Category Archives: Vinyl

B-Sides in the Bins #31 – Zzz Records – Des Moines, IA 9/23/08

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Sherry was attending a skin care conference in Des Moines, so I took the day off and drove her there. While she was in the class I visted Zzz Records (424 E. Locust Street, Downtown Des Moines), I’d been meaning to get to that store for a while, so I was pleased to have the opportunity. Zzz Records has been in existence since 2000 and is in its second location. Apparently it will be moving again on November 1st to 2200 Ingersoll. Zzz Records, also hosts a record show that I’ve been meaning to get to. The next one is December 7th, so mark your calendars.

As far as record stores go, Zzz is one of the better ones I’ve been to. They have a decent-sized used CD area at the front of the store that unfortunately on a warm afternoon seems like a greenhouse. They carry a good selection of new CD’s and LP’s as well. The used selection is pretty amazing. They split the record bins into sections by genre, with a very impressive New Wave/Alternative/Punk section towards the back of the store. I spent two hours there and came out with some cool pieces. Not as much used as I had expected, but I was keeping myself to a budget and the new LP’s ate into my ability to load up on used.

The Tourists – Luminous Basement (LP, Epic NJE 36757, 1980)($4.00) Promo-stamped by CBS. This one kind of took me by surprise. They also had Reality Effect which was a compilation of the Tourists’ first two albums. The Tourists are notable as being the pre-Eurythmics band for Annie Lennox and Dave Stewart. My friend Michelle’s brother Lynn had this LP as well as the posthumous Should Have Been Greatest Hits. A cassette of these two records used to be a staple in my car in high school. The Tourists existed from 1977 – 1980 and had a number of minor hits in the UK and a very low charting (#83) single of their cover of “I Only Want To Be With You” originally recorded by Dusty Springfield. Luminous Basement was their last proper album and shows Lennox and Stewart stepping into writing their own material. Lennox’s “One Step Nearer the Edge” is one of the best tracks on the record. The Stewart-penned “Let’s Take A Walk” and the Lennox/Stewart “From the Middle Room” are pretty good as well. Amazon has some really questionable pricing on this from some resellers starting at $48 and going to $72.95 for one that still has the cellophane on it. A cool record that reminds me of hanging out at Michelle’s listening to records.

Simple Minds – “Promised You A Miracle”/”The Miracle (Dub Version)”/”The American” 3 Tune EP (12″, A&M SP-12057, 1982)($3.00) I’ve sort of become a collector of Simple Minds vinyl from this period. BJ’s Music World in Dubuque had a bunch of import Simple Minds in a closeout bin that I purchased one day in the 80’s that included a number of 12″es. Ever since then when I spot a really nice piece, I buy it. Last December I picked up New Gold Dream at Reckless in Chicago, which I consider to pretty much be their pinnacle release. I know that 1985’s Once Upon A Time was really the one that pushed them into the charts with the singles “All The Things She Said,” “Alive and Kicking,” and “Sanctify Yourself,” but I really like the stripped down version of Simple Minds on this album (minus the female member of the band). This record is the A&M pressing of the “Promised You A Miracle” 12″ from Virgin. Super clean copy.

Ryan Adams & The Cardinals – Easy Tiger (LP, Lost Highway 34410, 2007)($11.34) When I saw the price on this one, I needed to buy it. I’d seen this at other record stores for over $15. This is the interesting orange vinyl record in the plastic sleeve with the picture of Ryan in a lion mask. Cool pressing, great album. Much more focused than the three releases from the previous year, in my opinion. The vinyl pressing– which came out after the CD release– credits the album to Ryan Adams & The Cardinals rather than just Ryan Adams. I’m not sure why the CD release ended up not crediting the rest of the band.

Ryan Adams – Rock N Roll (LP, Lost Highway 61004, 2003) ($11.34) Another one that seemed like a good price. This is really the album that got me into Ryan Adams to begin with. I know that most of the Ryan Adams fans don’t like this album– and there’s the whole Courtney Love accusing Ryan of stealing money from Frances Bean to make the album and the whole drug use. Apparently he was influenced by the Strokes and he even has a song called “This Is It” on it (which might be a flip on the Strokes album Is This It). Apparently, he has in recent years said that he made the worst record he could in Rock N Roll. Well, I really like it, and it seems to be the only Ryan Adams album my wife will listen to other than parts of Love is Hell (which was recorded around the same time. I guess this is the beginning of my Ryan Adams on vinyl collection.

Zzz Records also sells record flats for $1 apiece. I picked up a record flat for Beck’s Modern Guilt. (actually, I picked up two of them). I also bought some LP mailers.

What I didn’t buy: I almost picked up a fricken MINT copy Suitcase Full of Blues by the Blues Brothers. In fact, I’m still kind of kicking myself for not picking this up. I also considered the Smithereens rare Live EP that is on Enigma on CD.

More Tortoise Vinyl Back in Print!

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While I was in Madison, WI yesterday for the Snake on the Lake Festival at UW Madison I stopped at a couple of record stores– Mad City Music and B-Side Records. I’ll be providing a B-Sides in the Bins article soon, but while I was in these stores I was shocked to find NEW, SEALED copies of Tortoise’s TNT and It’s All Around You! Notably they had the new red sticker that says that there is a coupon for free mp3 downloads inside– which wouldn’t have been on them originally. They also had copies of the new red-vinyl version of Standards previously reported on here as well.

TNT was $16.99 for a 2-LP at Mad City, and It’s All Around You was $12.99 at B-Side. If you go to Thrill Jockey’s page for It’s All Around You, sure enough there are copies of it on vinyl available for purchase for $11.00. On the TNT page, they mention that there are a limited supply of these back in print, however at this moment, there isn’t a working link to order one.

I’m happy to see that these are available, I’m hoping that it will help lend some sanity to the current used pricing for OOP Tortoise vinyl. It will be interesting to see if Millions Now Living and the first album get re-pressed.

B-Sides in the Bins #30 – Chicago – 9/12/08

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Jazz Record Mart, Chicago

My wife and a friend of hers wanted to go to Chicago for a Gluten-Free Cooking Conference. This left her friend Sharon’s husband Bob and I with lots of time on our hands. Bob Najouks is one of the Sunday morning jocks on Kirkwood College’s Jazz and Blues station KCCK, so I thought a trip to the infamous Jazz Record Mart was in order. I hadn’t been to JRM in over two years so it was time for me to come back and Bob had never been there!

This weekend was wet. Lots of rain dumping on Chicagoland from Hurricane/Tropical Storm Ike pulled out of the Gulf of Mexico. Friday was blessed with small spots of light-to-no rain so hoofing it around downtown was an okay proposition. Our plans after breakfast was to hit Jazz Record Mart, lunch, and then to hit the Art Institute of Chicago then call it a day.

Bob teaches sketching classes at Kirkwood currently, but– in addition to his radio gig– also is a freelance artist. In the early 60’s he did some cover art for Franz Jackson who passed away in May. JRM had a number of still-sealed copies of Good Old Days by Franz Jackson and the Original Jass All-Stars (Pinnacle Recordings: PLP 109) that Bob did the cover art for, which was a neat dose of kismet. Bob picked up a copy to play– he still had the original 1965 pressing of the album at home.

Gorilla – Deal With It (CD, Thrill Jockey, Thrill 003-2, 1993)($5.99) Interesting find. Not Jazz-related at all. The third release on Thrill Jockey from back in the day. The mailing address was New York, so this is before Bettina moved to her current Chicago digs. Seattle Grunge band, I guess. Sounds very early-Nineties. Kind of punk, kind of retro 60’s sound with organ. Not great, but not horrible, really. Mostly a collector piece for me. It would appear that while the CD for this is very much out-of-print, the LP is still available?

George Freeman – Birth Sign (CD, Delmark, DD-424, 1993)($13.99) My first non-Thrill Jockey related Delmark purchase. This was playing on the stereo in the store while I was checking out and I impulse-purchased. George Freeman is the guitar-playing brother of tenor sax player Von Freeman (apparently the more famous of the two). Birth Sign is his debut album. Great album of Hammond-B3 fueled jazz typical of the late 60’s.

John Coltrane – Blue Train (LP, Blue Note, BST-91577, 1993)($11.99) This is the CEMA/Capitol Special Products pressing of the seminal Blue Note release. I own this on CD as well. In fact, my CD pressing of this is on 24-karat gold UltraDisc II from Mobile Fidelity Sound Lab. This is the album that broke open the gates of jazz for me.

Jeff Parker – The Relatives (LP, Thrill Jockey, Thrill 129, 2005) ($12.99) Wow, a really cool and rare find! The vinyl for this release has been out-of-print for a while, as is usually the case from Thrill Jockey vinyl. According to the price sticker, this has been in the bin since its release. Jazz Record Mart carries most of the Thrill Jockey releases, but it seems that a lot of the clientèle there don’t follow this label, which accounts for the fact that this release is still in the bins. I saw a couple of other rare TJ releases as well. Maybe I’ll come for them later.

The Dave Brubeck Quartet – Jazz: Red Hot and Cool (LP, Columbia, CL 699, 1954) ($3.99) This is an upgrade for me. My first copy was in pretty good shape, but this one is in much better shape and comes with the original Columbia paper inner-sleeve! The record is in immaculate shape and the cover is also very beautiful. I had never noticed before today that the vivid photograph of a young Brubeck entertaining a young, smoking (literally) woman leaning on his piano was taken by none other than Richard Avedon! Avedon, who died in 2004, took some famous shots of the Beatles and Marilyn Monroe as well as the well-known picture of Nastassja Kinski with a python.

All-in-all a good trip and it was cool to be there with a jazz afficianado. Bob and I will be back, I think.

Backyard Tire Fire – The Places We Lived (Review)

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My discovery of Backyard Tire Fire is thanks to MySpace. I’d heard of the band– references have shown up in a few of the RSS feeds I follow– but I hadn’t heard their music. Apparently, their enterprising “web guy” saw that I was a fan of Cracker and Johnny Hickman and reached out. Hickman is quoted as saying that Backyard Tire Fire is his favorite band right now. After listening to the streaming tracks from their MySpace page and samples on their website as well as a full album stream of their previous album Vagabonds and Hooligans on Indie911 I, too have become a fast fan of their Midwestern brand of country-tinged rock. Hickman compares them to early Wilco, Son Volt and Flaming Lips.

However, I don’t think that the shades of early Wilco and Son Volt stick around for long on Backyard Tire Fire’s new album The Places We Lived. There is something more at work here. From the treated pianos, chimes, bells, and strings throughout, the plucky bass and the double tracked harmonies– specifically on “Shoulda Shut It.” It at times seems like a darker version of Brian Wilson’s vision and the band toys with some Smile-ish changes in mood and the layering of instruments and sound effects. Is this our Surfer Girl with Seasonal Affective Disorder?

I’m not sure that Backyard Tire Fire would ever claim the Beach Boys as a relative, however. Maybe through a second cousin of Tom Petty or Cheap Trick. Ed Anderson has one of the better voices I’ve heard out of the indie scene with the ability to get very soulful and funky on the stomping “One Wrong Turn,” he evokes his inner Zander with the anti-tribute to the workweek “Welcome To The Factory.” “Bright lights and blank stares through the night,” indeed complete with ratchet and clank over big rock drums delivered by official timekeeper Tim Kramp. This is clearly the sound of a band having fun in the studio playing with all the toys. The album sounds great. I read that Tire Fire likes to work in analog, and this album has a vinyl release to compliment that effort, BTW.

This record seems to owe a bit to Tom Waits as well. Certainly Ed’s voice is easier to listen to, but you can hear it in the slightly boozy songs anchored with treated piano in “Rainy Day (Don’t Go Away),” “One Wrong Turn” and the album closer “Home Today.”

“It’s funny how we forget sometimes,” Ed sings in the album opener and title track, “the places we once lived.” Tire Fire’s new album is as much about the Middle-Class Midwestern perspective of the places they lived that colors the landscape of the songs as it is about the influences of the music that provided the soundtrack to the journey to get to those places. The Places We Lived wears its influences proudly. Each of the songs on the album’s economical 35 minutes stands on its own effectively, but also provides guides to those places they lived from funk and blues to country and classic rock. Mixed together with some impressive studio production we have what I think it one of the standout albums from this Summer! In an interview with JamBase, Ed says that with each album he thinks, “this is the recording that everyone is gonna latch on to” which drives them to “get the job done.” In my opinion, The Places We Lived certainly has the hooks and chops to get them there.

Backyard Tire Fire are currently touring in support of The Places We Lived. Click Here for the updated dates. They are going to be at the Picador in Iowa City tonight (9/10) for an early show and I’ll be there.

Click Here for Backyard Tire Fire’s Website

Click Here for Backyard Tire Fire’s MySpace Page

Click Here for the interview in JamBase with Backyard Tire Fire

Free Downloads: Pieta Brown with Bo Ramsey at Daytrotter!

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A cool and unexpected offering from Daytrotter– Pieta Brown with hubby Bo Ramsey performing tracks from her fantastic 2007 release on One Little Indian Remember The Sun plus a couple of unreleased tracks.

I think it is really admirable that Daytrotter, which calls its home The Quad Cities (specifically Rock Island) and chooses to occasionally feature regional acts to the watching planet.

I hope that they had the opportunity to record Bo as well. If not, they should try to get him on the schedule.

Click Here to read the article on Pieta Brown at Daytrotter and download yourself some mp3’s.

While I was putting this article together I noticed that Pieta will be playing in Marion, IA at the very cool Campbell-Steele Gallery on October 10th. Campbell-Steele is the home of the funny and musical Liar’s Holographic Theatre. Tickets are 25 smackers, but the art gallery is a very intimate place to see performances and Pieta would be a wonderful artist to see there.

Damp and Cool, Crisp and Warm — The Country Canvas: Pieta Brown

B-Sides in the Bins #29 – Boston – Newbury Comics 7/31/08

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My last business trip to Boston was happily full of music between seeing Sheryl Crow and getting to run to Newbury Comics before dinner the next night. Thankfully, the restaurant we were going to was just down the street from Newbury Comics. I had hit their website before we went out and they had listed in their Top 100 Vinyl Records sale that Beck’s new album Modern Guilt was on sale as was Endtroducing by DJ Shadow. I was disappointed to find out that these were apparently on-line only, and not in-store. I still picked up a couple of records, though.

Beck – Modern Guilt (LP, DGC Records B0011630-01, 2008) ($14.99) This album just begged to be released on vinyl– from its retro Blue Note-looking sleeve, to the production by Danger Mouse– so I was happy when they announced its release. The record is a hefty 180g slab, and there is a sheet included with lyrics and credits. In addition there is a code to download 320Kbps mp3’s of the album that were ripped from vinyl! I downloaded them promptly and compared them to my other 320Kbps rip from CD. Before the first track “Orphans” you get a needle drop sound and after the last track of side one “Youthless” sound of the needle lifting again. This is repeated for “Walls” and “Volcano” on side two. Cute. The coupon says “This higher quality sound has been taken directly from the vinyl playback — offering a broader sound spectrum to enhance your audio experience.” Well, I don’t know about that. It’s a pretty good rip, but even 320Kbps is compressed. They should have offered .wav’s if they wanted to maintain the fidelity. I read a lot of reviewers complaining about Modern Guilt dismissing it as Beck fronting Gnarls Barkley and other really clever criticisms. This is probably my favorite Beck album next to Sea Change which was another misunderstood Beck album.

Arbouretum/Pontiak – Kale (LP, Thrill Jockey Thrill 201, 2008) ($12.99) This is an interesting release in that the only physical media will be vinyl. Thrill Jockey, consistant with all of their vinyl releases in the last year also includes a coupon for a free mp3 download which is great. BTW: all of the mp3 downloads from the Thrill Jockey store are 320Kbps, so there is someone there who gets it. This is a split release between Arbouretum and Pontiak. This is the third release for both bands. I saw Arbouretum at the Thrill Jockey 15 shows last December and was floored by their live performance and their 2007 release Rites of Uncovering is in regular rotation for me. Both bands try their hand at covering John Cale songs in amongst original songs. Arobouretum tackles “Buffalo Ballet” from Cales very influential and groundbreaking 1974 album Fear. “Buffalo Ballet” is a beautiful song and Arbouretum’s take on it leaves it pretty much in tact other than adding some sludgy distortion goodness to it. (Note to self: go buy Fear) Pontiak takes on two songs “The Endless Plain of Fortune” from Cale’s brilliant Paris 1919 album from 1973 and “Mr. Wilson” from the 1975 follow up to Fear, Slow Dazzle. The original tracks for both bands are great and stand up well against their recent releases. I especially dig the track “Green Pool” from Pontiak in which the slapback echo vocals ride the wave of a circular guitar line and slinky bass to a crest that fits nicely next to their very delicate take on “Mr. Wilson.” “Green Pool” ends waaaay too soon. I hope they jam a bit more than the 3:27 lets them do in a live setting.

I’m still bummed that Pontiak didn’t make their show in Iowa City due to the floods. I’m hoping they’ll be back soon.

Tortoise Standards Reissued on Limited Edition Colored Vinyl

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If you’ve been following my blog, you know that I recently completed my search for Tortoise vinyl over the last couple of years. One of the first LP’s I got was Standards, Tortoise’s 2001 release.

Yesterday, Thrill Jockey announced that due to popular demand they have run a second pressing of Standards in RED vinyl! The first pressing is in black. Like the first pressing the LP and cover art will be encased in a silk-screened clear vinyl sleeve. In the picture of my copy to the left the words “Tortoise” and “Standards” are the silk-screened part.

This will be– of course– in a very limited pressing of 1000 and available through the website at $13.99 plus shipping. This will include for the first time a coupon for free downloads of the mp3’s too. Typically these mp3’s are a lush 320Kbps.

I think that next to TNT, Standards is probably Tortoise’s most popular release with the two live performance staples of “Seneca” with it’s epic guitar distortion intro and recent development of audience clapping the beat at the end, and the vocoder-and-synth electro love of “Monica.” Standards is a must-have and, of course the audible meal of Tortoise is best served on vinyl.

Does this mean we will see other reissues of the Tortoise catalog? With the promise of a new Tortoise album– they’re already playing some great new songs live– there will likely be a renewed interest in the back catalog.

Click Here to order Standards

B-Sides in the Bins #28: Amazon.com part 1 – The Del Fuegos – The Longest Day

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The Del Fuegos – The Longest Day (CD, Wounded Bird WOU 5174, 2008) ($7.33)

This was the week where I revisited my favorite music from the 80’s in my purchases. I was reading the very helpful Monday post from Largehearted Boy that lists the Tuesday CD and DVD releases and was surprised to see that the first three albums from 80’s roots rock band The Del Fuegos were listed as being reissued! WTF?

In 1985, probably watching Night Tracks on WTBS or Night Flight on the USA Channel, I encountered The Del Fuegos and their breakout single “Don’t Run Wild.” We didn’t have MTV in my hometown so these shows in addition to Radio 1990 and Friday Night Videos were the only music video sources available to me. “Don’t Run Wild”‘s opening muted guitar and bass riffs and snapping fingers made me a believer and this little band from Boston became one of my favorite bands and is still one I listen to.

In the summer of 1985 I discovered R.E.M. during a family vacation in California which triggered in me the desire to search out bands that other kids in my hometown of 1200 people hadn’t heard of. That summer I was 16 and with driver’s license clutched firmly in hand I would cruise around town with friends listening to a lot of bands that had this retro Midwest 60’s garage sound– The Smithereens, The Del Fuegos, The BoDeans, Los Lobos, Violent Femmes, R.E.M. and others– and this would be the sound that would carry me to the “alternative” college rock bands after high school.

The Del Fuegos were a hard-working, hard-rocking, and apparently hard-drinking bar band from Boston who were signed to indie label Slash Records which at this time was being distributed by Warners. Their first two albums The Longest Day and Boston, Mass were well-regarded critically, but it wasn’t until they were approached by Miller Beer to appear in a commercial representing a hard working blue collar band that they grabbed national attention to the din of longtime fans’ cries of “sellout!” In 1987 they followed up with Stand Up, their third album with the winning partnership of Mitch Froom at the boards.

That summer my family and my best friend Kurt went to Chicago to see The Del Fuegos along with Tom Petty and the Heartbreakers and The Georgia Satellites as part of Petty’s “Rock and Roll Revival Tour” at Poplar Creek on June 20, 1987. The Fuegos, the band that didn’t have a hit on the charts at the time– unlike the Satellites was made the opening act. We were really excited to see the band and to see Tom Petty. Unfortunately, dwarfed by the huge stage in the hard light of the afternoon and possibly seventeen dates into a 33-date long summer tour their abbreviated opening slot seemed to lack the magic we’d expected from the band we listened to regularly over the last two years. I was also hoping that Petty would have joined the band to reprise his harmony vocals from the album on “I Can’t Take This Place” but that wasn’t meant to be, either.

According to this biography of lead singer and founder of the Del Fuegos Dan Zanes, following that tour Warren Zanes and Woody Giessmann quit the band and the band was dropped from Slash. That Fall I went to College and focused on other bands I was being exposed to by new friends I was making there.

In 1989 Dan and bass player Tom Lloyd attempted to revive the band– this time with members replacing brother Zanes and Giessmann with a new guitarist and drummer and new label RCA. I didn’t purchase Smoking In The Fields initially– my brother Steve had a copy of it and listened to it quite a bit as I recall. Producer/Engineer Dave Thoener provided a more lush, updated version of the sound of three previous records and it yielded a rocking first single in “Move With Me Sister” which got to #22 on the Modern Rock charts. However, it died quickly with a lack of support from the label or it’s A&R army– a record out-of-time in some respects. It sadly made its final rest among the cut-out bins which is where I got my copy. Listening to it today as I write this article, it is a solid record from beginning to end and sounds as good as some Tom Petty records in his catalog and shows Zanes as the strong songwriter and frontman that he was. Smoking in the Fields is as deserving of a reissue as the other three albums in my opinion.

In 1994 he came out of a period of retirement during which he started a family and quit drinking by providing a very short instrumental titled “Moon Over Greene County” to the soundtrack to “Natural Born Killers.” This was followed in 1995 by his first solo album Cool Down Time which was released on short lived Private Music which was bought by BMG the following year and has been out-of-print since. (There are a bunch of copies for under $5 on Amazon, BTW). This record was a return of Mitch Froom at the helm and brought his clank-and-rattle percussion and odd keyboard sounds he developed in the Latin Playboys to Dan’s trademark roots sound. I love this album and it’s shared production style with the Latin Playboys, 99.9 Fahrenheit Degrees from Froom’s ex-wife Suzanne Vega, and Colossal Head from Los Lobos is an interesting mix. Dan provided an e-mail address in the CD booklet and he and I exchanged a few e-mails which was cool.

The story has been told a number of times elsewhere on the net about Dan being disappointed with the children’s music available and how he has reinvented himself as a children’s/family-friendly artist and this path gave him a Grammy in 2007 for Catch That Train! in the Best Musical Album for Children category.

In 2001 Warner Brothers sort of righted a long-standing wrong by providing The Longest Day on CD. The two following albums had existed been released on CD, but not Day. They did this strangely by including the whole album as part of an import Best of the Del Fuegos : The Slash Years which also had tracks from the subsequent two albums. I hadn’t gotten around to purchasing this album and now I don’t need to since it has been reissued by a label I hadn’t heard of called Wounded Bird.

Wounded Bird is a reissues label that has been in existence since 1998 and has a pretty impressive catalog of releases including most of Bread’s catalog, Marshall Crenshaw, the solo work of the Cars and many others. It appears based on the two CD’s I bought so far that they are licensed and manufactured by Rhino Entertainment. So, this implies that they have access to the original masters to make them. I have read some reviews on Amazon that people have been disappointed with some of the releases’ sound quality. So, I think releases from this label come with a bit of buyer beware in that they aren’t re-mastering these recordings, so if there hasn’t been a CD transfer done these are coming from LP/Cassette masters. In the case of The Longest Day the production sounds great, so I’m assuming they are using the masters that were used for the 2001 Best of release. In the case of Boston, Mass and Stand Up they would be using the CD masters.

It’s great to have this on CD, finally and completes my collection. I have the Slash catalog of the Del Fuegos on vinyl as well so I feel that my collection is pretty complete with this band.

Click Here for Dan Zanes’s Website

B-Sides in the Bins #26 – Cedar Rapids Half-Price Books

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Wanting to take advantage of one of the coupons I got in the mail for 40% off one item, I stopped off at Half-Price Books in Cedar Rapids last night. Half-Price Books has a deal a couple of times a year where they send out one week of coupons where you start out with 40% off and it decreases 10% every two days through the course of the week, but then ends up with a 50% coupon on Sunday. There wasn’t much in the CD bins this trip, but there was a lot in the vinyl area and I had to make some judicious selections. I’ll be back on Sunday with some stuff to sell to take advantage of the 50%.

Johnny Cash – At Folsom Prison (LP, Columbia CS 9639, 1968) ($2.99) This was the one I got the 40% off on since it was a $4.98 one. Is anyone else noticing that the prices are going up at Half-Price? The record is in very good condition with only a slight bit of surface scratches. The sleeve has some edge wear and some face wear, but no ring wear which is incredible considering this record turned 40 this year! This record was a popular one around the house growing up. Dad was a big Johnny Cash fan in the 50’s and 60’s. I love this cover with Johnny big as life on the cover looking askance and sweat running down his face. On the back are hand-written liner notes describing the day-to-day of a prison inmate in the 60’s as well as explaining how he had to convince Columbia to release a live recording made in a prison. In retrospect it doesn’t seem like that big of a deal, but I guess it must have been kind of shocking at the time. The movie “Ring of Fire” uses this show as its point of departure for the flashback that makes up the movie of Johnny’s life. This record is pretty interesting from the standpoint that it doesn’t have all of the “big” hits on it. In includes classics like “Folsom Prison,” “Jackson,” and “Orange Blossom Special” but doesn’t include “Walk the Line” or “Ring of Fire.” When this was remastered and re-released on CD in 1999 they added the missing songs “Busted,” “Joe Bean,” and “The Legend of John Henry’s Hammer.” A brilliant, landmark record that really transcends time and the genre of Country music.

Neil Young – Harvest (LP, Reprise MSK 2277, 1972) ($3.98) Wow! This was a big find. This copy is pristine! In a dust jacket, NO sleeve damage, includes the lyric sheet. The paper sleeve is torn, but there isn’t any printing on the sleeve so no art loss. What is there really to say about this record that hasn’t been said before? Brilliant record, regarded by most to be the pinnacle of Neil’s career and certainly his commerical high-point with the #1 single “Heart of Gold.” The story goes that Linda Ronstadt and James Taylor were appearing on the Johnny Cash TV show in 1971 and Neil coaxed them to come over and put vocals on “Heart of Gold” and “Old Man.” The country/folk-ish formula that created Harvest was so successful that Neil was able to base his 1992 album Harvest Moon from it and in my opinion repeated the commercial and critical success.

Free Downloads: Some Baltimore-related Live Downloads

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As I mentioned earlier, Baltimore’s Arbouretum is releasing a split album with new Thrill Jockey signees Pontiak called Kale. The two bands played one show together in Baltimore on June 4th at The Talking Head. I knew about the show, but I didn’t know that the show was taped and available for download via Aural States which is a blog/site dedicated to happenings in the music scene of Baltimore.

Arbouretum headlined and played a set of mostly tracks from Rites, but also included one of the covers from Kale “Buffalo Ballet.” A great set, in my opinion.” Pontiak’s set was also very good and included “Dome Under Sky” from Kale.

The opening act was another side project of Dave Heumann from Arbouretum called Television Hill. Television Hill is more of a throwback folk/blues outfit, but still very good. This set is available from Beatbots which also covers the Baltimore scene.

Big thanks to Jeff the Taper who made these recordings available.

Click Here to stream or download Arbouretum’s set.

Click Here to stream or download Pontiak’s set.

Click Here to stream or download Television Hill’s set.

Aural States is also hosting a live set from Wye Oak from March along with an interview. I’m hoping that I’ll be able to catch the show next weekend with Pontiak and Wye Oak in Iowa City!