As I mentioned earlier, Baltimore’s Arbouretum is releasing a split album with new Thrill Jockey signees Pontiak called Kale. The two bands played one show together in Baltimore on June 4th at The Talking Head. I knew about the show, but I didn’t know that the show was taped and available for download via Aural States which is a blog/site dedicated to happenings in the music scene of Baltimore.
Arbouretum headlined and played a set of mostly tracks from Rites, but also included one of the covers from Kale “Buffalo Ballet.” A great set, in my opinion.” Pontiak’s set was also very good and included “Dome Under Sky” from Kale.
The opening act was another side project of Dave Heumann from Arbouretum called Television Hill. Television Hill is more of a throwback folk/blues outfit, but still very good. This set is available from Beatbots which also covers the Baltimore scene.
Big thanks to Jeff the Taper who made these recordings available.
Click Here to stream or download Arbouretum’s set.
Click Here to stream or download Television Hill’s set.
Aural States is also hosting a live set from Wye Oak from March along with an interview. I’m hoping that I’ll be able to catch the show next weekend with Pontiak and Wye Oak in Iowa City!
Joey and John visited the KXCI studios on Friday, May 23rd to perform songs, talk about their new album and to promote the benefit show they played Friday night at the Rialto in Tucson to send Mariachi Aztlan de Pueblo High School to Washington DC for the National Independence Day Parade.
During Friday’s Home Stretch show hosted by Kristi Lloyd which I heard thanks to a fan on the Calexico Yahoo group who snagged the Internet feed of that show it was announced that the new album is finished and will be called Carried to Dust and will be released September 9th in the U.S.
Calexico played three songs (I think) but I only heard two of them. The first song was new and they didn’t announce a title for it, but it was a slower song with a road or driving theme, and they played another new waltzy song titled “The News About William” played on acoustic guitar and brushes on drums. No earth-shattering change in direction in my opinion, but more strong music in the familiar Calexico vein.
The tour dates are filling in for Calexico this summer and it looks like they might be holding most of the U.S. dates until after the album release. There are three dates, though, Detroit on 7/5, The Newport Folk Festival in Newport, RI, and the World Music Festival in Chicago on 9/25. The World Music Festival will be a free one, so I might consider making a long weekend in Chicago for that one.
While I was out doing some research on the new Thrill Jockey signees Pontiak, I noticed that they are going to be playing at the Mill in Iowa City along with new Merge Records act Wye Oak. I wasn’t familiar with Wye Oak— they looked like a folk act which seemed puzzling to me considering the grungy distortion brought by Pontiak.
Well, a bit more research and listening to the album stream of If Children on Merge’s website revealed a band with its feet in a more shoegazer-y location. At times they sound like Low to me with the layered sounds and the dreamy delivery. Another band from Baltimore– what’s up with the insurgency of Baltimore bands all of a sudden?– Wye Oak is a two piece with Jenn Wasner and Andy Stack playing all instruments on the album and able to deliver this in a live setting.
Pontiak– although NOT from Baltimore– are getting a helpful boost from Baltimore band Arbouretum. Arbouretum and Pontiak are going to release a split LP on 7/22/08 on Thrill Jockey Kale which will be a tribute to John Cale. Vinyl only, thank you! TJ doesn’t have any streaming samples to listen to for Kale, yet, but they do have samples of Pontiak’s 2007 release Sun on Sun, which will be re-released on Thrill Jockey September 9th. You can purchase mp3’s and apparently the 2007 Fireproof Records vinyl before then, though!
Wye Oak and Pontiak will be joined by Ames, Iowa band Poison Control Center, and the surfy good vibrations of The Botticellis for a night of Indie goodness sponsored by Mission Creek— all for a measly $7! I’ve provided enough links below that you should be able to memorize the words to all of these band’s songs so you can sing along.
I’ve included links below to the Daytrotter sessions that both Poison Control Center and The Botticelli’s have done. Not to be upstaged, Wye Oak and Pontiak are scheduled to record a Daytrotter session before the Iowa City show.
Glen Phillips is the frontman for the 90’s alt-pop group Toad the Wet Sprocket. Since the group’s split in 1998, Glen has participated in the occasional Toad gig, but has recorded four albums– the most recent being 2006’s Mr. Lemons— and two EP’s.
Last night Glen kicked off a run of solo acoustic dates that wrap up at the end of May and include a substantial number of Midwestern dates and two in Iowa! I had a chance to see him last night at World Cafe Live in Philly and it was great! I’ll collect my thoughts on this show and post a review later. The majority of the songs come from his solo catalog but include the occasional Toad cover and an inspired cover song or two. Glen Phillips in a live solo setting is typically a pretty intimate engagement and well worth seeing.
If, like me you hadn’t been following Mr. Phillips’s solo career I recommend signing up for MyTracks if only for a month so you can download all of his solo albums and EP’s except for his 2004 effort on Lost Highway that unfortunately seems to be a sore point for him. MyTracks is a subscription download service like eMusic is. For $7.95 you can download as much as you want for a month. Unfortunately Glen Phillips likely the most recognizable artist in their growing catalog. I’ll check some other tracks out before I cancel. The live acoustic album SOhO Live is an exclusive to MyTracks. Recorded last Fall it is fairly representative of what his set is like. Another unfortunate thing about MyTracks in general is that all of the tracks are encoded at 128 Kbps. I guess with unlimited downloads one shouldn’t complain, but I might have paid more for at least SOhO Live to get a higher bitrate. The other albums are available for download at higher bitrates from Glen’s site. While you’re there take a listen to his new EP Secrets of the New Explorers— fantastic stuff!
Glen will be in Des Moines at The Temple Theatre on Monday, April 14th, followed by a show at The Hub Live on Wednesday March 16th. The Hub is a new venue to me, so it would be cool to see it– however, I’m out of town on the 16th. As I was informed last night at Glen’s show in Philadelphia by a friendly fan (thanks, Heather!), Toad the Wet Sprocket will be touring this summer and will be hitting Philly again– June 11th at the Trocadero as confirmed by their MySpace Page. My friend Andrew and I saw Calexico a couple of years ago at the Troc, and it is another fantastic Philly music venue in addition to World Cafe Live and TLA now rebranded “The Fillmore at TLA.”
Click Here to see all of the dates Glen is playing this summer.
Click Here to visit Glen’s Website Click Here to visit Glen’s MySpace Page Click Here to visit Toad the Wet Sprocket’s Website (which includes their live dates) Click Here to visit Toad the Wet Sprocket’s MySpace Page
Previously we announced that Bo Ramsey’s album recorded in 2007 would be released on April 8th in conjunction with some CD release shows. Since tomorrow is April 1st, I was getting ready to send an e-mail over to CDBaby to see if they were going to be ready to have the CD available for the 8th. I hit Bo’s site and imagine my surprise that the CD is available today!
For whatever reason, you can’t find the new Bo Ramsey album by doing a search of “Bo Ramsey” on the CDBaby site. But, this link works and I ordered my copy this morning! $14 plus $2.25 shipping.
Bo has two more shows on the calendar that are solo and solo with band. 4/5/08 in Minneapolis at the Cedar Cultural Center with Marty Christensen and The Englert in Iowa City on 4/26 with band. I hope we’ll get more opportunities to see Bo this summer.
Look for a review here in the near future. I have had the opportunity to hear this album in advance and my first thoughts are that this album is the logical progression from his blues cover album Stranger Blues and his best and most consistently timeless album yet.
Back in 1996, when I was living in Minneapolis I was really into this band called 16 Horsepower. The alternative radio single “Black Soul Choir” was all over Rev105 and Sherry and I saw them play the Fine Line on 6/8/96 (according to the ticket stub I tucked into the CD sleeve of their first release on A&M Sackcloth ‘n’ Ashes. At the time, I hadn’t heard anything like the hellfire and brimstone approach that lead singer David Eugene Edwards brought. The only band that had a similar sound was Miami Gun Club. These days, there are a few more bands that take the “graveyard folk” route like Devil Makes Three (previously reviewed here).
I found out from a friend of a friend that David Eugene Edwards is bringing his post-16 Horsepower band Woven Hand to Des Moines on April 19th at the hip Vaudeville Mews venue (that I still haven’t been to!). Woven Hand is still pretty similar to the sound of 16 Horsepower but it has a slightly updated sound. I’m catching up… Edwards seemed to command the stage when I saw him in 1996, so I can only assume he’ll put on a great show these days. Only $8!
As it turns out, my wife Sherry wanted to be in town that weekend anyway to celebrate her birthday with her sister so it couldn’t happen at a better time. Plus, my daughter RaeEllen is a die-hard fan of Nellie ever since the first album. We called her at her dorm room tonight where she’s feeling a bit under-the-weather at the moment. But, she’s excited to see her at last. Nellie was in the Twin Cities late last year as part of the touring Christmas Show that Aimee Mann was doing. Unfortunately, that show didn’t work out for us, which is too bad because we’re fans of Aimee here at the Roeder house as well.
The show starts at 7PM and tickets for non-A Train members is $25.
Nellie has some tour dates running through the beginning of May:
It seems that Bo is going to sneak another album out to the unsuspecting masses. Titled Fragile, the follow-up to the fantastic 2006 country blues cover album Stranger Blues will be released on April 8th on Bo Ramsey Records. I suspect that we’ll be able to get Fragile through CDBaby where his other releases are currently available.
In support of the new release Bo will be performing some shows in the area. He’s still carrying out the constant touring in support of Pieta and Greg for their shows, but he’s getting a few shows of his own in. I’ve excerpted the “Bo only” shows from his MySpace Page. The March 28th Java Blend show is a radio show on KSUI that is also carried by KUNI. I wouldn’t be surprised if the Cedar Cultural Center show has the Pines helping out, since Benson Ramsey lives in the Twin Cities.
Mark Olson as one of the founding members of the Jayhawks provided an early prototype of the revival of country-folk that would shape today what gets generally labelled “Americana” although he doesn’t necessarily believe in limiting his music by giving it that name. With his touring accomplices multi-instrumentalist Ingunn Ringvold and violinist Michele Gazich, Mark is back on the road supporting his brilliant 2007 release The Salvation Blues following a short break after last year’s run through the US and Europe. It was during his break in the middle of catching up on errands that Mark graciously accepted the invitation to talk to me from his current home in Joshua Tree, CA about collecting records.
Me: Thanks for talking to me today, Mark. Can you share with us some details about your record collection?
Mark: I’m a bit of a record collector from way back. I don’t do it so much now but. There is this Italian in the group who is, like, totally insane about going to bookstores and record stores and he buys way too much stuff for us to be on the road with it!
But, I did it at a certain point in my life and I guess it influenced my music all the way along and that’s collect records and stuff. I have a bunch of ’em. And books and things like that. I love to go into those kinds of stores. I’m one of those guys that wishes there were still more record stores around– and book stores. I get tired of the Borders and that kind of stuff.
There used to be a really, really cool record store– I forget the name, I’m sorry– it could have been part of Cheapo’s but I don’t think so– it was on Lake Street in Minneapolis down by the river and it was just in a grungy storefront. But, what they had that was SO different– they had all these BRAND NEW gospel records from like the Sixties and the early Seventies still in– and this is in the Nineties– still in the wrappers! They were on the Nashville Label and the Nashboro label and Folkways. I got a bunch of them for like a buck-fifty of people I’ve NEVER EVER heard of– you know? All this really neat stuff. So I bought a bunch of those back then. There used to be a lot of like little hole in the wall used record stores around there. I got a lot of neat records, there. I think that people made off with them, too. I think Karen [Grotberg– keyboardist of the Jayhawks– Ed.] and the Jayhawks they made off with one of my favorite ones.
Me: Of these gospel records?
Mark: Yeah. It had this piano and organ going at the same time and it blew her away. So, I dunno. I haven’t seen that one in a long time. (chuckles).
I’ve just got a lot of really wierd, rare records. Like the Glaser Brothers (Tompall & the Glaser Brothers- Ed.) they were really GOOD when they first started out. They had these three-part harmonies and they were singing kinda folk-country stuff. [Tompall Glaser] actually wrote “Streets of Baltimore” that ended up on the Gram [Parsons] record (his 1972 release G.P.– Ed.). So, I’ve just got a lot of wierd Sixties, country, folk gospel records. That’s the first place I would go to look– in those sections.
Me: Is this the segment you collect in, then?
Mark: Well, I do anything now, but back then I was totally obsessed with Sixties Country, Folk, and these wierd gospel labels. They were on small labels that weren’t in regular record stores and no one is going to see these records again! But, this one store had bought out this collection of records on really THICK VINYL.
My favorite albums– as far as albums go, the ones that had the biggest influence on me were the Doug Sahm Mendocino album and, then of course The Flying Burrito Brothers Sin City album. I like Jesse Winchester he’s kind of a folk guy. And, I like Fairport Convention. That’s the stuff I put on to just enjoy so to speak.
Me: You know, I never really got into Doug Sahm…
Mark: Oh MAN!
Me: But… I’m familiar with him through Calexico and their participation in that Border Radio tribute “Los Super 7.” (note: while songs from Doug Sahm are on both records, he only sang on the first one that was hosted by Los Lobos).
Mark: What’s cool about him is he could sing like nobody else– he had one of the most soulful voices. He came out of Texas doing all the different styles of Texas music– he could do R&B, blues, country… But then what he did was move to San Francisco for a while and that totally opened up his music into all kinds of different directions and he made this album called Mendocino that isn’t the most- ah– he made another one that’s even crazier– but this one is just the beginning of that. It’s not like albums that are made today– that are VERY LOOSE in the performance level, okay? There’s mistakes being made, there’s tempo changes, there’s all that stuff going on. But, his voice is so COMMANDING that it doesn’t really– and the recording quality is not that good, really, compared to modern records where everything’s CLEAN at the perfect levels and all that stuff.
Me: So, what label was he on?
Mark: He was on Smash and they put out a bunch of good albums! They put out all of the Jerry Lee Lewis records that were country– that are INCREDIBLE! But, no one played and sang like Doug– very loose– just incredible stuff.
Me: When you say “loose” like that, it makes me think of Howe Gelb from Giant Sand.
Mark: Yeah, sure! I really liked that “Sno” album (Howe Gelb’s 2006 release ‘Sno Angel Like You)! That is SHOCKINGLY GOOD! I can’t believe that that isn’t like a HUGE album! It’s just so fricking GOOD. Lyrically, musically, there is so much going on there, it’s just intense.
Me: Do you collect mostly vinyl, then?
Mark: Today, I’m about 50-50 vinyl and CD’s. But, leaving Minnesota– moving a lot is really rough on a record collection. We had a flood at one point. It’s unbelievable but there was a flood in the desert– if it rains too much it can flood. And, I lost about a quarter of my record collection. It was impossible to save them because there was too much silt.
Me: So you just wrapped up a tour of Europe?
Mark: Yep, three months– well we did two months in America and we did three months in Europe pretty much back-to-back. I’m home for a couple of weeks and then it’s back out.
Me: Yeah, you’re coming to Cedar Rapids, IA! I’m planning to be at that show. I had intended to go to the show at the Mill last Fall…
Mark: That was a CRAZY night. There was lightning everywhere It was seriously dangerous to be outside.
Me: I talked to a guy who went to the show and he said there was only like 20 people there.
Mark: I think that people decided to keep their life in good order and not step out into the lightning. Meanwhile we’re out in the middle of it playing!
Me: What are you doing in this little break?
Mark: Well, you go out on tour, come home and pretty much things have fallen apart– your vehicle, your house. I’m trying to put everything back together, clean up. I have a list of musical equipment I need to get. Then go back out again. I’m more used to touring, now, than being at home.
Me: It seems like you’ve been on tour a long time!
Mark: The album came out in June and the tour started in August. I feel like we just got through the first phase of it now and now we’ll go back out and see how it’s going. It used to be that you would go out for a promo thing and the record company would support that and then you’d go out on tour. Now, the tour is kind of like “promo.” That’s a business thing that has changed. I feel like we’ve done the touring, the promoing and now we’ll go out and see what’s going on– if people have heard this album and if they’re into it– in America at least.
Me: Thanks for talking to me, today, Mark. I’ll see you at the show!
Mark: No problem! See you.
Mark will be playing Wednesday night, February 13 at 8PM at CSPS in Cedar Rapids, IA. Tickets are $13 in advance, $16 the day of the show. Click Here for Details
Well, it looks like 2008 is off to a running start for our favorite funk and soul group The Diplomats of Solid Sound.
First, from their MySpace page, we have the announcement of an upcoming single on Italian boutique funk/jazz/soul label Record Kicks. The A side of the single is the funky “Plenty Nasty” and the flipside is a big beat remix of the live favorite “Hurt Me So” done by Adam Gibbons aka Lack of Afro. Due out on February 25th (or February 11th?) on 7″ and Digital download the single is the precursor to the much anticipated full album release of The Diplomats of Solid Sound Featuring The Diplomettes.
Record Kicks is a label like Daptone in that they press limited runs of vinyl and this new album will be no different. At this time the release of the album is looking like some time in March. I’ll update this article when I get confirmation. I’m sure that the Diplomats will have copies of the single and the album with them at live shows, but you will be able to order the album from their online shop (if you like to pay in Euros) or from Dusty Groove and iTunes will have digital downloads. I’m sure that the Record Collector in Iowa City will probably have copies, too.
The Diplomats have put a slippery new song on their MySpace page called “Budget Fro” which looks to be from the upcoming album. For a limited time you can also download a live version of “Intercontinental Git” from 2004’s Destination… Get Down! which was recorded at the Englert Theatre featuring Eddie McKinley and David Basinger. Get it while you can!
Also, the Diplomats have a number of upcoming shows in the area including two this coming weekend– one at the Mill in Iowa City on Friday 1/25 and on 1/26 at 3rd Street Live in Cedar Rapids.
As I mentioned earlier, Baltimore’s Arbouretum is releasing a split album with new Thrill Jockey signees Pontiak called Kale. The two bands played one show together in Baltimore on June 4th at The Talking Head. I knew about the show, but I didn’t know that the show was taped and available for download via Aural States which is a blog/site dedicated to happenings in the music scene of Baltimore.
Previously we announced 
Well, it looks like 2008 is off to a running start for our favorite funk and soul group The Diplomats of Solid Sound.
