This week marks the 41st anniversary of the Woodstock Music & Art Fair, which took place August 15th – 18th, 1969 in Bethel, New York. The stories and myths of Woodstock continue as that generation looks back on their history. A festival planned with idea of a gathering of music, camping and art grows to epic proportions as over twice the expected crowd shows up. The idea of a music festival changed forever and subsequent festivals in history would always be judged in the light of that event.
Last year saw the beginning of the Daytrotter.com Barnstormer shows– coincidentally on the year of the 40th anniversary of Woodstock. These shows were and are the brainchild of Sean Moeller– the Master of Ceremonies for everything Daytrotter. The idea started simply enough– pick a handful of Daytrotter favorite bands, load them in a bus and tour the Midwest countryside playing in barns. Daytrotter fans will show up and hear these bands, generating interest in Daytrotter and in these bands and hopefully the bands will be able to make some money selling merch. After learning some logistical lessons in touring and playing non-standard venues a good time was had by all!
I draw the comparison between Woodstock and the Barnstormer shows not to suggest that the Barnstormer shows are or will make their place in music history like Woodstock did, but to show that the original idea of Woodstock is the same– bring good music talent to a rustic setting, provide camping and art to mutual benefit of everyone involved. Based on the buzz of last year’s small Barnstormer runs, and the first one from this year the formula works and people who aren’t from this part of the country are interested in being part of it.
Frankly speaking, some of my favorite bands of 2009 and 2010 came from these shows and most of the headliners have gone on to perform to larger audiences and have become regulars on the festival circuit– notably Dawes and Local Natives— but other acts like Suckers, Ra Ra Riot and Delta Spirit are also gaining in national recognition. Seeing bands that can play the big stages of Coachella, Lollapalooza and Bonnaroo in a small intimate setting like Mooney Hollow in Bellevue, IA, Codfish Hollow Barn, Seacrest Octagonal Barn and others locations in the Midwest is nothing, if not pure magic. The bands and crowds feed from each other for what the bands generally say are their best performances.
The three Barnstormer tours (plus one Fourth of July show) have been in a changing list of towns with two notable exceptions– the Seacrest Octagonal Barn in West Liberty, IA and Codfish Hollow in Maquoketa, IA. Both locations draw very good crowds. In the case of Seacrest it seems to be related to the relative closeness to the Quad Cities and Iowa City/Cedar Rapids (and it is a really interesting barn!). In the case of Codfish Hollow it seems to be partially due to the proximity of these same cities, but also because of the efforts of Shawn and Tiffany Biehl who seem to have enough friends and relatives to damn near fill their barn– but also because they have really made the location part of the attraction. Literally located in a hollow– there isn’t enough parking near the barn for the growing crowds– nor is the winding gravel path down there wide enough for passing traffic. The solution? Have a shuttle to take campers and people parking down to the event. Not just any shuttle though– it’s an open-air hayride pulled by an honest-to-goodness International Harvester tractor! This year they opened a rustic art gallery on site making use of the unoccupied farmhouse, too. Adding to the charm of it all is an open field where fans and bands play horseshoes, fire rings scattered around to provide heat and light and the amazing food sold onsite by The Lunchbox which includes their famous “walking tacos” and chili.
Next Sunday brings a staggering number of bands back to Codfish Hollow— the headliner is Daytrotter and playbsides.com favorite Roadside Graves from New Jersey. I had the opportunity to see Roadside Graves last year in Bellevue at Mooney Hollow. They were in the area in between stops on their tour because they were taping their first Daytrotter session. Sean Moeller hooked them up with Mooney Hollow to play in trade for a place to sleep. It was a Tuesday night, so that didn’t bode well for a workweek crowd, but the few that showed up got an amazing and energetic show. People I’ve talked to that did make the show, still talk about that show– in fact, Tiffany Biehl says that show made her an instant fan of Roadside Graves and she is really excited to bring them to her barn!
This show on 8/22 was already an idea at the Barnstormer III show in April and has taken form and gained acts continually since the announcement of the show following the July 4th “Barn on the Fourth of July” show and the lineup is made up of some notable bands– most of whom are up-and-comers, but some are buzzworthy. When I talked to Tiffany at the Dawes show at Gabe’s last week she said that there might be a couple of other acts added to the eight (!!!) bands on the bill. Here’s the breakdown with a few words on each band with their essential links to help you learn more:
The 4onthefloor from Minneapolis : Four stomping kickdrums drive bluesy riffs over originals and mutated covers. WebsiteFacebookMySpace
The Treats from Mount Pleasant, IA : Jammy garage– kind of Blues Traveler without the harmonica. FacebookMySpace
What Happened Japan? : ? No Internet presence we can find…
Danger Ronnie and the Spins from Maquoketa, IA : Local band… Facebook but no samples of their music. Facebook
Tickets are $9.00 in advance and $10 at the door. Starts at 3PM. It is recommended that you bring your own lawnchair if you want to sit down and cooler as it it BYOB. This is an ALL AGES show.
Come out, camp on the land and set yourself free!
Click Here to purchase tickets for Roadside Graves at Codfish Hollow.
Click Here to see the Facebook Event for Roadside Graves at Codfish Hollow
I became aware of Antibalas around the time that I was working on a review of the very cool Scion Daptone Records Remixed compilation where I mentioned that Ticklah who is credited with the remix of “How Long Do I Have to Wait” by Sharon Jones and the Dap-Kings, is David Axelrod who, among other things, has been a member of the Brooklyn, NY Afrobeat and funk ensemble since 1999.
Antibalas was formed in 1998 and modeled after Fela Kuti’s Africa 70 band and continues to maintain connections with members of Fela’s bands. In 2008 the band was involved in the off-Broadway and on-Broadway musical of Fela’s life titled Fela! The musical is based on the events of his life and particularly his politically motivated music career and oppression from the Nigerian government.
Antibalas’s influence from Fela Kuti extends further than just their afrobeat style, they also choose to make their music the platform for sharing their political views. No where is this more evident than their third album Who Is This America? which was released in 2004 on Ropeadope records. The band and label felt that their political and social statements on the album are as relevant today as they were during the Bush-era, post 9/11 period they were conceived in.
The re-issue of Who Is This America? will be on CD and digital download with a new bonus track “Money Talks” and with an iTunes-only track “Paz.” Notably, Ropadope is choosing not to release this album on vinyl. As luck would have it, Daptone Records released a vinyl version back in 2004 that seems to still be available on their site for $20 and has the “running man” cover artwork. Daptone also has Antibalas’s 2007 Anti- Records release Security on vinyl as well. Security was produced by John McEntire of Tortoise, incidentally. Ropeadope will have a special edition package that includes the CD, a download and a reprint of the “Running Man” teeshirt ($27.99). You can get just the teeshirt, too.
Click Here to download “Big Man” from Who Is This America?
Click Here to pre-order Who Is This America? from Ropadope.
Click Here to order the original (no bonus tracks) Who Is This America? 2 LP from Daptone.
Margaret Stutt who goes by the nom d’cordion Pezzettino has collaborated with Milwaukee-based producer LMNtylist on her follow up to her 2009 release Lion. Titled LubDub, it is a 10-track EP of, well– I guess they are love songs. Well, maybe not all of them are love songs, but certainly they are related to love and appear to be roughly arranged in a timeline of a love affair that is having some fits and starts getting off the ground.
Originally the follow up to the moody, serrated toothiness of Lion was supposed to be a kinder, gentler album to be titled Lamb. In December of 2008 she posted the track listing for both releases on Facebook. When Miss Pezz blew through the Midwest last Fall it would appear that she had already moved into the mental space of Lamb in preparation for recording that album. By that time she had recorded the lead track for Lamb– the insanely catchy “You Never Know” which kind of took on a life of its own with its joyous video and vinyl 7″ release– each with a custom cover done by Milwaukee artist Dwellephant. For that Fall tour she’d already been performing “You Never Know,” “Hunting Season,” and “Falling Down” all songs that seemed fully formed and ready for the album. She also played a new song that was a quick favorite for me– “Where’d Ya Go.”
Anyone who knows Margaret well knows that she is constantly catering to her muse– typically recording inspired fragments of song anywhere and anytime they show up– many songs were written behind the wheel of her now-departed Civic on the long drives between the gigs on tour. It was a collection of these fragments that she gave to Milwaukee HipHop producer LMNTylist who was interested in trying his hand producing some pop songs. When she stopped through Cedar Rapids in January she played me the rough mixes that she had just received. I was at once shocked and excited at what I’d heard– the lead off track for LubDub “Replay” was pretty much cemented at that point as was “Cold Hard Chick.” This was a dramatically different direction for Pezzettino– she had given over to the production and the resulting songs still showed the fun and humor typically found in her music, but now had rhythm and were… funky!
The album pulls from a number of different influences ranging from the Reggae/Dub of the title track, to more the Jazzy “Only One” and “She Deserves” to the DooWop spin of “Replay” to a more “classic” Pezz piano track in “For You and Your Headaches.” Here is a video Margaret shot of a street mural painter that uses “Only One” as its soundtrack:
So, maybe it is fitting that the more mild-mannered Lamb would be quickly replaced by a more determined and immediate electronic release in LubDub. I guess the chops of Lamb will get to spend some more time slow cooking.
LubDub will be available for download on September 7th and on 12″ colored vinyl later this fall. Pezzettino has a Kickstarter drive going to attempt to raise the $1000 needed to press the vinyl. After an impressive week, she has raised over half of the funds and, at the time of this writing, still has over 30 days to go! Donations range from $1 to $1000 and have varying levels of perks at each level. Any donation over $15 gets you some copy of LubDub with pledges over $20 getting you the vinyl and the CD version of it along with four bonus tracks. Other levels get you things like cookies, her dress from the “You Never Know” video, private performance, or the ability to determine the next cover songs in her popular cover series. Click on the kickstarter widget below to see what your options are to help get this great release out.
The fantastically appropriate album art (shown above) was done by LittleTinyFish.
There are two release shows– one in each of her hometowns:
Milwaukee: September 11th at Turner Hall with Mondo Lucha, 8PM Brooklyn: October 14th at Cameo Gallery, 9PM
In the middle of these shows is a quick run of the Midwest that includes stops in DeKalb (9/12), Iowa City (9/15 at The Blue Moose Tap Room), Omaha (9/16), Des Moines (9/18 at Vaudeville Mews) and Boulder, CO (9/23). Visit her MySpace Page to keep up to date on this tour. This tour is going to be the first time in a while she has toured with a small band– so I’m looking forward to these shows!
Track Listing for LubDub:
1. Replay
2. She Deserves
3. Cold Hard Chick
4. Only One
5. Intermezzo I
6. Lub Dub
7. Where’d Ya Go
8. Intermezzo II
9. For You and Your Headaches
10. I Did Not Use Those Words Yesterday
In early April, Sherry and I were in the Twin Cities visiting relatives and I managed to get a trip to the Mecca of Records known as the Electric Fetus. While I was flipping through their used vinyl and discount bins an unfamiliar soundtrack was playing overhead. Sherry asked me what it was, and I wasn’t sure but I was as enthralled as she was with the very mellow and groovy music. At one point I found myself singing along with one of the tracks, “You don’t know how to ease my pain, you don’t know…” I asked the guy behind the counter, “Is this a cover of Godley & Creme’s ‘Cry’?” He replied that the thought it was and said, “we’ve been playing this all day and I never noticed that!” He went on to tell me that it was a kind of “Minneapolis Supergroup” called Gayngs(I had to look at the “upcoming releases” board to see how it was spelled). Well, I promptly scoured the file sharing repositories for a leak of Gayngs album titled Relayted and found one. The album quickly entered my regular rotation until it’s release date on May 11th when I purchased the gorgeous 2 LP vinyl in a white gatefold sleeve.
Gayngs is a 23-member (or should I say “participant?”) band/project assembled by Ryan Olson who had an epiphany of sorts waking up one morning to the strains of 10CC’s softrock mega hit “I’m Not In Love.” It was then and there that he decided he wanted to record an album of a similarly-inspired sound. One that would allow them to use all of those cheesy synth patches any self-respecting musician should stay away from. The beginnings of the album started with Ryan andSolid Gold members Adam Hurlburt and Zach Coulter. Over time Ryan added other members to the band drawing from friends and girlfriends until the assembled cast grew to 23. All 23 members don’t play together on any one song on the album. Other notable groups who donated members include Bon Iver (Justin Vernon, Mike Noyce), Megafaun (Brad Cook, Phil Cook, Joe Westerlund), P.O.S., Leisure Birds (Jake Luck, Nick Ryan) and Roma di Luna(Channy Moon Casselle). The album delivered by this large union of musicians is surprisingly singular in vision given all of the participants– which can only be a testament to how Olson managed the proceedings.
A couple of weeks ago we had a family get-together and my relatives from Eau Claire, WI showed up with a present for me– a copy of Relayted on CD and a copy of the May Vita.mn magazine with an article on Gayngs with a focus on the band leader/arranger Ryan Olson. Apparently my aunt is good friends with Ryan’s mom! It turns out that my aunt and uncle went to The Last Prom on Earth show at First Avenue in May and had a great time! Of course, this was a show that Sherry and I had debated on going to, but couldn’t make it and had been kicking ourselves about. Well, thankfully the band will be bringing their 69-beats-per-minute antics to a quick run of dates at the end of September and beginning of October cumulating in a visit to the Austin City Limits Festival on 10/10. While the Last Prom on Earth shows had all of the members of Gayngs, the touring version will only have 10 members— notably without the women but showcasing new arrangements and new material!
Last week the mighty instrumental afro-funk band The Budos Band— which bills itself as the “Staten Island’s Undesputed Champions of Afro-Soul” announced the release and details of their new album The Budos Band III. To be released on August 10th on the formidable Daptone Records label the record is the band’s first release since 2009’s The Budos Band EP and the first full length since 2007’s The Budos Band II.
Coincidentally, I was in Boston this week for work and managed to sneak in a run to Newbury Comics. I was hoping to pick up the new Suckers vinyl, but it has been delayed. Instead I ended up picking up a couple of records I’ve had on my Amazon Wish List for a while– The Budos Band and The Budos Band EP. I still need The Budos Band II. I’ve been a fan of The Budos Band since I did a review of the Scion Daptone Records compilation.
The Budos Band is a band with a distinctive sound– influenced by African– specifically Ethiopian– music coupled with organ and guitars lead melodically by a muscular horn section. The Budos Band shares guitarist Brenneck with the other signature Daptone house band– The Dap-Kings. Other Dap-Kings Neal Sugarman and Binky Griptite were on-board for the first Budos Band album. It’s clear that the cross-pollination has helped establish them.
The first Budos Band Record featured a volcano in full eruption with the lava coming right for the viewer presumably representing “The Volcano Song.” The second Budos Band featured a scorpion ready to sting, representing the “Scorpion” album track. Continuing the “dangerous” cover art of the Budos Band records, III has a cobra on the cover– likely representing the “Black Venom” track– but I think may also be a sly reference to the expression “The Third Time is a Charm” where the charm would be for that cobra.
“Heading into the studio for Budos III, I really thought we were going to make the first psychedelic, doom-rock record ever recorded at Daptone,” said front man and baritone saxophonist Jared Tankel, “but somehow it ended up sounding like a Budos record.” I’ve had the opportunity to listen to the album and the familiar formula of the Budos Band is continued but I do get the sense of some underlying darkness.
I like the whole album– the songs on III fit comfortably next to the rest of their catalog in my opinion. Early standout tracks for me are “Unbroken, Unshaven” (this has to be a reference to the fact that the band used to be called Los Barbudos or “The Bearded Ones”) with its clean strumming leading the song, “Nature’s Wrath” has a great loping circular beat but has the BEST FLUTE SOLO this side of Ray Thomas’ solos in The Moody Blues! In my mind, Mother Nature is PISSED about the BP oil leak and this song is the warning before she tears us a new one! One nice bonus to this album is “Reppirt Yad” which wraps the album up. For Record Store Day this year, Daptone put out a split 7″ of Sharon Jones and the Dap-Kings and The Budos Band. The Budos Band track was an interpretation of The Beatles “Day Tripper.” They seem to have disguised the song with a backwards title for III.
To get a free download of “Unbroken, Unshaven” click on this link to sign up for a Daptone Records e-mail list (that they admit you can unsubscribe from). I’ve been on the Daptone e-mail list for a couple of years now and they aren’t abusive and it’s a good way to stay on top of news from this fantastic label.
The band is off on an extensive tour in support of III and hopefully they bring their snake charming show to a venue near you!
The Budos Band III Tracklisting:
Rite of the Ancients
Black Venom
River Serpentine
Unbroken, Unshaven
Nature’s Wrath
Golden Dunes
Budos Dirge
Raja Haje
Crimson Skies
Mark of the Unnamed
Reppirt Yad
Tour Dates : Sat June 5 Montclair, NJ Wellmont Theatre (w. Les Claypool) Fri June 11 New York, NY Rocks Off Concert Cruise Sat June 26 Vancouver, VC Vancouver Jazz Festival @ Commodore Ballroom Sun June 27 Calgary, AB Calgary Jazz Festival @ The Whiskey Tue June 29 Saskatoon, SK Saskatchewan Jazz Festival @ Lydia’s Pub Wed June 30 Winnipeg, MAN Jazz Winnipeg Festival @ Pyramid Cabaret Sat July 10 Chicago, IL Chicago Folk & Roots Festival @ Welles Park Sun July 11 Bloomington, IN Bluebird Mon July 12 Chicago, IL Millennium Park Tue July 13 Ann Arbor, MI Blind Pig Thu July 15 Quebec City, QC Quebec City International Summer Festival Fri July 16 Ottawa, ON Cisco Ottawa Bluesfest Sat July 17 Toronto, ON Lee’s Palace Wed July 21 Philadelphia, PA Johnny Brenda’s Thu July 22 Harrisburg, PA The Abbey Bar at ABC Fri July 23 Floyd, VA Floydfest Sat July 24 Washington, DC Black Cat Sat Aug 7 Brooklyn, NY Celebrate Brooklyn! @ Prospect Park Bandshell Thu Aug 12 Los Angeles, CA Levitt Pavilion Fri Aug 13 Pasadena, CA Levitt Pavilion Sat Aug 14 San Luis Obispo, CA Downtown Brew Sun Aug 15 San Francisco, CA Outside Lands @ Golden Gate Park Tue Aug 17 Phoenix, AZ Sail In Thu Aug 19 Santa Fe, NM Santa Fe Brew Co Sun Aug 22 Dallas, TX Granada Tue Aug 24 Oklahoma City, OK Conservatory Wed Aug 25 Kansas City, MO Record Bar Fri Aug 27 Denver, CO Larimer Lounge Sat Aug 28 Boulder, CO Fox Theater Tue Aug 31 Salt Lake City, UT State Room Wed Sept 1 Boise, ID The Grove Plaza Thu Sept 2 Eugene, OR W.O.W. Hall Fri Sept 3 Portland, OR Dante’s Sat Sept 4 Seattle, WA Bumbershoot
Click Here to visit the Wikipedia page on The Budos Band.
Looking through the Sunday fliers in the paper this morning I noticed that Target is going to have an exclusive CD available on Tuesday May 18th in conjunction with the widely-anticipated reissue of the Rolling Stones landmark 1972 album Exile on Main Street. In true fan-exploitative fashion there will be many versions of this release to choose from. Since I was looking into this, I thought I’d help break this down for the casual shopper.
Exile on Main Street in the new century is largely regarded as influential in popular music as Sgt. Pepper’s or Pet Sounds. I think that the Rock/Country/Soul/Blues fusion on Exile singlehandedly created what would be known as “Americana” or “Alt.Country. According to Wikipedia, Exile quickly hit #1 on the UK Top 50 and the US Billboard charts, and charted into the Top 10 in the Hot 100 with “Tumbling Dice” and tracks like “Happy” and “Loving Cup” are regarded as standards.
I picked up a used copy of Exile on CD used many years ago. The version I have is the CBS CD pressing from the 80’s (CGK 40489) which proudly announces “2 RECORD SET ON 1 COMPACT DISC.” When the Rolling Stones Records catalog went to Virgin Records they did a remaster of Exile along with the rest of the catalog which was released in July 1994 based on Amazon’s information and came in packaging that looked like the original LP. When I heard that a reissue and remaster was forthcoming, I was interested in replacing my CBS copy. The sheer number of options is surprising, but likely caters to anyone’s needs.
Exile on Main Street (1 CD “Original Recording Remastered”) This is the one that should tide over most Rolling Stones fans. This is the original 18-track album remastered and– according to Amazon.com– is in a special jewel case which will allow it to fit in the “Remasters Box” which was missing Exile. Should be $9.99 this week.
Exile on Main Street Deluxe Edition (2 CD “Deluxe Edition, Extra Tracks, Original Recording Remastered”) This release expands the 1 CD version to include a second 10-track CD of previously-unreleased tracks that were recorded around the same time as the music on Exile. Should be $19.99 this week. Note: If you buy the Deluxe Edition from Best Buy you will get a bonus interview CD.
Exile on Main Street Super Deluxe Edition (2 CD, 1 DVD, 2LP, Hard Cover Book, Original Recording Remastered) This release expands the 2 CD Deluxe Edition to include two LP’s and a 30-minute DVD which has a documentary on Exile which includes footage from “lost” documentary Cocksucker Blues and Ladies and Gentlemen… The Rolling Stones and Stones in Exile. The Ladies and Gentlemen film was a film which “toured” movie theaters in 1974. The film was based on the Exile tour. Also included is a 50-page hardcover book. A really nice package for certain. Should be around $179.98 list price, with Amazon listing it at $139.
Exile on Main Street 2 LP (2 LP, Original Recording Remastered) This is the 2 180g vinyl LP edition of Exile on Main Street in a double-gatefold sleeve. These are the same LP’s included in the Super Deluxe Edition. Should be $34.99 or less.
Exile on Main Street Rarities Edition (1 CD Target and iTunes Exclusive) This is a Target and iTunes exclusive release. This is effectively the second CD in the Deluxe and Super Deluxe editions. Ten tracks recorded during the same time as the Exile on Main Street songs. These songs have been produced and mixed by The Glimmer Twins and Don Was especially for the Exile reissues. The Sunday Target flier says that the Rarities Edition will be available for $9.99. Target also is offering a “Limited Edition Exile on Main Street Rarities Fan Pack” which bundles the Rarities Edition with a cool teeshirt and guitar pick– all for $19.99.
The cool thing about the Target Rarities Edition is that I can pick this single disc up and buy the LP edition and I get a kind of blend of the Deluxe and Super Deluxe editions. I get the main album on LP’s and the bonus tracks on a CD.
Whichever version of Exile on Main Street you choose, it is an essential album for anyone’s collection.
Last weekend Sherry attended America’s Beauty Show for the third year running and I got the opportunity to have some quality time with Chicago’s record stores. Friday night we went down to a bar called This Must Be The Place in Lemont, IL to see Chicago R&B phenom The Right Now. We got into town late, so we needed to scoot to try and get there in time to get something to eat. Thankfully the folks there were very accommodating and the food was excellent!
The show was a lot of fun– it was the first time I’d seen the band since they played Mahoney’s in Cedar Rapids in 2008 as Eli Jones. The band has come a long way in their stage show. Now the guys in the band all wear matching suits and Steph looked great in a sequined dress and heels. This was the first time the band had played This Must Be The Place and there was a pretty low turnout. Some of the dinner crowd stuck around through the first set but by the second set the audience was made up of Sherry and I and the employees of the bar. The band followed a setlist for the first set, but after the break they decided to loosen up a bit and played some older songs like “Candlelight and Satin Sheets” and “Disco Smooth” and a couple of newly-written songs.
I talked to the soundguy at the break a bit, and he said that the owner of the bar is trying to establish This Must Be The Place as a place for musicians to meet– sort of like The Green Mill or the Empty Bottle downtown. It is a lofty goal for sure as Lemont is about 45 minutes south of the Loop on I-55, and I think that getting the bands to come out of the Loop is a tough proposition. That said, the Metra runs down there so it isn’t an impossibility. It is a really nice venue with a great soundsystem and stage and the food and drinks are good. I’d come back if there was a good band there.
We got to hang out and talk to the band after the show– I was happy that Sherry got to meet them, and we talked a bit about the upcoming Iowa shows the weekend of 4/16 (Iowa City, Davenport and Cedar Rapids).
On Saturday, Sherry attended the first day of the conference at McCormick which started around Noon and I parked in the first floor lobby and worked on blog stuff. On Sunday she went to the second day of the conference and I decided I wanted to hit a Half-Price Books as I had the 50% Off One Item coupon. There are a few Half-Price Books in the Chicagoland area, but all of them are way out in the burbs. The closest one to McCormick Place was down in Countryside, IL off I-55 (pretty close to Lemont, really). So, I dropped Sherry off and hit I-55– it’s exit is right near McCormick Place.
The Countryside HPB has a pretty substantial collection of vinyl as it turns out– and a decent selection of obscure and Chicago-local bands. Unfortunately, I didn’t find a lot of stuff I was looking for. They had a Japanese pressing of the Blind Faithalbum for $30 that I was really interested in. It had the alternate cover featuring the band instead of the topless underaged-girl photo. It had a pretty deep scratch on it otherwise I would have bought it with my 50% coupon. They had two copies of Dave Brubeck’s Time Out— both appeared to be original pressings and one of them was a very worn Mono. I almost bought the Mono, but the wear and the seam-split cover had me passing on it. Plus, I have a very mint Stereo Columbia 6-eye I cherish, so I don’t need another copy, really. They also had Marti Jones’s second album Match Game on LP. Match Game was produced by Marti’s husband Don “Praying Mantis” Dixon. I have this on cassette, and would have liked to have this on vinyl, but it was missing an inner sleeve and was pretty worn. Here’s what I picked up:
Men At Work – Business As Usual (LP, CBS Records, FC 37978, 1982)($0.50) This was clearance-priced, and has a VG cover and vinyl. Fairly quiet on the turntable after I cleaned it. I listened to this and Cargoa lot in junior high school. Three pretty big singles in “Who Can It Be Now?”, “Down Under,” and “Be Good Johnny.” It was their appearance at the US Festival on “New Wave Day” that really helped establish the band and make them the MTV darlings. This album is strong all the way through– the singles are scattered throughout the record and serve as familiar landmarks through the rest of the songs. Men at Work were often considered a band that copied The Police– and quite a bit of this album with it’s bouncy ska rhythms and jazz influences certainly supports that idea. One of my favorite non-single tracks is “Helpless Automation” which recalls a new-wavy Devo. I included this song in a mixtape that I played all the time in High School. I need to get Cargo, next.
The Time – Ice Cream Castles (LP, Warner Bros. Records, 25109-1, 1984)($2.98) This is a title I don’t see very often (though, coincidentally would see again on Monday…). The story goes that Prince was trying to transition from the pop-funk sound that he established leading up to Controversyand apparently had a lot of music he still wanted to release in that vein. He puts his childhood friend Morris Day in front of a Minneapolis funk band called Flyte Time and creates The Time– on record, at least was mostly Prince and Day. By the time Ice Cream Castles is released in 1984, Terry Lewis and Jimmy Jam had been fired by Prince for missing a show and Morris Day quit to pursue an acting career propelled by his appearance in Purple Rain. Although the album cover shows the post-Lewis and Jam version of the band– which has a shockingly-young St. Paul Peterson on the cover. If his birthdate in October of 1964 is correct, St. Paul was 18 when he played in the Time. He wasn’t on the album, however and only apparently played two live gigs in the Twin Cities and he appears in the movie Purple Rain. After Morris Day leaves The Time, Prince gathers the remaining members and his then-girlfriend Susannah Melvoin and creates The Family. The Family are re-united as F Deluxe (Prince denies them the use of the name The Family– apparently still bitter about St. Paul leaving the group). Ice Cream Castles has what amounts to the biggest songs from The Time– “The Bird” and “Jungleland” which are both featured prominently in the Purple Rain movie. The production is credited to “The Starr Company” which is effectively Prince, who sometimes used the alias “Jamie Starr.” The original album inner sleeve is black plastic, interestingly.
My plan was to hit another Half Price Books and spend my 50% coupon, but the next closest one was another 35 miles away. I did a quick Google Maps search for nearby record stores and found one called The Record Dugout(6055 West 63rd Street, Chicago, IL 60638-4317). The Record Dugout is technically in Chicago– although really far south in Chicago. It’s a moderately-sized store that specializes in vinyl LP’s dating up to the 80’s, comic books and sports cards. The day I was there, the guy who handles the vinyl part of the store was working. His name is Bob Miner and he hosts an acapella radio show on The University of Chicago radio station WHPK which airs on Sunday evenings and is called “From the Subway to the Streetcorner.” The store was literally packed with vinyl. There was one row of sorted Rock in record bins, another shorter row for Jazz and folk/country, another “discount bin” with $1-$2 records, and a meticulously-organized bin with 7″ records– the majority of which was R&B from the 50’s/60’s/70’s. Other areas included a “Wall of Shame” as Bob called it, which showcased the more expensive records– rare 7″es with sleeves, etc., a table which had unsorted piles of cheap records in varying degrees of shape– most of which had damaged sleeves, but had serviceable records in them, and two areas on the floor which had $1 and $2 records piled up.
I found most of the haul below in the sorted bins, but the ones for $1 and $2 I found by digging. Bob buys whole collections of records from people looking to get rid of them, so if he hasn’t gotten through them, the good stuff might not be in the bins. Everything seemed to have prices, however. It’s important to note that The Record Dugout only takes cash and the nearest ATMs charge fees, so bring cash. Also, if you buy a lot of stuff, Bob will work with you on price. I spent about three hours here, and probably could have spent more time. I’ll certainly come back!
R.E.M. – Lifes Rich Pageant(LP, IRS Records, IRS-5783, 1986) ($4.00) I might have paid a bit too much for this one. The sleeve was not split, but kind of rough on the corners and the paper sleeve was replaced with another sleeve. The record is pretty clean, and after I gave it a thorough wipe with 91% Isopropyl Alcohol to get it cleaned, it sounds really good– the surface is a bit hazy, however. R.E.M. is tough to find in the bins, so I’ll pick these up when I find them. Lifes Rich Pageant was the follow-up to Fables of the Reconstruction, which was the album that pretty much changed my music listening. R.E.M. called this their “John Cougar Mellencamp album” because it was produced by Don Gehman at Mellencamp’s studio in Indiana. Classic R.E.M. sound on this one– “Begin the Begin,” “Hyena,” “Fall on Me,” “Superman,” “I Believe” are all strong tracks in the R.E.M. canon. The song “Just a Touch” was a song resurrected from the early days of the band and a number of bootleg recordings from the early 80’s have this song.
Bob Seger & the Silver Bullet Band – Nine Tonight(2 LP, Capitol Records, STBK-12182, 1981)($2.00) I found this one in one of the piles on the floor– hence its $2 price. Fabulously clean cover and LP’s! My dad bought this cassette when it was new and we used to listen to this a lot riding around in the car. A live album comprised of songs recorded in Detroit and Boston in 1980. All of his classic tracks are here– “Hollywood Nights,” “Tryin’ to Live My Life Without You,” “Night Moves,” “You’ll Accomp’ny Me,” “Old Time Rock ‘n’ Roll,” “Mainstreet,” “Fire Lake,” “Fire Down Below.” Probably the only album of Bob’s I would care to own, although I’d need Live Bullet to get “Turn the Page.”
Various – The Breakfast Club– The Original Motion Picture Soundtrack(LP, A&M Records, SP 5045, 1985)($2.00) Another one from the floor. Cover is in good condition and the record looks decent, but there seems to be a lot of groove wear on this one– particularly on “(Don’t You) Forget About Me” by Simple Minds. This was a soundtrack that my brother Steve and I listened to a lot– in fact, I think the cassette was actually his. My band in high school with Steve used to cover “(Don’t You) Forget About Me.” Fantastic drum beat in that song, which is why it is so timeless. It’s a kind of well-known story that Simple Minds didn’t write the song– it was penned by Keith Forsey who also wrote “Flashdance… What a Feeling” for Irene Kara. After being turned down by Billy Idol, Bryan Ferry and Simple Minds– it was encouraged by A&M that Simple Minds record the song. It becomes their biggest hit which help propel their career for a couple of albums. This soundtrack always struck me in how different it was to other John Hughes soundtracks in that while it had a huge single in “(Don’t You) Forget About Me,” it was really lacking in every other respect. I became familiar with the other songs by Wang Chung, E.G. Daily, Jesse Johnson, and Karla DeVito but aside from “Fire in the Twilight” from Wang Chung, which frankly sounds like an outtake from Points on the Curve, everything else seems like bargain-basement licensing– particularly if you compare it to the powerhouse soundtrack to Pretty in Pink, for example. The instrumentals by Forsey, while largely forgettable, work really well in the context of the movie.
In the 80’s it really seemed like you couldn’t have a soundtrack to a teen movie that didn’t include songs by E.G. Daily. She contributed her unique vocals to movies like Better off Dead — where she performs her two songs in the movie, Summer School, Thief of Hearts as well as The Breakfast Club. She’s a pretty talented lady, and is a regular for voiceovers. It is she who voices Tommy Pickles in Rugrats, for example.
Talking Heads – Speaking In Tongues (LP, Sire Records, 23883-1, 1983) ($2.00) Another one from the floor piles. The cover and inner sleeve are in tact, if a bit beat up. I have no Talking Heads on vinyl– well except for a bootleg called humorously enough Gimme Heads which has some studio outtakes and live tracks on it and a 12″ to “Blind.” After cleaning this one up, it plays pretty well, but I’ll be on the lookout for better copies. Last year’s Record Store Day had a Rhino reissue for 77— so I was hoping for some other reissues on vinyl. The Dugout also had True Stories on vinyl, but it was in pretty rough shape so I passed on it. Speaking In Tongues is pretty much the Talking Heads pinnacle release with the massive “Burning Down The House” single as well as secondary hits of “Girlfriend is Better,” and “Naive Melody.” Of course, these songs would show up in a bunch of movie soundtracks. I remember “Naive Melody” standing out in the soundtrack to Wall Street, and “Swamp” shows up in Risky Business. These tracks are featured prominently in the Talking Heads concert movie Stop Making Sensewhich was directed by Jonathan Demme.
Fleetwood Mac – Mirage (LP, Warner Bros. Records, W1 23607, 1982)($3.00) Very clean vinyl– cover has a suspicious wear spot, like someone used water to take adhesive off the cover. Also a Columbia House pressing. Clearly I didn’t look very closely at this one. I don’t like to take Columbia House pressings normally due to the uncertain nature of what they used for masters. That said, it is very clean and plays well, and is one of the better copies of Mirage I’ve seen, even with those flaws. The Mac tries to come back from the Titanic expensive failure that was Tusk (still my favorite, however). I really like Mirage— the band comes back to the style and sound of Rumours. The album had six singles released worldwide, but the biggest singles were “Hold Me” and “Gypsy.” The album makes it to #1 on the US charts, so it is clear that their audience wanted another album, but in the canon of Fleetwood Mac, Mirage is not one that people remember.
My first Fleetwood Mac concert was for the Miragetour in 1982. My family saw them in Cedar Falls with Glenn Frey of the Eagles opening on his first solo tour. I’ve seen Fleetwood Mac three more times since then– once during the very sad Time tour with Dave Mason and Bekka Bramlett on guitars and vocals in Dubuque, once for The Dance tour and once for the Say You Will Tour.
Bruce Springsteen & The E Street Band – Live/1975-85(5 LP, Columbia Records 40558 LP, 1986)($15.00) This one was a cool find. I bought this new on cassette back in 1986– and still have it. I’ve seen it on CD over the years used, but never on LP. A great collection of Bruce live goodness from what most people would consider the high-point of his career. I think that they should do an official release of the legendary Winterland 1978 show. The version of “Santa Claus is Comin’ to Town” heard at Christmas time is from that show. This box set does, however, include the version of “Fire” from that show. The Winterland 1978 show had been bootlegged many times over the years– since it was aired live on the radio, lots of folks taped it. Wolfgang’s Vault helpfully has the show in their archives, but it is not one that is purchasable. Listen here.
The vinyl on this box is pretty much pristine, even if the box itself isn’t. One I’ll want to kick back and listen to with a glass of wine some night.
Booker T. & The MG’s – “Hip Hug-Her” b/w “Summertime”(7″ Stax 45-211, 1965)($4.00) I hadn’t really planned to pick up any 45’s, but they had a dedicated section just for Stax! So, I flipped through it and they had a few Booker T. & The MG’s singles. I picked this one because it was on the massively cool light blue Stax label. The record is in great shape for being 45 years old!
Wilson Pickett – “Funky Broadway” b/w “I’m Sorry About That” (7″, Atlantic Records, 45-2430, 1967)($3.00) This one is one of the singles I really dig from Wilson Pickett– on the red Atlantic label. Super-clean and in an Atlantic paper sleeve.
The Dangtrippers – “The Masquerade” b/w “Lover’s Again”(7″, Dog Gone Records, DOG 0005-7″, 1989)($3.50) Why is it that if I want to find rare Iowa bands in the bins I need to leave Iowa? The Dangtrippers were Doug Roberson of The Diplomats of Solid Sound’s 90’s band. I still remember seeing The Dangtrippers playing the Loras College gym when I went to school there. The band got signed to Dog Gone records which was the record label started by Jefferson Holt who was the manager for R.E.M. This is the single to the only album released for The Dangtrippers on Dog Gone before it went under (see below). “Lover’s Again” is a non-album b-side!
Prince and the Revolution – Around the World in a Day(LP, Paisley Park W1-25286, 1985)($3.00) A Columbia House pressing, but in superb shape! I’ve never seen this on LP before! I have this in this crazy longbox trifold CD I picked up at a Discount Records in the early 90’s in Chicago. The LP cover is sort of a trifold with a short flap that folds over. The cover art is a painted scene which has in it representations of each of the songs– a tambourine, a ladder, an American flag, a raspberry beret– the ones I found anyway… A pretty progressive album– lots of psychedelica and strangeness– Prince at his most experimental. “Pop Life” and “Raspberry Beret” were the big singles off this album, but I think that most people ignore this album. I liked it back when it came out, but admittedly haven’t listened to it much since the 80’s. Giving it a spin the other night, I’m struck by some of the songs. In fact, I like all of the album other than the track “Temptation.”
The next day I dropped Sherry off at the conference again and I headed up to Lincoln Square to hit Laurie’s Planet of Sound, which I had hit back in October of 2007. The store was pretty quiet when I got there. They changed the parking meters to be able to take credit cards, which is convenient, but still really expensive. I blew $3 to get a couple of hours of parking. Laurie’s has a new arrivals section for their CD’s and LP’s and has a section dedicated to new vinyl as well. Their vinyl prices are higher than places like the dugout, but comparable to places like HPB which is attempting to charge market prices for some.
Ben Harper and the Innocent Criminals – Burn to Shine(2 LP, Virgin Records America, 7243 8 48151 1 0, 1999)($9.99) This was in the new arrivals section and appears to be a cutout of sorts as the barcode is crossed out. Probably a promo or a giveaway, but is in great shape. I hadn’t really paid much attention to Ben Harper until I saw him as part of that 3D concert movie “Larger Than Life” back in December. I was impressed enough to pick up Harper’s new record White Lies for Dark Times on vinyl. Burn to Shine is considered to be one of his good releases so I thought it might be a good gamble. I gave it a spin when I got home, and it’s a good one for the collection.
Bumps (2 LP, Stones Throw Records, STH2157, 2007)($12.99) This was a new purchase. Bumps is the side project of the Tortoise rhythm section of Bitney, McEntire & Herndon. This is a record of beats, essentially. This is a really cool 2 LP version that was price cut from $15.99 to $12.99. This is mostly as a completion for my Tortoise vinyl collection, I don’t see myself playing this often.
Cougar – Law (LP, Layered Music/Play It Again Sam, LR013, 2007/2008)($4.99) Although it isn’t really listed anywhere on the artwork and the LP itself only lists 4 tracks, this appears to be the full Lawalbum that was released in 2007 in the UK by Layered Music. Madison, WI band Cougar is classified as “emergency” music although I think they fit under the “post rock” area. Having your debut album mixed by John McEntire of Tortoise doesn’t hurt this classification either.
The Dangtrippers – Days Between Stations (LP, Dog Gone, DOG 0005, 1989)($2.99) Wow! Another Dangtrippers find? The cover is a bit trashed on this one, but I didn’t know that this was even available on LP! I see on eBay there are a couple of LPs– one for $14.99 and one for $19.99, so $2.99 is a good deal. The vinyl is very clean. As I stated above, The Dangtrippers were a band from Iowa City from the 80’s and early 90’s that got signed to Dog Gone Records. They had this album out on Dog Gone before the label went under. Their second album Transparent Blue Illusionwhich came out in 1991 was only available on the Australian label Zero Hour. The Dangtrippers had a 60’s jangly rock sound that owed a lot to bands like The dB’s. In fact, the song “Talk About Love” on Days Between Stations sounds a lot like The dB’s and it’s pretty much my favorite track on the album.
That song reminds me of a very bad trip to Florida in the early 90’s with my then-girlfriend to visit some friends of hers. The trip started out okay– it was Florida in late December and her friends had a gorgeous house with a pool and a Porsche 928 that was ours for the borrowing. We visited a mall that had a discount book store or something and I found Days Between Stations on CD there in the bins!
The trip took a turn for the worst as she started giving me the silent treatment and wouldn’t talk about why she was upset. So, I was stuck in Florida with someone who clearly didn’t want to be there with me. We had a painful trip to Disney World followed by a really uncomfortable New Year’s Eve get together. By the time we flew back to Chicago to drive back to Dubuque I had enough of this ridiculous situation where she wasn’t talking to me about why she was upset. So, she was rewarded with four hours of “Talk About Love” on repeat in full volume. The relationship didn’t last much longer– she didn’t like not being the center of attention with her friends and I apparently drew some attention from her. I still dig the frustrated energy of that song.
Click Here to hear “Talk About Love” from Days Between Stationsby The Dangtrippers.
Love Tractor – Around the Bend (LP, DB Recs, DB67, 1983)($4.99) This was another very cool find! Of course, this is where I’ll alienate some of the readers. I found out about Love Tractor due to the documentary Athens, GA Inside/Outabout the music scene in Athens leading up to 1987– R.E.M. is just getting to be a big deal in college rock– it was released before Document with “The One I Love” on it– so the movie happens at an opportune time. Included in the movie is Love Tractor who perform a live version of “Pretty” from Around the Bend. The album is largely instrumental with some sparse vocals. I had Around the Bend on a double-cassette which included their debut self-titled album and the follow-up Until the Cows Come Home. I find their unique style to be pretty similar to Athens contemporaries Pylon.
I actually owned the soundtrack for Athens, GA Inside/Outfor a long time before I ever saw the movie. The soundtrack included two acoustic tracks from R.E.M. “Swan Swan H” and a cover of the Everly Brothers song “All I Have To Do is Dream” so I had to get it. By the time the movie came out on VHS, I was very familiar with a lot of the songs in it, including “Pretty.”
Click Here to listen to “Pretty” from Around the Bend by Love Tractor.
I also bought a bag of 100 mylar LP bags for $20. I never seem to have enough of those. I could get these cheaper online from Bags Unlimited, but since I was thinking of it, I thought I’d buy them.
As I was walking back to my car I happened to catch someone out of the corner of my eye– it was Chris Corsale from The Right Now sitting in a window of a sandwich shop playing acoustic guitar and singing! He was suprised to see me as well! So, I moved my car to a side street– which is free and doesn’t require a permit after 11AM. Then I came back to the restaurant and ate lunch hanging out with him in between sets. It was pretty cool– Chris has a pretty wide selection of covers he does and made for good lunchtime entertainment. A great coincidence that sort of made for a good wrap-up of the weekend.
After lunch I made my way back to McCormick Place to pick Sherry up and head home.
Last year’s two Daytrotter Barnstormer tours brought bands and fans together in unique barn settings. These shows were not without their challenges– but proved to be memorable and transcendant experiences for the bands as well as the fans. Most of my favorite band and music experiences from 2009 were as a result of these shows– certainly in the case of Local Natives and Dawes we are seeing two bands from these barns on impressive career arcs. Both bands just finished “barnstorming” SXSW this year with multiple shows all with rave reviews from press and fans.
This year’s first Barnstormer show– which will be the third– will take place April 27th through May 1st and include shows in Iowa, Wisconsin and Illinois. Unlike the first two tours last year, these will have a cover charge of $10. From last week’s Daytrotter e-mail:
We know that all of you Barnstormers enjoyed the freeness of the first two tours and we thank you for making the tour what it is. With the acts that we have set for No. 3, we need your help to pay for everything… Each night, half of every paid admission will go to someone who needs help. Maybe it’s someone you know. We are choosing one individual or family — based on your nominations — to receive some help from the Barnstormer. So, write rsvpdaytrotter@gmail.com with a story of someone who’s fallen on hard times and could use some assistance. We’ll take the best five stories and do what we can to make things a bit better.
The cover charge is a notable change– when I talked to Sean about this last year he said that since he really doesn’t spend any money for promoting daytrotter.com– these shows were going to be used as a method of promotion and his promotional budget would pay for part of it. Plus, the bands were playing these shows understanding that they’d get some needed exposure and hoping to sell merchandise and they were crashing at people’s homes and camping out– in Bellevue all of the bands were put up in a bed and breakfast operated by the owner of Mooney Hollow. While I don’t expect that the living conditions for the bands will be changed much, I’m sure that the $5 per head will be welcomed!
The idea of giving the other half of the money to a needy family or individual is great, and certainly in line with Sean’s idea of giving back to these little towns like the one he grew up in.
$10 certainly isn’t a lot for five Daytrotter-approved up-and-comers anyway. The band line-up looks pretty good and it already has some buzzworthy bands in it. Free Energy, originally from Minneapolis now living in the land of Philly cheesesteaks, has been getting a lot of blog press lately with their brand of power-pop. Dawes and Deer Tick-BFF’s Delta Spirit have done three Daytrotter sessions since 2007. Ra Ra Riot purvey a kind of organic unplugged britlikepop with a nod to some Smith-y ideal or a tip of the scooter helmet to mod groups like The Jam or The Police. The strings serve only to underscore the pining sentimentality, frankly. Pearly Gate Music is Zach Tillman– whose brother is J. Tillman of Fleet Foxes so you seem to be guaranteed a familial if not familiar pedigree. The tracks I’ve listened to on his MySpace page a strong in melody with slightly cockeyed perspective. I’m interested to hear this in a live setting– he apparently made fans of the Fleet Foxes fans when he opened for them. Nathaniel Rateliff is a new signee of Rounder Records. His sound is a melange that stands undecidedly somewhere between indie, country, bluegrass and the long tradition of folk music.
A nice selection of strong musicians and artists– just what we’d expect from Mr. Daytrotter.
DAYTROTTER PRESENTS: BARNSTORMER III SCHEDULE (generously lifted from daytrotter.com):
I’m always concerned when an established band decides to change their name.
Chicago bandThe Right Now started life back in 2005 as R&B/Funk band Eli Jones and the Bare Bones by Brendan O’Connell. A live EP was recorded by this band in 2006. A few lineup changes and the addition of Stefanie Berecz as lead vocals prompted the truncating of the name to just Eli Jones. The album Make It Right was released in 2007 under this moniker while still continuing to hold true to the band’s R&B and Funk influences.
History shows that bands with names that seem like they would belong to one person tend to be confusing– just look at Jethro Tull, for example. Add in the fact that Eli Jones didn’t have the domain name for the band and the name was becoming somewhat cumbersome. So, it was the switch in name to The Right Now in 2009 that allowed the band to kind of re-invent itself. All of the fans of Eli Jones who had seen the high-energy shows in the small bars across Illinois, Wisconsin and Iowa were going to follow the band even after the name change.
When I saw the band in December of 2008 at Mahoney’s in Cedar Rapids, they were still called Eli Jones, but had already incorporated a lot of the songs that would make up their new album which they had planned to release in 2009 into their live sets. Carry Me Home is the first release by the band under it’s new name, and listening to the CD, I was taken back to that show with its memorable performances of “Ain’t Going Back,” “I Could Really Hold On,” “Doing Nothing,” “Carry Me Home,” “Nobody,” and “Before I Know Your Name.”
Getting ready for this review, I pulled out my copy of the Eli Jones album Make It Right for comparison. It’s an album I listened to quite a bit back when the band was rolling through the area. I thought it was really good– certainly the work of a band accomplished in R&B and Jazz, but felt ultimately it didn’t capture the energy of their live set. Make It Right really seems to be the sound of a band in a transition– some of the tracks have the familiar throwback R&B strut, while other tracks evoke a more jazzy step.
Carry Me Home is the result of a very focused effort in the studio, apparently. The whole CD sounds like it was recorded in one marathon session– a balanced, almost live-to-tape sound. It has a polished production for certain, but not at the risk of the continuity. I find myself listening to the whole album when I put it on– I anticipate the next track at each song.
In some respects Carry Me Home is an album out-of-time– at once holding true to a retro R&B sound with its horns, stomps and claps and sneaking in a more current R&B edge in the form of lead singer Stefanie Berecz powerful lead vocals.
The album runs the gamut of emotion and energy from bright, sunny Tower-of-Powerish horn-driven songs like “You Will Know,” to the Motown harmony-mixed with clean funk picking “Before I Know Your Name” to the distinctly Southern R&B swing of “Doing Nothing” to the slow burner “Carry Me Home.” “Before I Know Your Name” was co-written by Stefanie and Brendan O’Connell (the conductor of this Soul Train) to her then-unborn child– the idea of which makes me smile when I listen to the lyrics.
It seems there are a lot of notable acts delivering the Stax/Motown-influenced sound today– Sharon Jones and the Dap-Kings seems to be leading this front, certainly the last Amy Winehouse album (which uses members of the Dap-Kings), Joss Stone— so it takes a strong but distinguishable effort for a band to not get lost in the comparisons. It’s clear that The Right Now shows respect for the legacy of R&B, Soul and Funk that came before it, but in my opinion the band is building from that tradition.
One can consider the new band name as the answer to the question of what period of popular music they might draw from– no specific period, but obviously writing and performing in The Right Now.
The band just kicked off a run of shows which will bring them back to Eastern Iowa in April. On Friday, 4/16 they will be taping a second Java Blend show (the first as The Right Now), doing an on-air on IPR and hitting The Blue Moose Tap House. On Saturday, they’ll be performing at The Redstone Room in Davenport opening for Daphne Willis and hitting their favorite Iowa stop, Mahoney’s in Cedar Rapids on Sunday, 4/18.
Click Here to visit The Right Now iLike page with videos and mp3’s.
Upcoming Shows (from MySpace):
Mar 8 2010 Bullfrog Brewery – CD Release Show! Williamsport, Pennsylvania
Mar 10 2010 Puck Live – CD Release Show! Doylestown, Pennsylvania
Mar 11 2010 Groove – CD Release Show! New York, New York
Mar 12 2010 The Saint Asbury Park, New Jersey
Mar 13 2010 Shadow Lounge – CD RELEASE SHOW! Pittsburgh, Pennsylvania
Mar 18 2010 Vocalo 89.5FM – In-studio Chicago, Illinois
Mar 18 2010 Fearless Radio – Live In-Studio Chicago, Illinois
Mar 18 2010 WLUW – Radio Free Chicago (Interview) Chicago, Illinois
Mar 19 2010 WGN Television Chicago, Illinois
Mar 19 2010 Lincoln Hall – CD RELEASE SHOW! Chicago, Illinois
Mar 26 2010 This Must Be The Place Lemont, Illinois
Apr 9 2010 KSDK – Show Me St. Louis Saint Louis, Missouri
Apr 9 2010 The Gramophone – CD Release Show! St. Louis, Missouri
Apr 15 2010 The Frequency w/ Unicycle Loves You Madison, Wisconsin
Apr 16 2010 Java Blend Iowa City, Iowa
Apr 16 2010 KRUI 89.7 FM – In-studio Iowa City, Iowa
Apr 16 2010 The Blue Moose Taphouse – CD Release Show! Iowa City, Iowa
Apr 17 2010 Redstone Room Davenport, Iowa
Apr 18 2010 Mahoney’s Pub Cedar Rapids, Iowa
Apr 24 2010 Downtown Holland Groovewalk Holland, Michigan
Apr 30 2010 Marly’s Pub – CD Release Show! Springfield, Illinois
Apr 30 2010 Alice at 97.7 – Studio A Sessions Springfield, Illinois
May 17 2010 Cosmic Charlies lexington, Kentucky
May 20 2010 Rogue Tavern w/ Deep Fried 5 Birmingham, Alabama
Jun 4 2010 Upfront & Company Marquette, Michigan
Jun 5 2010 Upfront & Company Marquette, Michigan
It was last July when Local Natives graced our bucolic farmlands as part of the inaugural Daytrotter Barnstormer tour. I saw them twice– once in Bellevue at Mooney Hollow Barn and once at the Secrest Octagonal Barn. I recount my experience here. It was the case that at least for the two shows I saw, the Silverlake, CA group really stole the show in my opinion, and which is why I’m really excited to announce that they will be back in the area in May!
Since they played the barns last year, the Natives have seemingly been on the road non-stop. They had a package tour with Edward Sharpe & the Magnetic Zeros and Fool’s Gold that brought them to Madison, Chicago and Minneapolis at the end of November and beginning of December. It seems like they’ve been to Europe a couple of times already, and are currently there through March 11th before coming back to do a run of dates in the US which include some high-profile festival shows: SXSW on 3/18-20, Coachella on 3/18, and Sasquatch! on 5/30 and Bonnaroo on 6/10!
Local Natives’ album Gorilla Manor released in the US on French Kiss this week (2/16) and is available as CD, mp3 (with bonus tracks) and vinyl LP! I received my LP yesterday and because I pre-ordered I got a bonus 7″ of “Sun Hands” with a Daytrotter version of “Airplanes” as its b-side.
Local Natives will be hitting the very cozy Rock Island Brewing Company on Saturday, May 15th, The 400 Bar in Minneapolis on Monday, May 17th, and The Mill Restaurant in Iowa City on Tuesday, May 18th. That gap on Sunday makes me wonder if they might be sneaking in an encore Daytrotter session?
Feb 17 2010 8:00P SOLD OUT Maroquinerie Paris
Feb 18 2010 8:00P Le Grand Mix Tourcoing, Lille
Feb 19 2010 8:00P Le Normandy Saint Lo
Feb 20 2010 8:00P Route du Rock Winter Festival Saint Malo
Feb 24 2010 8:00P Thekla Bristol
Feb 25 2010 8:00P Rescue Rooms Nottingham
Feb 26 2010 8:00P Concorde II Brighton
Feb 27 2010 8:00P Brudenell Leeds
Feb 28 2010 8:00P Arts Centre Norwich
Mar 2 2010 8:00P SOLD OUT Heaven London
Mar 3 2010 8:00P Academy 3 Birmingham
Mar 4 2010 8:00P Club Academy Manchester
Mar 5 2010 8:00P King Tuts Glasgow
Mar 6 2010 8:00P Academy 2 Newcastle
Mar 10 2010 8:00P Academy 2 Dublin
Mar 11 2010 8:00P Limelight Belfast
Mar 18 2010 8:00P SXSW Austin, Texas
Mar 19 2010 8:00P SXSW Austin, Texas
Mar 20 2010 8:00P SXSW Austin, Texas
Apr 18 2010 3:00P Coachella Indio, California
Apr 20 2010 8:00P Solar Culture Tuscon, Arizona
Apr 22 2010 8:00P The Cavern Dallas, Texas
Apr 23 2010 8:00P Emo’s (inside) Austin, Texas
Apr 24 2010 8:00P Mango’s Houston, Texas
Apr 26 2010 8:00P Sticky Fingerz Chicken Shack Little Rock, Arkansas
Apr 27 2010 8:00P Thirsty Hippo Haittesburg, Mississippi
Apr 29 2010 8:00P Cafe 11 St. Augustine, Florida
Apr 30 2010 8:00P The Basement Nashville, Tennessee
May 1 2010 8:00P Masquerade Atlanta, Georgia
May 4 2010 8:00P Local 506 Chapel Hill, North Carolina
May 5 2010 8:00P DC 9 Washington DC, Washington DC
May 6 2010 8:00P Bowery Ballroom New York, New York
May 7 2010 8:00P Kung Fu Necktie Philadelphia, Pennsylvania
May 8 2010 8:00P Great Scott Allston, Massachusetts
May 11 2010 8:00P Beachland Tavern Cleveland, Ohio
May 12 2010 8:00P The Basement Columbus, Ohio
May 14 2010 8:00P Schubas Chicago, Illinois
May 15 2010 8:00P Rock Island Brewing Company Rock Island, Illinois
May 17 2010 8:00P 400 Bar Minneapolis, Minnesota
May 18 2010 8:00P The Mill Iowa City, Iowa
May 19 2010 8:00P Mojo’s Columbia, Missouri
May 21 2010 8:00P Larimer Lounge Denver, Colorado
May 22 2010 8:00P Kilby Court Salt Lake City, Utah
May 25 2010 8:00P Empyrean Spokane, Washington
May 26 2010 8:00P Neurolux Boise, Idaho
May 27 2010 8:00P Mississippi Studios Portland, Oregon
May 28 2010 8:00P Media Club Vancouver, British Columbia
May 30 2010 8:00P Sasquatch! Seattle, Washington
Jun 3 2010 8:00P Bottom of the Hill San Francisco, California
Jun 10 2010 8:00P Bonnaroo Manchester, Tennessee
Jun 15 2010 8:00P Shepherds Bush Empire London