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(Upcoming Show) Lindsey Buckingham at The Englert in Iowa City Sunday, 9/2/2012

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(Photo by Kevin Winter/Getty Images)

Lindsey Buckingham is having the time of his life.

At the time of his sixth solo album The Seeds We Sow in 2011, Lindsey Buckingham is able to frame his life as a musician and family man in the context of his journey thus far. He attributes his peace to two things. The first is his personal life, “To finally meet someone and to have the family thing happen, that’s been a real gift,” he says. The other is musical. “If there is a level of contentedness that I’ve arrived at, part of it is because I think in the last three or four years what I experienced during the solo albums and then what I experienced on the last Fleetwood Mac tour I felt like I had come to a point where there was so much foundation that I had built for myself making incremental steps forward as a musician and as an artist.”

Certainly, the last few years have been very productive for Buckingham, starting with an out-of-the-blue solo album in 2006, a derailed follow up that morphed into a new studio album for a re-ignited Fleetwood Mac, a re-imagining of the derailed follow up in 2008, a live album and then The Seeds We Sow in 2011.

The Seeds We Sow represents Buckingham taking full control over his career handling all of the recording, production and also releasing himself. The album is a very up-close-and-personal perspective of Buckingham at times sounding like a really well-produced home demo, which I suppose it really is.

I consider Lindsey Buckingham to be a personal musical hero. His distinct sound and contribution to the canon of rock music with his solo work as well as his years in Fleetwood Mac have impacted me at a level that might be chromosomal. I started listening to music on my own around the time of Rumours and his music has been with me ever since. I have been fortunate to see him with the Mighty Mac three times in my life but never solo, so the news that he will be performing at the wonderful Englert Theatre in Iowa City on Labor Day Weekend is exciting news! He will be performing at 8PM on Sunday, September 2rd.

The presale for the show started on Tuesday for Friends of the Englert, and general sale for the show starts on Friday,  June 22nd at 1PM. Tickets are $55 for Tier One Tickets and $45 for Tier Two.

Click Here for more information about Lindsey Buckingham at The Englert in Iowa City, including how to order tickets.

Click Here to find out about how you can be a Friend of the Englert and get in on great pre-sale deals and other perks.

 

(Upcoming Release) Pezzettino – LubDub Kickstarter for Vinyl EP

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Margaret Stutt who goes by the nom d’cordion Pezzettino has collaborated with Milwaukee-based producer LMNtylist on her follow up to her 2009 release Lion. Titled LubDub, it is a 10-track EP of, well– I guess they are love songs. Well, maybe not all of them are love songs, but certainly they are related to love and appear to be roughly arranged in a timeline of a love affair that is having some fits and starts getting off the ground.

Originally the follow up to the moody, serrated toothiness of Lion was supposed to be a kinder, gentler album to be titled Lamb. In December of 2008 she posted the track listing for both releases on Facebook. When Miss Pezz blew through the Midwest last Fall it would appear that she had already moved into the mental space of Lamb in preparation for recording that album. By that time she had recorded the lead track for Lamb– the insanely catchy “You Never Know” which kind of took on a life of its own with its joyous video and vinyl 7″ release– each with a custom cover done by Milwaukee artist Dwellephant. For that Fall tour she’d already been performing “You Never Know,” “Hunting Season,” and “Falling Down” all songs that seemed fully formed and ready for the album. She also played a new song that was a quick favorite for me– “Where’d Ya Go.”

Anyone who knows Margaret well knows that she is constantly catering to her muse– typically recording inspired fragments of song anywhere and anytime they show up– many songs were written behind the wheel of her now-departed Civic on the long drives between the gigs on tour. It was a collection of these fragments that she gave to Milwaukee HipHop producer LMNTylist who was interested in trying his hand producing some pop songs. When she stopped through Cedar Rapids in January she played me the rough mixes that she had just received. I was at once shocked and excited at what I’d heard– the lead off track for LubDub “Replay” was pretty much cemented at that point as was “Cold Hard Chick.” This was a dramatically different direction for Pezzettino– she had given over to the production and the resulting songs still showed the fun and humor typically found in her music, but now had rhythm and were… funky!

The album pulls from a number of different influences ranging from the Reggae/Dub of the title track, to more the Jazzy “Only One” and “She Deserves” to the DooWop spin of “Replay” to a more “classic” Pezz piano track in “For You and Your Headaches.” Here is a video Margaret shot of a street mural painter that uses “Only One” as its soundtrack:

So, maybe it is fitting that the more mild-mannered Lamb would be quickly replaced by a more determined and immediate electronic release in LubDub. I guess the chops of Lamb will get to spend some more time slow cooking.

LubDub will be available for download on September 7th and on 12″ colored vinyl later this fall. Pezzettino has a Kickstarter drive going to attempt to raise the $1000 needed to press the vinyl. After an impressive week, she has raised over half of the funds and, at the time of this writing, still has over 30 days to go! Donations range from $1 to $1000 and have varying levels of perks at each level. Any donation over $15 gets you some copy of LubDub with pledges over $20 getting you the vinyl and the CD version of it along with four bonus tracks. Other levels get you things like cookies, her dress from the “You Never Know” video, private performance, or the ability to determine the next cover songs in her popular cover series. Click on the kickstarter widget below to see what your options are to help get this great release out.

The fantastically appropriate album art (shown above) was done by LittleTinyFish.

There are two release shows– one in each of her hometowns:

Milwaukee: September 11th at Turner Hall with Mondo Lucha, 8PM
Brooklyn: October 14th at Cameo Gallery, 9PM

In the middle of these shows is a quick run of the Midwest that includes stops in DeKalb (9/12), Iowa City (9/15 at The Blue Moose Tap Room), Omaha (9/16), Des Moines (9/18 at Vaudeville Mews) and Boulder, CO (9/23). Visit her MySpace Page to keep up to date on this tour. This tour is going to be the first time in a while she has toured with a small band– so I’m looking forward to these shows!

Track Listing for LubDub:

1. Replay
2. She Deserves
3. Cold Hard Chick
4. Only One
5. Intermezzo I
6. Lub Dub
7. Where’d Ya Go
8. Intermezzo II
9. For You and Your Headaches
10. I Did Not Use Those Words Yesterday

Click Here to download “Replay” from LubDub

Click Here to visit the Pezzettino Web Site

Click Here for Pezzettino’s Facebook Fan Page

Click Here for Pezzettino’s MySpace Page

Click Here for Pezzettino on Twitter

Click Here for LMNTylist’s MySpace Page.

Upcoming Show: Cheyenne Marie Mize at The Mill Restaurant in Iowa City 7/29

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If you haven’t heard of Cheyenne Mize before it is probably because her work tended not to be in the forefront of the bands she was in– at least not until recently. Hailing from Louisville, Cheyenne has been firmly entrenched in the folkie scene there. Supporting bands and artists like Arnett Hollow, Maiden Radio, Ben Sollee, Saredren Wells, Thomas A. Minor and the Picket Line, Joe Manning, The Health & Happiness Family Gospel Band, Ben Sollee & Daniel Martin Moore touring band for Dear Companion. (Thanks to Question the Pop interview with Cheyenne for that list).

Last year Cheyenne partnered with Louisville’s reknowned son, Bonnie “Prince” Billy aka Will Oldham on an EP of duets titled Among the Gold. Among the Gold is a collection of late-nineteenth and early-twentieth century standards like “Beautiful Dreamer” and “Let Me Call You Sweetheart.” Louisville indie label Karate Body pressed an insanely-limited edition (250 copies) 10″ colored vinyl pressing of it and only made it available at shows and at their online store. It is available for digital download from Cheyenne’s Bandcamp Page. The EP certainly demonstrated Cheyenne’s talents and beautiful soprano but really didn’t show her songwriting abilities. Cheyenne will be releasing her first solo record titled Before Lately on September 28th and it will be on another Louisville label sonaBLAST! Records.

Where Among the Gold was steeped in the old-time standards it was made of, Before Lately is more contemporary mix of ingredients. The album is drifting and dreamy– introspective, really.  The album is a very stripped-down affair with very little percussion and utilizes all of Cheyenne’s talents: vocals, violin, guitar and piano. The songs move between ethereal shoegazer-ish production on tracks like “Path” and “Lull” and more direct singer-songwriter style tracks like on “Doctor” and “Not.” Before Lately made an impression on me right away and tugs my disappointment that it isn’t available right now!

Cheyenne is currently on tour and will be making a stop in Iowa City on Thursday 7/29 at The Mill Restaurant opening for Portland, OR band Archeology. This will be the late show, which starts at 10PM and is a 21+ show. Tickets are $6. I’ll be interested to hear how these songs translate to the stage. You can listen to the whole album via this nifty player:

Here is “With(out)” from Before Lately.
With(out) by CrashAvenue

Cheyenne Marie Mize on Tour:
Sat Jul 24 – The Denver Post Underground Music Showcase – Denver, CO
Sun Jul 25 – The Denver Post Underground Music Showcase – Denver, CO
Tue Jul 27 – Czar Bar – Kansas City, MO
Wed Jul 28 – Vaudeville Mews – Des Moines, IA
Thu Jul 29 – The Mill – Iowa City, IA
Fri Jul 30 – Uncommon Ground on Clark – Chicago, IL
Sat Jul 31 – White Rabbit Cabaret – Indianapolis, IN

Click Here for Cheyenne Marie Mize’s website

Click Here for Cheyenne Marie Mize’s MySpace Page

Click Here for Cheyenne Marie Mize’s Facebook Fanpage

Click Here for Cheyenne Marie Mize’s page at sonaBLAST!

Click Here for Cheyenne Marie Mize’s Bandcamp Page where you can listen to Among the Gold and Before Lately.

Larger Than Life: Dave Matthews Band, Ben Harper and Gogol Bordello in 3D (Review)

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Larger Than Life in 3D Poster
As I previously posted, movie theaters across the nation had a new live concert film/experience titled “Larger Than Life in 3D” which featured Dave Matthews Band, Ben Harper and the Relentless 7 and Gogol Bordello which showed from December 11th through the 17th. I attended the 9PM showing on Wednesday, December 16th at the Wehrenberg Theater in Cedar Rapids. The movie was a 3D experience of three 2009 concerts with each of the bands.

I haven’t heard any reports about attendance of the showings, but the dark theater was empty– an exclusive showing for me, apparently. Maybe the fans of these bands had seen earlier shows, maybe it was a factor of folks out for Christmas shopping. Unfortunately, I was planning to give away some teeshirts, posters and lanyards promoting the event, but ended up bringing the pile back home with me. I did give away a couple teeshirts anyway. I think that this is a pretty cool event idea and the 3D and surround aspects of seeing a live act, while not the same as experiencing a live show with the crowd is very much enhanced over just seeing a video or even just a movie of a concert.

The movie kicked off with short sets from Gogol Bordello and Ben Harper. I haven’t seen either of them live– video or otherwise, so I was interested to see them.

Before the movie started there were previews of some upcoming 3D movies– a cute preview to the new addition to the Toy Story series which should be out in 2010. The Spanish-language Buzz Lightyear had me laughing out loud– looks cute. I also saw the preview for the new Tim Burton film Alice in Wonderland, which is apparently a sequel of sorts to the original story with an adult-ish Alice returning to Wonderland. In addition to those trailers I saw a trailer for another 3D concert movie from the folks at inconcert3d– in February there will be a “Best of Lollapalooza” movie which looks cool, and the trailer dropped that there will be a “Best of Austin City Limits Festival” in 2010 at an unspecified date. I’m sure that the ACL Festival footage came from the same shows that provided the footage for the Dave Matthews Band set.

Following the trailers they showed Alberta Cross performing “Old Man Chicago” from the Livestrong stage at Austin City Limits festival. I hadn’t heard them before, but had heard of them from their Daytrotter.com session (click here).

First up was a short but high-energy set from Gogol Bordello. The two songs performed were effectively the last two songs before the encore of their nine-song performance at the All-Points West Festival in Jersey City, NJ from August from this year. Pretty crazy set– the band played in a frenzy. Very Eastern-European folk rhythms. I thought it sounded pretty great, but I think it would have been better if the set would have been more than two songs and actually at the show.

Following Gogol Bordello was a three-song set from Ben Harper and the Relentless7 excerpted from their performance at the Mile High Festival this year. I was really impressed with their set. Ben Harper was on fire laying out his bluesy approach which reminded me of Lenny Kravitz and Jimi Hendrix a bit. I really wish there would have been more Ben Harper! His set was enough for me to download his new album White Lies for Dark Times and order the 180g 2 LP version! I will admit that I hadn’t been following him at all. There was a friend of a friend in Minneapolis who, in the 90’s, was a big Ben Harper fan and had seen him a couple of times at First Avenue– he tried one night to get me to listen to some songs. At the time I wasn’t really very taken with what he played for me and I guess that stuck with me until I saw these songs in the movie. I was immediately taken with the slide guitar parts. Apparently the creation of the Relentless7 band sparked a new direction for Ben Harper– one that I think has some genuine soul and blues to it. I recommend catching him live with his new band.

Finally, Dave Matthews Band was up and played nine songs from their Austin City Limits Festival set. I was a fan of the first two Dave Matthews Band albums– especially Under the Table and Dreaming which was played on Rev105 and Cities97. I really hadn’t heard anything quite like them at the time– the passionate, slightly soft vocal delivery from Dave Matthews and the overall polish that really helped deliver the songs. Like many, I heard all of the huge singles– “Crash Into Me,” “The Space Between.” I just didn’t really keep following him because I didn’t feel that he really developed much over the years. It isn’t that I don’t like Dave Matthews, I’m just not really compelled to listen to him much–in my opinion he just hasn’t developed based on his studio output. Where Dave really shines is in a live setting. He has one of the great live bands, really– strong and able to really carry the show, I think.  I wasn’t very familiar with most of the songs in the movie, except for the “Burning Down the House” Talking Heads cover, “Ants Marching,” and I had heard “Why I Am” from the new album.  None of the big hits were in this set which seemed to focus on his new album Big Whiskey and the GrooGrux King, which is a tribute to the late DMB member LeRoi Moore. But, it is the live performance where he shines and he was clearly working for this performance– his shirt was soaked with sweat, and he was in constant movement, clearly enjoying the music often with a big grin on his face and doing his little shuffle dance.

After the DMB set, during the credits we got to see one more performance from Gogol Bordello– “Wanderlust King” which was cool. Effectively, then both of the opening acts got three songs. Looking around the empty theater I wondered if the show would have been more enjoyable with others in the audience. I expect it would have been– but traditional movie courtesy is to be quiet during movies– are the crowds more participatory during these live concerts– do they cheer? Maybe I’ll find out in February at the Lollapalooza movie if they have it in Cedar Rapids.

Gogol Bordello Set:
Start Wearing Purple
Think Globally, Fuck Locally
Wanderlust King (during credits)

Ben Harper and the Relentless 7 Set:
Lay There & Hate Me
Keep It Together (So I Can Fall Apart)
Serve Your Soul

Dave Matthews Band Set:
You Might Die Trying
Funny The Way It Is
Seven
So Damn Lucky
Shake Me Like a Monkey
Why I Am
Burning Down The House (Talking Heads cover)
So Much to Say
Ants Marching

Upcoming Show: Chris Smither at CSPS in Cedar Rapids 10-27-09

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Next Tuesday night, October 27th, folk and blues singer-songwriter Chris Smither will be making a stop at CSPS in Cedar Rapids during his Fall tour in support of his new album on Signature Sounds Time Stands Still which came out on September 29th.

A collection of stripped-down orignals and a few choice covers by Dylan, Knopfler and Frank Hutchison, Time Stands Still was recorded in an astounding three days and captures the immediacy of his live show.

Chris’s songs have been recorded by artists such as Bonnie Raitt, Emmylou Harris, and Donna Krall. It was Raitt’s recording of “Love Me Like A Man” for her 1972 album Give It Up that marked the beginning of a long-standing working partnership. Diana Krall covered this same song in 2004 for her album The Girl in the Other Room.

The show will be at 7PM next Tuesday night (October 27th) and tickets are $18 in advance and $22 at the door. Don’t miss this opportunity to see this acclaimed songwriter and performer at the amazing CSPS!

Click Here to listen to “Surprise, Surprise” from Time Stand Still.

Click Here for Chris Smither’s Website

Click Here for the Legion Arts page on the Chris Smither show

Upcoming Show: Woven Hand at Vaudeville Mews in Des Moines 4/19/08

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Back in 1996, when I was living in Minneapolis I was really into this band called 16 Horsepower. The alternative radio single “Black Soul Choir” was all over Rev105 and Sherry and I saw them play the Fine Line on 6/8/96 (according to the ticket stub I tucked into the CD sleeve of their first release on A&M Sackcloth ‘n’ Ashes. At the time, I hadn’t heard anything like the hellfire and brimstone approach that lead singer David Eugene Edwards brought. The only band that had a similar sound was Miami Gun Club. These days, there are a few more bands that take the “graveyard folk” route like Devil Makes Three (previously reviewed here).

I found out from a friend of a friend that David Eugene Edwards is bringing his post-16 Horsepower band Woven Hand to Des Moines on April 19th at the hip Vaudeville Mews venue (that I still haven’t been to!). Woven Hand is still pretty similar to the sound of 16 Horsepower but it has a slightly updated sound. I’m catching up… Edwards seemed to command the stage when I saw him in 1996, so I can only assume he’ll put on a great show these days. Only $8!

Visit the Woven Hand MySpace Page
Visit the Woven Hand website
Visit the 16 Horsepower website

Listen to “Black Soul Choir” Live