Bo is going to play another solo show with The Mystery Lights on Friday 10/23 at the Mill in Iowa City. Show starts at 8PM and the cover is $12. My birthday will be at Midnight, so this is a cool way to celebrate!
In other Bo news, boramsey.com got a retooling today– it seems to be the first one since I can remember dating back to the 1990’s! This one looks much cooler, and the tour date calendar (as well as other pages) can be subscribed with RSS so you don’t have to miss any shows! I subscribed mine in bloglines.com.
According to The Mill, the opening act is to be announced.
When I saw Bo Ramsey and the Mystery Lights at the Mill back in May, Pieta was kind of hanging back in the shadows of the dark bar and helping her sister sell some Bo Ramsey merchandise. After the show was over I took the opportunity to ask her about her record label situation. After being signed to One Little Indian for her last album, the brilliant Remember the Sun from 2007 the follow-up Flight TimeEP was released on T-Records, which incidentally is the label she used to release her 2003 EP I Never Told.
(BTW: This EP was impossibly out-of-print and apparently Pieta found another box of these recently and you can buy them on CDBaby— get one while you can!)
Her simple answer was that she was “in limbo.” It certainly occurred to me that aside from the extensive touring and appearances she was making over the last couple of years, that she still wasn’t getting the exposure she deserved for that album.
It was announced today via her MySpace page that she has now signed to Twin Cities folk label Red House Records— which is also the label home for Greg Brown and The Pines. So, it is kind of a family reunion of sorts! All they’d need to do is sign Bo Ramsey and it would be complete!
Also as part of this announcement, we find out that she has a new 7-track EP titled Shimmer coming out on November 10th on Red House and is produced by uber-producer Don Was, who has produced acclaimed albums from Bob Dylan (Under the Red Sky), Bonnie Raitt (Her Grammy-winningest run– 1989’s Nick of Time (3 Grammies), 1991’s Luck of the Draw (3 Grammies), 1994’s Longing In Their Hearts (2 Grammies)) and The Rolling Stones (their last notable output in my opinion– 1994’s Voodoo Lounge, 1995’s Stripped, and 1997’s Bridges to Babylon).
All of this seems to me to be a formula for success, frankly. Switching to a label that is more geared to handle her music, and hiring on a big-gun producer who has worked with artists like her. I hope that Bo Ramsey will still be a big part of this recording even if he isn’t at the helm for this one. He certainly knows his way around a Grammy-winner in the studio, too– just look at his work with Lucinda Williams!
As I reported earlier, Pieta Brown assembled a band to shake up her live performances, which are typically a duo (usually with Bo Ramsey on guitars). This makes for a very intimate performance and Pieta’s music and vocals undeniably shine in this setup, but it’s been my opinion for a while that she should perform in a band setting to more closely approximate her albums. So, I was naturally very interested to see this lineup at the Mill. I wasn’t too concerned about the success of this, since Dream #9 is made up of regular sidemen– Bo Ramsey on lead guitar and Jon Penner on bass. Dream #9 also has Jim Viner on drums. Jim has worked with Bo and Jon frequently, and Jim is also on Pieta’s new self-released EP Flight Time with Bo and Jon.
Friday night was rainy, and the prospects of subjecting my gear to certain watery peril was eating away at my resolve it seemed. Eventually with the coaxing of my wife I made a late departure from Cedar Rapids. The show started at 8PM, and the opening act– Parlour Suite— came with good online reviews, but my late departure meant I would miss most– if not all of their set. Indeed, I walked in at 8:45 and they were just wrapping up their set.
I ran into Jim Viner and his wife Katy eating at one of the booths so I got the lowdown on the Daytrotter session. Jim finished his chicken strips and made for the stage and I ended up sitting with Katy most of the night– when I wasn’t out shooting pictures anyway.
One of the first surprising things about this band lineup is that Pieta is playing electric guitar, too! I sort expected that she’d rock the acoustic, and leave the electric up to Bo. She concentrated on two guitars– a black Gibson SG with a P-90 pickup, and a Reverend Flatroc with a Bigsby. I recognized both of these guitars as being Bo’s. I saw that SG for the first time at Bo’s last gig at the Mill. The Reverend is one he’s had for a while, and is a unique guitar in that Reverend didn’t make many with the Bigsby, and in fact isn’t a standard option. After the show I asked Pieta about the guitars and she said that the guitars she wanted to play hadn’t arrived. She said that she has a Reverend Flatroc coming as well as a white Fender Telecaster! Those will be very complimentary to Bo’s guitars since one of his primary axes is a Telecaster Deluxe, too. Pieta said that she used to play electric guitar out when she lived in Tulsa and had a band– a fact I hadn’t heard before.
Dream #9 is made up of seasoned musicians and are able to pull together a show on-the-fly with little prep. Effectively this band has only been playing Pieta’s songs for a couple of days– but they all found the pocket in Pieta’s songs perfectly.
The show was a quick hour-and-a-half single set. The Mill wraps their shows up pretty early– the show was over by 11PM. So, don’t worry about going to mid-week shows here– you should still be in bed in time for work the next day provided you behave yourself! I was surprised about the low turn out. I guess the rain kept folks home– like it almost did for me.
The set was made up of a nice selection from all of Pieta’s albums and included some new songs that I assume are under consideration for a new album. All of Pieta’s songs benefit from the country-blues sound that I equate with Bo Ramsey and his projects. It gives the songs a similar feel and recognizable to her albums– all of which Bo helped produce. I would have liked to hear more songs from the new EP, but I suspect that as the band plays together more there will be variation in the set list. It was pretty clear that having the two Iowa shows was giving the group the home-court advantage to work out any kinks that might exist with this new arrangement.
I really like Pieta fronting a band like this– it draws natural comparisons to other strong female artists like Lucinda Williams or maybe even Chrissy Hynde of the Pretenders. A good, structured driving rhythm really shows the strength of the songs– and not for a lack of intimacy where needed. On the song “Even When” from the Flight Time EP the band shows knows how to carry a gentle song, too.
Listening to the band and Pieta talking after the show it was clear that they were satisfied with the results, so hopefully we’ll start seeing more Dream #9-fueled shows in the future!
The band did record a Daytrotter show on Thursday, so I hope that session gets released in the near future.
Setlist (1 hour 27 minutes):
Sunrise Highway #44
In My Mind I Was Talking to Loretta
Rollin’ and Tumbin’
You’re My Lover Now
Rollin’ Down The Track
Bad News
Loving You Still
807
How Many Times Do I Hear Myself Say These Things
Faller (introduced as a new song)
West Monroe
I’m Going Away Blues (Frank Stokes cover)
Hey Run
Even When
Fourth of July
Over You
Remember The Sun
Are You Free
In an e-mail announcement yesterday, Pieta Brown announced that she is creating a band to tour with her that she’s calling “Dream #9.” She says she formed the band to “expand the sonic landscape of her songs in a live setting.” Indeed, Pieta has successfully been touring in relatively stripped-down combos for her entire career– mostly, just as a duo of Bo Ramsey and her, and recently with Jon Penner.
I have been really impressed with Pieta’s last couple of albums and her new EP Flight Time, but I have admittedly been not very motivated to see her live, because I wanted to hear the songs with drums.
Dream #9 is made up of players who have worked with her live and in the studio– a pretty intuitive move, really. On guitar will be Bo Ramsey, of course, who is her constant touring partner and also produced all of her albums. On bass will be Jon Penner who has been working with Bo and Pieta for the last couple of years. On drums will be Jim Viner, who has worked with Bo, Jon and Pieta as well and, up until last year, was the drummer for the Diplomats of Solid Sound. Jon and Jim were in Bo’s band when I saw them for Springville Fun Days in 2006. Here is a picture of Bo, Jim and Jon from that show:
I haven’t had a chance to ask, but I wonder if “Dream #9” is a reference to the John Lennon song “#9 Dream?”
The first two shows with Dream #9 are Thursday, June 11th at the Redstone Room in Davenport, and Friday, June 12th at the Mill in Iowa City. Tickets for both shows are $10.
Additionally, Pieta and Dream #9 are scheduled to record a Daytrotter session on June 11th. This will be the second time Pieta and Bo have done a Daytrotter session– the last one was in 2008.
I happened to be looking at upcoming shows on The Mill Restaurant and saw that they were going to be having a Bo Ramsey headlining show! In fact, looking at his tour page it seems that he’ll be playing three dates this spring and summer.
The shows are listed as Bo Ramsey & The Mystery Lights and they will be playing The Washington in Burlington, IA on 4/25, The Mill in Iowa City on 5/2, and– as he has in the past– he will be playing the Mississippi Valley Blues Fest in Davenport on July 2nd.
According to Bo, The Mystery Lights will be long time “Sliders” Al Schares on guitar and Steve Hayes on drums. Joining them will be Jon Penner on bass (see picture above) who worked on Fragile with Bo and Steve Hayes. Jon also frequently plays with Pieta. I saw Jon at the Springville show a couple of years ago which I reported on. Al Schares is also notably the Program Director for KUNI.
I needed to hit GNC for the last night of Gold Card Days for Sherry, so I stopped in at Half-Price Books. A fairly productive stop– found some essentials.
Bruce Springsteen – Darkness on the Edge of Town (LP, Columbia JC 35318, 1978) ($2.98) Cool! Decent copies of the Springsteen catalog are tough to find. Next to The River, this is my favorite Springsteen record. slight cover wear, sleeve in tact as well as the lyric sheet. Vinyl impressively minty. I got into Springsteen pretty heavily after Born in the USA. I bought everything on cassette. Never bought any Springsteen on CD. So, it’s a bit strange to be picking this up on vinyl. I suppose Sony/BMG has already started pressing Bruce’s catalog in 180g vinyl. (apparently not?)
Bruce Springsteen – The River (2 LP, Columbia PC2 36854, 1980) ($3.98) My other big favorite from The Boss. I think The River is the blueprint for what would be the most-identifiable Springsteen sound with the hard-working E Street Band on board. The River shows all the different sides to Springsteen from the out-and-out rocker of “Cadillac Ranch” to the FM-ready “Hungry Heart” and the melancholy of “The River.” (I always wondered if the couple in the song “The River” actually drowned themselves?) Dad bought this on cassette back when it was new and I remember that we went through a couple of copies of it. It’s a little-known fact that 60-minute cassette and 90-minute cassettes use the same amount of tape. The 90’s are just stretched thinner than the 60’s. This needed to be done because otherwise the tape wouldn’t fit in the shell and be too heavy for most cassette decks. Unfortunately, this caused the double-length cassette to be prone to breaking. The River was a double-length album on cassette since it was 2 LP’s. The cover of this copy has some edge wear and sleeve wear which is very typical of copies of this album. Unfortunately, this wasn’t pressed as a gatefold, so both records are sandwiched precariously into one sleeve. The inside record sleeves which serve as the inside art are in tact as well as a slightly tear-stained lyric sheet. The vinyl is in great shape. I’ve seen some sealed copies of this show up on eBay, so this will be one I’ll want to upgrade.
Mickey Jupp – “Old Rock ‘N’ Roller” b/w “S.P.Y.” (7″ Stiff Records BUY-36, 1978)($0.98) I didn’t know who Mickey Jupp was before I picked this up. This single was notable in that it is on Stiff Records– one time home of British notables as Elvis Costello and Nick Lowe among others. Also it has the paper sleeve intact (“If it means Everything to Everyone… It Must be a Stiff” “Today’s Sound Today”). In addition to that, the A side was produced by Nick Lowe. I’m considering putting this out on eBay, but it is a pretty cool piece, so I may just keep it. I haven’t had a chance to listen to it, but it would appear to be from his Wiki article that his signing to Stiff Records was as a result of a resurgence of interest in “Pub Rock” in the 70’s.
Pieta Brown – Remember the Sun (CD, One Little Indian OLI782, 2007) ($5.98) I had this in mp3 but I wanted to own this on CD. This is a fantastic album, and certainly Pieta’s best so far in my opinion. Produced by Bo Ramsey and has that signature sound. I listen to this album quite a bit and is a good companion to Bo’s new album Fragile.
Ryan Adams – Easy Tiger (CD, Lost Highway B0009130-02, 2007) ($6.98) I have this on vinyl and mp3, but I couldn’t pass this up. Apparently Half-Price got in a bunch of sealed, new copies of Easy Tiger and are selling them for– wait for it– HALF PRICE! 😉 This is my favorite Ryan Adams album, but Cardinology is catching up quickly.
For about two minutes today there was a blog post on Pieta Brown’s MySpace page about a new self-released 7-song EP called Flight Time and is reported to be available starting 10/10 via Pieta’s website as a download or eventually by iTunes. The album was produced and played on by Bo Ramsey and includes Sliders luminaries Marty Christensen and Steve Hayes.
The physical media– which will be available at her shows– is in bio-degradable packaging and is designed by Pieta’s sister Zoe Brown.
Tracklist: Sunrise, Highway 44 (Click Here to visit Pieta’s MySpace Page which has this track streaming)
Still Runnin’
Just
The Lion’s Dream
Bad News
I Thought I Heard You Call My Name
Even When
A cool and unexpected offering from Daytrotter– Pieta Brown with hubby Bo Ramsey performing tracks from her fantastic 2007 release on One Little IndianRemember The Sun plus a couple of unreleased tracks.
I think it is really admirable that Daytrotter, which calls its home The Quad Cities (specifically Rock Island) and chooses to occasionally feature regional acts to the watching planet.
I hope that they had the opportunity to record Bo as well. If not, they should try to get him on the schedule.
Click Here to read the article on Pieta Brown at Daytrotter and download yourself some mp3’s.
While I was putting this article together I noticed that Pieta will be playing in Marion, IA at the very cool Campbell-Steele Gallery on October 10th. Campbell-Steele is the home of the funny and musical Liar’s Holographic Theatre. Tickets are 25 smackers, but the art gallery is a very intimate place to see performances and Pieta would be a wonderful artist to see there.
Previously we announced that Bo Ramsey’s album recorded in 2007 would be released on April 8th in conjunction with some CD release shows. Since tomorrow is April 1st, I was getting ready to send an e-mail over to CDBaby to see if they were going to be ready to have the CD available for the 8th. I hit Bo’s site and imagine my surprise that the CD is available today!
For whatever reason, you can’t find the new Bo Ramsey album by doing a search of “Bo Ramsey” on the CDBaby site. But, this link works and I ordered my copy this morning! $14 plus $2.25 shipping.
Bo has two more shows on the calendar that are solo and solo with band. 4/5/08 in Minneapolis at the Cedar Cultural Center with Marty Christensen and The Englert in Iowa City on 4/26 with band. I hope we’ll get more opportunities to see Bo this summer.
Look for a review here in the near future. I have had the opportunity to hear this album in advance and my first thoughts are that this album is the logical progression from his blues cover album Stranger Blues and his best and most consistently timeless album yet.
When I saw Bo Ramsey and the Mystery Lights at the Mill back in May, Pieta was kind of hanging back in the shadows of the dark bar and helping her sister sell some Bo Ramsey merchandise. After the show was over I took the opportunity to ask her about her record label situation. After being signed to 
A cool and unexpected offering from Daytrotter– 
Previously we announced 