digital downloads and CD/LP’s. I’ve been listening to it for a couple of weeks and in my opinion is the most polished album in his catalog and has some of my favorite songs of his already! Phil Cook of Megafaun and Hiss Golden Messenger helped produce the record.

The fine folks at Daytrotter recorded a session with Charlie and had the sense to press it up on vinyl with labelmate Dale Watson’s session. Click the picture:

Charlie Parr Daytrotter

Miles Davis Black Friday RSD 7″ Blue Xmas

Miles Davis Blue Xmas 7This Friday, November 28 is Black Friday 2014, but more importantly is “Back to Black” Friday, or Black Friday Record Store Day. There are a few releases this time that I’m looking forward to, so I’m going to make the trek to Moondog Music in Dubuque– my regular RSD haunt.

I’m planning on picking up the 2nd Neil Young 4 LP archives set that I covered previously here. As part of Omnivore’s Game Theory reissue campaign they are pressing a couple of early Game Theory EP’s on 10″ exclusively for RSD.

One piece I think is particularly interesting is a Miles Davis Christmas 7″. In transparent blue vinyl, it includes two tracks recorded in August 1962 with the short-lived Miles Davis Sextet. This sextet lineup is Miles Davis (trumpet) Frank Rehak (trombone) Wayne Shorter (tenor saxophone) Paul Chambers (bass) Jimmy Cobb (drums) and Willie Bobo (percussion).

Even more interesting is that it is a collaboration with Bob Dorough, who you might be more familiar with as the “Bill” from “I’m Just A Bill” Schoolhouse Rock.

According to the Wikipedia article on Bob Dorough, Columbia asked Davis to contribute a track to their upcoming Jingle Bell Jazz compliation and he called on Bob Dorough to collaborate since Davis was a fan of Dorough’s 1956 album Devil May Care.  The resulting sessions yielded the dark and antithematic holiday track in “Blue Xmas (To Whom It May Concern).” During those same 2-day sessions, Dorough also tracked “Nothing Like You” which would eventually end up on Davis’s 1967 album Nefertiti. Davis wrapped those sessions up with a version of “Devil May Care.” This single for RSD is “Blue Xmas” on the A side and Davis’s version of “Devil May Care” on the flip.

The two tracks were previously also included in the 1970 import collection Facets Vol. 1.

Here is “Blue Xmas”

Here is “Devil May Care”

So, a release with a really interesting pedegree and one that is pretty essential for Miles Davis fans.

Greta Morgan of Gold Motel is back as a Springtime Carnivore

It was a scorchingly hot– but not atypically so– early August evening at Codfish Hollow Barn in 2010 when I was turned on to Gold Motel.

The barn has a tendency of stockpiling the day’s heat and the best thing you can do is get outside occasionally and look for shade or maybe a breeze. Fronted by the blond siren Greta Morgan, Gold Motel was the perfect execution of retro 60’s girl-band-meets-Debbie Harry jangly pop and by the time they hit the stage any plans I had to get outside for a respite were quickly dashed. I was quickly minted as a fan and within a few months their debut album Summer House came out on vinyl. In 2012, they followed up with their equally-wonderful self-titled album and then that was it from the band and Morgan.

Starting in 2013 Morgan started releasing songs and videos under the cryptic solo moniker Springtime Carnivore. The songs still have the beautiful soaring melodies that we came to expect from her, but the sonics are more wall-of-sound– big roomy reverb washes over everything and the spit-and-polish from Gold Motel has been replaced with the fuzziness and compression of what sounds like tape distortion. The sunny melodies songs seem to also belie a subtle darkness. Maybe that is what a Springtime Carnivore is– something that dares rip its canines into flesh during a time of seasonal renewal and birth.

This new spin on her sound seems to have been influenced by working with producer Richard Swift (also of The Shins, and currently touring bass player for The Black Keys).

Springtime Carnivore Cover Art

Cover Art for Springtime Carnivore

Springtime Carnivore was picked up by Autumn Tone— the label run by the folks at Aquarium Drunkard and will be releasing the debut LP on November 4th. The first single is “Name on a Matchbook” and along with “Sun Went Black”  you have a good sampling o the sound.

“Sun Went Black” reminds me of The Cure (like “Close to Me”).

The leadoff track on the album “Collectors” (if you don’t include the opening short instrumental “Western Pink”) was a 7″ single last year with “Two Scars” on the flipside.

Also included on the album are “Creature Feature” and “Two Scars” which where previously released as videos. They are both directed by Eddie O’Keefe whose soundtrack to his 2011 film “The Ghosts” had a song from Greta Morgan on it.

Springtime Carnivore – Creature Feature from Eddie O’KEEFE on Vimeo.

Springtime Carnivore – Two Scars from Rookie on Vimeo.

Springtime Carnivore will be kicking off a North American tour in support of Fr. John Misty and Jenny Lewis Here are the dates:

SPRINGTIME CARNIVORE TOUR DATES:

May 30 Do Division Street Fest Chicago, IL
May 31 Pabst Theater w. FATHER JOHN MISTY, Milwaukee, WI
Jun 01 Rozz Tox, Rock Island, IL
Aug 01 Town Ballroom w/ FATHER JOHN MISTY, Buffalo, NY
Aug 14 Wild Buffalo w/ JENNY LEWIS, Bellingham, WA
Aug 16 Crystal Ballroom w/ JENNY LEWIS, Portland, OR
Aug 19 Club Red w/ JENNY LEWIS, Bend, OR
Aug 20 Belly Up w/ JENNY LEWIS, Aspen, CO
Aug 21 Fox Theatre w/ JENNY LEWIS, Boulder, CO

You can order the CD or vinyl version through Amazon:

(Review) Allie Summers – When We Were Young EP

In July of 2010, my wife and I along with our friend Brendan from Chicago band The Right Now made a marathon trip to Memphis and Nashville to get their first album mastered to vinyl. It was a crazy whirlwind of a trip, but filled with great times– most of them in Nashville. We had an over-the-top great time dancing at The 5 Spot on a Monday night, ate at a really great Latin restaurant (whose name escapes me), stopped in at Third Man Records, got to tour United Record Pressing. We had such a great time that my wife and I often talk about going back.

When ABC premiered the show Nashville with the first season’s music director as none other than T-Bone Burnett, I knew it would be a show to watch. Admittedly, it’s a prime time soap opera with its attendent drama, but the cast is really good and the music selection– primarily drawn from Nashville songwriters (a VERY nice touch) is top-notch. Burnett’s assistant Buddy Miller has taken over for the busy Burnett but the song selection doesn’t appear to have suffered from it.

About this same time, I had the honor of interviewing former Nashvillian Iris DeMent for Little Village Magazine. Currently living in Iowa with her husband Greg Brown, she still shared some of the early days of her career in Nashville when she was discovered at the legendary Blue Bird Cafe by John Prine.

So, all of this has reenforced an interest in Nashville– past and future. I’ve been keeping an eye on what seems to be a kind of music renaissance going on with lots of new artists and frankly very interesting spins on old country music, folk, blues and rock. Nashville producer and sessionman Scott Williams told me that it is kind of a musical melting pot these days. One recent discovery is Allie Summers.

Nashville transplant Allie Summers has been growing her musical roots with a weekly gig at Tootsie’s Orchid Lounge, but has decided it’s time to take the first step of her budding recording career. A very firm-footed first step. Her debut EP titled When We Were Young, recorded in Music City at Blackbird Studio with some recording session heavy-hitters, is a tasty platter of new-generation bluegrass and folk fusion drawing easy comparisons to Nickle Creek and The Civil Wars.

The album’s lead single “Wysteria Lane” is popping chicken-pickin’ tribute to lost love and hopes for return. The choice of this song as the lead single is a smart one as it sounds to me like it stands up against some of the songs dropped by recent country chanteusses. I really like the bridge with a drum machine break.

The choice of a fairly straight rendition of the Gram Parsons Grievous Angel track “Ooh Las Vegas” was a nice surprise and shows some appreciated knowledge of the classics (well, classics to me anyway).

My favorite two tracks on the album sit next to each other — the title track and “Drive.” Both songs carry a bit of the country melancholy I’m a sucker for. “When We Were Young” carries a nice Celtic march time punctured by acoustic guitar and violin, but the build to the chorus reminds me of 70’s Linda Ronstadt.

“Drive” is a warm memory of cruising the countryside with the windows rolled down. I really like the acoustic guitars, mandolins and violins on this one, particularly the violin solo that makes a key change in the middle. Good stuff.

Before you think that Ms. Summers has completely abandoned her bluegrass roots, the final track “Red Haired Boy” is a live take of the traditional Irish reel with some of her very talented family.

 When We Were Young is both an invitation and a calling card for Allie Summers. You’re invited to sit and listen and come back for more.

The EP is released on CD and digital outlets on Tuesday June 3rd on MuzMedia Recordings.

 

Click Here to visit Allie Summers Facebook Fanpage

Click Here to visit Allie Summers Official Website