B-Sides in the Bins #16 – Dallas 10/14/07

I was in Dallas the week of 10/14 for an I/T conference. While I was there I wanted to visit what is considered the best record store in the area– Bill’s. Bill’s Records has been around for over 20 years and is known for the extensive vinyl collection as well as its in-store performances.

Unfortunately, I visited the store while it was in the middle of moving locations so there was apparently quite a bit of inventory still at the old location. Apparently this new location is a bit smaller, too. I visited on a Sunday night– they are open until 10PM every night of the week. The store was dead the night I was there and the store was staffed by Bill himself and another guy who was busying himself with getting their eBay auctions ready.

Bill’s Records new location is downtown in what seems to be called “Southside” on South Lamar. It does not have a parking lot, so you have to either park in the paid lot next to it or on the street at meters. On Sunday afternoon, however, the parking on the street is free. The store is good sized with rows of library-style stacks of records on the right side of the store and along the right wall. Down the middle of the store are CD racks. At the back of the store is a cozy area with sofas and a small stage where the live performances happen.

As far as inventory is concerned, the focus of the store is really vinyl. There is a selection of used CD’s, but it pales in comparison of the mountain of vinyl. There are some new titles in the CD area as well. The CD section has a dedicated area for country and Americana, which is where I found my copy of Cold Roses. The vinyl is loosely organized by first letter of the artist. I say “loosely” because things are generally organized by the first letter, but you could find a particular artist spread throughout that area. This aspect of the organization makes one need to comb the entire section to make sure you found everything. I understand the challenge of organizing a collection of records, and with the sheer volume of records in stock they would spend every day sorting things. The majority of the vinyl is vintage used titles. I don’t think I saw any new vinyl. Quite a bit of “still sealed” though! Bill is a fan of Depeche Mode, The Cure, and The Smiths– so there is a lot of rare and import vinyl there for those artists– in most cases multiple copies of titles. He also has 10″ records separated onto a couple of shelves and there was quite a selection of those. While I was flipping through those looking for the OOP Stereolab EP that was rumored to be in there I found a very rare import Cure 10″. When I talked to the assistant guy about it he immediately showed it to Bill at which point it went on eBay!! Good thing I didn’t want it!

Another disappointing factor to shopping at Bill’s is that nothing is priced. So, Bill needs to be there to tell you how much something is. In fact, Bill does a quick lookup on the Internet to see what the going rate is for something which pretty much guarantees that you won’t get a “deal” without haggling. While I was there I saw a big collection of Full Fathom Five on Link Records from the 90’s STILL SEALED and MULTIPLE COPIES! Full Fathom Five was an Iowa band from the late 80’s and early 90’s who played a lot in the Eastern Iowa area. With two of the records in hand I asked Bill how he came to have these. He didn’t remember. I was hoping he maybe had some Head Candy vinyl as well– another Eastern Iowa band who was also on Link at the same time. He looked them up on the Internet and said I could have the two records I had in my hands for $25, which he thought was fair– in fact that was probably what they were worth since they were still sealed and out-of-print. Well, that was more than I was willing to spend at that time– I was looking for bargains. Later, when I checked out– purchasing only the Ryan Adams CD– he said I could buy the records for $9 apiece. I was just finishing signing my Visa receipt at that time, so the offer was too late. I might have purchased those instead of the Ryan Adams CD if that offer had been earlier!

So– I think that Bill’s has great potential for finding rare gems, but it takes some work to get there. If I end up in Dallas again with a lot of time on my hands I’ll try my luck again.

What I bought:

Cold Roses – Ryan Adams and the Cardinals (2 CD, Lost Highway 0602498820209, 2005) ($17.99) An import version of the album with the bonus track “Tonight.” Came in jewel case instead of domestic paper cover. At this price it wasn’t a “deal” per se, but convenient and I wanted a copy.

What I Didn’t Buy:

Paingiver – Full Fathom Five (12″ Single, Link, 1988)
The Cry of a Falling Nation – Full Fathom Five (LP, Link, 1987)
Smoke Screen – Full Fathom Five (12″ Single, Link, 1989)
Multinational Pop Conglomerate – Full Fathom Five (LP, Link, 1989)

R.I.P. Cedar Rapids CD Warehouse…

RIP CD WarehouseYesterday, I was out and about and thought I’d stop into CD Warehouse to see if they were going to get the new Ryan Adams EP Follow The Lights on Tuesday. Imagine my surprise to see a sign in the window stating they were closed!

I guess I hadn’t been in there for a while so I didn’t know about the closing. I had been following the posts from their MySpace page, but they had been quiet for a while.

I shot an e-mail off to John Fisher to see what happened and he said that he left on October 3rd, and that the owners let it close last week. The remaining inventory (of which there wasn’t much good left) went to a guy who runs some CD Warehouses in Des Moines for “peanuts” in John’s words.

John has landed on his feet with a tech company here in Cedar Rapids and promises to keep in touch. Best wishes to who was likely the last cool record store person in Cedar Rapids! Let’s all watch High Fidelity in his honor!

B-Sides in the Bins #13 – Cedar Rapids 7/11/07

Tuesday was new release day, and we had a couple of examples of the recent practice by record labels of including Bonuses to incent Joe Recordbuyer into purchasing. Two of the more interesting releases were Interpol‘s Our Love To Admire and Spoon‘s Ga Ga Ga Ga Ga and both had bonus material available. Interpol had a 7″ single of “The Heinrich Maneuver” with an instrumental version of “Mammoth.” These were available via independent record resellers. Spoon had a version available of their new CD that had a bonus disc of what appears to be demos and outtakes titled Get Nice. It isn’t clear to me which stores/outlets had this version. Target was the only Sunday supplement that mentioned the bonus CD. The other advantage of purchasing this from Target is that this week it is $7.98!

Unfortunately, the bonus CD didn’t include a tracklisting! I could only identify one song, which was a demo-sounding, stomping (literally) version of “You Got Yr. Cherry Bomb.” When I ripped the disc with iTunes, it actually came up with a track list for this release. Either the label did this, or a very informed fan. For the folks who are concerned, here is the tracklisting for Get Nice:

1. I Got Mine
2. Be Still My Servant
3. Leave Your Effects Where They’re Easily Seen
4. I Summon You (Cool)
5. Mean Mad Margaret
6. Love Makes You Feel
7. You Got Yr. Cherry Bomb
8. Tasty Fish
9. Dracula’s Cigarette
10. 1975
11. I Can Feel It Fade Like An AM Single
12. Curfew Tolls

While I was looking for some information on these releases, I stumbled into a really cool blog dedicated to vinyl and bonus releases called SixtyWatt. One to add to the RSS reader.

New Tour-only Release Tool Box from Calexico

Toolbox from CalexicoOne of the things that I love about Calexico is the fact that they produce these limited-run tour-only (*well, you can get them from their website, too) releases. It’s not enough that they release great studio releases– they cater to the fans with compilations of studio experiments, live songs and outtakes.

Tool Box is the sixth of these releases since 1999 and the second of instrumental songs. I haven’t ordered my copy, yet, but I’m looking forward to hearing it.

According to this article in Chartattack, the album was recorded during some downtime recently during a break from the lengthy tour for Garden Ruin. The 14-track album is comprised of songs written and performed by only Convertino and Burns rather than the extended band used for the recent formal releases.

Visit this page to listen to a sample from Tool Box.

TV On The Radio iTunes Exclusive Live EP

TV on the Radio iTunes EPTV on the Radio has released an exclusive Live EP with iTunes. This five-track release has versions of three songs from Return to Cookie Mountain— “Playhouses,” “Province,” and “Tonight” and “Satellite” from an earlier EP, and a new track “Dry Drunk Emperor.”  I guess that they are done plugging my wife’s favorite song “Wolf Like Me.”

In my opinion a nice underproduced set of songs from one of the more interesting groups out of the indie scene.

 

 

 

TV On the Radio - Live Session (iTunes Exclusive) - EP Click Here to purchase the Live EP.

B-Sides in the Bins #12 – Cedar Rapids 5/24/07

I had a couple of trips to Half Price Books in Cedar Rapids that yielded a couple of interesting things.

Laughing Stock – Talk Talk (CD Polydor 847 717-2, 1991)($3.00) This is a CD that has been on my “if I ever see one” list. Laughing Stock was the last formal release from Talk Talk and commercially their biggest flop. Talk Talk started their career in the synth-pop arena with bands like Duran Duran, Depeche Mode, Communards, and Japan. The soulful vocals of Mark Hollis catapulted singles like “It’s My Life” (later covered by No Doubt) and “Talk Talk” into the top of the world’s singles charts. Following the success of their 1986 album Colour of Spring Hollis changed the direction and sound of the band into a more Jazzy, improvized sound that sparked the end of the band. Laughing Stock and its predecessor Spirit of Eden are in retrospect considered “Post Rock” and the earliest examples of this sound. After the split-up of Talk Talk Hollis would record a solo album that is a continuation of the sound established by the last two records. I really enjoy this album and am happy to have it in my collection. I’m not sure that I think this album fits in the “post rock” genre, but it has the same melancholy acoustic feel as David Sylvian‘s Secrets of the Beehive which is my favorite of his catalog.

Can’t Stop Won’t Stop – A History of the Hip-Hop Generation – Jeff Chang (Hardback Book St. Martin’s Press ISBN 0-312-30143-X, 2005)($7.98)(MSRP $27.95) This is a heck of a deal! I love finding stuff like this at HalfPrice. This is probably the best book on the history of Hip-Hop. I’ve just started reading this, but already it has been an eye-opener. I can see that this will be a reference for me later. If you get a chance to pick one of these up at HalfPrice I recommend it.

The Sea and Cake Release new iTunes-only EP Anybody

Anybody EPOne of my favorite releases from this Spring has been Everybody by the Sea and Cake. I listen to it at least once a week on the iPod. Thrill Jockey announced yesterday in their e-mail newsletter that there is an iTunes only three-track EP titled Anybody with songs that were recorded during the sessions for Everybody.

The cover art for Anybody was done by guitarist Archer Prewitt. Thrill Jockey will have a nifty record bag with this cover art on it.

The songs are “All In Throws,” “Breathless,” and the instrumental “Mis.”

 The Sea and Cake - Anybody - EP Click here to purchase the Anybody EP for US$2.97.

Apple iTunes Introduces “Complete My Album” Feature

From Engadget, Apple announced today the ability to purchase at a discounted price the balance of an album from iTunes when customers have purchased individual tracks. Effectively the customers will be getting a $0.99 credit per song purchased previously against the full album cost. This has been a long-standing peeve with the iTunes Store– so this is good news. The downside of it is that you only have 180 days from the single purchase to get the credits.

Apple iTunes

B-Sides in the Bins #9 – Cedar Rapids, IA & eBay 3/24/07

I really wasn’t expecting to do any shopping today. Due to my daughter’s car needing to be dropped off at Tires Plus for a strange banging noise and my wife wanting to do some clothes shopping at Lindale I found myself with some time so I hit CDWarehouse.

I walked in and immediately spotted the spine of the new Low CD Drums and Guns in a stack of used CD’s on the counter. While I hadn’t planned to pick this album up, I couldn’t pass on a new release! I verified that it was for sale and asked to have it put aside and started over to the $1 CD’s and made my way through the LP crates and then through the CD’s.

Before I checked out I spent some time talking to John Fisher who owns the store. A great guy to talk to and is pretty passionate about music and music retail. We talked a lot about sales on the Internet versus the brick-and-mortar retail. He is well aware of what his competition is. He is located next to a Best Buy and his prices will typically compete with Best Buy on new releases. He can also place special orders, which Best Buy has no interest in doing. His perspective on his very low vinyl prices is that he needs to compete with eBay on the “non-collector” vinyl. He is also competing with HalfPrice Books who gets their inventory fortified by their other locations. I have to say that I was surprised about the turnover he had in his vinyl so it will continue to be a stop for me. John is also brokering his inventory through Djangos Music which is pretty smart. He said that he has moved a lot of inventory that he wouldn’t normally move just due to the limited audience in Cedar Rapids for the more obscure items. Times are really tough for the independent music seller so it is good to see someone still willing to figure out how to stay viable! Stop by there if you get a chance.

Drums and Guns – Low (CD Sub Pop SPCD 736, 2007) ($7.99) This CD came out this Tuesday. Evidently the previous owner didn’t appreciate the new direction Low is taking on their eighth album and second for Sub Pop. Low has been around for quite a long time in Indie terms with their first release in 1994. Low is known for their slow tempo style sometimes called “Slowcore” and this album is continuing this style albeit with more distortion on the guitars and more sound effects. This album leaked on the Internet early in January and I had those mp3’s. At the time I thought that what was leaked must have been a demo due to the really strange mixing of the vocals mostly in the right channel but this CD has that, too. I need to spend more time with it, but I think it is a grower. I should get the rest of the Low catalog.

Rumours – Fleetwood Mac (2 CD Warner Bros, R2 73882, 2004) ($9.99) Another great find today! This one has been on my Amazon and lala.com want lists for a while. This is a BMG pressing of the CD, which I would normally pass over but it is in Mint condition. This is probably the sixth copy of Rumours I have owned on CD in my life. When I got my first CD player back in the late 80’s Rumours was one of the first CD’s I purchased. (other titles bought that first day were Brothers In Arms by Dire Straits, Hot Rocks 1964-1971 by The Rolling Stones, and Graceland by Paul Simon). I’ve lost three copies to other people– ex-girlfriends mostly. When I was around nine or ten I got a stereo from my parents with an 9-track and had a mix of Rumours and the self-titled prior release that Dad made for the car that I listened to constantly. Dad had an 8-track recorder and used to dub copies of the 8-tracks he bought. This album has been with me my whole life it seems and around for important events. When my wife and I got married in 2000 our invitations had lyrics from the beautiful Christine McVie-penned “Songbird” and Sherry and I had our first dance as a couple at our reception to it. This release has the appended “Silver Springs” that was originally the b-side to “Go Your Own Way.” The controversy surrounding this song has been documented in other places, but this song was another song about the breakup of Buckingham and Nicks. It was pulled from the Rumours tracklist because it was too long and the band preferred “I Don’t Want To Know.” This song resurfaced for the out-of-print The Chain boxset. If I remember right, Mick Fleetwood really pushed for this song to be included in the boxset at Stevie’s initial hesitance. The song was brought back as a single for the reunion album The Dance. The popularity of this song influenced its inclusion in the DVD-A release of Rumours in 2002, and then for this 2004 release. Sonically, I don’t think that this release is much of an improvement over the other pressings of this album on CD. The second disc of bonus tracks and demos serves mostly as an interesting view into the creation of this album and not really something you’d spend a lot of time listening to.

In The Sun – Archer Prewitt (CD Carrot Top SAKI 015, 1997) ($7.99) Another surprise find for me. I’ve had this one on my want list for a long time. This was the missing CD in my Prewitt collection. Archer Prewitt, for those of you who aren’t familiar is a core member of The Sea and Cake. Prewitt’s music is similar to The Sea and Cake, but differs from Sam Prekop’s solo works. Sam has a whispery vocal approach and tends towards a jazzy feel. Prewitt sounds like early breezy Seventies pop. I hadn’t heard any of the tracks off this album before today, but fits right in with his other albums. The Sea and Cake feels more like a Prekop vehicle and Prewitt takes a backseat in that band in my opinion, but he seems very comfortable in his role in the center stage on his own songs.

Afoot – Let’s Active (Vinyl EP I.R.S. SP70505, 1983) ($1.99) Let’s Active was the band fronted by 80’s college rock uber-producer Mitch Easter who I’ve mentioned on here before. According to Mitch, Afoot was an experiment of sorts. I.R.S. let Mitch record and release a record of his own after the success of the first two R.E.M. albums he produced with Don Dixon. This EP had a hit in “Every Word Means No” and even had a video on MTV. This will sit comfortably with my Game Theory vinyl. Mixed by Scott Litt who would later produce six of the best R.E.M. albums from Document through New Adventures in Hi-Fi.

90125 – Yes (LP ATCO 90125-1, 1983) ($1.99) It’s interesting to note that this album was released the same year as Afoot. They seem years apart. Sadly this album hasn’t aged as well as Afoot, however. All of those really nasty “orchestra hit” synthesizer patches and compressed and gated drums peg this album squarely as an early 80’s pop album. Still, this is one of my favorites. Probably the only album in history that is named after its catalog number. I had purchased this album on cassette in 1983 or 1984 largely due to the singles that this record spawned and the videos that were shown on USA’s “Night Flight” and WTBS’s “Night Tracks” shows (no MTV in Bellevue, IA back then!). This album follows the critically-panned Drama album that had the Buggles members Trevor Horn and Geoffrey Downes on vocals and keyboards. Drama was the only Yes album without the distinctive vocals of Anderson. Horn and Downes left after the Drama tour. Chris Squire and Alan white formed another band with guitarist Travor Rabin called Cinema which eventually Jon Anderson joined which allowed them to honestly call the band Yes. Most of the pop-geared single tracks were penned by Rabin and most of the vision of the record comes from him. Production was handled by Trevor Horn, who by this time had produced some significant albums on the ZTT label including Frankie Goes to Hollywood and The Art of Noise and lent a similar big sound to 90125.

Freedom – Neil Young (LP Reprise 25899-1, 1989) ($1.99) This LP has a cover that has a large patch where the printing has torn off, but the front looks good and the vinyl is good. Freedom marks the triumphant return-to-form for Neil on Reprise after his “lost” period on Geffen. Freedom started life as another album titled Times Square which was to be a louder album in a more Crazy Horse vein. Apparently the label didn’t hear a single so Neil went back to the drawing board and selected the best tracks from the Times Square sessions and added three new songs including the smash “Rockin’ In The Free World” in electric and acoustic versions the way Rust Never Sleeps had “Hey Hey, My My” and “My My, Hey Hey.” Many consider Freedom to be a complimentary release to Rust. A number of the tracks pulled from Times Square ended up on a Japanese/Australian EP called Eldorado. I got a copy of Eldorado from a Japanese student who brought one back with him after a break. I consider Freedom to be one of Neil’s finest moments on record.

Aerocalexico – Calexico (CD Our Soil Our Strength, 2001) ($9.99 + $2.50 Shipping) I got this as a Buy-It-Now this week. I’m very happy about this one as it is the last of the Calexico tour-only CD’s I needed. This one is probably one of the best of the series. I think it is great that Calexico pulls these collections together and makes them available to the fans. Some standout/notable tracks are “Pretty White Horses,” the Christmas track “Gift X-Change” and the instrumental track to “Humana” which was the “collaboration” with Goldfrapp on the “Human” remix from Felt Mountain Revamped album. This is still available from the Calexico site for $16

Things I didn’t buy: Franz Ferdinand’s debut CD in special packaging and included a bonus disc, Frankie Goes To Hollywood’s Welcome to the Pleasuredome on LP. They were playing a CD by Dressy Bessy that was pretty interesting– it was their 2002 release Sound Go Round. I’d heard mention of them but wasn’t familiar with them. Worth checking out I think. You can hear tracks at their Myspace page.

B-Sides in the Bins #7 – Iowa City, IA 2/22/07

My wife and I were back down in Iowa City for a doctor’s appointment, so I got to visit the Record Collector. Here’s what I picked up.

Meadow – Richard Buckner (CD Merge Records MRG279, 2006) ($12.00) I wanted to pick this up so I could become acquainted with his music before the Monday night show at the Picador that– if the blizzard subsides– Sherry and I are planning to go to with some other friends that are Six Parts Seven fans. I’m planning to review that show. This album is apparently one of two that Buckner has recorded in a more rock vein. This album employs members of Guided by Voices, Cobra Verde, and the Mekons as the backing band. The album is boozy rocking affair sounding like equal parts Replacements and Wilco.

“Town” from Meadow

I finally bought the 1996 12″ Tortoise remix series. I had been bidding on incomplete sets on eBay that were getting up over $10 apiece. I’d seen some of these in the bins at the Collector previously. This particular set was dropped from $8.00 to $6.00 apiece in January so I was pretty happy to get a deal on these. I already have all of these remixes on the 1998 US release of Remixes, but it is cool to get the vinyl. I guess I’m going to collect all of the vinyl I can. You may notice that although these were released as a set, there is a missing “12.2” apparently Thrill Jockey snuck a 12″ in the middle called “Beware Soul Snatchers” from a short-lived band called Rome.

Djed – Tortoise (12″ Thrill Jockey 12.1, 1996) ($6.00) This is the second pairing of Mo’Wax and Tortoise as this has an UNKLE remix of Djed “Bruise Blood Mix”– the other being the inclusion of a “A Source of Uncertainty” on the Mo’Wax compilation Headz 2 which is a remix of “Why We Fight.” I’ve never been able to ascertain whether this was a DJ Shadow or Tim Goldsworthy remix as they were both part of Lavelle’s project UNKLE. Shadow certainly did the UNKLE remix of “Where It’s At” by Beck, and he joined in 1995 so its possible. The flipside of the UNKLE remix is “Tjed” a remix by John McEntire from Tortoise. The McEntire track is much more of a deconstruction than the UNKLE version is.

Music for Workgroups, the Oval Remixes – Tortoise (12″ Thrill Jockey 12.3, 1996) ($6.00) The two tracks on this release are “Bubble Economy” and “Learning Curve” and are alternately credited as remixes by Markus Popp who does work under the monikers of Oval and Microstoria. According to this interview with Popp, these tracks are not remixes of particular tracks like the other Millions 12″ releases. He said that he doesn’t treat his works as particular tracks but as “data.” So he asked Tortoise to give him as much sound data as possible and they sent him two CD’s worth! It was from this material that he created the two tracks here. I gather from the interview that this is inaccurately credited as an Oval track as it doesn’t have Sebastian Oschatz on it.

Rivers – Tortoise (12″ Thrill Jockey 12.4, 1996) ($6.00) The first remix of “Along the Banks of Rivers” is “Galapagos (Version One)” from Drum ‘n’ Bass/Jungle producer duo Springheel Jack. I really like this track. I always assumed they called this track “Galapagos” due to the giant tortoises (get it?). However, there seems to be two more versions of “Galapagos” on other releases from Springheel Jack that don’t to my ear sound like they are related in any way. The flip is “Reference Resistence Gate” by the frighteningly prolific Jim O’Rourke. His take on the track takes some of the lighter chiming parts of “Rivers” and delivers a stuttering drum beat over the atmospherics.

The Taut and Tame – Tortoise (12″ Thrill Jockey 12.5, 1996) ($6.00) The first remix is of “The Taut and Tame” by Warp artist Luke Vibert. The flipside is a remix of “Wait” which was a song that Jeff Parker brought to Tortoise. The remix is done by former Tortoise member Bundy K. Brown.

Until next time…