12 Releases I’m Looking Forward to in 2012

The month of January was named after the Roman goddess Janus who had two faces.  Like the goddess, January is the month of the year when we both look back on the previous year that is over as well as ahead to the year coming up. I just posted my favorite releases for 2011— here is a list of releases that I’m looking forward to in 2012.

The Right Now – sophomore release (April 21st) – The Chicago R&B group The Right Now has had a pretty great run since their first album Carry Me Home came out in 2010 (which I was the Executive Producer on). They’ve played some pretty great headlining shows as well as opening for many of the bigger R&B acts touring. They flew out to L.A. in 2011 to work with Sergio Rios of Orgone at his studio for their 2nd album. Most of songs for this album have had their fair share of live workout and it shows– as someone who has seen the band a lot over the last year, the new songs have already become standards. The album will be released on Record Store Day.

Jeff Parker – Bright Light In Winter (February 2012) – The guitar-slinger for post rock fountainhead Tortoise is releasing his third solo album on Chicago Blues/Jazz label Delmark. Jeff Parker’s first solo record Like Coping was released on Delmark, with his second solo record The Relatives on Thrill Jockey. Credited as the Jeff Parker Trio, the album will feature Chris Lopes on bass and Chad Taylor on drums.

BTW: Don’t get me wrong– I’m a Thrill Jockey fanboy of the first order, but when was the last Jazz release from Thrill Jockey? (It was Chicago Underground Duo…) Thank goodness for Delmark, or we wouldn’t get these crucial releases from Chicago’s Jazz scene!

Garbage – title TBD (March or April 2012) – I reported on this previously. The new fifth album from Garbage is apparently in the can and mastered. There have been reports of an extensive tour in 2012 as well.

Snow Patrol – Fallen Empires (January 10) – After developing a big crush on the Tired Pony record, I was waiting expectantly for this album as it was produced by Jacknife Lee who also produced R.E.M.’s album Collapse Into Now, and with all of the ties to R.E.M.– Pete Buck was in Tired Pony, Michael Stipe helped Gary Lightbody get through some writer’s block– I was hoping for something great. The first song from Fallen Empires was “Called Out in the Dark” which has an unstoppable beat and build to it. I think that the promise of Tired Pony delivers on Fallen Empires.

Poliça – Give You The Ghost (February 14) – Technically, this album is already out as it is available as digital download from iTunes and Amazon. But, the debut album from GAYNGS lead vocalist Channy Leaneagh’s (formerly Channy Moon Casselle) new band Poliça will be officially released on CD and vinyl on producer Ryan Olson’s record label Totally Gross National Product on Valentine’s Day 2012, complete with sold-out shows at First Avenue. If you are a fan of the vocoder-laiden production of GAYNGS and Bon Iver (Mike Noyce from Bon Iver helps out on vocals on a couple of tracks, too), then you’ll love this album as much as I do! The lineup of two drummers, bass, vocals and keyboards gives the band a very unique sound, but also pretty reminiscent of 90’s trip hop from bands like Morcheeba, Sneaker Pimps and Portishead.

The Pines – Dark So Gold – (January 31) – The third album from The Pines on Red House Records find principal members Benson Ramsey and David Huckfelt living in two different cities. This doesn’t prevent them from turning out their best collaboration, yet. I caught three of their shows back in May and their stop at CSPS in September and got to hear songs destined for Dark So Gold, so I was already looking forward to hearing the studio versions of “Cry Cry Crow” and “If By Morning.” Produced again by Benson’s dad, Bo Ramsey. The Pines are kicking off a tour at the beginning of February in support of the new album and will be making stops at CSPS again as well as The Cedar Cultural Center in Minneapolis.

Cheyenne Marie Mize – We Don’t Need EP – (January 24) – What started out as a release on My Old Kentucky Blog’s label Roaring Colonel has been picked up by Cheyenne Marie Mize’s new label home YepRoc. I loved her last album Before Lately and managed to catch her at The Mill where she performed the percussion-plus-vocals “Wishing Well” which Consequence of Sound is debuting. You can also check out her Daytrotter session to listen to “Keep It” which is also on the 6-track EP available on 10″ vinyl and digital download.

Jacob Jones – Good Timin’ in Waynestown – (August?) – Jacob Jones is someone my wife and I met in Nashville during an overnight stop on a Monday night with Brendan of The Right Now. We were on a marathon road trip getting the mastering done and dropped off for the vinyl version of Carry Me Home. Brendan insisted we needed to hit this local-yokel  bar called the 5 Spot where they have this over-the-top dance party on Monday nights. This dance party called “Keep on Movin'” is hosted by Jacob Jones and his label partner Reno Bo and consists of mostly 50’s and 60’s country, R&B, garage rock and blues– typically spun on a turntable (though sometimes from a MacBook). The drinks are cheap, the folks are friendly and the floor is packed. Suffice it to say, it was one of the most memorable events we’ve been to, and certainly one of the high-points of the trip.

In addition to purveying this party, Jacob is also a singer/songwriter with a couple of pretty great Americana records under his belt. I introduced blogger Amber Valentine to his music and she wrote this really great review of his last release, which is a free download. When I was pinging folks for releases I reached out to Jacob and he told me about his 2012 release, Good Timin’ in Waynestown which is inspired by the 5 Spot Monday nights! “Good Timin’ In Waynetown” is about the good times. plain and simple,” Jacob told me in a recent conversation, “The songs are for dancing. drop the needle and get to work. The songs are filled with huge sounds of New Orleans and Nashville, Memphis and Mussel Sholes. They are about the finer things in this world like love and having good friends, that’s it, plain and simple.” Indeed, based on the couple of rough mixes he sent, this album has a big sound somewhere between Ray Charles, Chris Isaak, and Lyle Lovett. This release is going to come out on vinyl, too, so that is really exciting! A sure bet for my best of 2012.

The Diplomats of Solid Sound – TBD – I don’t have any details about the third release of Iowa City-Chicago-Austin band The Diplomats of Solid Sound with the Diplomettes other than it was recorded in Iowa City in 2011 and that they played some of the new songs at their gigs leading up to and on New Year’s Eve. I loved their last two albums, so there should be no reason to believe I won’t love this one, too!

Camper Van Beethoven – TBD – News of this release– their follow-up to 2004’s New Roman Times— was delivered with a run of tour dates starting this week. No other details other than this run of winter dates will include some of the songs from the forthcoming record.

Hiss Golden Messenger – TBD – As if  releasing the amazing 1-2 punch of Bad Debt and Poor Moon over the last two years wasn’t enough, M.C. Taylor is planning to come back in 2012 with another album! As part of one of the Poor Moon pre-order bundle he included a bonus digital EP called Lord I Love The Rain that included outtakes and demos, but also had early versions of tracks that will be on the next album. Though we’ll see if this is the next album or maybe another project he hinted at in a recent conversation!

The Horses Ha -TBD – In a recent conversation with Janet Beveridge Bean she told me that James Elkington and she were done recording the follow-up to the debut Horses Ha release The Cathmawr Yards which came out in 2009. I absolutely loved the jazzy folk harmonies from The Horses Ha. You can read my review of The Cathmawr Yards here. Watch my site for updates as I get them!

 

Upcoming Show : Jeffrey Foucault at Legion Arts/CSPS 12/9/11

Somewhere between Milwaukee, Rockford, IL and Chicago sits Whitewater, WI. Whitewater is home of the University of Wisconsin, Whitewater (alma mater of John Belushi if you believe Wikipedia) as well as folk/country/Americana singer-songwriter Jeffrey Foucault.

Foucault has been spinning his particular yarns into song for going on ten years and has performed in support of complimentary artists like Greg Brown, Todd Snider and Chris Smither. His 2006 album Ghost Repeater was produced by Bo Ramsey and included a few of his regular sidemen– Rick Cicalo on bass, Steve Hayes on drums, as well as Nate Basinger from the Diplomats of Solid Sound, and Dave Moore guesting. Eric Heywood from Son Volt provided pedal steel guitar.

Foucault’s latest album Horse Latitudes came out in May to critical acclaim, also has some notable sidemen– Heywood returns on pedal steel and Van Dyke Parks provides keys! Horse Latitudes is the first album I’ve heard from Foucault, but his vibe recalls some of the great songwriters of our time– here and there I hear drops of Neil Young’s early work around Harvest, Springsteen and Gordon Lightfoot. An impressive work from beginning to end.

Foucault will be performing at Legion Arts/CSPS in Cedar Rapids, IA on Friday night at 8PM. Tickets are $14 in advance and $18 at the door.

More information at the Legion Arts Website.

Watch Jeffrey Foucault on Sound Pass

Click Here to listen to “Horse Latitudes” from Horse Latitudes.

Click Here to listen to “Pretty Girl In A Small Town” from Horse Latitudes.

Click Here to listen to “Goners Most” from Horse Latitudes.

Catch Jeffrey Foucault on Tour (from his website):

12.09.11 Cedar Rapids, IA CSPS
12.13.11 Marshfield, WI Vox Concert Series Hayward Williams opens
12.14.11 Fort Atkinson, WI Cafe Carpe Redbird
12.15.11 Fort Atkinson, WI Cafe Carpe Redbird
12.16.11 Fort Atkinson, WI Cafe Carpe Redbird
01.01.12 Shelburne Falls, MA Memorial Hall Redbird
01.06.12 Baltimore, MD Cellar Stage With Mark Erelli
01.07.12 Newtown Square, PA Burlap and Bean With Mark Erelli
01.08.12 Stony Brook, NY University Cafe At Stony Brook University with Mark Erelli
01.13.12 Pittsburgh, PA Club Cafe
01.14.12 State College, PA Acoustic Brew Concert Series
01.20.12 Marblehead, MA Me & Thee With John Fullbright
02.17.12 Minneapolis, MN Cedar Cultural Center Support to The Pines
02.18.12 LaCrosse, WI The Root Note
02.25.12 Stoughton, WI Stoughton Opera House
03.2-4.12 Ashfield, MA The Mighty Albert A Guitar/Songwriting Workshop Weekend
03.03.12 Ashfield, MA Elmer’s Store Concert
03.16.12 Syracuse, NY Folkus Project
03.31.12 Cambridge, MA Club Passim
04.27.12 Fairmount, IL Sleepy Creek Vineyards
04.28.12 Springfield, IL Hoogland Center for the Arts
05.12.12 Pomfret, CT The Vanilla Bean

Pieta Brown Drives “Mercury” to Town on 9/27

Red House Records and Pieta Brown announced today that her new album titled Mercury— her second for the label will release on September 27th with an iTunes download of the title track available immediately.

There is also a pre-order on iTunes with two-minute samples of every track on the 13-song album.  At first blush the album continues the honey-drenched laid back bluesy folk sound that is her trademark sound.

Pieta’s first album on Red House Records, One and All, marked the re-entry of the label back into vinyl records, and although the e-mail sent out today doesn’t specifically mention Mercury vinyl, I know the label is supporting more releases in the future, so it stands to reason that this album will be too.

I’ll post more information as I get it!

Tracklisting for Mercury

  1. Be With You
  2. Butterfly Blues
  3. Mercury
  4. How Much of My Love
  5. I’m Gone
  6. I Want It Back
  7. Blue Rider
  8. Night All Day
  9. Closing Time
  10. I Don’t Mind
  11. Glory to Glory
  12. So Many Miles
  13. No Words Now

Upcoming shows:

8/20/2011 Bayfield WI Big Top Chautauqua
John Prine
8/21/2011 Bayfield WI Big Top Chautauqua
John Prine
9/10/2011 Iowa City IA Iowa Women’s Music Festival
9/25/2011 Santa Monica CA McCabe’s Guitar Shop
Jim Lauderdale
9/29/2011 Minneapolis MN The Dakota Jazz Club & Restaurant
10/7/2011 Evanston IL SPACE
Nora O’Connor
10/8/2011 Iowa City IA The Englert Theatre – 99th Anniversary Celebration
10/14/2011 Pella IA Pella Opera House
10/20/2011 Rockford IL Severson Dells Nature Center

(Upcoming Release) What’s In A Name? Members of fDeluxe Announce First Album in 26 Years Together- “Gaslight” to Release in September

Photo credit: Steve Parke

There is a lot that can be said about Prince, and at this stage in his life and career he has firmly established himself as one of the Rock and Pop greats and the sellout tour that he is currently undertaking is a statement made about his career to date– every night is a different lineup of songs from his extensive and prolific career and he is inviting guests to perform with him from his past and current notable artists. In this post-Elvis, post-James Brown, post-Michael Jackson time, we are lucky to have His Purple Majesty walking among us.

One thing is certain, though, when Prince chooses to surround himself with other musicians, they are usually some of the best in the business– The Revolution, New Power Generation, The Time, Sheila E., –the list goes on. One band of musicians that would have probably continued to exist as a footnote in the Wikipedia article that is Prince’s life was The Family. And, it appears that Prince would have preferred it stay that way.

The story about The Family is kind of a notorious one amongst the Prince faithful. Following the massive success of the “Purple Rain” movie and the extensive two years of subsequent touring, took its toll on The Time– who was in the movie and was supporting band on the tour– and ultimately caused key members to quit– namely Morris Day, Jimmy Jam and Terry Lewis. Prince collected the remaining members of the Time proposing a reboot including his then-fiancee Susannah Melvoin, twin sister of Revolution guitarist Wendy Melvoin– starting the trend of his svengali-like tendencies of producing albums of his romantic interests. In addition to Susannah, Prince proposed Paul “St. Paul” Peterson as the other lead vocalist and added Eric Leeds on Sax and keyboards.

The resulting self-titled album in 1985 was comprised mostly of Prince compositions and was performed completely by him except for the vocals and sax parts. The band was short-lived, however as St. Paul left the band, forcing the end of the group, but by this time Prince had moved on to other projects including Sheila E.’s Romance 1600 and the next two albums of Prince and the Revolution as well as the feature film “Under The Cherry Moon.” Prince was not happy with Peterson’s departure, and it seems like he might still hold a bit of a grudge 23 years later.

The story of this band would have stopped here if it wasn’t for a reunion of one of ?uestlove’s favorite Paisley Park-era bands as part of one of The Roots Pre-Grammy parties in 2007. (Athough, I think the genesis for this reunion might have really started with the band Edith Funker who ?uestlove was part of with Susannah and Wendy) It was around this time that Paul Peterson announced the reunion of the members of The Family and that they were working on a new record!

This was over three years ago! A project like this one takes a lot of time and resources and is a good example about how the Internet can facilitate. With members split geographically between California and Minnesota and having careers and lives outside of this project they slowly recorded the album supported in some cases by frequent flier and car rental miles donated by fans eager to see this project get off the ground. Periodically the band would come out of hiding streaming internet video of recording sessions and taking fans questions and posting the occasional raw unmastered track for fans to hear the progress.

The Family 2.0 Live in Minneapolis

The first real fruits of the reunion of the band came in the form of a live performance at The Cabooze in Minneapolis in June of 2009 as part of the “Prince Family Reunion.” The reunited band calling themselves “The Family 2.0” of St. Paul, Susannah,  Jellybean and Eric Leeds plus members of Mint Condition put on a short-but-amazing set which included songs from the first record as well as newly-written songs. The crowd was excited and the band put on a high-energy set.

Since that show the band has struggled with a certain artist who has been blocking the group’s use of the name “The Family” as well as any PR that even implies their past relationship with him. The first change the band made was their name– they became “fDELUXE” last year. As awkward as that name might be, it really serves to point out that while the core of the band acknowledges a past together in a previous band, this new incarnation is much more than vocals added to tracks recorded by one man.

This week, band manager Neil Richards of Square One Entertainment announced via the fDeluxe Facebook page that the long-time-coming reunion album is going to be titled Gaslight after one of the album tracks and not The Family as they had originally planned, and will come out September 12th.

Ringing in at 11 tracks, Gaslight has the expected two-lead vocalists of Susannah and St. Paul along with the core members of Jellybean and Eric Leeds, but they also bring in an extended “family”-  if you will- of  Wendy Melvoin, Lisa Coleman, guitarist extraordinaire and husband of Susannah, Doyle Bramhall II, JP DeLaire, Oliver Leiber co-writing and performing…  as well as members of The Hornheads, Ricky Peterson, Charlie Drayton and more helping out during the recording. fDELUXE, indeed!

The band has announced a record-release show in Minneapolis as well on September 16th at the Loring Theater. Ticket information to come as well as other tour dates!

In the meantime, you should sign up for their e-mail list to stay on top of things fDELUXE, and get a free download of “Over the Canyon.” CLICK HERE to visit the band’s website and to sign up.



Click Here for the fDELUXE Facebook Page and become a FAN!

Click Here to follow fDELUXE on Twitter

Click Here for the fDELUXE Website

Here are the pictures I shot at the June 2009 show of the band:

 

Upcoming Release: Mazurek’s Starlicker Trio Brings “Double Demon” on 5/17/11 and Tour

On a snowy night in January I had an opportunity to see Rob Mazurek’s newest band in an incredibly intimate setting at Monk’s Kaffee Pub in Dubuque, IA of all places. Starlicker is a trio made up of cornet player Mazurek, Jason Adasiewicz on vibes and John Herndon on drums. The trio played a dynamic set of improvised jazz punctuated by frenetic and muscular solos by each. I had my appetite whetted for their eventual release titled Double Demon, which is due out on 5/17 on seminal jazz and blues label Delmark.

Starlicker Live at Monk's Koffee Pub

Double Demon represents another title in Delmark’s recent re-entry into the world of vinyl– Mazurek’s last release with his band Exploding Star Orchestra (of which Adasiewicz and Herndon are also members) Stars Have Shapes was part of Delmark’s first two releases, so it’s clear that they want to take advantage of Mazurek’s following, who may know of him from his Thrill Jockey releases as Chicago Underground and Isotope 217.

In conjunction with the release, the trio is heading out for a few dates in the Midwest and East Coast in May, with another stop in Dubuque on May 20th for Dubuquefest– a free arts festival.

Double Demon Tracklisting:
1. Double Demon (6:13)
2. Vodou Cinque (6:22)
3. Orange Blossom (4:07)
4. Andromeda (5:40)
5. Triple Hex (9:22)
6. Skull Cave (6:33)

Here is some video I shot at Monk’s of an unreleased (or possibly renamed?) track called “Horseshoes”

I also recorded the full show with my handheld recorder and Rob gave me permission to post a track. This is an mp3 of “Triple Hex” live at Monk’s Kaffee Pub, January 18, 2011.

Triple Hex Live at Monk’s Kaffee Pub 1-18-11


Ryan Adams Emerges from Self-Imposed Exile, Looks Around Suspiciously, Announces Stuff

We’re just past the Ides of March and although he has historically exclaimed “Et Tu, Internets?” this month has brought us a bunch of new Ryan Adams news. The last time we heard from our hero, he had fired up his PaxAm imprint and released two albums that had been hiding in his archives– his Metal Space Opera Orion and Cardinals III/IV which was two albums worth of Easy Tiger-Era recordings with The Cardinals.

To accomplish his desired DIY apprach, he assembled a staff to handle the shipping and orders that were done via the PaxAm website. In the case of Orion things went pretty well, but apparently folks were having issues with delivery of the III/IV album that were placed on the PaxAm site and went to the internet boards to bitch about it. The fact of the matter is that there was an accident involving the guy who was handling the orders and things got delayed and people complained loudly and frequently as is the manner of some.

Fed up, Ryan responded on the boards:

All future Pax-Am releases are cancelled and I don’t have any plans to continue anymore merch. Maybe I will sell the rights to someone else and let them make this stuff. All I know is I am not going to do it. I don’t believe we did a bad job…. The truth is both releases cost a boat load to manufacture and so many good people who I enjoy working with are involved in a hands-on way, all the way down to the manufacturing, that I seriously doubt the vinyl made any money back. It was about the tunes and doing it right and making quality vinyl. We took time to do it right.
Clearly I was 100 percent wrong that this was a good idea and I am really glad I tried but am totally done. Sorry if that sounds passive aggressive or something but I am just being real. I over it and over blogging and I had to borrow this very computer to even write this crap. Blah.

And with that he went into radio silence, but clearly this wasn’t the end of the story as we have now heard about a Record Store Day 4-song, 2 colored vinyl 7″ single EP of Cardinology-era previously-unreleased tracks called Class Mythology that will be a limited edition of 2500 copies with a picture sleeve, poster and sticker and will be on PaxAm Records! It is confirmed from his Facebook page with a mock-up of a single. The distributor for this record is going to be Junketboy who has a history of doing small-run releases like this. So, it would appear that he is delivering on the idea of letting someone else press the records. Hopefully he is getting his say on the quality of the records as his desire to get the mastering right had delayed releases in the past. In the same post where he bows out of pressing records, he also comments on the Lost Highway vinyl and in particular the new 10th Anniversary clear vinyl releases:

I was simply signed to Universal/ Lost Highway as an artist and had no say in the quality of the product. I was appalled they ever released ANY of my albums on vinyl since NONE were mastered for vinyl including the clear GOLD thing. I still have the original ones and they sound like ass. THAT is my personal opinion and I don’t care. Sorry. I like mastered vinyl.

I picked up the 2 LP clear vinyl version of Gold recently, and I don’t think it sounds “like ass” but there are a couple of spots where there are some clicks present, so there is a bit of a QC problem. I was particularly interested in this release as it included the “Side 4” bonus tracks that were only available on the first 150,000 CD pressings of Gold. This release fixes that sin.

So, with this RSD release, there is some hope for the future of other archive releases– in particular, folks are really anxious to get to hear Blackhole, which is another release that apparently did not leak to bootlegging. There is photographic evidence around the time he was working on the III/IV ramp-up that it had been mastered to vinyl, so perhaps we are close to this actually coming out if he’s working with a distributor.

On top of this great news, it was announced in an e-mail from the PaxAm site that Ryan is working with legendary producer Glyn Johns on his first album of new material since 2008. Johns is credited with some of Rock’s great albums including Who’s Next, The Stones Sticky Fingers, and Clapton’s Slowhand.  Clearly keeping the trust in the family,  Johns’ son Ethan produced Heartbreaker, Gold and 24 for Adams.

The question would be how he’s going to release this album– he is not on a label at the moment other than PaxAm– and he used TVT/The Orchard to distribute III/IV to stores and online. So, potentially, the new album could still be on PaxAm. Really, the only issues were the orders placed on the PaxAm website, so that is probably solved by not doing preorders by himself.

While we ponder the always-unpredictable career of Ryan Adams, on Monday he announced a tour of Europe starting in June that will be just him with an acoustic guitar playing new songs he wrote over the winter. “I’d like to play them for whoever wants to hear them,” he posted to Facebook, “Please don’t yell at me,” These are the songs that evidently moved his wife Mandy Moore to tweet, “been listening to my hubby write insanely beautiful music over the past few weeks. blows my mind at how easy he makes it look. the nerve! :)”

This will be the first organized tour since Adams announced in early 2009 that he was leaving the Cardinals following a very extensive tour in support of Cardinology. This announcement was for a few reasons, but likely primarily related to his affliction with Ménière’s disease that caused severe vertigo among other afflictions. He’s clearly easing back into touring since this tour will be solo acoustic. I’m not alone in hoping that he brings this tour to the US.

Here are the European tour dates (from his Facebook post):

Friday, June 10, 2011 Stockholm, Sweden Cirkus
Saturday, June 11, 2011 Oslo, Norway Folketeatret
Monday, June 13, 2011 Malmö, Sweden The Consert House
Tuesday, June 14, 2011 Copenhagen, Denmark Koncerhauset
Thursday, June 16, 2011 Lisbon, Portugal Aula Magna
Friday, June 17, 2011 Porto, Portugal Teatro Sa Da Bandeira
Monday, June 20, 2011 London, UK Barbican
Wednesday, June 22, 2011 Brighton, UK Dome
Thursday, June 23, 2011 Manchester, UK Bridgewater Hall
Saturday, June 25, 2011 Glasgow, UK Academy
Sunday, June 26, 2011 Oxford, UK Oxford New Theatre
Tuesday, June 28, 2011 Amsterdam, Holland Concertgebouw

(Free Download) Pieta Brown Encore Daytrotter Session

Today Daytrotter posted a session I’ve been waiting over a year-and-a-half to hear– Pieta Brown‘s encore session!

The session was recorded Thursday, June 11, 2009 using a short-lived band lineup called “Dream #9” with Jim Viner on drums, Jon Penner on bass and Bo Ramsey on guitar. They performed only two shows in this configuration. June 11th at The Redstone Room in Davenport and then on June 12th at The Mill in Iowa City, which I reviewed.

Here is a picture of that band lineup from The Mill Show:

Pieta Brown and Dream #9 at The Mill

Pieta’s first Daytrotter session was recorded in March of 2008. Between these two sessions recorded less than a year apart, Pieta would go from being on a semi-major label to being “in limbo” with no label. A situation which was remedied by September 2009. Nevertheless, Pieta had self-released an EP titled Flight Time in October 2008 and both sessions include songs from Flight Time as well as her Shimmer EP— produced by Don Was and her debut release on Red House Records.

The session is a nice cross-section of Pieta’s career:

1. “#807” is from her 2005 release In The Cool, which was released on Valley Entertainment and apparently is still in print!

2. “Going Away Blues” is a Frank Stokes cover that Pieta also recorded for her self-released 2003 EP I Never Told which is impossibly out-of-print. I managed to get one of these when Pieta discovered a box last year.

3. “4th of July” also on In The Cool.

4. “Sunrise Highway #44” is from her self-released EP Flight Time which is still available on CDBaby.

5. “You’re My Lover Now” is from her debut Shimmer EP on Red House Records. This version differs from the EP version by having some nice subtle brushwork from Jim Viner.

Pieta Brown Daytrotter Encore Session: The Faint Light of All Lungs and Hearts

Pieta  Brown has tour dates coming up (from her website) with a show at the Mill Restaurant on April 9th:

Date Time Location
Sat Mar 19 Bluegrass & Roots Festival, River Falls, WI more info
Sat Apr 09 The Mill, Iowa City, IA more info
Sat Apr 16 Stoughton Opera House, Stoughton, Wisconsin more info
Thu May 26 SPACE, Evanston, IL more info
Sat May 28 Crossings At Carnegie, Zumbrota, MN more info
Fri Jun 03 Mountain Jam Music Festival, Hunter, NY more info
Sat Jun 04 Iron Horse Music Hall, Northampton, MA more info
Sun Jun 05 Club Passim, Cambridge, MA more info
Sat Aug 06 Edmonton Folk Festival, Edmonton, Alberta, CANADA more info
Sun Aug 07 Edmonton Folk Festival, Edmonton, Alberta, CANADA more info

 

(Show Preview) SCOPE Presents The Roots at IMU Main Lounge – 3/9

2010 was–by anyone’s estimation–a triumphant year for Philadelphia-native soul/hip-hop band The Roots.

It was their second year as the house band for Late Night With Jimmy Fallon, each night providing interstitial music as well as stepping in as the band for guests as varied as Bruce Springsteen, Paul Simon, Todd Rundgren, Mos Def and Justin Timberlake (with Fallon doing an amazing “History of Hip Hop”).

In June, The Roots released their ninth album How I Got Over. It earned an 8.1 on Pitchfork, “…one of their most lyrically straightforward, and a work of strong stylistic cohesion.” As a casual follower of The Roots dating back to Illadelph Halflife (1996), I agree with Pitchfork on this point. Every Roots album to date has had standout tracks, but How I Got Over is for me their most satisfying effort beginning-to-end. Possibly this has to do with the fact that the album draws its inspiration as a collective sigh of relief with the election of President Obama. How I Got Over is itself a “reaching across the aisle,” if you will, featuring collaborations with indie darlings Monsters of Folk on “Dear God 2.0″ (a re-engineering of the MoF single), harp-wrangler and Van Dyke Parks BFF Joanna Newsom on “Right On,” and members of The Dirty Projectors on the opening acapella track “A Piece of Light.”

Read the rest of the article at The Little Village Website

(Upcoming Show) Charlie Mars with Griffin House at The Mill 3/5/11

This Saturday, March 5th brings to the Mill Restaurant in Iowa City former V2 Records singer-songwriter Charlie Mars. Charlie is wrapping up a run of dates that started at the beginning of February of East Coast and Midwest dates in support of his latest album Like A Bird, Like A Plane which came out in 2009. The bio on Mars’s site says that Like A Bird, Like A Plane is almost a “new debut.” While this album is his 5th release dating back to his 1996 album Broken Arrow.

The path to his major label release in 2004 on V2 Records (now folded– once home to The White Stripes and Moby) was an uneven one. The 150-dates-per-year touring over three years took a toll on him resulting in needing to enter rehab for substance abuse. Following that he split for Sweden choosing to recluse himself in obscurity. But, it was this move that allowed him to watershed the material that would become his self-titield major label debut in 2004. The major label backing gave his career the necessary re-launching. “I had no manager, no band, I hadn’t toured for about two years – I thought my career was done,” he says.

V2 gave him the radio exposure,  backing and critical praise. That ride ended in 2006 when V2 shuttered forcing Mars to reassess his career and start the daunting prospect of a follow up to what was his most successful release. He headed to Austin to assemble a band to record Like A Bird, Like A Plane.

The release has been out for over a year at this point and Mars spent most of 2010 touring in support of it. As I listen to the release, it strikes me as a solidly written and composed album. The album has a stripped down, acoustic approach with an almost Dub-like dissasembled percussion. The album is scattered with studio chatter and starts and stops that give the album a feel of immediacy and live performance. This is substantiated by the fact that Mars says that they tended to use the first takes and left in the “happy accidents” generated as they worked through the recordings.

The standout track for me is the slightly tongue-in-cheek “Listen to the Darkside” with its double entendre use of “darkside” to mean both the classic Pink Floyd record and possibly the advice of the narrator in the middle of a relationship. The song was featured in an episode of the made-for-Showtime series “Weeds” and benefits from a music video that features”Weeds” star Mary Louise Parker.

Charlie Mars will be performing at The Mill Restaurant in Iowa City on Saturday, March 5th at 9PM tickets are $12 in advance and $15 at the door. Charlie House opens.

You can order tickets from MidwesTIX.

Click Here to listen to “Listen to the Darkside” from Like A Bird, Like A Plane

Here is the video to “Listen to the Darkside”

Upcoming Show : The Play B-Sides Guide to the Gayngs Affiliyated Showcase

The super-mega-conglomerate quinvicatet known as Gayngs released their debut record in 2010. Titled Relayted, it was quickly praised by critics and fans and made quite a few year-end best-of lists. A seemingly impossible feat for an album with– by anyone’s estimation– having way too many cooks in the kitchen and a formula based on 70’s and 80’s soft rock.

Nonetheless, it is a great album and it works due to the singular vision of Ryan Olson: the court jester, band leader, and love train conductor. He is both the “Space Cowboy” and “Maurice” and capably speaks of the pompatus of love.

As if pulling off an album with 25 members wasn’t enough– Ryan gathered all of them for a pair of shows at First Avenue on the Friday following the album release that thematically was “The Last Prom on Earth” complete with limousines, balloons, prom formals and prom portraits. By all accounts it was one of the great live experiences last year. There were no promises that the band was going to ever do another show.

But, it was announced last Fall that a much smaller touring version of the band (a mere ten members) was going to do a quick nine-date run of the East Coast and Midwest culminating with a high-visibility shows in Austin for the Austin City Limits Festival. That tour was received well with a stop on Jimmy Fallon as well as a quick Daytrotter session. Unfortunately, there was some kind of mixup with the tour bus company which caused the band’s gear to end up in Nashville the night before their big ACL appearance and caused the band to cancel. But, it looks like Gayngs will be making up for their missed appearance by making it back to Austin in March for a few gigs at SXSW. The band will head out in the spring and summer for some other festivals and West Coast dates in June.

Gayngs is going to perform a “warmup” gig of sorts for SXSW next Sunday by completely taking over First Avenue Mainroom, The 7th Street Entry and The Record Bar with a lineup of “Affiliyated” bands starting at 6:30PM. In other words, this event will be a festival of 15 or so bands that have a connection with the members of Gayngs!

What we get is a kind of who’s who of the current Minneapolis music scene. I wasn’t familiar with all of these bands, so I did some research, and here is a kind of Guide to the Gayngs Affiliate Showcase.

The first observation I have is that while this might not be the 25-member lineup of Gayngs that played The Last Prom on Earth in May 2010, we should get a bigger version of Gayngs than the 10-person one that toured last fall!

Bands Playing The Mainroom:

Gayngs : Duh. Supergroup that is headlining the showcase. MySpace Facebook Website Twitter Vimeo Daytrotter Session

Doomtree Collective : Minneapolis’s premier hiphop collective with members that contributed to Relayted including P.O.S. and Dessa. Looking forward to hearing the other MC’s– especially SIMS, whose Lazerbeak-produced album Bad Time Zoo has been getting a lot of spin for me. There will be individual sets performed at The Record Bar as well (see below). Website Facebook MySpace Twitter

Solid Gold : It’s safe to say that the core of Gayngs is really Solid Gold since it was the initial collaboration of Ryan Olson and Zach Coulter and Adam Hurlburt of Solid Gold that started the project and they are the core part of the Relayted band. If you listen to Solid Gold’s music, you hear the shared DNA of both bands– Solid Gold has a penchant for 80’s rock and synths– just check out their slowed-down take of the Kenny Loggins Top Gun smash “Danger Zone” on their Synchronize EP. Website Facebook MySpace Twitter Daytrotter Session Daytrotter Session with Naughty By Nature(!!!!)

Megafaun : The first recruits into the Gayngs Army were North Carolina-meets-Eau Claire group Megafaun– the obvious connection being Joe Westerlund who is the one from Ryan Olson’s Wisconsin home town. I’m really loving their latest EP Heretofore– kind of a glitchy atmospheric, vocal harmony Americana. Website Facebook MySpace Twitter Daytrotter Session

Leisure Birds : The garage-psych band Leisure Birds contributed two members to Gayngs- Jake Luck and Nick Ryan. Leisure Birds released their debut album Copper Scroll for the label Totally Gross National Product in October 2010. MySpace Facebook

Alpha Consumer : Alpha Consumer seems to be known more for backing other musicians (Dosh, Andrew Bird) than for their own music– although they have released three albums. Michael Lewis from Alpha Consumer provided saxophone for Relayted. MySpace Facebook Twitter

Mystery Palace :   Mystery Palace is one of Ryan Olcott’s (formerly of 12 Rods) projects that center around his circuit bent music. Mystery Palace records for Totally Gross National Product. MySpace Facebook

Bands Playing the 7th Street Entry:

The Entry ends up being a showcase of bands on Ryan Olson’s record label Totally Gross National Product.

Har Mar Superstar : Wow– well, this should be interesting. I didn’t have an opportunity to see Har Mar Superstar when he was living in Minneapolis– he has moved from being an oddity to being completely embraced for his utter distorted personal view. I love his distinctly 80’s sounding Minneapolis funky sound, though. He recorded a cover of the George Michael classic “One More Try” with Gayngs last year. Click Here to download this from Stereogum. Website Facebook MySpace

Slapping Purses : Slapping Purses is the one-man electronic noise + electro beat of Jason Power. Promises to be loud and abrasive. If you’re into electronic glitchiness and beats, this is the act for you. Also on Totally Gross National Product. MySpace Facebook

Marijuana Deathsquads : Marijuana Deathsquads is Gayngs head honcho Ryan Olson’s other going music project. Marijuana Deathsquads started as a backing band for P.O.S. At the core of the group is essentially Minneapolis hardcore punk band Building Better Bombs also fronted by P.O.S. The lineup of Marijuana Deathsquads changes as they bring outside artists to collaborate with them. I guess you could think of MD as an early template for Gayngs. Records for Totally Gross National Product as well. Currently doing an in-residence with Har Mar Superstar in L.A. at Spaceland. Website Facebook MySpace

Spyder Baybie Raw Dog : Another act from the Totally Gross National Product stable. A spaced-out M.C. I guess you might say. MySpace

Moonstone Continuum : Progressive electronic music. Sounds like 70’s bands like Tangerine Dream or Kraftwerk to me. I liked the couple of songs I sampled on their MySpace page. On Totally Gross National Product. Their self-titled release comes as a 150g vinyl LP with digital download and a 23-page book of works by their “Lunarian Minister” M. Mikah Mackert. A really out-there release to be sure. MySpace Facebook

Albert : Analog synth music by Minneapolis musician Albert Elmore. Elmore has been releasing music via his website bbpwc.com since 2004 and encourages reuse and sampling through Creative Commons Share Alike Licensing, which is great. He also performs under a few aliases including Jon Jacob 3, Never Say DJ Fred Equipment and James St. Murder Laden Mitten Wonder among many others. His new album – a compilation of works dating back to 2004– will be released on vinyl on March 15th on Totally Gross National Product. Website Twitter Interview with MPLS.TV

Radical Cemetery : I couldn’t find much information about this band other than they had a DIY 90-minute cassette release last June in a limited run of 100 titled Stoned Minors.

Performances at The Record Room:

DJ Sets and Doomtree Solos : I think this has the potential to be a really interesting set of performances. I’m really digging the MC’s and producers in this collective. Sims, Dessa, P.O.S., Mike Mictlan, Paper Tiger, Lazerbeak.

The Gayngs Affiliyated Showcase is presented by the City Pages blog Gimme Noise. Tickets are $20 and Doors are at 6:30 PM on Sunday, March 6th. This is an 18+ show.

Click Here for the First Avenue page on this show with information on how to purchase tickets.

Gayngs 2011 Tour Dates (from Consequence of Sound):
03/06 – Minneapolis, MN @ First Avenue
03/11 – Austin, TX @ Stubbs
03/13 – Denton, TX @ 35 Confederate Festival
03/17 – Austin, TX @ SXSW / Mohawk
03/18 – Austin, TX @ SXSW /Lustre Pearle/ Dickies Party
04/15-17 – Indio, CA @ Coachella
05/28 – Portland, OR @ Doug Fir Lounge
05/29 – Quincy, WA @ Sasquatch Music Festival
06/01 – San Francisco, CA @ The Independent
06/04 –  San Diego, CA @ The Casbah